Sirui 50mm T2.9 1.6X Full Frame Anamorphic Lens - RF Mount
Sirui 50mm T2.9 1.6X Full Frame Anamorphic Lens - RF Mount
SKU:
SIR-780390
Regular price
£1,082.50 GBP ex VAT
£1,299.00 GBP inc VAT
£1,299.00 GBP inc VAT
Regular price
ex VAT
Sale price
£1,082.50 GBP ex VAT
£1,299.00 GBP inc VAT
Unit price
per
£1,299.00 GBP inc VAT
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- Details
- Specifications
2.8:1 CinemaScope Aspect Ratio
In the past few years, SIRUI 1.33X APS-C anamorphic Lens lineup has disrupted the market with its competitive price and exceptional optical performance.
Always looking to challenge itself as a professional lens manufacturer, SIRUI again blows the minds of videographers with its 50mm T2.9 1.6X full-frame anamorphic lens, which can be said to have no equal in its class.
In the past few years, SIRUI 1.33X APS-C anamorphic Lens lineup has disrupted the market with its competitive price and exceptional optical performance.
Always looking to challenge itself as a professional lens manufacturer, SIRUI again blows the minds of videographers with its 50mm T2.9 1.6X full-frame anamorphic lens, which can be said to have no equal in its class.
Wider than Wider
This lens features a 1.6 times squeeze factor. When shoot in 3:2, it will yield a 2.4:1 aspect ratio. When the sensor is set at 16:9, you’ll end up with a much wider 2.8:1 aspect ratio, the viewing experience delivered by it is as premium and immersive as the IMAX format.
Frame as You Like
Whether to shoot grand scenes or tight shots, the images you get with this lens will be of superior quality, high resolution and good sharpness. Being a full-frame lens means it can shoot wider than its APS-C equivalents, leaving you plenty of room for pan-and-scan or punching in the post. For example, if part of an image is redundant, just crop it out without worrying about pixel loss.
What You Get Is What You See
As the third eye of shooters, 50mm focal length has an angle of view that is very close to human eyes. Featuring a 1.6 times squeeze factor, this 50mm lens can deliver a horizontal angle of view we’d expect from a 31mm regular lens and the super organic background blur, which help render your storytelling much more nuanced and engaging.
Beautiful Oval Bokeh
This lens, with a squeeze factor of 1.6 times, produces oval bokeh in a more pleasing shape than those lenses with 1.33 times squeeze, giving the footage extra expressiveness and aesthetics.
Vibrant Lens Flares
Pointing a light source directly into this lens to get that signature blue lens flares anamorphic lenses are known for, adding a sprinkle of magic to your image.
A Maximum Aperture of T2.9h
The lens features a fast wide open aputure with a light transmission of T2. Ideal for low light usage and will create a shallow depth of field to help isolate the subject in the frame.
Solid Build Quality
A Maximum Aperture of T2.9h
The lens features a fast wide open aputure with a light transmission of T2. Ideal for low light usage and will create a shallow depth of field to help isolate the subject in the frame.
Solid Build Quality
This lens looks super sleek as the whole barrel is built up of aluminum alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of follow-focus system.
Match Perfectly with Full Frame Cameras
This model comes in native mount for RF, L, E, Z mount camera systems, compatible with such full frame cameras as Panasonic S1H, RED Komodo, Sony FX3, Nikon Z6. As an inexpensive alternative to branded full frame anamorphic lenses, this lens is going to make anamorphics accessible to more people for more situations.
State-of-the-Art Technology
This lens consists of 16 elements in 13 groups. The optics are constructed of Schott glass with multi-layer nano-coating, which improves image quality while reducing unnecessary ghosting and flares.
Unique Barrel Distortion
Barrel distortion often appears as a flaw, but it lends anamorphic lenses an added allure. The stereo feeling is exactly what videographers are looking for.
Maximum Aperture of T2.9
When shooting wide open at T2.9 with the focus concentrating on the subject, you'll get a shallow depth of field image with the subject in focus and other areas out of focus.
Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.
Using a wide aperture in low light conditions enables the camera to take in more light and achieves a faster shutter speed. Also, the aperture ring is engineered stepless to offer smooth iris control.
Geared Aperture and Focus Rings
The aperture and focus rings are both geared for a nice resistance and easy installation of a follow-focus system. There are precision scale marks on both sides of the focus ring for quick adjustment.
Cine Lens Housing
Cine Lens Housing
This lens looks super sleek as the whole barrel is built up of aluminum alloy. On top of that, the aperture and focus rings are both geared for a nice resistance and easy installation of follow-focus system.
| Model: | Sirui 50mm T2.9 1.6x Full-Frame Anamorphic Lens |
| Focal Length: | 50mm |
| Maximum Aperture: | T2.9 |
| Minimum Aperture: | T16 |
| Lens Structure: | 16 Elements in 13 Groups |
| Aperture Blades: | 10 |
| Maximum Support Frame: | Full frame |
| Shooting Distance: | 0.75m / 2.5ft - ∞ |
| Focus Method: | Manual Focusing |
| Maximum Magnification: | 1:12.83 (V), 1:20.42 (H) |
| Filter Spec: | M82 x 0.75 |
| Rotation Angle of Focus Ring: | 95.5° |
| Max. Diameter: | 88mm / 3.46" |
| Diameter of Focus Ring: | 88mm / 3.46" |
| Length: | 140mm / 5.51" |
| Weight: | 1.07kg / 2.37lbs |