Panasonic LUMIX GH7 - Body Only
Panasonic LUMIX GH7 - Body Only
SKU:
PAN-DC-GH7E
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- Details
- Specifications
The LUMIX GH7 delivers outstanding video performance, wide dynamic range with a newly developed 25.2MP BSI CMOS sensor, and improved AF performance with PDAF (Phase Detection Auto-Focus). To support the efficient workflow required in professional production environments, the GH7 is newly equipped with Apple ProRes RAW*1 internal recording and the World’s first 32-bit float recording*2, which eliminates the need to adjust sound recording levels during shooting.
With the rapid increase in demand for video content in recent years, the number of small teams of video creators is rising, along with the demand for further improvements in the quality of mirrorless cameras with excellent video performance and portability. Since its release in 2009, our LUMIX GH series has developed a strong reputation among creators and video production teams as a model renowned for its shooting performance, innovative features and reliability.
The LUMIX GH7 is a next-generation mirrorless camera that meets the needs of creators, whatever their creative field may be.
Pro Features for Pro Content
GH7 brings key upgrades to make your content clearer, and brighter than ever before. Phase Hybrid AF continuously tracks subjects, allowing the GH7 to capture them quickly and precisely. The camera's Dynamic Range Boost enables a wide dynamic range at all ISO sensitivity ranges.
Efficient Workflow
GH7 is built to make your workflow seamless. ProRes RAW HQ internal recording and 32-bit float format recording can be performed on the camera body itself, making it possible to produce high-quality and high-efficiency content with minimal setup.
World’s First 32-bit Float RecordingWhen combined with the DMW-XLR2 (sold separately), the LUMIX GH7 delivers the world's first 32-bit float recording,* improving the quality and efficiency of the entire workflow. With its wide dynamic range, the 32-bit float format records more information, from quiet to loud sounds, eliminating the need for tedious sound level adjustments during audio recording.
*For an interchangeable lens digital camera, as of June 5th 2024. According to Panasonic's research.
ProRes RAW HQ Internal Recording
5.7K 30p ProRes RAW HQ footage can be recorded on the camera body itself, giving you the freedom to capture the moment at the click of a button with minimal setup and no need for external devices. Improved gimbal compatibility also expands the range of expressions.
*Recording is not possible on the SD card.
ARRI LogC3 Recording
By using DMW-SFU3A Software Upgrade Key (sold separately), users can use the ARRI LogC3*, which enables color matching with ARRI’s digital cinema cameras. The image processing of the ARRI LogC3 curve on LUMIX GH7 has been certified by ARRI for the implementation of this function. The options for Log recording, which provides rich color information and a wide dynamic range, have been expanded to include ARRI LogC3 in addition to the conventional V-Log, further improving LUMIX’s workflow compatibility.
*ARRI LogC3 is a Log gamma developed by ARRI and used in ARRI digital cinema cameras. Please note: ALEXA 35 uses ARRI LogC4.
*On the LUMIX GH7, ARRI LogC3 can be used for 10bit recording in Creative Video mode.
ï½¥ARRI is registered trademarks of Arnold & Richter Cine Technik GmbH & Co. Betriebs KG.
*On the LUMIX GH7, ARRI LogC3 can be used for 10bit recording in Creative Video mode.
ï½¥ARRI is registered trademarks of Arnold & Richter Cine Technik GmbH & Co. Betriebs KG.
Outstanding Reliability
No need to stop shooting due to overheating. The GH7's compact body and heat dissipation structure enable extended recording even when shooting at heavy loads (4:2:2 10-bit C4K/4K 60p/50p, ProRes RAW HQ).
Phase Hybrid AF
The most important thing with autofocus is to be dependable. In addition to contrast AF, the LUMIX GH7 offers the Phase Detection AF system, which dramatically improves subject tracking performance and metering technologies. The camera can capture the subject even in challenging scenes in which multiple subjects are involved, delivering accuracy even in backlit or low-light environments.
Real-Time Recognition
The LUMIX’s advanced detection AF pushes the envelope on sports, wildlife, and car/motorcycle photography. The LUMIX GH7 can now recognize a wider range of subjects and target parts, including human and animal eyes, the front of vehicles, the helmets of drivers and motorcyclists, the first car of a train, and the nose of an airplane.
Richer Tonal Expression
Dynamic Range Boost function acquires two types of images with a single exposure and synthesizes them in real time to create composite images with rich tonal range even in scenes with significant luminance differences. With still images, it allows for richer expression of shadow tones in RAW data. With video, it enables 13+-stop V-Log/V-Gamut recording.
Real-Time LUT
LUTs can be applied to photos and videos on the camera body itself, allowing you to create photos and videos straight out of the camera. Supports ".VLT" and ".CUBE" file formats. By utilizing this feature, you can save time on the complicated post-editing process. In combination with the LUMIX Lab app, you can easily create your own LUTs and install them on the camera.
LUMIX Lab App
GH7's ultra-fast Wi-Fi connection lets you pair the camera with your smartphone in three steps and transfer content seamlessly. You can also crop, adjust brightness, and apply LUTs, enabling simple editing for any social media platform to be done in a snap.
Native Camera-to-Cloud integration with Adobe’s Frame.io
With Frame.io Camera to Cloud, creator’s images and videos are automatically uploaded, backed up, shared, and worked on jointly via the cloud.
Live Streaming
Choose your favorite streaming approach to share your latest in real time! For outdoor use, wireless live streaming (RTMP/RTMPS) is easy to set up with the LUMIX Sync app. For indoor use, highly stable wired live streaming (RTP/RTSP) is also available.
Unlimited Video Recording Time
Offering 4:2:2 10-bit C4K/4K 60p/50p internal recording, the LUMIX GH7 delivers unlimited recording time when used at the recommended operating temperature (-10°F–104°F).
Ideal for small production teams and in demanding conditions where mobility and high-quality are a must. Also allows for simultaneous internal recording and external recording via HDMI output.
*CFexpress card or an SD memory card with Video Speed Class 90 is required.
We've Got You Covered
All LUMIX cameras come with a free extended 3 year warranty. You can manage your gear, process repairs and contact our expert technical team anytime through the LUMIX Pro Services portal. Pros can opt into our paid Platinum level program for expedited service and shipping, free clean/checks and discounted out-of-warranty repairs.
| TYPE | ||
| Type: | Digital Single Lens Mirrorless camera | |
| Lens Mount: | Micro Four Thirds mount | |
| IMAGE SENSOR | ||
| Type: | BSI CMOS sensor (17.3 x 13.0 mm) | |
| Camera Effective Pixels / Total Pixels: | Approx. 25.2 megapixels / Approx. 26.5 megapixels | |
| AR (Anti-Reflection) Coating: | Yes | |
| Aspect Ratio / Colour Filter: | 4:3 / Primary color filter | |
| Dust Reduction System: | Image sensor shift type | |
| LATITUDE | ||
| Latitude: | 13+ stops (V-Log) (Sensor output is 60fps or less) 12+ stops (V-Log) (Sensor output is 61fps or higher) | |
| STILL IMAGE | ||
| Recording File Format: | JPEG (DCF, Exif 3.0), RAW | |
| Aspect Ratio: | 4:3 / 3:2 / 16:9 / 1:1 | |
| File Size (Pixels): | 4:3: | 5776x4336(L) / 4096x3072(M) / 2944x2208(S) / 1920 x 1440(XS) / 11552x8672(XL)* / 8192x6144(LL)* *High Resolution Mode. |
| 3:2: | 5776x3848(L) / 4096x2728(M) / 2944x1960(S) / 1920x1280(XS) / 11552x7696(XL)* / 8192x5464(LL)* *High Resolution Mode. | |
| 16:9: | "5776x3248(L) / 4096x2304(M) / 2944x1656(S) / 1920x1080(XS) / 11552x6496(XL)* / 8192x4608(LL)* *High Resolution Mode. | |
| 1:1: | 4336x4336(L) / 3072x3072(M) / 2208x2208(S) / 1440x1440(XS) / 8672x8672(XL)* / 6144x6144(LL)* *High Resolution Mode. | |
| Image Quality: | RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined RAW / RAW+Fine / Fine) | |
| Colour Space: | sRGB, AdobeRGB | |
| HDMI RAW DATA OUTPUT | ||
| Compatible External Devices: | "Blackmagic Video Assist 5"" 12G HDR, Blackmagic Video Assist 7"" 12G HDR *DaVinci Resolve or DaVinci Resolve Studio is required to play back and DaVinci Resolve Studio to edit Blackmagic RAW data. *Please refer to the Blackmagic Design website for the information on the corresponding firmware version of Blackmagic Video Assist 5” 12G HDR and Blackmagic Video Assist 7” 12G HDR. *All functions may not be available depending on the situation. *When recording in C4K 120p/100p or 5.7K 60p/50p, constant bitrate 5:1 or less is recommended for SSD recording and 8:1 or less for SD card recording. ATOMOS devices ""Ninja V"" / ""Ninja V+"" / ""Ninja"" / ""Ninja Ultra"" / ""Shogun"" / ""Shogun Ultra"" / ""Shogun Connect"" *All functions may not be available depending on the situation. *Please check here for compatible firmware versions of external recorders. *""Ninja V"" ""Ninja"" ""Shogun"" does not support some RAW video data. *Software that supports Apple ProRes RAW is required to edit RAW video recorded. *A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same color grading as V-Log/V-Gamut. | |
| REC QUALITY | ||
| NTSC (59.94Hz): | [5.8K] 5760x4320 (4:3): | 29.97p, 12-bit (LPCM)* 23.98p, 12-bit (LPCM)* *Image Area of Video is set to FULL during this recording mode. |
| [5.7K] 5728x3024 (17:9): | 59.94p, 12-bit (LPCM)* 29.97p, 12-bit (LPCM)* 23.98p, 12-bit (LPCM)* *Image Area of Video is set to FULL during this recording mode. | |
| [4.4K] 4352x3264 (4:3): | 59.94p, 12-bit (LPCM)* *Image Area of Video is set to PIXEL/PIXEL during this recording mode. | |
| [C4K] 4096x2160 (17:9): | 119.88p, 12-bit (LPCM)* 59.94p, 12-bit (LPCM)* 29.97p, 12-bit (LPCM)* 23.98p, 12-bit (LPCM)* *Image Area of Video is set to PIXEL/PIXEL during this recording mode. | |
| PAL (50.00Hz): | [5.8K] 5760x4320 (4:3): | 25.00p, 12-bit (LPCM)* *Image Area of Video is set to FULL during this recording mode. |
| [5.7K] 5728x3024 (17:9): | 50.00p, 12-bit (LPCM)* 25.00p, 12-bit (LPCM)* *Image Area of Video is set to FULL during this recording mode. | |
| [4.4K] 4352x3264 (4:3): | 50.00p, 12-bit (LPCM)* *Image Area of Video is set to PIXEL/PIXEL during this recording mode. | |
| [C4K] 4096x2160 (17:9): | 100.00p, 12-bit (LPCM)* 50.00p, 12-bit (LPCM)* 25.00p, 12-bit (LPCM)* *Image Area of Video is set to PIXEL/PIXEL during this recording mode. | |
| AUDIO FORMAT | ||
| 4ch Audio Recording: OFF: | Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*) Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit) *When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately). | |
| 4ch Audio Recording: XLR: | Linear format: LPCM (4ch monaural 48kHz/24-bit) Float format: LPCM (4ch monaural 48kHz/32-bit) *When attaching DMW-XLR2 (sold separately). | |
| 4ch Audio Recording: XLR+Camera: | Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**) *When attaching DMW-XLR2/XLR1 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). | |
| EXTERNAL USB | ||
| SSD Recording: | Yes (ON / OFF) | |
| STREAMING | ||
| Wi-Fi Protocol: | RTMP / RTMPS | |
| 59.94Hz: | [FHD] 1920x1080: | 59.94p, 16Mbps* / 8Mbps (H.264) 29.97p, 6Mbps / 3Mbps (H.264) *Not selectable when RTMPS is set. |
| [HD] 1280x720: | 59.94p, 6Mbps (H.264) 29.97p, 4Mbps (H.264) | |
| 50.00Hz: | [FHD] 1920x1080: | 50.00p, 16Mbps* / 8Mbps (H.264) 25.00p, 6Mbps / 3Mbps (H.264) *Not selectable when RTMPS is set. |
| [HD] 1280x720: | 50.00p, 6Mbps (H.264) 25.00p, 4Mbps (H.264) | |
| USB Tethering Protocol: | RTMP / RTMPS | |
| 59.94Hz: | [4K] 3840x2160: | 29.97p, 12.5Mbps (H.264) |
| [FHD] 1920x1080: | 59.94p, 16Mbps / 8Mbps (H.264) 29.97p, 6Mbps / 3Mbps (H.264) | |
| [HD] 1280x720: | 59.94p, 6Mbps (H.264) 29.97p, 4Mbps (H.264) | |
| 50.00Hz: | [4K] 3840x2160: | 25.00, 12.5Mbps (H.264) |
| [FHD] 1920x1080: | 50.00p, 16Mbps / 8Mbps (H.264) 25.00p, 6Mbps / 3Mbps (H.264) | |
| [HD] 1280x720: | 50.00p, 6Mbps (H.264) 25.00p, 4Mbps (H.264) | |
| Wired LAN Protocol: | RTP / RTSP | |
| 59.94Hz: | [4K] 3840x2160: | 59.94p, 50Mbps / 25Mbps (H.265)* 59.94p, 50Mbps / 25Mbps (H.264)* 29.97p, 25Mbps / 12.5Mbps (H.265) 29.97p, 25Mbps / 12.5Mbps (H.264) *When Image Area of Video is set to PIXEL/PIXEL. |
| [FHD] 1920x1080: | 59.94p, 20Mbps / 16Mbps (H.265) 59.94p, 16Mbps / 8Mbps (H.264) 29.97p, 12Mbps / 6Mbps (H.265) 29.97p, 6Mbps / 3Mbps (H.264) | |
| [HD] 1280x720: | 59.94p, 6Mbps (H.264) 29.97p, 4Mbps (H.264) | |
| 50.00Hz: | [4K] 3840x2160: | 50.00p, 50Mbps / 25Mbps (H.265)* 50.00p, 50Mbps / 25Mbps (H.264)* 25.00p, 25Mbps / 12.5Mbps (H.265) 25.00p, 25Mbps / 12.5Mbps (H.264) *When Image Area of Video is set to PIXEL/PIXEL. |
| [FHD] 1920x1080: | 50.00p, 20Mbps / 16Mbps (H.265) 50.00p, 16Mbps / 8Mbps (H.264) 25.00p, 12Mbps / 6Mbps (H.265) 25.00p, 6Mbps / 3Mbps (H.264) | |
| [HD] 1280x720: | 50.00p, 6Mbps (H.264) 25.00p, 4Mbps (H.264) | |
| VIEWFINDER | ||
| Type: | OLED Live View Finder | |
| Pixels: | Approx. 3.68 million dots | |
| Field of View / Magnification: | Approx. 100% / Approx. 1.6x / 0.8x (35mm camera equivalent) with 50 mm lens at infinity -1.0 m-1, when the aspect ratio is set to 4:3 | |
| Eye Point / Diopter Adjustment: | Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt) | |
| Eye Sensor: | Yes | |
| Display Speed: | 120fps / 60fps | |
| REAR MONITOR | ||
| Type: | TFT LCD monitor with static touch control | |
| Monitor Size: | Tilt free-angle, 3.0-inch (7.6cm), 3:2 aspect | |
| Pixels: | Approx. 1.84 million dots | |
| Field of View: | Approx. 100% | |
| FOCUS | ||
| Type: | Phase Detection AF system / Contrast AF system | |
| DFD Technology: | Yes | |
| Focus Mode: | AFS (Single) / AFC (Continuous) / MF | |
| AF Mode: | Tracking / Full Area AF / Zone (Horizontal/Vertical) / Zone / 1-Area+ / 1-Area / Pinpoint *Automatic Detection can be turned ON to switch between Human / Animal / Car / Motorcycle / Train / Airplane. Except when Pinpoint is set. | |
| AF Detective Range: | EV -4 - 18 (F2.0, ISO100 equivalent, AFS) | |
| AF Custom Setting: | AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction | |
| AF Assist Light: | Yes | |
| AF Lock: | Set the Fn button in custom menu to AF lock | |
| Focus Ring Control: | Nonlinear / Linear* (90°/ 120°/ 150°/ 180°/ 210°/ 240°/ 270°/ 300°/ 330°/ 360°/ 720°/ 1080°/ Maximum) *When a compatible lens is attached. | |
| Others: | AF-ON, AF-ON: Near Shift, AF-ON: Far Shift, Focus Limiter, Focus Peaking 1-Area AF Moving Speed, AF Micro Adjustment Continuous AF (during motion picture recording), Focus/Shutter Priority Focus Switching for Vert/Hor, AF/AE Lock Hold, AF+MF, MF Assist, MF Guide Focus Ring Lock, Show/Hide AF Mode, AF- Point Scope, Shutter AF, Half Press Shutter Quick AF, Eye Sensor AF, Loop Focus Frame, Enlarged Live Display (Video), Touch Shutter Touch AF/AE Function, Touch Pad AF, Lens Focus Resume | |
| EXPOSURE CONTROL | ||
| Light Metering System: | 1,728-zone multi- pattern sensing system | |
| Light Metering Mode: | Multiple / Center Weighted / Spot / Highlight Weighted | |
| Metering Range: | EV0-18 (F2.0 lens, ISO100 equivalent) | |
| Mode Dial: | Program AE (P) / Aperture Priority AE (A) / Shutter Priority AE (S) / Manual Exposure (M) / Creative Video (P/A/S/M)* / Custom 1, 2, 3, 4 / Intelligent Auto *The same exposure operations as P/A/S/M mode is available. | |
| Exposure Compensation: | 1/3 EV step ±5EV (±3EV for motion picture) | |
| ISO Sensitivity (Standard Output Sensitivity): | Still Image: | [Normal] Auto / 50 (Extended ISO) / 100-25600 [V-Log] Auto / 125 (Extended ISO) / 500-12800 *Switchable between 1/3 or 1 EV step. |
| Motion Picture: | [Normal] Sensor output is 60fps or less (Base ISO 100): Auto / 50 (Extended ISO) / 100-12800 Sensor output is 61fps or higher (Base ISO 100): Auto / 50 (Extended ISO) 100-3200 / 4000-12800 (Extended ISO) [V-Log] Sensor output is 60fps or less (Base ISO 500): Auto / 125-400 (Extended ISO) / 500-12800 Sensor output is 61fps or higher (Base ISO 250): Auto / 125-200 (Extended ISO) 250-3200 / 4000-12800 (Extended ISO) [Hybrid Log Gamma] Sensor output is 60fps or less (Base ISO 250): Auto / 250-12800 Sensor output is 61fps or higher (Base ISO 250): Auto / 250-3200 / 4000-12800 (Extended ISO) *Switchable between 1/3 or 1 EV step. | |
| ISO Auto: | Still Image: | [Normal] Minimum: 100-12800 Max: Auto / 200-25600 [V-Log] Minimum: 500-6400 Max: Auto / 800-12800 |
| Motion Picture: | [Normal] Minimum: Sensor output is 60fps or less: 100-6400 Sensor output is 61fps or higher: 100-1600 Max: Sensor output is 60fps or less: Auto / 200- 12800 Sensor output is 61fps or higher: Auto / 200-3200 / 6400 (Extended ISO) [V-Log] Minimum: Sensor output is 60fps or less: 500-6400 Sensor output is 61fps or higher: 250-1600 Max: Sensor output is 60fps or less: Auto / 800- 12800 Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO) [Hybrid Log Gamma] Minimum: Sensor output is 60fps or less: 250-6400 Sensor output is 61fps or higher: 250-1600 Max: Sensor output is 60fps or less: Auto / 400- 12800 Sensor output is 61fps or higher: Auto / 400-3200 / 6400 (Extended ISO) | |
| Synchro Scan: | Still image / Motion picture | |
| IMAGE STABILIZATION SYSTEM | ||
| Image Stabilization System: | B.I.S. (5- axis / 7.5-stop*) *Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=60m (35mm camera equivalent f=120mm) when H-ES12060 is used.] Dual I.S. 2 (7.5-stop**) **Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=140mm (35mm camera equivalent f=280mm) when H-FSA14140 is used.] | |
| WHITE BALANCE | ||
| White Balance: | AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 | |
| White Balance Adjustment: | Blue/Amber bias, Magenta/Green bias | |
| Colour Temperature Setting: | 2500-10000K in 100K | |
| SHUTTER | ||
| Type: | Focal-plane shutter | |
| Shutter Speed: | Still image: Bulb (Max. 30 minutes), 1/8,000 - 60 Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60 Electronic shutter: Bulb (Max. 60 sec), 1/32,000 - 60 Motion picture: 1/25,000 - 1/25 Creative Video M mode / MF mode: 1/25,000 - 1/8 | |
| Self Timer: | 10sec, 3 images / 2sec / 10sec / Custom Time | |
| Remote Control: | Remote control by DMW- RS2 (sold separately) | |
| Silent Mode / Shutter Type: | Yes / Yes (Auto / Mechanical / Electronic front curtain Electronic / Electronic+NR) | |
| BRACKET | ||
| AE Bracket: | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst | |
| Aperture Bracket: | 3, 5 or all positions | |
| Focus Bracket: | Yes | |
| White Balance Bracket: | 3 images in blue/amber axis or in magenta/green axis, color temperature setting | |
| BURST SHOOTING | ||
| Burst Speed: | Mechanical Shutter: | H: 14 frames/sec (AFS/MF), 10 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/AFC/MF) (with Live View) L: 2 frames/sec (AFS/AFC/MF) (with Live View) |
| Electronic Front Curtain Shutter: | H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/AFC/MF) (with Live View) L: 2 frames/sec (AFS/AFC/MF) (with Live View) | |
| Electronic Shutter: | SH75: 75 frames/sec (AFS/MF) SH60: 60 frames/sec (AFS/AFC/MF) SH20: 20 frames/sec (AFS/AFC/MF) SH75 PRE: 75 frames/sec (AFS/MF) SH60 PRE: 60 frames/sec (AFS/AFC/MF) SH20 PRE: 20 frames/sec (AFS/AFC/MF) H: 14 frames/sec (AFS/MF), 9 frames/sec (AFC) (with Live View) M: 6 frames/sec (AFS/AFC/MF) (with Live View) L: 2 frames/sec (AFS/AFC/MF) (with Live View) | |
| Number of Recordable Images: | RAW+JPEG: More than 170 images**, More than 165 images*** RAW: More than 215 images**, More than 200 images*** JPEG: More than 260 images**, More than 250 images*** SH RAW / RAW+JPEG : 190 images JPEG: 190 images*** *Until the burst shooting speed slows. When recording is performed under the test conditions specified by Panasonic. **When using a card with CFexpress Type B ***When using a card with SD Speed Class with ""UHS-II UHS Speed Class 3 (U3). | |
| FLASH | ||
| Flash Type: | TTL External Flash (sold separately) | |
| Flash Mode: | Auto* / Auto/Red-eye Reduction* / Forced On / Forced On/Red-eye Reduction Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off *For iA only. | |
| Flash Synchronization: | 1st Curtain Sync, 2nd Curtain Sync. | |
| Flash Output Adjustment: | 1/3EV step ±3EV | |
| Synchronization Speed: | Less than 1/250 second | |
| Wireless Control: | Yes (When using DMW- FL200L / FL360L / FL580L (sold separately)) Wireless Channel: 1ch/2ch/3ch/4ch | |
| Flash Sync Socket: | Yes | |
| CROP ZOOM | ||
| Crop Zoom: | Still image / Motion picture | |
| COLOUR SETTINGS | ||
| Photo Style: | Standard / Vivid / Natural / L. Classic Neo / Flat / Landscape / Portrait / Monochrome L. Monochrome / L. Monochrome D / L. Monochrome S / LEICA Monochrome / Cinelike D2 / Cinelike V2 Like709 / V-Log / REAL TIME LUT / Hybrid Log Gamma / My Photo Style 1-4 (5-10)* *Set to ON from Show/Hide Photo Style to select. | |
| Picture Adjustment: | Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect Grain Effect / Color Noise / Sharpness / Noise Reduction / ISO / WB / LUT *Adjustable settings vary depending on the Photo Style mode. | |
| Filter: | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Cross Process / Bleach Bypass | |
| LUT Library: | Supported file types: .vlt, .cube Vlog_709 / Set 1-39 (Set 1-3: Sample LUT) *REAL TIME LUT in Photo Style, Apply LUT in Fn button, Apply LUT in RAW Processing LUT View Assist in Log View Assist, LUT can be applied from these settings. | |
| MOTION PICTURE FUNCTION | ||
| Time Lapse Shot: | Yes | |
| Stop Motion Animation: | Yes | |
| SS / Gain Operation: | Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB | |
| Luminance Level: | 8-bit: 0-255 / 16-235 / 16-255 10-bit: 0‒1023 / 64‒940 / 64‒1023 | |
| Master Pedestal Level: | 31 steps | |
| Colour Bars / Test Tone: | Yes (SMPTE / EBU / ARIB) / Yes | |
| LUT View Assist: | Monitor / HDMI | |
| HLD View Assist: | Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF) | |
| Anamorphic Desqueeze Display: | 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF | |
| Wave Form Monitor / Vectorscope: | Selectable | |
| Knee Control: | Yes (in Like709 mode) | |
| Other Functions: | Red REC Frame Indicator, Streaming Blue Frame Indicator | |
| VERTICAL POSITION INFORMATION | ||
| Vertical Position Information: | Still image / Motion picture (ON/OFF) | |
| LEVEL GAUGE | ||
| Level Gauge: | Yes | |
| INTERFACE | Please refer to "OSD" Sheet | |
| USB: | USB Type-C® (USB 10Gbps) | |
| HDMI: | HDMI TypeA Audio: ON / OFF, MP4: 2ch, MOV: 2ch (When [4ch Mic Input] is set to OFF.) 4ch (When [4ch Mic Input] is set to ON.) | |
| Monitor Through: | 4:2:2 10bit (When [Rec Quality] is set to [4:2:2 10bit] or [4:2:0 10bit
| |