Fujifilm GFX ETERNA 55
Fujifilm GFX ETERNA 55
SKU:
FUJ-16953510
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£11,665.83 GBP ex VAT
£13,999.00 GBP inc VAT
£13,999.00 GBP inc VAT
Regular price
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- Details
- Specifications
- What's Included
FUJIFILM GFX ETERNA 55 – Designed for Filmmakers, Built Around a Large Format Sensor
At the heart of GFX ETERNA 55 lies a powerful large format sensor: 44x33mm (55mm diagonal), far exceeding the traditional 35mm full-frame. Its expansive surface records light in stunning detail, delivering a cinematic aesthetic with unique depth-of-field characteristics that standard formats simply can’t replicate.
Smooth tonal gradation. Subtle textures hiding in the shadows. Atmosphere lingering in the highlights. Every flicker of light, every nuance of tone – faithfully rendered, even in low light, with remarkably low noise. Skin tones are recorded with delicate precision, preserving their natural feel.
GFX ETERNA 55 is more than a tool. It’s a camera that lets filmmakers return to the essence of visual storytelling: the desire to speak through light.
The Fujifilm Look
Building on over 90 years of Fujifilm’s pioneering film color science, GFX ETERNA 55’s large format sensor delivers digital imagery with the depth, warmth, and nuanced tones traditionally reserved for film.
GFX ETERNA 55 is designed for filmmakers who seek to express their vision with authenticity and emotional impact – creating not just images, but stories that resonate.
Unleashing the Film Stocks
GFX ETERNA 55 features 20 Film Simulation modes.
Plus, by utilizing Fujifilm’s proprietary wide dynamic range, wide-gamut F-Log2 C/F-Gamut C, filmmakers can access ten expertly crafted Film Simulation LUTs* that replicate Fujifilm’s iconic film stocks in the digital format.
From Velvia and ASTIA to CLASSIC CHROME and ETERNA, these celebrated film stocks serve as a powerful creative post-production tool – rekindling the distinct Memory Color that has long been admired in photography.
This goes beyond simple color grading. It’s digital storytelling infused with the rich heritage and expressive depth of analog film.
*PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, REALA ACE, PRO Neg.Std, Classic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, and ACROS
Various Formats
GFX ETERNA 55 supports 4:3 Open Gate recording, fully utilizing the expansive imaging area of its large format sensor.
In addition to FUJINON GF and Premista lenses, it also supports 8K/4K DCI recording with standard 35mm compatible PL lenses. Moreover, it is compatible with anamorphic lenses and Super 35 format lenses, allowing filmmakers to freely select the desired field of view according to their creative vision.
Combining the rich visual expression unique to a large sensor with broad compatibility across lens types and formats, this camera becomes a powerful creative tool – expanding the freedom of filmmaking to new heights.
Anamorphic Ready
GFX ETERNA 55’s large format 4:3 sensor is ideal for the unique cinematic qualities of anamorphic lenses.
The elongated aspect ratio, elliptical bokeh, and horizontal lens flare characteristic of such optics have been widely embraced in filmmaking to enrich storytelling. GFX ETERNA 55 offers real-time de-squeeze monitoring on set, providing a clear and accurate preview during shooting.
By combining the sensor’s vast image circle with the distinct properties of anamorphic lenses, GFX ETERNA 55 delivers unprecedented depth and scale to your creative output.
Codec
Apple ProRes HQ, renowned for its reliability in post-production workflows, is the main recording codec on GFX ETERNA 55.
It offers a perfect balance of high-quality image fidelity and robust editing performance, enabling a seamless workflow from on set to final finishing. Covering up to 8K at 30fps, 4K at 60fps, and HD at 120fps, GFX ETERNA 55 records the rich tonal range and color of its large format sensor in formats optimized for any scenario.
Whether it’s cinematic feature films, commercials demanding flexible frame rates, or high-speed artistic projects, GFX ETERNA 55’s versatility makes it an ideal tool across genres.
Ready for Filmmaking
A design that elevates the creative drive of every filmmaker.
Constructed with a magnesium alloy body, the camera balances lightweight portability with exceptional durability.
Every detail – from cable connectors and button layout to the handle – has been meticulously crafted for maximum convenience and robustness. The sleek, minimalist form, inherited from GFX System, is sure to satisfy the discerning aesthetic of any user.
Bundled with Confidence
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PL Mount Adapter - In addition to the standard G Mount, GFX ETERNA 55 comes supplied with PL Mount Adapter G, allowing immediate use of PL Mount lenses without the need for additional accessories. The camera’s essence lies in honoring the creative aesthetic that lenses – including anamorphic ones – bring to your work.
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5.0-inch Large LCD Monitor - Equipped with a 5.0-inch display, this camera boasts a high-resolution panel with 6.22 million dots, making it remarkably easy to check focus and color accuracy – crucial for precise decisions on set. With a 2000-nit brightness, the screen remains clear and visible even under bright outdoor lighting or harsh backlight. The display latency is reduced to an absolute minimum for smooth real-time monitoring and focus control, without lag or frustration. Moreover, the proprietary color reproduction technology ensures faithful and consistent color rendering, for easy calibration that helps maintain color integrity throughout recording and post-production.
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Dedicated Handle - A dedicated handle is included, designed for both ease of use and advanced functionality. On the side of the handle is a dial for focus, zoom, or iris control. When paired with electronically controlled lenses, these dials enable smooth, precise adjustments for real-time fine-tuning. Switching the dial to the ND setting allows you to smoothly adjust the density of the electronic variable ND filter on the fly. The handle base features a sliding rail syste, allowing for quick and effortless repositioning of the balance point to accommodate changes in overall weight when attaching batteries or lenses.
Intuitive Operation
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Dual Side Monitor - To meet the practical needs of shooting environments, GFX ETERNA 55 is equipped with independent 3.0-inch LCD monitors on both sides of the body. These displays provide real-time information such as recording status, exposure, audio levels, and recording formats, allowing both the cinematographer and assistant to simultaneously monitor essential data – perfect for on-set collaboration.
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Accessory Mounting Points - The top of the camera body and handle feature multiple accessory threads in two sizes (1/4n-20 and 3/8in-16) for easy attachment of accessories including monitors, microphones, and wireless transmitters. This design eliminates the need for additional external rigs, streamlining the setup process.
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Connector Ports - In addition to 12G-SDI and HDMI video output terminals, GFX ETERNA 55 is equipped with a wide range of professional-grade interfaces including GENLOCK, REMOTE, 12V DC power port, and LENS connector. These support multi-camera setups, external control, and lens servo power supply, enabling flexible system configurations on set. Furthermore, all connectors are protected by sturdy guards designed to prevent physical damage.
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Button Layout - The control buttons are thoughtfully arranged to allow seamless operation without interrupting the shoot. In addition to seven customizable buttons, there are a total of 12 buttons integrated with the GUI on both side monitors. This setup enables intuitive and efficient camera operation, even for solo operators.
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Weather-Resistant Body - In addition to delivering high image quality and performance, GFX ETERNA 55 is also built to withstand harsh environments. The entire body features a dust- and water-resistant construction (except for V-Mount battery attachment terminal), making it reliable for use in challenging conditions such as dusty locations or sudden weather changes on outdoor sets.
Battery & Media
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Battery - GFX ETERNA 55 is designed to accommodate both V-Mount and Fujifilm’s NP-W235 batteries. While using a V-Mount battery as the main power source, the NP-W235 battery can be mounted simultaneously, enabling hot-swapping of the V-Mount battery without interrupting power during shooting. Additionally, the NP-W235 battery alone provides approximately 30 minutes of continuous operation, offering flexible options for short shoots or situations requiring reduced weight, such as drone or gimbal mounting.
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Media - The use of high-speed CFexpress Type B cards as the primary recording media delivers a smooth, stable recording performance that comfortably handles high-resolution 8K/30p footage and high-bit-rate formats such as ProRes HQ. Additionally, a secondary SD card slot is provided allowing backup recording to the SD card when using H.265.
| Model Name: | FUJIFILM GFX ETERNA 55 | |
| Lens Mount: | FUJIFILM G mount | |
| Image Sensor: | 43.8mm x 32.9mm GFX 102MP CMOS II HS with primary color filter | |
| Number of Pixels: | 102 million pixels | |
| ND Filter: | Electronic Variable ND Filter, 0.6(ND4)～2.1(ND128) | |
| Sensor Cleaning System: | Ultra Sonic Vibration | |
| Image Processing Engine: | X-Processor 5 | |
| Storage Media: | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I UHS-II Video Speed Class V90 CFexpress Type B Card (-2TB) SSD (-2TB) | |
| SENSITIVITY | ||
| Movie: | Standard Output: | AUTO ISO400～12800 (1/3 step) |
| Extended Output: | ISO100~ISO320 (1/3 step) ISO25600 | |
| Exposure Control: | TTL 256-zone metering Multi Spot Average Center Weighted | |
| EXPOSURE COMPENSATION | ||
| Movie: | -2.0EV~+2.0EV (1/4EV step) | |
| Dynamic Range: | 14+Stop (F-Log2 / F-Log2 C) | |
| Shutter Speed / Shutter Angle: | 1/8 sec~1/8000 sec, 5.6°~ 360° | |
| FOCUS | ||
| Mode: | Continuous AF MF | |
| Type: | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-Light Performance: | Contrast: | 1EV GF32-90mmT3.5 attached |
| Phase Detection: | -2EV GF32-90mmT3.5 attached | |
| AF Frame Selection: | Single Point AF: | 13×9 / 25×17 (Changeable size of AF frame) |
| Wide/Tracking AF: | AF: MULTI / TRACKING / AREA | |
| Face / Eye Detection: | Yes | |
| Subject Detection: | Yes (FACE/Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| SIDE MONITOR | ||
| Monitor: | 3.0 inch Touch Screen Color LCD Monitor | |
| Aspect Ratio: | 3:2 | |
| Dots: | Approx. 1.04 million dots | |
| MOVIE RECORDING | ||
| File Format: | Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling) HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |
| Movie Compression: | All Intra Long GOP | |
| 8K (17:9): | File Size: | 8192 x 4320 |
| Frame Rate: | 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps | |
| 8K (16:9): | File Size: | 7680 x 4320 |
| Frame Rate: | 29.97p 25p 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps | |
| 8K (2.76:1): | File Size: | 8192 x 2968 |
| Frame Rate: | 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps | |
| 6.3K (16:9): | File Size: | 6382×3590 |
| Frame Rate: | 29.97p 25p 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra:Only available at 720 Mbps and 360 Mbps | |
| 5.8K (2.39:1): | File Size: | 5824×2436 |
| Frame Rate: | 29.97p 25p 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200 Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps | |
| 5.4K (17:9): | File Size: | 5440 x 2868 |
| Frame Rate: | 29.97p 25p 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps | |
| 4.8K (3:2): | File Size: | 4776 x 3184 |
| Frame Rate: | 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps | |
| 4.8K (16:9): | File Size: | 4776 x 2688 |
| Frame Rate: | 29.97p 25p 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps | |
| 4.6K (1.38:1): | File Size: | 4664 x 3380 |
| Frame Rate: | 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps | |
| 4.6K (1.195:1): | File Size: | 4040×3380 |
| Frame Rate: | 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra:Only available at 720 Mbps and 360 Mbps | |
| DCI4K (17:9): | File Size: | 4096 x 2160 |
| Frame Rate: | 59.94p 50p 48p 47.95 29.97p 25p 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps | |
| 4K (16:9): | File Size: | 3840 x 2160 |
| Frame Rate: | 59.94p 50p 48p 47.95p 29.97p 25p 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps | |
| 4K (4:3): | File Size: | 3840×2880 |
| Frame Rate: | 48p 47.95p 29.97p 25p 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps | |
| Full HD (17:9): | File Size: | 2048 x 1080 |
| Frame Rate: | 59.94p 50p 48p 47.95p 29.97p 25p 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps | |
| Full HD (16:9): | File Size: | 1920 x 1080 |
| Frame Rate: | 59.94p 50p 48p 47.95p 29.97p 25p 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps All Intra: Only available at 720 Mbps and 360 Mbps | |
| Film Simulation Mode: | 20 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome REALA ACE PRO Neg.Hi PRO Neg.Std Classic Neg. Nostalgic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia | |
| WHITE BALANCE | ||
| Auto: | White Priority Auto Ambience Priority | |
| Custom: | Custom | |
| Colour Temperature Selection: | 2000K~11000K,CC(-16.00~+16.00) | |
| WIRELESS TRANSMITTER | ||
| Standard: | IEEE802.11a/b/g/n/ac (standard wireless protocol) | |
| Encryption: | WPA2, WPA3 | |
| Access Mode: | Infrastructure mode | |
| BLUETOOTH | ||
| Standard: | Bluetooth Ver. 4.2 (Bluetooth low energy) | |
| Operating Frequency (Center Frequency): | 2402〜2480MHz | |
| TERMINAL | ||
| Digital Interface: | USB Type-C® | |
| HDMI Output: | HDMI OUT connector (Type A) | |
| LAN Terminal: | LAN connector 1000BASE-Tã€100BASE-TXã€10BASE-T | |
| Others: | ø3.5mm,stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) ø2.5mm,connector (Remote Release ) TC IN/TC OUT connector GenLock connector 12G SDI OUT connector:max 4K59.94p 12G/6G/3G LENS connector(12-pin) :Power supply 14V-0.5A V-mount battery attachment terminal Handle connection terminal DC OUT 12V connector :2-pin LEMO :12V 3A LCD monitor cable connector DC IN connector:4-pin for AC-15VS | |
| POWER SUPPLY | ||
| Power Supply: | NP-W235 Li-ion battery (included) DC IN:AC-15VS AC power adapter (included) V-mount battery | |
| DIMENSIONS | ||
| Width: | 110.8mm | |
| Height: | 138.2mm | |
| Depth: | 176.8mm | |
| WEIGHT | ||
| Excluding Battery & Memory Card: | Approx. 2.0kg | |
| OPERATION ENVIRONMENT | ||
| Operating Temperature: | -10℃～+40℃ | |
| Operating Humidity: | 10% – 80% (no condensation) | |
| POWER CONSUMPTION | ||
| Standard Power Consumption: | 21W With lens, 4K 16:9, 59.94P, ProRes HQ, cooling fan Auto1, excluding accessories other than the LCD monitor and handle. | |
| Maximum Power Consumption: | 49W With lens, 4K 16:9, 59.94P, ProRes HQ, cooling fan High, including accessories, DC OUT 12V not connected. | |
- 1x GFX ETERNA Camera
- 1x Li-ion battery NP-W235
- 1x AC power adapter AC-15VS
- 1x AC cable
- 1x Body cap
- 1x Handle
- 1x LCD Monitor
- 1x LCD Monitor hood
- 1x LCD attachment
- 1x PL-Mount Adapter