









MORE THAN FULL FRAME
Offering an immersive large format photography experience, FUJIFILM GFX100S II does not simply make images, it creates vivid memories of your favorite places in breathtaking detail.
Record Scenes With Unparalleled Image Quality
The newly-developed large format sensor and latest imaging engine boost image quality and speed compared to the original GFX100S. Add powerful image stabilization into the camera’s compact body and it makes GFX100S II the ultimate photographic tool.
Tell Your Story in Vivid Detail
Offering more than full frame, the large format GFX 102MP CMOS II sensor measures 55mm diagonally and records subjects in 102-megapixel detail for stunning depth, texture, and tonality. This is coupled with the high-performance X-Processor 5 imaging engine, which rapidly processes and optimizes vast amounts of data from the sensor. Combined, they create an intuitive image-making experience even for those using a large format camera for the first time.
ISO 80 Standard Sensitivity
By improving the pixel structure on the new sensor, standard sensitivity has been extended to ISO 80.
Now, photographers can make 16-bit images with wider dynamic range and lower noise than ever before.
Improved Quality in Every Corner
Redesigned microlenses improve light coverage at the corners of the sensor, delivering better image quality and increased AF accuracy at the periphery of the lens.
Film Simulation Modes
For the past 90 years, Fujifilm has worked tirelessly on colour research. This vast expertise is harnessed in its unique Film Simulation modes. GFX100S II features 20 such modes, including the latest REALA ACE, providing a wide variety of creative looks.
Pixel Shift Multi-Shot
GFX100S II is equipped with Pixel Shift Multi-Shot, which uses the in-body image stabilization system to precisely shift the sensor by 0.5 pixels for each shot while recording 16 consecutive RAW images. The images are then processed using the dedicated Pixel Shift Combiner software to generate a single 400-megapixel image.
Additionally, Real Color mode records four RAW files with a one-pixel shift between each frame. With this function, it is possible to create 102-megapixel images with suppressed false colors, using only a quarter of the time and data of the previous GFX100S model.
Never Miss A Moment
Large format cameras often provide high image quality, but low practicality when photographing moving subjects. GFX100S II excels in both fields. It records fleeting moments in ultra high quality so you never miss the perfect image.
Updated AF Algorithm
Thanks to an improved predictive AF algorithm, GFX100S II delivers enhanced subject tracking and improved AF accuracy in low-contrast environments, compared to its predecessor, the GFX100S. This means it can accurately track a wide range of subjects, including dynamic portraits, sports, and wildlife.
Subject Detection AF
GFX100S II’s AF algorithm boosts face and eye detection, leaving photographers the freedom to concentrate on composition and timing. GFX100S II is also equipped with subject detection AF based on deep-learning AI technology. It can detect and focus on various subjects including animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects*, and drones* using artificial intelligence.
*Set SUBJECT DETECTION SETTING to BIRD to detect insects and AIRPLANE to detect drones.
7fps High-Speed Burst
Thanks to the newly developed GFX 102MP CMOS II sensor and improved readout speed enabled by the new shutter unit, GFX100S II achieves a continuous burst speed of up to 7.0 frames-per-second*.
*When mechanical shutter is selected.
High-Magnification and High-Resolution EVF
Featuring a resolution of 5.76 million dots and a magnification of 0.84x, the electronic viewfinder on GFX100S II offers high visibility.
Zone Custom Setting
Setting the AF mode to Zone allows customization of the focus area according to the subject’s shape and movement.
Ultimate Freedom
GFX100S II features the highest level of 5-axis image stabilization with a benefit of up to 8.0 stops* for virtually limitless large format creativity, delivering exceptional image quality even in challenging low-light scenarios. Yet despite all the performance upgrades from the GFX100S, the weight of GFX100S II has been reduced compared to its predecessor. At 883g (1.95lbs)**, it is the lightest 102-megapixel body in Fujifilm’s GFX System.
*Compliant with CIPA in pitch / yaw directions when mounted with the FUJINON GF63mmF2.8 R WR lens.
**With battery and memory card installed.
Our Most Powerful IBIS Up to 8.0 Stops of In-Body Image Stabilization
To maximize the benefits of the 102-megapixel large format sensor, GFX100S II is equipped with the most powerful in-body image stabilization (IBIS) yet in a GFX System camera – the 5-axis system delivers an impressive benefit of up to 8.0 stops.
This is made possible by a meticulously designed IBIS unit with precise gyroscopic and accelerometer sensors designed to correct even the slightest movements. As a result, handheld image making is more agile and effortless.
The Lightest GFX System Camera Yet
At 883g (1.95lbs), the body weight has been reduced compared to GFX100S, despite numerous feature upgrades such as the powerful in-body image stabilization system. Whether you want to photograph landscapes, portraits or travel images, it has never been easier to carry a 102-megapixel sensor for ultimate image quality.
Designed to Perform
The body of GFX100S II is coated in BISHAMON-TEX™, which is also used on the flagship GFX100 II. The three-arrow pattern, inspired by traditional Japanese design, not only enhances the look of the camera, but also serves to ensure a steady hold.
Comfortable, Steady Grip
The ergonomic grip is coated with BISHAMON-TEX™ to ensure a comfortable fit and assured hold. Combined with the camera’s best-in-class image stabilization, it provides reassuring support for handheld image making.
Mode Dial
GFX100S II uses a familiar mode dial to access exposure options quickly. In addition to PASM settings, the dial includes six custom positions where bespoke settings can be stored, then quickly and easily accessed for different subjects and creative scenarios.
Sub LCD Monitor
GFX100S II features a high-visibility 1.8-inch monochrome sub LCD monitor displaying essential information including shutter speed, aperture, ISO sensitivity, and exposure compensation. It also shows the remaining number of still images and recording time for video. The monitor can be customized to personal preferences.
Weather Resistant
Thanks to a camera body that is sealed in 60 different places, GFX100S II can easily shrug off challenging weather and environments*, for creativity without compromise. The body shell is also made from magnesium alloy, which is both rigid and robust.
*When used with a weather-resistant GF lens.
More Than Just Stills
GFX100S II is perfect for video as well as stills. Thanks to the improved pixel structure on the newly developed GFX 102MP CMOS II sensor, ISO 100 is now standard sensitivity, plus the camera offers wider dynamic range and lower noise compared to previous GFX System models. Autofocus and handling are also improved compared to the GFX100S. Just as with stills, movies will show stunning depth, tone, and detail.
| Model Name: | FUJIFILM GFX100S II | |
| Lens Mount: | FUJIFILM G mount | |
| Image Sensor: | 43.8mm×32.9mm GFX 102MP CMOS II with primary color filter | |
| Number of Effective Pixels: | 102 million pixels | |
| Sensor Cleaning System: | Ultra Sonic Vibration | |
| Image Processing Engine: | X-Processor 5 | |
| Sensor Cleaning System: | Ultra Sonic Vibration | |
| Storage Media: | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I UHS-II Video Speed Class V90 SSD (-2TB) *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility. | |
| FILE FORMAT OF STILL IMAGE | ||
| DCF: | Compliant with Design rule for Camera File system (DCF2.0) | |
| JPEG: | Exif Ver.2.32 | |
| HEIF: | 4:2:2 10bit | |
| RAW: | 14bit / 16bit RAW (RAF original format) | |
| TIFF: | 8bit / 16bit RGB (In-camera Raw Conversion Only) | |
| NUMBER OF RECORDED PIXELS | ||
| [L]: | 43: 11648 x 8736 32: 11648 x 7768 169: 11648 x 6552 11: 8736 x 8736 6524: 11648 x 4304 54: 10928 x 8736 76: 10192 x 8736 | |
| [M]: | 43: 8256 x 6192 32: 8256 x 5504 169: 8256 x 4640 11: 6192 x 6192 6524: 8256 x 3048 54: 7744 x 6192 76: 7232 x 6192 | |
| [S]: | 43: 4000 x 3000 32: 4000 x 2664 169: 4000 x 2248 11: 2992 x 2992 6524: 4000 x 1480 54: 3744 x 3000 76: 3504 x 3000 | |
| SENSITIVITY | ||
| Still Image: | Standard Output: | AUTO1 AUTO2 AUTO3 ISO80~12800 (1/3 step) |
| Extended Output: | ISO40 ISO25600 ISO51200 ISO102400 | |
| Movie: | Standard Output: | AUTO ISO100~12800 (1/3 step) |
| Extended Output: | ISO25600 | |
| Exposure Control: | TTL 256-zone metering Multi Spot Average Center Weighted | |
| Exposure Mode: | P (Program AE) A (Aperture Priority AE) S (Shutter Speed Priority AE) M (Manual Exposure) | |
| Exposure Compensation: | Still: | -5.0EV~+5.0EV 1/3EV step |
| Movie: | -2.0EV~+2.0EV 1/3EV step | |
| Image Stabilizer: | Mechanism: | Image sensor shift mechanism with 5-axis compensation |
| Compensation Effect: | 8.0 stops | |
| Digital Image Stabilization: | Yes (movie mode only) | |
| IS MODE BOOST: | Yes (movie mode only) | |
| Shutter Type: | Focal Plane Shutter | |
| SHUTTER SPEED | ||
| Mechanical Shutter: | P Mode: | 30sec. to 1/4000sec. |
| A Mode: | 30sec. to 1/4000sec. | |
| S/M Mode: | 60min. to 1/4000sec. | |
| Bulb: | up to 60min. | |
| Electronic Shutter: | P Mode: | 30sec. to 1/16000sec. |
| A Mode: | 30sec. to 1/16000sec. | |
| S/M Mode: | 60min. to 1/16000sec. | |
| Bulb: | up to 60min. | |
| Mechanical + Electronic Shutter: | P Mode: | 30sec. to 1/16000sec. |
| A Mode: | 30sec. to 1/16000sec. | |
| S/M Mode: | 60min. to 1/16000sec. | |
| Bulb: | up to 60min. | |
| E-Front + Mechanical Shutter: | P Mode: | 30sec. to 1/4000sec. |
| E-Front + Mechanical + Electronic Shutter: | P Mode: | 30sec. to 1/16000sec. |
| Movie: | 4K/DCI4K: | 1/4000sec. to 1/8 sec. |
| FHD: | 1/4000sec. to 1/8 sec. | |
| Synchronized Shutter Speed for Flash: | Mechanical Shutter: | 1/125sec. or slower |
| CONTINUOUS SHOOTING | ||
| Electronic Shutter (Approx. 4.1fps [35mm Format Mode ON]): | JPEG: | 1000+ frames |
| Compressed RAW: | 1000+ frames | |
| Lossless Compressed RAW: | 96 frames | |
| Uncompressed RAW: | 24 frames | |
| Compressed RAW + JPEG: | 95 frames | |
| Lossless Compressed RAW + JPEG: | 51 frames | |
| Uncompressed RAW + JPEG: | 15 frames | |
| Electronic Shutter (Approx. 3.0fps): | JPEG: | 1000+ frames |
| Compressed RAW: | 508 frames | |
| Lossless Compressed RAW: | 45 frames | |
| Uncompressed RAW: | 20 frames | |
| Compressed RAW + JPEG: | 41 frames | |
| Lossless Compressed RAW + JPEG: | 29 frames | |
| Uncompressed RAW + JPEG: | 16 frames | |
| Electronic Shutter (Approx. 7.0fps): | JPEG: | 184 frames |
| Compressed RAW: | 30 frames | |
| Lossless Compressed RAW: | 19 frames | |
| Uncompressed RAW: | 16 frames | |
| Compressed RAW + JPEG: | 16 frames | |
| Lossless Compressed RAW + JPEG: | 14 frames | |
| Uncompressed RAW + JPEG: | 12 frames | |
| Electronic Shutter (Approx. 5.0fps): | JPEG: | 526 frames |
| Compressed RAW: | 46 frames | |
| Lossless Compressed RAW: | 22 frames | |
| Uncompressed RAW: | 17 frames | |
| Compressed RAW + JPEG: | 20 frames | |
| Lossless Compressed RAW + JPEG: | 16 frames | |
| Uncompressed RAW + JPEG: | 12 frames | |
| Mechanical Shutter (Approx. 2.0fps): | JPEG: | 1000+ frames |
| Compressed RAW: | 1000+ frames | |
| Lossless Compressed RAW: | 337 frames | |
| Uncompressed RAW: | 26 frames | |
| Compressed RAW + JPEG: | 312 frames | |
| Lossless Compressed RAW + JPEG: | 42 frames | |
| Uncompressed RAW + JPEG: | 20 frames | |
| DRIVE MODE | ||
| AE Bracketing: | 2 frames 3 frames 5 frames 7 frames 9 frames | |
| Filmsimulation Bracketing: | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing: | 100% 200% 400% | |
| ISO Sensitivity: | ±1/3EV ±2/3EV ±1EV | |
| White Balance Bracketing: | ±1 ±2 ±3 | |
| Focus Bracketing: | AUTO MANUAL | |
| Multiple Exposure: | Yes (Max. 9 frames) Additive Average Bright Dark | |
| Pixel Shift Multi Shot: | Yes | |
| FOCUS | ||
| Mode: | Single AF Continuous AF MF | |
| Type: | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| AF Frame Selection: | Single Point AF: | 13×9 / 25×17 (Changeable size of AF frame) |
| Zone AF: | 3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid | |
| All: | Yes | |
| Subject Detection: | [“Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train)”] | |
| FLASH | ||
| Shoe Mount Flash: | Sync. Mode: | 1st Curtain 2nd Curtain AUTO FP (HSS) |
| Flash Mode: | TTL (TTL AUTO / STANDARD / SLOW SYNC. ) MANUAL MULTI *When EF-X500 is set OFF | |
| Synchronized Terminal: | Sync. Mode: | 1st Curtain 2nd Curtain |
| Flash Mode: | MANUAL | |
| Hot Shoe: | Yes (Dedicated TTL Flash compatible) | |
| VIEWFINDER | ||
| EVF: | EVF: | 0.5 inch OLED Color Viewfinder Approx. 5.76 million dots |
| Coverage of Viewing Area vs. Capturing Area: | Approx. 100% | |
| Eyepoint: | Approx. 24mm (from the Rear End of the Camera’s Eyepiece) | |
| Diopter Adjustment: | -5~+3m-1 | |
| Magnification: | 0.84x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 | |
| Diagonal Angle of View: | approx. 40° (Horizontal angle of view: approx. 32° ) Built-In Eye Sensor | |
| LCD MONITOR | ||
| LCD Monitor: | 3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor | |
| Aspect Ratio: | 4:3 | |
| Dots: | Approx. 2.36 million dots | |
| TOUCH SCREEN MODE | ||
| Shooting Mode: | AF Focus Area OFF Double Tap Setting (ON/OFF) Touch Function Setting (ON/OFF) EVF Touch Screen Area Setting | |
| Playback Mode: | Swipe Pinch-in / Pinch-out Double-tap Drag | |
| SUB LCD MONITOR | ||
| Sub LCD Monitor: | 1.80 inch Monochrome LCD Monitor | |
| Aspect Ratio: | 4:3 | |
| Dots: | 303×230-dot | |
| MOVIE RECORDING | ||
| File Format: | MOV: | Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling) HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) |
| MP4: | MPEG-4 AVC/H.264, AAC | |
| Movie Compression: | All Intra | |
| DCI4K (17:9): | File Size: | 4096 x 2160 |
| Frame Rate: | 29.97p 25p 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps | |
| 4K (16:9): | File Size: | 3840 x 2160 |
| Frame Rate: | 29.97p 25p 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps | |
| Full HD (17:9): | File Size: | 2048 x 1080 |
| Frame Rate: | 59.94p 50p 29.97p 25p 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps | |
| Full HD (16:9): | File Size: | 1920 x 1080 |
| Frame Rate: | 59.94p 50p 29.97p 25p 24p 23.98p | |
| Bitrate: | 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps | |
| FILM SIMULATION MODE | ||
| 20 Modes: | PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome REALA ACE PRO Neg.Hi PRO Neg.Std Classic Neg. Nostalgic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia | |
| Monochromatic Colour: | Yes | |
| Grain Effect: | Roughness: | STRONG, WEAK, OFF |
| Size: | LARGE, SMALL | |
| Colour Chrome Effect: | STRONG, WEAK, OFF | |
| Colour Chrome Blue: | STRONG, WEAK, OFF | |
| Smooth Skin Effect: | STRONG, WEAK, OFF | |
| DYNAMIC RANGE SETTING | ||
| Still: | Still: | AUTO / 100ï¼… / 200ï¼… / 400ï¼… |
| ISO Restriction: | DR100%: No limitã€DR200%: ISO160 or moreã€DR400%: ISO320 or more | |
| Movie: | Movie: | 100ï¼… / 200ï¼… / 400ï¼… |
| ISO Restriction: | DR100%: No limitã€DR200%: ISO200 or moreã€DR400%: ISO400 or more | |
| WHITE BALANCE | ||
| Auto: | White Priority Auto Ambience Priority | |
| Custom: | Custom1 – 3 | |
| Colour Temperature Selection: | 2500K~10000K | |
| Preset: | Daylight Shade Fluorescent Light-1 Fluorescent Light-2 Fluorescent Light-3 Incandescent Light Underwater | |
| Clarity Setting: | ±5 steps | |
| SELF-TIMER | ||
| Still: | 10sec. 2sec. | |
| Movie: | 10sec. 5sec. 3sec. | |
| Interval Timer Shooting: | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| WIRELESS TRANSMITTER | ||
| Standard: | IEEE802.11a/b/g/n/ac (standard wireless protocol) | |
| Encryption: | WPA/WPA2 mixed mode, WPA3 | |
| Access Mode: | Infrastructure | |
| BLUETOOTH | ||
| Standard: | Bluetooth Ver. 4.2 (Bluetooth low energy) | |
| Operating Frequency (Center Frequency): | 2402〜2480MHz | |
| TERMINAL | ||
| Digital Interface: | USB Type-C (USB3.2 Gen2x1) | |
| HDMI Output: | HDMI Micro connector (Type D) | |
| Others: | ø3.5mm, stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terninal | |
| POWER SUPPLY | ||
| Power Supply: | NP-W235 Li-ion battery (included) | |
| Battery Life for Still Images: | Normal Mode: | Approx. 530 frames |
| Actual Battery Life of Movie Capture: | 4K: | Approx. 80min. (29.97p) |
| Full HD: | Approx. 70min. (59.94p) | |
| Continuance Battery Life of Movie Capture: | 4K: | Approx. 120min. (29.97p) |
| Full HD: | Approx. 120min. (59.94p) | |
| PHYSICAL | ||
| Dimensions: | 150.0 x 104.2 x 87.2mm | |
| Weight: | Including Battery and Memory Card: | Approx. 883g |
| Excluding Battery and Memory Card: | Approx. 802g | |
| Operation Environment: | Operating Temperature: | -10℃~+40℃ |
| Operating Humidity: | 10%~80% (no condensation) | |