Fujifilm GFX 100 II Medium Format Camera - Body Only
Fujifilm GFX 100 II Medium Format Camera - Body Only
SKU:
FUJ-16939150
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£5,832.50 GBP ex VAT
£6,999.00 GBP inc VAT
£6,999.00 GBP inc VAT
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- Details
- Features
- Specifications
New beginnings don't start with taking new steps, they start with moving in new directions. And every new GFX System camera has taken a direction that has redefined what it means to be More Than Full Frame.
From its unparalleled image quality, to its overall mobility, the boundaries of large format imaging have continually been reimagined with every new iteration.
GFX100 II continues this tradition by bringing unprecedented high-speed performance, expanded video capabilities, and lightning fast autofocus to a growing list of accolades that professionals everywhere have come to rely on from GFX System cameras.
If it's time to find some direction, discover one to new opportunities with GFX100 II.
HIGH SPEED 102MP SENSOR
GFX100 II brings a new 102-megapixel sensor (GFX 102MP CMOS II HS) with a readout speed that is about two times faster than GFX100S.
GFX100 II brings a new 102-megapixel sensor (GFX 102MP CMOS II HS) with a readout speed that is about two times faster than GFX100S.
Combined with X-Processor 5, GFX100 II is able to achieve a high continuous frame rate of up to 8fps, surgically accurate AF, and advanced video features that have never before existed in any previous GFX System or X Series camera.
A NEW ERA IN AUTOFOCUS
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Subject Detection AF - X-Processor 5 features subject detection AF, which delivers an autofocus performance previously unseen on a large format camera. Built using deep-learning AI technology, its advanced AF tracking and detection not only works on human faces and eyes, but also animals, birds, cars, motorcycles, bicycles, airplanes, and trains.* With such power on tap, photographers can concentrate on creativity, confident GFX100 II will produce an autofocus performance to match.
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Updated AF Algorithm - GFX100 II uses an updated AF prediction algorithm to deliver reliable performance in sports and other situations where accurate, high-speed motion tracking is needed.
HIGH PERFORMANCE AT HIGH SPEED
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8fps High-Speed Burst - GFX100 II makes large format photography possible in previously inaccessible areas. A continuous frame rate of up to 8fps with the mechanical shutter freezes the peak of any sporting action.
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Shortened Intervals and Decreased Viewfinder Blackout - Increased buffer memory minimizes any delay between frames and decreases viewfinder blackout times for seamless high-speed operation.
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120fps Display Frame Rate in Boost Mode - Activating Boost mode on GFX100 II supercharges the display frame rate to approximately 120 frames-per-second - more than enough to keep up with fast-moving subjects.
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5.3fps Blackout-Free Burst Operation - GFX100 II offers a blackout-free 5.3fps burst with for an uninterrupted view of ultra-fast subjects.* In 35mm format mode, GFX100 II offers blackout-free 8.7fps and 5.8fps burst as well.
OTHER FUNCTIONS FOR HIGH SPEED
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Zone Custom Setting
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AF-C Custom Setting
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Number of Focus Points
THE ULTIMATE IN IMAGE QUALITY
GFX100 II continues to set new standards for image quality, alongside its oustanding speed and video credentials. Prepare to experience higher-quality stills, the likes of which you've never witnessed before.
GFX100 II continues to set new standards for image quality, alongside its oustanding speed and video credentials. Prepare to experience higher-quality stills, the likes of which you've never witnessed before.
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ISO 80 Standard Sensitivity - By improving the pixel structure on the new sensor, standard sensitivity has been extended to ISO 80. Now, photographers can make 16-bit images with wider dynamic range and lower noise than ever before.
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Improved Quality in Every Corner - Redesigned microlenses improve light coverage at the corners of the sensor, delivering better image quality and increased AF accuracy at the periphery of the lens
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HEIF Image Format Support - GFX100 II supports the HEIF format, a 10-bit image file with over a billion colors. It delivers higher image quality, but uses up to 30% less space than a JPEG.
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Pixel Shift Multi-Shot - For the ultimate quality, GFX100 II can produce an ultra-high-resolution 400-megapixel image with a single press of the shutter release. Using in-body image stabilization to precisely shift the sensor by a half pixel between each frame, GFX100 II makes 20 frames in which every red, green, and blue pixel has the same information. The result is a detail-rich file with almost no false colors visible.
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New Film Simulation Mode REALA ACE - Enjoy the latest iteration of Fujifilm's renowned color science - REALA ACE. Brand new for GFX100 II, this 20th Film Simulation combines faithful color reproduction with hard tonality, making it suitable for all subjects and situations.
OTHER FUNCTIONS FOR STILL
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IPTC metadata
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Auto White Balace
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White Balance shift
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Grain Effect
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Color Chrome Effect
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Color Chrome FX Blue
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Smmoth Skin Effect
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Clarity
POWER AND PRECISION FOR VIDEO
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4K/60p, 8K/30p, FHD/120p 4:2:2 10-bit Internal Recording - Proving itself as a hybrid powerhouse, GFX100 II offers 4K/60p and 8K/30p 4:2:2 10-bit in-camera recording. ISO 100 can also now be used as the standard movie sensitivity for the highest quality footage.
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Support for Multiple Cine Recording Formats - In addition to GFX large format, GFX100 II supports various cine recording formats, including Premista, 35mm, and anamorphic (35mm). With a basic GF to PL adapter, cinematographers anywhere can use GFX100 II’s massive imaging sensor with some of the world’s most legendary cinema optics, including Fujinon’s collection of Premista and Cabrio Zoom Lenses. For storytellers with wider aspirations, there are also two different high resolution 35mm FF Anamorphic recording modes that provide various de-squeeze monitoring options in-camera.
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Improved Subject Tracking - Tracking subjects just got easier. Select AF-C mode with Wide/Tracking AF, then simply touch the subject on the rear LCD. GFX100 II will then track the object, even in situations with multiple subjects.
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High Speed Rolling Shutter - Follow high speed subjects with confidence – GFX100 II’s increased readout rate suppresses rolling shutter for true-to-life results.
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F-Log2 Support - GFX100 II is the first GFX System camera to feature F-Log2, broadening post-production flexibility. The wider dynamic range of 14+ stops* breathes more life into footage, maximizing detail in shadows, highlights and midtones.
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Compatible with Frame.io Camera to Cloud - Embrace cloud first workflows and open lines of collaboration with GFX100 II’s World First, no accessary needed integration for Frame.io Camera to Cloud and deliver photos or video straight to the cloud the moment after they are created. Utilize the built-in Wi-Fi or Ethernet LAN connection options to connect to Frame.io and deliver hi-res RAW or JPEG images, send h.264 video proxies, or upload 4k ProRes Video securely to any project for immediate review and consideration.
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New MF Assist Focus MAP - For added precision while using manual focus, a new Focus MAP has been added as a MF assist function.
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RAW Output via HDMI - Combined with a compatible ATOMOS HDMI device, RAW video output from GFX100 II can be recorded as 12-bit Apple ProRes RAW at resolutions up to 8K and frame rates up to 29.97fps. With Blackmagic Design Video Assist 12G HDRs, RAW video output from the camera can be recorded as Blackmagic RAW at resolutions up to 8K and frame rates up to 29.97fps.
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FAN-001 Cooling Fan - Extends continuous video recording times with this optional accessory. The fan does not require any additional cables for power and allows GFX100 II to keep recording, even in high-temperature environments.
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Recording to External SSD via USB - Connecting an external SSD via a USB Type-C cable lets you record photos and videos directly to an external SSD in all modes and formats, including 4K/60p and 8K/30p.
OTHER FUNCTIONS FOR VIDEO
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Waveform
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Vectorscope
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F-log2 D Range Priority Mode
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ATOMOS AirGlu™ BT Wireless Timecode*
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Pixel Mapping for Video
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Rec Frame Indicator
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IS Mode Boost
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Zebra Setting
FRAME WITH CONFIDENCE
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8.0-Stop IBIS / Up to 8.0 Stops of In-Body Image Stabilization - Low light? No worries! GFX100 II is equipped with a new IBIS system that uses image information to detect blur, and provides up to eight stops of image stabilization* – more than any other Fujifilm camera. Confidently work hand-held in almost any lighting conditions, unlocking new levels of creativity for stills and video.
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9.44 Million Dot 1.0x EVF - GFX100 II's EVF offers 9.44 million dots and a 1.0x magnification for an optimal viewing experience. Furthermore, it suppresses image drift and distortion caused by misalignment of the pupil, for the clearest possible view.
DETAIL IN DESIGN
A technological tour de force, wrapped in outstanding ergonomics, GFX100 II combines functional beauty with effortless practicality.
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New Leather Pattern BISHAMON-TEX™ - Swathed in BISHAMON-TEX leather, the body of GFX100 II is covered with a traditional Japanese-inspired imprint that improves grip in all directions.
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Enhanced Top-Plate - A more prominent top-plate sub-LCD on GFX100 II with a redesigned GUI for improved visibility enhances overall handling. Furthermore, the top-plate is tilted by 11°, allowing users to view information with minimal eye movement.
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Three Fn Buttons - Three programmable Fn buttons on the top of the grip provide greater flexibility, allowing users to make changes on the fly, so opportunities are never missed.
- Supports CFexpress™ Type B card
- Optional Grip VG-GFX100II
- Suppports EVF tilt adapter EVF-TL1
- Ethenet port
- HDMI Type A terminal
- USB-C terminal
- Li-ion battery NP-W235
- 9.44 Million Dot three-way tilting LCD
| Lens Mount: | FUJIFILM G Mount | |
| Image Sensor: | 43.8mm x 32.9mm Bayer array with primary colour filter | |
| Number of Effective Pixels: | 102 million pixels | |
| Sensor Cleaning System: | Ultra Sonic Vibration | |
| Image Processing Engine: | X-Processor 5 | |
| Storage Media: | SD Card (-2GB) SDHC Card (-32GB) SDXC Card (-2TB) UHS-I UHS-II Video Speed Class V90 CFexpress Type B Card (-2TB) SSD (-2TB) *Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility. | |
| File Format of Still Storage: | DCF - Compliant with Design rule for Camera File system (DCF2.0) JPEG - Exif Ver.2.32 HEIF - 4:2:2 10bit RAW - 14bit / 16bit RAW (RAF original format) TIFF - 8bit / 16bit RGB (In-camera Raw Conversion Only) *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing | |
| Number of Recorded Pixels: | L: | 4:3 - 11648 x 8736 3:2 - 11648 x 7768 16:9 - 11648 x 6552 1:1 - 8736 x 8736 65:24 - 11648 x 4304 5:4 - 10928 x 8736 7:6 - 10192 x 8736 |
| M: | 4:3 - 8256 x 6192 3:2 - 8256 x 5504 16:9 - 8256 x 4640 1:1 - 6192 x 6192 65:24 - 8256 x 3048 5:4 - 7744 x 6192 7:6 - 7232 x 6192 | |
| S: | 4:3 - 4000 x 3000 3:2 - 4000 x 2664 16:9 - 4000 x 2248 1:1 - 2992 x 2992 65:24 - 4000 x 1480 5:4 - 3744 x 3000 7:6 - 3504 x 3000 | |
| Panorama: | L: | Vertical Horizontal |
| M: | Vertical Horizontal | |
| SENSITIVITY | ||
| Still Image: | Standard Output: AUTO1 AUTO2 AUTO3 ISO80～12800 (1/3 step) Extended Output: ISO40 ISO25600 ISO51200 ISO102400 | |
| Movie: | Standard Output: AUTO ISO100～12800 (1/3 step) Extended Output: ISO25600 | |
| Exposure Control: | TTL 256-zone metering Multi Spot Average Centre Weighted | |
| Exposure Mode: | P (Program AE) A (Aperture Priority AE) S (Shutter Speed Priority AE) M (Manual Exposure) | |
| EXPOSURE COMPENSATION | ||
| Still: | -5.0EV～+5.0EV 1/3EV step | |
| Movie: | -2.0EV～+2.0EV 1/3EV step | |
| IMAGE STABILIZER | ||
| Mechanism: | Image sensor shift mechanism with 5-axis compensation | |
| Compensation Effect: | 8.0 stops *based on CIPA standard *Pitch/yaw shake only *With GF63mmF2.8 R WR lens mounted | |
| Digital Image Stabilization: | Yes (movie mode only) | |
| IS Mode Boost: | Yes (movie mode only) | |
| Shutter Type: | Focal Plane Shutter | |
| SHUTTER SPEED | ||
| Mechanical Shutter: | P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min. | |
| Electronic Shutter: | P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: up to 60min. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. | |
| Mechanical + Electronic Shutter: | P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: up to 60min. *Mechanical shutter works until 1/4000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. | |
| E-Front + Mechanical Shutter: | P mode: 30sec. to 1/4000sec. A mode: 30sec. to 1/4000sec. S/M mode: 60min. to 1/4000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/1250sec. *When using the electronic front curtain shutter, the continuous shooting supports CL only | |
| E-Front + Mechanical + Electronic Shutter: | P mode: 30sec. to 1/32000sec. A mode: 30sec. to 1/32000sec. S/M mode: 60min. to 1/32000sec. Bulb: up to 60min. *Electronic front curtain shutter works until 1/1250sec, Mechanical shutter works until 1/4000sec. *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. *When using the electronic front curtain shutter, the continuous shooting supports CL only | |
| Movie: | 8K/DCI8K: 1/4000sec. to 1/24 sec. 5.8K: 1/4000sec. to 1/24 sec. 5.4K: 1/4000sec. to 1/24 sec. 4.8K: 1/4000sec. to 1/24 sec. 4.6K(ANAMOR): 1/4000sec. to 1/24 sec. 4K/DCI4K: 1/4000sec. to 1/8 sec. FHD: 1/4000sec. to 1/8 sec. *Cannot choose slower shutter speed than framerate for some settings. | |
| Synchronised Shutter Speed for Flash: | Mechanical shutter: 1/125sec. or slower | |
| DRIVE MODE | ||
| AE Bracketing: | 2 frames 3 frames 5 frames 7 frames 9 frames *by 1/3EV step, up to ±3EV steps | |
| Film Simulation Bracketing: | Any 3 types of film simulation selectable | |
| Dynamic Range Bracketing: | 100% 200% 400% | |
| ISO Sensitivity Bracketing: | ±1/3EV ±2/3EV ±1EV | |
| White Balance Bracketing: | ±1 ±2 ±3 | |
| Focus Bracketing: | AUTO MANUAL | |
| Multiple Exposure: | Yes (Max. 9 frames) Additive Average Bright Dark | |
| Pixel Shift Multi Shot: | HIGH RESOLUTION + ACCURATE COLOUR: Yes ACCURATE COLOUR: Yes | |
| FOCUS | ||
| Mode: | Single AF Continuous AF MF | |
| Type: | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) | |
| Low-Light Performance: | Contrast: -2.5EV GF80mm F1.7 attached Phase Detection: -5.5EV GF80mm F1.7 attached | |
| AF Frame Selection: | Single point AF: 13x9 / 25x17 (Changeable size of AF frame) Zone AF: 3x3 / 5x5 / 7x7 / Custom1-3 from 117 areas on 13×9 grid Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking) All: Yes | |
| Face / Eye Detection: | Yes | |
| Subject Detection: | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) | |
| Hot Shoe: | Yes (Dedicated TTL Flash compatible) | |
| VIEWFINDER | ||
| EVF: | 0.64 inch OLED Colour Viewfinder Approx. 9.44 million dots Coverage of Viewing Area vs. Capturing Area: Approx. 100% Eyepoint: Approx. 21mm (from the Rear End of the Camera's Eyepiece) Diopter Adjustment: -5～+2m-1 Magnification: 1.00x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 Diagonal Angle of View: approx. 47° (Horizontal angle of view: approx. 38° ) Built-In Eye Sensor | |
| LCD Monitor: | 3.2 inch Tilt-Type (Three Direction) Touch Screen Colour LCD Monitor Aspect Ratio: 4:3 Dots: Approx. 2.36 million dots | |
| TOUCH SCREEN MODE | ||
| Shooting Mode: | AF Focus Area OFF Double Tap Setting (ON/OFF) Touch Function Setting (ON/OFF) EVF Touch Screen Area Setting | |
| Playback Mode: | Swipe Pinch-in / Pinch-out Double-tap Drag | |
| Sub LCD Monitor: | 2.09 inch Monochrome LCD Monitor Aspect Ratio: 4:3 Dots: 320x219-dot | |
| MOVIE RECORDING | ||
| File Format: | MOV: Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling) HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) MP4: MPEG-4 AVC/H.264, AAC | |
| Movie Compression: | All Intra Long GOP | |
| 8K (17:9): | File size: 8192 x 4320 Frame rate: 24p 23.98p Bitrate: 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps | |
| 8K (16:9): | File size: 7680 x 4320 Frame rate: 29.97p 25p 24p 23.98p Bitrate: 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps | |
| 8K (2.76:1): | File size: 8192 x 2968 Frame rate: 24p 23.98p Bitrate: 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps | |
| 5.8K (2.35:1): | File size: 5824 x 2476 Frame rate: 29.97p 25p 24p 23.98p Bitrate: 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps | |
| 5.4K (17.9): | File size: 5440 x 2868 Frame rate: 29.97p 25p 24p 23.98p Bitrate: 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps | |
| 4.8K (3:2): | File size: 4776 x 3184 Frame rate: 24p 23.98p Bitrate: 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps | |
| 4.8K (16:9): | File size: 4776 x 2688 Frame rate: 29.97p 25p 24p 23.98p Bitrate: 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps | |
| 4.6K (1.38:1): | File size: 4664 x 3380 Frame rate: 24p 23.98p Bitrate: 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps | |
| DCI4K (17:9): | File size: 4096 x 2160 Frame rate: 59.94p 50p 29.97p 25p 24p 23.98p Bitrate: 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps | |
| 4K (16:9): | File size: 3840 x 2160 Frame rate: 59.94p 50p 29.97p 25p 24p 23.98p Bitrate: 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps | |
| Full HD (17:9): | File size: 2048 x 1080 Frame rate: 59.94p 50p 29.97p 25p 24p 23.98p Bitrate: 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps | |
| Full HD (16:9): | File size: 1920 x 1080 Frame rate: 59.94p 50p 29.97p 25p 24p 23.98p Bitrate: 720Mbps 360Mbps 200Mbps 100Mbps 50Mbps | |
| Full HD (17:9) High Speed Rec.: | File size: 2048 x 1080 Frame rate: 120p 100p Bitrate: 720Mbps (recording) 360Mbps (recording) 200Mbps (recording) | |
| Full HD (16:9) High Speed Rec.: | File size: 1920 x 1080 Frame rate: 120p 100p Bitrate: 720Mbps (recording) 360Mbps (recording) 200Mbps (recording) *Selectable mode will be changed depending on the "Image Format" setting. *For recording movies, use a CFexpress Type B card or SD memory card with UHS Speed Class 3 or higher. *For recording movies in 360Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 60 or higher. *For recording movies in 720Mbps, use a CFexpress Type B card or SD memory card with Video Speed Class 90 or higher. *Selectable bitrate will be changed depends on the setting. *Apple ProRes codec can be only recorded to CFexpress Type B card *Bitrate for Apple ProRes codec is not selectable. *Recording time can become short depending on the temperature and/or shooting conditions | |
| Film Simulation Mode: | 20 modes PROVIA/Standard Velvia/Vivid ASTIA/Soft Classic Chrome REALA ACE PRO Neg.Hi PRO Neg.Std Classic Neg. Nostalgic Neg. ETERNA/Cinema ETERNA BLEACH BYPASS ACROS ACROS + Ye Filter ACROS + R Filter ACROS + G Filter Black & White Black & White + Ye Filter Black & White + R Filter Black & White + G Filter Sepia | |
| Monochromatic Colour: | Yes | |
| Grain Effect: | Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL | |
| Colour Chrome Effect: | STRONG, WEAK, OFF | |
| Colour Chrome Blue: | STRONG, WEAK, OFF | |
| Smooth Skin Effect: | STRONG, WEAK, OFF | |
| Dynamic Range Setting: | Still: AUTO / 100ï¼… / 200ï¼… / 400ï¼… ISO restriction: DR100%: No limit〠DR200%: ISO160 or moreã€DR400%: ISO320 or more Movie: 100% / 200% / 400% ISO restriction: DR100%: No limit〠DR200%: ISO200 or moreã€DR400%: ISO400 or more | |
| White Balance: | Auto: White Priority Auto Ambience Priority Custom: Custom1 - 3 Colour temperature selection: 2500K～ 10000K Preset: Daylight Shade Fluorescent Light-1 Fluorescent Light-2 Fluorescent Light-3 Incandescent Light Underwater | |
| Clarity Setting: | ±5 steps | |
| Self-Timer: | Still: 10sec. 2sec. Movie: 10sec. 5sec. 3sec. | |
| Interval Timer Shooting: | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) | |
| Wireless Transmitter: | Standard: IEEE802.11a/b/g/n/ac (standard wireless protocol) Encryption: WPA/WPA2 mixed mode, WPA3 Access mode: Infrastructure | |
| Bluetooth: | Standard: Bluetooth Ver. 4.2 (Bluetooth low energy) Operating frequency (Centre frequency): 2402〜2480MHz | |
| Terminal: | Digital interface: USB Type-C (USB3.2 Gen2x1) HDMI output: HDMI connector (Type A) LAN Terminal: 1000BASE-Tã€100BASE-TX〠10BASE-T Others: ø3.5mm, stereo mini connector (Microphone) ø3.5mm, stereo mini connector (Headphone) ø2.5mm, Remote Release Connector Hot shoe Synchronized terninal | |
| Power Supply: | NP-W235 Li-ion battery (included) Battery life for still images: Economy Mode - Normal Mode Approx. 540 frames *Auto power save ON *When GF63mmF2.8 R WR is set Actual battery life of movie capture: 8K Approx. 60min. (29.97p) 4K Approx. 60min. (59.94p) Full HD Approx. 80min. (59.94p) *Face detection is set to OFF Continuance battery life of movie capture: 8K Approx. 80min. (29.97p) 4K Approx. 90min. (59.94p) Full HD Approx. 140min. (59.94p) *Face detection is set to OFF *Approximate number of frames or movie recording time that can be with a fully-charged based on CIPA Standard. | |
| OPERATION ENVIRONMENT | ||
| Operating Temperature: | -10℃～+40℃ | |
| Operatiing Humidity: | 10% - 80% (no condensation) | |
| DIMENSIONS & WEIGHT | ||
| Dimensions: | 152.4mm x 117.4mm x 98.6mm | |
| Weight: | including battery and memory card: 948g (including EVF: 1,030g) excluding battery and memory card: 867g (including EVF: 949g) | |