Canon EOS C500 MK II
Canon EOS C500 MK II
SKU:
CAN-3794C006
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£6,508.63 GBP inc VAT
£6,508.63 GBP inc VAT
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- Details
- Features
- Specifications
New Generation Cinema EOS System
5.9K Full Frame sensor packed into a newly developed compact and reliable Cinema EOS body, this camera provides new inspiration and great flexibility for all cinematographers.
Breathtaking Full Frame Image Quality
Canon’s own developed 5.9K full frame CMOS sensor delivers an immersive cinematic look combined with natural, smooth skin-tones and faithful colour reproduction with Canon colour science.
The sensor also provides 15+ stop latitude with a wide colour space, perfect for High Dynamic Range productions.
High Quality and Efficient Recording Formats
The EOS C500 Mark II features a newly developed DIGIC DV 7 image processor which enables Cinema RAW Light recording internally at 5.9K, as well as supporting recording of Canon’s XF-AVC format in 4K 4:2:2 10-bit. Simultaneous recording of the same file format is possible to the dual CFexpress card slots, with an additional SD card slot for proxy files.
This multi-recording format provides efficiency and fulfils production requirements.
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Cinema RAW Light 5.9K - Record Cinema RAW Light internally at up to 2.1Gbps
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XF-AVC 4K 4:2:2 10-bit - Record XF-AVC up to 810Mbps
5.9K Over Sampling Processing for 4K
The EOS C500 Mark II uses a high-quality debayering algorithm when over sampling 5.9K for 4K/UHD recording. This suppresses moiré and reduces noise, resulting in a superior quality image.
Compact, Lightweight and Reliable
Approx. 1,750g lightweight body enables it to be comfortably rigged with gimbals, hand-held rigs, making it ideal for various shooting conditions.
Various Mount and Lens Options
The EOS C500 Mark II provides support for optional interchangeable lens mounts for different project requirements.
EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke /i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses.
Highly Configurable and Modular Design
Optional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements.
Extension Unit EU-V1 offers additional connectivity such as a Genlock interface, while Extension Unit EU-V2 adds further interfaces, including two more XLR inputs and a V-Lock battery mount for extended recording times. Extension Unit EU-V3 is designed for multi-camera live productions with Tally and Return Signal support. The optional EVF -V50 viewfinder is ideal for hand-held use and it is easily removable for gimbal applications.
Pioneering Auto Focus Technology
The EOS C500 MARK II features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF and reliable Face Detection up to 120p. Users also benefit from smooth, intuitive touch focus operation with the new 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull. To further fine tune AF performance, the EOS C500 MARK II offers the ability to set the AF tracking speed and response.
First Cinema EOS to Support Electronic IS
EOS C500 Mark II is the first Cinema EOS camera to incorporate Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length.
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Automatically obtains focal length - When a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS.
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Electronic IS with non-electrical contact lenses - Shooting with Electronic IS is possible even when a lens that does not support data transmission is attached by simply manually inputting the focal length. It is also compatible with anamorphic lenses.
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Focal Length can be saved - Just select focal length during shooting to shoot with an electronic IS effect optimized for the settings.
High Frame Rates
The EOS C500 Mark II supports high frame rate recordings up to a maximum 50/60 fps at 5.9K. In 2K (crop) mode, settings from 1fps to a maximum 120fps can also be made, increasing creative possibilities. The new Slow & Fast button gives quick access for Slow & Fast settings.
Advanced Interface
The EOS C500 Mark II features an advanced 12G-SDI interface which has four times the bandwidth compared to 3G-SDI, simplifying 4K workflows by enabling it to output 4K 50/60p over a single cable. Similarly, the HDMI interface can also deliver 4K 50/60p over a single cable.
Monitor and HDMI terminals can operate simultaneously, and the 12G-SDI output features 2K or FHD options when shooting at 4K for additional flexibility.
Full Frame ND Filter
Equipped with a robust built-in electronically controlled ND filter system, EOS C500 Mark II supports 2/4/6 and an extended 8/10 stops, making it possible to create an image with a shallow depth of field, even in the daytime.
New OSD Layout
Newly added On-Screen Display (OSD) peripheral displays options that do not overlay information on the screen are available – choose from several options according to your needs.
Anamorphic Lens Support
EOS C500 MARK II supports anamorphic lenses by electronically de-squeezing the image in the viewfinder and on connected monitors for viewing. In addition, 4:3 (4192 x 3140) and 6:5 (3768 x 3140) shooting resolutions are supported.
Users can take advantage of the camera's full 5.9K resolution by using 1.3x squeeze anamorphic lenses. Popular 2x and 1.8x anamorphic lenses are also supported.
User LUT Support
In addition to Canon’s in-built Cinema EOS lookup tables, import custom 3D LUTs for both viewing and internal recording, for even more efficient colour pipeline workflows.
A dedicated LUT button gives additional operational flexibility.
ACES Support
The EOS C500 Mark II supports ACES 1.0 of the Academy Color Encoding System. Using Canon supplied IDTs, images captured on the EOS C500 Mark II can be imported directly into the ACES compatible systems.
Additionally, video output from the camera can be monitored by selecting the ACES Proxy.
- 5.9K Full Frame CMOS sensor
- Immersive Full Frame look with faithful colour reproduction
- Internal 5.9K Cinema RAW Light recording
- Efficient RAW file onto CFexpress
- 4K 4:2:2 10-bit
- Up to 810Mbps internal recording
- Dual CFexpress slots
- Simultaneous or relay recording
- High Dynamic Range support
- SMPTE ST 2084 and ITU-R BT.2100 (HLG)
- Pioneering Autofocus Technology
- Accurate and reliable, with touch screen control
- DIGIC DV7 Image Processor - to power the advanced features of the camera
- 12G-SDI terminal - Deliver 4K signal via single cable
| IMAGE SENSOR | |
| Sensor: | Full Frame CMOS sensor |
| System: | RGB primary colour filter (Bayer array) |
| Sensor Modes: | Full Frame / Super 35 mm (Crop) / Super 16 mm (Crop) |
| Total Pixels: | Approx. 20.8 megapixels (6062 x 3432) |
| Effective Pixels (Full Frame Mode): | Approx. 18.69 megapixels (5952 x 3140): 5952 x 3140 or 4096 x 2160 or 2048 x 1080 selected resolution Approx. 17.52 megapixels (5580 x 3140): 3840 x 2160 or 1920 x 1080 selected resolution Approx. 13.16 megapixels (4192 x 3140): 4:3 selected resolution Approx. 11.83 megapixels (3768 x 3140): 6:5 selected resolution |
| Effective Sensor Screen Size: | 38.1 x 20.1 mm (43.1 mm on the diagonal): 5952 x 3140, 4096 x 2160 or 2048 x 1080 selected resolution 35.7 x 20.1 mm (41.0 mm on the diagonal): 3840 x 2160 or 1920 x 1080 selected resolution |
| Dynamic Range: | Canon Log 2: 1600% / 15+ stops Canon Log 3: 1600% / 14 stops Wide DR: 800% (at ISO 400) |
| IMAGE PROCESSOR | |
| Type: | DIGIC DV7 |
| LENS | |
| Lens Mount: | Canon EF Mount. PL mount via PM-V1 Accessory. B4 mount via MO-4E/MO-4P adapters. |
| Lens Magnification Factor: | Full Frame: 5952 x 3140 / 4096 x 2160 / 2048 x 1080: x1.00 3840 x 2160 / 1920 x 1080: x1.056 Super 35MM (Crop): 4096 x 2160 / 2048 x 1080: x1.460 3840 x 2160 / 1920 x 1080: x1.534 Super 16mm (Crop): 4096 x 2160 / 2048 x 1080: x2.920 3840 x 2160 / 1920 x 1080: x3.069 |
| Changeable Lens Mount: | Yes, User changeable to EF Cinema Lock or PL Mount |
| Peripheral Illumination Correction: | YES (dependent on lens used) |
| ND Filter: | Up to 10 stops via built in ND filter system (in extended mode) |
| Focus Control: | EF Mount: Via lens, wireless control or wired remote (dependent on lens used) PL Mount: Only Cine Servo lenses |
| Iris Control (EF Mount Lenses): | Via body, grip, wireless control or wired remote. 1/2-stop, 1/3-stop or FINE control. Possible to maintain constant F-number during zoom. |
| Cooke / I Technology Support: | Yes, with Frame Sync support (PL Mount Only) |
| Anamorphic Lens Support: | Yes, 2x / 1.8x / 1.3x |
| Image Stabilization System: | Optical depending on lens used, Digital 5-Axis IS for non-IS lenses. Combination of Optical IS and Digital IS to give combined 5-Axis IS |
| RECORDING | |
| Internal Recording: | CFexpress card x2 for Cinema RAW Light or XF-AVC/MXF, SD card for Proxy recording SD card also used for Photo Storage (1920 x 1080), CP setting transfer and firmware update |
| Recording Time (CFexpress Card 512GB) Approx.: | Cinema RAW Light: 5952 x 3140: 2.1Gbps: 30 Mins 4096 x 2160: 1 Gbps: 65 Mins 2048 x 1080: 250 Mbps: 256 Mins XF-AVC/MXF: 4096 x 2160: 810 Mbps 79 Mins / 410 Mbps 156 Mins 2048 x 2160: 310 Mbps 207 Mins / 160 Mbps 401 Mins |
| Recording Formats: | Cinema RAW Light (CRM), XF-AVC (MXF) |
| System Frequency / Frame Rates: | 59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P) 50.00Hz mode (50.00P / 50.00i / 25.00P) 24.00Hz mode (24.00P) |
| Cinema RAW Light Bit Rate / Bit Depth (PAL): | 5952 X 3140: 50.00P, 2.1Gbps 10-bit / 25.00P, 2.1 Gbps 12-bit 4096 X 2160: 50.00P, 1 Gbps 10-bit / 25.00P, 1 Gbps 12-bit 4192 x 3140: 50.00P, 1.48 Gbps 10-bit / 25.00P, 1.48 Gbps 12-bit 3768 x 3140: 50.00P, 1.33 Gbps 10-bit / 25.00P, 1.33 Gbps 12-bit 2048 X 1080: 50.00P, 250Mbps 10-bit / 25.00P, 250 Mbps 12-bit |
| XF-AVC Recording Bit Rate / Sampling (PAL): | All-I: 4096 x 2160 / 3840 x 2160 (5.9K / 4K Crop), 2048 x 1080 / 1920 x 1080P, 1920 x 1080i (5.9K, 4K Crop, 2K Crop) YCC, 4:2:2 10-bit Long GoP: 4096 x 2160 / 3840 x 2160 (5.9K / 4K Crop), 2048 x 1080 / 1920 x 1080P, 1920 x 1080i, 1280 x 720 (5.9K, 4K Crop, 2K Crop)* |
| XF-AVC Proxy Recording Bit Rate / Sampling (PAL) To SD Card: | 2048 x 1080: 50.00P, YCC 4:2:0 8-bit 35 Mbps / 25.00P, YCC 4:2:0 8-bit 24 Mbps Long GOP Proxy recording available for Cinema RAW Light or XF-AVC recording* |
| Slow / Fast Motion: | Cinema RAW Light: 5952 x 3140 / 4096 x 2160: 59.94P / 29.97P / 50.00P / 25.00P: 15 - 60 FPS. 24.00P / 23.98P: 12 - 60 FPS 2048 x 1080: 59.94P / 29.97P / 50.00P / 25.00P: 15 - 120 FPS. 24.00P / 23.98P: 12 - 120 FPS XF-AVC, Full frame / Super 35mm (Cropped): 4096 x 2160 / 3840 x 2160 (810 / 410 Mbps): 59.94P / 29.97P / 50.00P / 25.00P: 15 - 60 FPS 24.00P / 23.98P: 12 - 60 FPS 2048 x 1080 / 1920 x 1080 (310 / 160 Mbps): 59.94P / 29.97P / 50.00P / 25.00P: 15 - 60 FPS 24.00P / 23.98P: 12 - 60 FPS Super 16mm (Cropped): 59.94P / 29.97P / 50.00P / 25.00P: 15 - 120 FPS. 24.00P / 23.98P: 12 - 120 FPS 2048 x 1080 (35 / 24 Mbps): 59.94P / 29.97P / 50.00P / 25.00P: 15 - 120 FPS. 24.00P / 23.98P: 12 - 120 FPS |
| Interval Record: | No |
| Frame Record: | No |
| Pre Record (Cache Record): | Yes, 3 seconds or 5 seconds, selectable* |
| Relay Recording: | Yes |
| Double Slot (Simultaneous) Recording: | Yes |
| Scan Reverse: | Yes |
| HD > SD Conversion: | No |
| Photo Storage Media: | SD/SDHC memory card |
| Photo Recording Size: | Approx. 930 KB at 2048 x 1080; Approx. 880 KB at 1920 x 1080 |
| SYSTEM | |
| Wave Form Monitor: | Yes. Via MON, SDI OUT, VIDEO or HDMI Terminals Line Display / Line and Spot / Line Select / Field Display / RGB Display / YPrPb / HDR PQ and HDR-HLG output supported. Indication is pre-LUT (where LUT is selected) |
| False Colour Display (Exposure Indication): | Yes. Via MON, SDI OUT, VIDEO or HDMI Terminals |
| Colour Bars: | SMPTE, EBU and ARIB colour bars available. See the menu. |
| Peaking: | Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable) |
| Zebra: | Level 1; Level 2; Both Output via SDI or HDMI |
| Markers: | On/Off selectable: center, horizontal, grid, aspect, safety zone, and rectangular marker. Colour selectable, yellow, blue, green, red, black, gray or white. |
| EVF | |
| Built-In EVF: | No |
| Optional EVF Accessory: | Yes. OLED Electronic Viewfinder, EVF-V50 or EVF-V70 |
| INPUTS / OUTPUTS | |
| Audio In: | 2x 3-pin XLR Inputs, 1x 3.5 mm stereo mini jack (input only, powered) XLR Input 1 / 2 on camera body. XLR Input 2 / 3 via optional Expansion Unit EU-V2 |
| Headphone Output: | 3.5 mm stereo mini jack (output only, Camera Body). |
| Video Monitor Output: | MON: 1x 3G-SDI BNC terminal (output only, Camera Body). |
| HDMI: | HDMI connector (type A) (output only, Camera Body). |
| USB: | Yes, Input only, Camera Body. (GP-E2 connection) |
| SDI Output: | 1x 12G-SDI BNC terminal, 4K to 2K/FHD conversion available (output only, Camera Body) |
| Time Code: | BNC jack (input/output, Camera Body). |
| Genlock: | Yes, with optional Expansion Unit EU-V1 and EU-V2. BNC jack (input only/also serves as SYNC OUT connector) |
| Sync: | BNC jack (output only/also serves as GENLOCK connector) |
| Component Out: | No |
| AV Terminal: | No |
| DC Output: | Yes, requires optional EU-V2 or EU-V3 accessories. EU-V2: 24V/2A via Fischer 3-pin output / 50W D-Tap output EU-V3: 12V/2A via Hirose 4-pin output |
| DC Input: | XLR 4-pin jack, 11.5 -20V |
| Remote Control Terminal: | REMOTE A connector 2.5 mm stereo jack (input only) REMOTE B connector Round 8-pin jack (for RS-422) with optional EU-V1 / EU-V2 / EU-V3 |
| Wireless Control Terminal: | Yes |
| Lens Terminal: | Yes, requires optional EU-V2 / EU-V3. 12-pin jack |
| Ethernet Terminal: | Yes, requires optional EU-V1 / EU-V2 / EU-V3. Ethernet connector (RJ45) (supports 1000 BASE-T) |
| IP Streaming & Control: | Yes, via Ethernet / Wi-Fi connection. 9 Mbps / 4 Mbps: 1920 x 1080 (59.94p / 59.94i / 50.00p / 50.00i) (EU-V1 / EU-V2 / EU-V3 required) Canon XC Protocol supported. Canon Browser Remote supported. |
| LUT Input: | Yes, available for monitoring or applied directly to recordings. Compatible with .CUBE LUT files |
| Video Connector: | Canon’s proprietary specification (special 13-pin jack) for LM-V2 Monitor or optional EVF-V70 viewfinder or LM-V1 monitor |
| Tally Signal: | Yes, requires optional EU-V3. REC Tally Out / REC Trigger In via Hirose 4-pin terminal |
| Return Signal Input: | Yes, requires optional EU-V3. 1x BNC terminal input (supporting 3G/HD-SDI signals) Return output destinations: VIDEO / EVF-V50 / MON / HDMI / SDI OUT |
| MISCELLANEOUS | |
| Tally Lamp: | Yes, physical light and on-screen monitor border |
| Custom Dial: | Yes |
| EXPOSURE | |
| Exposure Metering: | Manual exposure determined by shutter setting, iris setting, ISO/gain setting and ND filter setting, Push Auto Iris, Auto Iris |
| Exposure Compensation: | Yes |
| Auto Exposure Mode: | Auto Iris with compatible lenses |
| Push Auto Iris: | Yes, EF model all compatible lenses, PL Version compatible Canon Cine Servo lenses only with 12-pin connection on optional EU-V2 / EU-V3 |
| Exposure Lock: | No |
| Auto Gain Control Setting: | Yes |
| ISO Sensitivity: | 1-Stop Display: [100], 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200, 102400] [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF 1/3 Stop Display: [100,125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000, 25600, [32000,40000,51200,64000, 80000,102400] [---] When ISO speed expansion is ON. |
| Auto Focus System (EF Mount): | Dual Pixel CMOS AF, Contrast AF |
| AF Frame Sizes (EF Mount): | Large; size equivalent to approx. 20% (vertical) x 25% (horizontal) of the image display range Small; size equivalent to approx. 20% (vertical) x 8% (horizontal) of the image display range Selectable AF point over 80% horizontal / 80% vertical (approx.) of sensor Auto Focus Modes (EF Mount) One-Shot AF, Continuous AF, and AF-Boosted MF. All modes take effect when the AF/MF switch of the EF lens is at the AF setting. One-Shot AF, Continuous AF, AF-Boosted MF |
| Face Detection AF (EF Version Only): | Yes, supporting frame rates up to 120p. Face Priority or Face Only modes available. |
| Focus Guide: | EF version: All compatible Canon EF lenses, Canon Cine Servo Lenses |
| Gain Setting: | [-6dB, -3dB], -2dB (*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB, 33dB, 36dB, 39dB, 42dB, [45dB, 48dB, 51dB, 54dB] [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF. When ISO speed expansion is ON: between -2 dB and 54 dB When ISO speed expansion is OFF: Any value from -2 dB to 42 dB in 0.5 dB increments can be set. |
| SHUTTER | |
| Control Modes: | Off; Speed; Angle; Clear Scan (CS); Slow Shutter (SLS) |
| Shutter Speed: | 1/3 stop: 1/12 to 1/1600, 1/2000 (24 settings) 1/4 stop: 1/12 to 1/1700. 1/2000 (31 settings) |
| Shutter Angle: | 11.25º to 360º depending on frame rate |
| Slow Shutter (SLS): | 1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate |
| Clear Scan: | 24.00 Hz* to 250.40 Hz (*) The frequency will differ depending on the frame rate setting. |
| CUSTOM PICTURE | |
| Stored Configurations: | C1: BT.709 (Wide DR / BT.709 Gamut) C2: LOG2 (Canon Log 2 / Cinema Gamut) C3: LOG3 (Canon Log3 / Cinema Gamut C4: PQ (PQ / BT.2020 Gamut) C5: HLG (HLG / BT.2020 Gamut) C6: BT.709 Standard (BT.709 Standard / BT.709) USER7 to USER20 (Wide DR / BT.709 Gamut) |
| Colour Matrix: | Neutral: Accurate colour reproduction Production Camera: Colour reproduction for use in movie production Video: Colour reproduction equivalent to C300/500 CP-OFF (for commercial cameras) |
| HDR-HLG Profile: | BT.2100: Corresponds to ITU-R BT.2100 Vivid: Corresponds to Traditional Colour in ITU-R BT.2390 |
| Master Pedestal: | -50 to +50 |
| Master Black: | Adjustable for each channel RGB -50 to +50 plus Master Black -50 to +50 |
| Black Gamma: | Adjustable Level -50 to +50, Range -20 to +50 and Point -20 to +50 |
| Low Key Saturation: | Adjustable: -50 to +50 |
| Knee: | Point -50 to +109, Slope -35 to +50, Saturation -10 to +10 |
| Sharpness: | Adjustment for Level, H Detail Freq., Coring, HV Detail Balance, Limit, Select, Knee Aperture and Level dependent sharpness |
| Noise Reduction: | Off, On (1 to 12) |
| Skin Detail: | Off, Low, Middle, High / Hue, Chroma, Area, Luminance. 32 steps |
| Selective Noise Reducation: | Off, Low, Middle, High / Hue, Chroma, Area, Luminance. |
| Colour Matrix: | Phase, Gain and RGB adjustment, in tandem with Gamma selection |
| White Balance: | AWB, USER setting (setting range: 2000K to 15000K/ -20CC to +20CC), daylight, tungsten, settings (A/B) |
| Colour Correction: | Area selection / area revision of two areas |
| Setup Level: | -50 to +50 On/Off |
| WI-FI & GPS SPECIFICATIONS | |
| Wi-Fi (Optional Accessory): | (1) WPS [Wi-Fi Protected Setup] (push-button system, PIN code system) (2) Manual setup (3) Search for access points Open system, WPA-PSK, WPA2-PSK, WEP-64, WEP-128, TKIP, AES, Auto /manual |
| GPS Information (Optional Accessory): | Latitude/Longitude/Elevation, Coordinated Universal Time (UTC) |
| WHITE BALANCE | |
| Auto: | YES |
| Preset: | Daylight (5400K), Tungsten (3200K), Kelvin (2000K-15000K, 100K intervals), Set A, Set B |
| White Balance Matching: | Yes, for previous models |
| White Balance Shift: | YES. -9 to +9 (Daylight and Tungsten only) |
| BLACK BALANCE | |
| Black Balance Adjustment: | YES |
| TIME CODE | |
| Count Up System: | Regen, RecRun, Free Run, External, Hold (Drop frame available for some frame rates) |
| Start Value Setting: | “00:00:00:00”, Set/Reset selectable |
| AUDIO | |
| Recording: | Linear PCM (24-bit / 48kHz), 4 channels |
| ACCESSORIES | |
| Supplied: | Camera Grip GR-V1, Thumb rest, Mic holder unit [w/ M4 screw], LCD Monitor LM-V2, LCD Attachment Unit LA-V2, Handle unit, Shoulder strap SS-1200, Battery Charger CG-A20, Compact power adapter CA-CP200B, AC cable, Battery pack (BP-A60), Extension System Attachment Bracket, Unit Cable UN-5, Other: Stopper, Hex Wrenches (M4 and M3), Hex Socket Head Bolt (1/4 in.), Hex Socket Head Bolt (M3) |
| Optional: | Canon Battery Pack BP-A30 / BP-A60 (provided with camera) Canon Battery Charger CG-A10 / CG-A20 (provided with camera) Canon Remote Controller RC-V100 Canon Compact Power Adapter CA-CP200B (provided with camera) Canon Shoulder Strap SS-1200 (provided with camera) Canon Tripod base TB-1 Canon Wireless File Transmitter WFT-E9 Canon GPS Receiver GP-E2 Canon Unit Cable UN-5 (provided) / UN-10 (purchased separately) Canon OLED Electronic View Finder EVF-V50(*) / EVF-V70 Canon Extension unit 1: EU-V1 Canon Extension unit 2: EU-V2 Canon Extension unit 3: EU-V3 Canon EF Cinema Lock Mount Kit CM-V1 Canon PL Mount Kit PM-V1 Canon RC-IP100 PTZ Controller Canon B4 Mount Adapter MO-4E / MO-4P Canon LCD Monitor LM-V2 (included) / LM-V1 Canon LCD Attachment Unit LA-V2 (included) / LA-V1 Canon Camera Grip GR-V1 (included) Canon Shoulder Support Unit SU-15 Canon Shoulder Style Grip Unit SG-1 Canon Clamp Base CL-V2 Canon Rod Clamp RD-1 Canon Handle Unit HDU-2 Canon 8-pin Remote Cable RR-10/RR-100 Canon EF/EF cinema lens group, Canon PL cinema lens group, and accessories designed for these lenses |
| Third Party Accessories: | V-Lock battery |
| POWER | |
| Power Supply: | BP-A60 (Supplied), BP-A30 (Optional), V-Lock with EU-V2 / EU-V3, 11.5V - 20V, Mains 4-pin XLR |
| Power Consumption: | Cinema RAW Light: Full size / 5952 x 3140 2.1GB: 59.94P / 50.00P - 34.0W
Super 16mm / 2048 x 1080 250Mbps: 59.94P / 50.00P - 28.0W XF-AVC: Full
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