Canon C300 Mark III
Canon C300 Mark III
SKU:
CAN-3795C006
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£6,763.06 GBP ex VAT
£8,115.67 GBP inc VAT
£8,115.67 GBP inc VAT
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- Details
- Features
- Specifications
The next generation EOS C300 Mark III incorporates Canon’s newly developed 4K Super 35mm DGO sensor, with 4K 120P Slow motion, High Dynamic Range and Dual Pixel CMOS AF into the same body as the EOS C500 Mark II.
New 4K Super 35mm CMOS sensor for breath-taking image quality
Equipped with a newly developed 4K Super 35mm DGO sensor and DIGIC DV7 image processor, the EOS C300 Mark III delivers an exceptional high-resolution image with 16+ stops of latitude.
It also has an impressive low light capability, with improved low noise, of up to ISO 102,400 where the human eye cannot easily see.
Super 35mm DGO (Dual Gain Output) Sensor generates HDR in real time
The DGO sensor is a newly-developed imaging system that offers exceptionally clean low light image quality as well as superb HDR acquisition capabilities.
On the DGO sensor, each pixel will read out the image with two different amplification levels, one high and one low, which will then be combined to make a single image. The higher amplification read-out is optimized to capture clean details in darker areas, while the lower amplification read-out is optimized to capture the details in brighter areas. Hence, when combined together at pixel-level accuracy, the details and the qualities on both the highlight, as well as the low light areas will be maintained and enhanced which enables the camera to achieve an impressive higher dynamic range of up to 16+ stops.
The new DGO sensor is also compatible with Dual Pixel AF giving the user greater freedom to achieve the image they desire.
High frame rates up to 120fps in 4K
The EOS C300 Mark III supports continuous 4K recording at up to 120fps, in both Cinema RAW Light and XF-AVC. In 2K (crop) mode, frame rates from 12 fps up to 180 fps can also be set for greater creative freedom, while a dedicated Slow & Fast button, provides quick access to the desired Slow & Fast setting.
Extensive Auto Focus functions
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Dual Pixel Focus Guide - Dual Pixel CMOS AF phase-difference technology provides an innovative graphical guide that represents front/back focus deviation; the rectangle turns green when the subject is in focus, improving usability and accuracy when manual focus pulling, especially for critical focusing in 4K.
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Tracking AF - Simply use the touchscreen to select an object in the frame and it will be tracked as it moves within it, enabling effortless subject tracking, taking all the hard work away.
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Face Priority AF / Face Only AF - Working together with Canon Face Detection technology, Dual Pixel CMOS AF is excellent at automatically recognising a face, focusing and following it while it moves.
Support for in-body Electronic IS
The EOS C300 Mark III incorporates Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length.
Automatically obtains focal length
When a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS.
Electronic IS with non-electrical contact lenses
Shooting with Electronic IS is possible even when a lens that does not support data transmission is attached by simply manually inputting the focal length. It is also compatible with anamorphic lenses.
Focal Length can be saved
Just select focal length during shooting to shoot with an electronic IS effect optimized for the settings.
Advanced Interface
The EOS C300 Mark III features an advanced 12G-SDI interface which has four times the bandwidth compared to 3G-SDI, simplifying 4K workflows by enabling it to output 4K 50/60p over a single cable. Similarly, the HDMI interface can also deliver 4K 50/60p over a single cable.
Monitor and HDMI terminals can operate simultaneously, and the 12G-SDI output features 2K or FHD options when shooting at 4K for additional flexibility.
Built-in ND filters
Equipped with a robust built-in electronically controlled ND filter system, EOS C300 Mark III supports 2/4/6 and an extended 8/10 stops, making it possible to create an image with a shallow depth of field, even in the daytime.
OSD layout
The On-Screen Display (OSD) shows a range of tools that will not interfere with the information on screen. There are several options to choose from according to your needs.
Anamorphic lens support
EOS C300 Mark III supports anamorphic lenses by electronically de-squeezing the image in the viewfinder and on connected monitors for viewing.
Users can take advantage of the camera's 4K resolution by using 1.3x squeeze anamorphic lenses. Popular 2x and 1.8x anamorphic lenses can be used as well.
User LUT support
In addition to Canon’s in-built Cinema EOS lookup tables, import custom 3D LUTs for both viewing and internal recording, for even more efficient colour pipeline workflows.
A dedicated LUT button gives additional operational flexibility.
ACES Support
The EOS C300 Mark III supports ACES 1.0 of the Academy Colour Encoding System. Using Canon supplied IDTs, images captured on the EOS C300 Mark III can be imported directly into the ACES compatible systems.
Additionally, video output from the camera can be monitored by selecting the ACES Proxy.
Compact, lightweight and reliable
Approx. 1,750g lightweight body enables it to be comfortably rigged with gimbals and hand-held rigs, making it ideal for various shooting conditions.
Pioneering Auto Focus technology*
The EOS C300 Mark III features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF and reliable Face Detection up to 120p. Users also benefit from smooth, intuitive touch focus operation with the 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull.
To further fine tune AF performance, the EOS C300 Mark III offers the ability to set the AF tracking speed and response.
* with compatible lenses
Various mount and lens options
The EOS C300 Mark III provides support for optional interchangeable lens mounts for different project requirements.
EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke /i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses.
Highly configurable and modular design
Optional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements.
Extension Unit EU-V1 offers additional connectivity such as a Genlock interface, while Extension Unit EU-V2 adds further interfaces, including two more XLR inputs and a V-Lock battery mount for extended recording times. Extension Unit EU-V3 is designed for multi-camera live productions with Tally and Return Signal support. The optional EVF-V50 viewfinder is ideal for hand-held use and it is easily removable for gimbal applications.
Multiple recording formats support broadcast workflows
Dual card slots enable simultaneous internal recording of 4K Cinema RAW Light files (10/12-bit) or 4K XF-AVC files (4:2:2 10-bit) onto CFexpress cards. XF-AVC supports ALL-I which delivers the best quality, and Long-GOP which enables longer recording times through higher compression. A Proxy can also be recorded onto an SD card, making editing work more efficient.
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Cinema RAW Light 4K - up to 1Gbps (or 2.1Gbps at 120fps)
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XF-AVC 4K 4:2:2 10-bit - up to 810Mbps (or 2Gbps at 120fps)
- New 4K Super 35mm CMOS sensor featuring DGO (Dual Gain Output) for extended Dynamic Range
- 4:2:2 10 bit XF-AVC ALL-I/Long GOP
- 4K 120p High Frame Rate supported
- Supports Cinema RAW Light and XF-AVC up to 120fps 4K, 180fps 2K (crop)
- Features In-Body Electronic Image Stabilisation
- Interchangeable lens mount and modular design
| IMAGE SENSOR | ||
| Sensor: | Super 35mm CMOS sensor | |
| System: | RGB primary colour filter (Bayer array) | |
| Sensor Modes: | Super 35 mm / Super 16 mm (Crop) | |
| Total Pixels: | Approx. 9.6 megapixels (4206 x 2280) | |
| Effective Pixels: | Approx. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1080 is selected as the resolution Approx. 8.29 megapixels (3840 x 2160): When 3840 x 2160 or 1920 x 1080 is selected as the resolution | |
| Effective Sensor Screen Size: | Super 35 mm; 26.2 x 13.8 mm (29.6 mm on the diagonal): When 4096 x 2160 or 2048 x 1080 is selected as the resolution 24.6 x 13.8 mm (28.2 mm on the diagonal): When 3840 x 2160 or 1920 x 1080 is selected as the resolution | |
| Dynamic Range: | Canon Log 2: 1600% / 16+ stops** Canon Log 3: 1600% / 14 stops** Wide DR: 800% (at ISO 400) **At ISO800/Dual Gain Output: On | |
| IMAGE PROCESSOR | ||
| Type: | DIGIC DV7 | |
| LENS | ||
| Lens Mount: | Canon EF Mount. PL mount via PM-V1 Accessory. B4 mount via MO-4E / MO-4P Adapters. | |
| Lens Magnification Factor: | Super 35 mm; 4096 x 2160 (RAW), 4096 x 2160, or 2048 x 1080 resolution: Actual focal length x approx. 1.460 3840 x 2160 or 1920 x 1080 resolution: Actual focal length x approx. 1.534 Super 16 mm (Cropped); 2048 x 1080 resolution: Actual focal length x approx. 2.920 1920 x 1080 resolution: Actual focal length x approx. 3.069 | |
| Changeable Lens Mount: | Yes, User changeable to EF with Cinema Lock or PL Mount | |
| Peripheral Illumination Correction: | Yes (dependent on lens used) | |
| ND Filter: | Up to 10 stops via built in ND filter system (in extended mode) | |
| Focus Control: | EF Mount: Via lens, wireless control or wired remote (dependent on lens used) PL Mount: Only Cine Servo lenses | |
| Iris Control: | Via body, grip, wireless control or wired remote. 1/2-stop, 1/3-stop or FINE control. Possible to maintain constant F-number during zoom. | |
| Cooke / I Technology Support: | Yes, with Frame Sync support (PL Mount Only) | |
| Anamorphic Lens Support: | Yes, 2x / 1.8x / 1.3x | |
| Image Stabilization System: | Optical depending on lens used, Digital 5-Axis IS for non-IS lenses. Combination of Optical IS and Digital IS to give combined 5-Axis IS | |
| RECORDING | ||
| Internal Recording: | CFexpress card x2 for Cinema RAW Light or XF-AVC / MXF, SD card for XF-AVC Proxy recording. SD card also used for Photo Storage (Up to 4096 x 2160), CP setting transfer and firmware update. | |
| Recording Time (CFexpress Card, 512GB) Approx: | Cinema RAW Light: | 4096 X 2160: 1 Gbps: 64 Mins 2048 X 1080: 250 Mbps 256 Mins |
| XF-AVC/MXF: | 4096 X 2160: 810 Mbps 79 Mins / 410 Mbps 156 Mins 2048 X 2160: 310 Mbps 207 Mins / 160 Mbps 401 Mins | |
| Recording Formats: | Cinema RAW Light (CRM), XF-AVC (MXF) ALL-I or Long GOP | |
| System Frequency / Frame Rates: | 59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P) 50.00Hz mode (50.00P / 50.00i / 25.00P) 24.00Hz mode (24.00P) | |
| Cinema RAW Light Bit Rate / Bit Depth (PAL): | 4096 X 2160: 50.00P, 1 Gbps 10-bit/25.00P, 1Gbps 12-bit 2048 X 1080: 50.00P, 250Mbps 10-bit/25.00P 250 Mbps 12-bit | |
| XF-AVC Recording Bit Rate / Sampling (PAL): | 4096 X 2160/3840 X 2160: 50.00P YCC 4:2:2 10-BIT 810 Mbps/25.00P YCC 4:2:2 10-bit 410 Mbps 2048 X 1080/1920 X 1080: 50.00P YCC 4:2:2 10-BIT 310 Mbps/25.00P YCC 4:2:2 10-bit 160 Mbps | |
| XF-AVC Proxy Recording Bit Rate / Sampling (PAL) To SD Card: | 2048 X 1080: 50.00P, YCC 4:2:0 8-bit 35 Mbps/25.00P, YCC 4:2:0 8-bit 24 Mbps Long GOP | |
| Slow / Fast Motion: | Yes Cinema RAW Light: 4096 x 2160: 12 - 120 FPS / 2048 x1080 / 12 -120 FPS XF-AVC: 4096 x 2160: 12 - 120 FPS / 2048 x1080 / 1920 x 1080 (2K/Super 16mm) 12 ‑ 180 FPS Proxy files: Recorded at same frame rate | |
| Interval Record: | No | |
| Frame Record: | No | |
| Pre Record (Cache Record): | Yes, 3 seconds | |
| Relay Recording: | Yes | |
| Double Slot / Simultaneous Recording: | Yes | |
| Scan Reverse: | Yes | |
| HD -> SD Conversion: | No | |
| Photo Storage Media: | SD/SDHC memory card | |
| Photo Recording Size: | 4096x2160 / 3840x2160 / 2048x1080 / 1920x1080 | |
| SYSTEM | ||
| Wave Form Monitor: | Yes. Via MON, SDI OUT, VIDEO or HDMI Terminals Line Display/Line and Spot/Line Select/Field Display/RGB Display/YPrPb. HDR PQ/HLG output supported. | |
| False Colour Display (Exposure Indication): | Yes. Via MON, SDI OUT, VIDEO or HDMI Terminals | |
| Colour Bars: | SMPTE, EBU and ARIB colour bars available. See the menu. | |
| Peaking: | Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable) | |
| Zebra: | Level 1; Level 2; Both Output via SDI or HDMI | |
| Markers: | On/Off selectable: center, horizontal, grid, aspect, safety zone, and rectangular marker. Colour selectable, yellow, blue, green, red, black, gray or white. | |
| EVF | ||
| Built-In EVF: | No | |
| Optional EVF Accessory: | Yes. OLED Electronic Viewfinder, EVF-V50 or EVF-V70 | |
| INPUTS / OUTPUTS | ||
| Audio In: | 2x 3-pin XLR Inputs, 1x 3.5 mm stereo mini jack (input only, powered) XLR Input 1 / 2 on camera body. XLR Input 2 / 3 via optional Expansion Unit EU-V2 | |
| Headphone Output: | 3.5 mm stereo mini jack (output only, Camera Body). | |
| Video Monitor Output: | MON: 1x 3G-SDI BNC terminal (output only, Camera Body). | |
| HDMI: | HDMI connector (type A) (output only, Camera Body). | |
| USB: | Yes, Input only, Camera Body. (GP-E2 connection) | |
| SDI Output: | 1x 12G-SDI BNC terminal, 4K to 2K/FHD conversion available (output only, Camera Body) | |
| Time Code: | BNC jack (input/output, Camera Body). | |
| Genlock: | Yes, with optional Expansion Unit EU-V1 and EU-V2. BNC jack (input only/also serves as SYNC OUT connector) | |
| Sync: | BNC jack (Output only/also serves as GENLOCK connector) | |
| Component Out: | No | |
| AV Terminal: | No | |
| DC Output: | Yes, requires optional EU-V2 or EU-V3 accessories. EU-V2: 24V/2A via Fischer 3-pin output / 50W D-Tap output EU-V3: 12V/2A via Hirose 4-pin output | |
| DC Input: | XLR 4-pin jack, 11.5 -20V | |
| Remote Control Terminal: | REMOTE A connector 2.5 mm stereo jack (input only) REMOTE B connector Round 8-pin jack (for RS-422) with optional EU-V1 / EU-V2 / EU-V3 | |
| Wireless Control Terminal: | Yes | |
| Lens Terminal: | Yes, with optional EU-V2. 12-pin jack | |
| Ethernet Terminal: | Yes, with optional EU-V1 and EU-V2. Ethernet connector (RJ45) (supports 1000 BASE-T) | |
| IP Streaming & Control: | Yes, via Ethernet/Wi-Fi connection. 9 Mbps/4 Mbps:1920 X 1080 (59.94p/59.94i/ 50.00p/50.00i) optional EU-V1 or EU-V2 required. Canon XC Protocol supported. Canon Browser Remote supported. | |
| LUT Input: | Yes, available for monitoring or applied directly to recordings. Compatible with .CUBE LUT files | |
| Video Connector: | Canon’s proprietary specification (special 13-pin jack) for LM-V2 Monitor or optional EVF-V70 viewfinder or LM-V1 monitor | |
| Tally Signal: | Yes, requires optional EU-V3. REC Tally Out / REC Trigger In via Hirose 4-pin terminal | |
| Return Signal Input: | Yes, requires optional EU-V3. 1x BNC terminal input (supporting 3G/HD-SDI signals) Return output destinations: VIDEO / EVF-V50 / MON / HDMI / SDI OUT | |
| MISCELLANEOUS | ||
| Tally Lamp: | Yes | |
| Custom Dial: | Yes | |
| EXPOSURE | ||
| Exposure Metering: | Manual exposure determined by shutter setting, iris setting, ISO/gain setting and ND filter setting, Push Auto Iris, Auto Iris | |
| Exposure Compensation: | Yes | |
| Auto Exposure Mode: | Auto Iris with compatible lenses | |
| Push Auto Iris: | Yes, EF model all compatible lenses, PL Version compatible Canon Cine Servo lenses only with 12-pin connection on optional EU-V2 / EU-V3 | |
| Exposure Lock: | No | |
| Auto Gain Control Setting: | Yes | |
| ISO Sensitivity: | 1-Stop Display: [100], 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200,102400] [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF 1/3 Stop Display: [100,125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500,3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000, 25600, [32000, 40000, 51200, 64000, 80000, 102400] [---] When ISO speed expansion is ON. | |
| Auto Focus System (EF Mount): | Dual Pixel CMOS AF, Contrast AF | |
| AF Frame Sizes (EF Mount): | Large; size equivalent to approx. 20% (vertical) x 25% (horizontal) of the image display range Small; size equivalent to approx. 20% (vertical) x 8% (horizontal) of the image display range Selectable AF point over 80% horizontal/80% vertical (approx.) of sensor | |
| Auto Focus Modes (EF Mount): | One-Shot AF, Continuous AF and AF-Boosted MF. All modes take effect when the AF/MF switch of the EF lens is at the AF setting. One-Shot AF, Continuous AF, AF-Boosted MF | |
| Face Detection AF (EF Version Only): | Yes, supporting frame rates up to 120p. Face Priority or Face Only modes available. | |
| Focus Guide: | EF version: All compatible Canon EF lenses, Canon Cine Servo Lenses | |
| Gain Setting: | [-6dB, -3dB], -2dB(*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB, 33dB, 36dB, 39dB, 42dB, [45dB,48dB,51dB,54dB] [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF. When ISO speed expansion is ON: between -2 dB and 54 dB When ISO speed expansion is OFF: Any value from -2 dB to 42 dB in 0.5 dB increments can be set. | |
| SHUTTER | ||
| Control Modes: | Off; Speed; Angle; Clear Scan (CS); Slow Shutter (SLS) | |
| Shutter Speed: | 1/3 stop: 1/12 to 1/1600, 1/2000 (24 settings) 1/4 stop: 1/12 to 1/1700. 1/2000 (31 settings) | |
| Shutter Angle: | 11.25º to 360º depending on frame rate | |
| Slow Shutter (SLS): | 1/12, 1/15 or 1/30 depending on frame rate | |
| Clear Scan: | 24.00 Hz* to 250.40 Hz (*) The frequency will differ depending on the frame rate setting. | |
| CUSTOM PICTURE | ||
| Stored Configurations: | C1: BT.709 (Wide DR / BT.709 Gamut) C2: LOG2 (Canon Log 2 / Cinema Gamut) C3: LOG3 (Canon Log3 / Cinema Gamut C4: PQ (PQ / BT.2020 Gamut) C5: HLG (HLG / BT.2020 Gamut) C6: BT.709 Standard (BT.709 Standard / BT.709) USER7 to USER20 (Wide DR / BT.709 Gamut) | |
| Colour Matrix: | Neutral: Accurate colour reproduction Production Camera: Colour reproduction for use in movie production Video: Color reproduction equivalent to C300/500 CP-OFF (for commercial cameras) | |
| Master Pedestal: | -50 to +50 | |
| Master Black: | Adjustable for each channel RGB -50 to +50 plus Master Black -50 to +50 | |
| Black Gamma: | Adjustable Level -50 to +50, Range -20 to +50 and Point -20 to +50 | |
| Low Key Saturation: | Adjustable: -50 to +50 | |
| Knee: | Point -50 to +109, Slope -35 to +50, Saturation -10 to +10 | |
| Sharpness: | Adjustment for Level, H Detail Freq., Coring, HV Detail Balance, Limit, Select, Knee Aperture and Level dependent sharpness | |
| Noise Reduction: | Off, On (1 to 12) | |
| Skin Detail: | Off, Low, Middle, High / Hue, Chroma, Area, Luminance. 32 steps | |
| Selective Noise Reduction: | Off, Low, Middle, High / Hue, Chroma, Area, Luminance. | |
| Colour Matrix: | Phase, Gain and RGB adjustment, in tandem with Gamma selection | |
| White Balance: | AWB, USER setting (setting range: 2000K to 15000K/ -20CC to +20CC), daylight, tungsten, settings (A/B) | |
| Colour Correction: | Area selection / area revision of two areas | |
| Setup Level: | -50 to +50 On/Off | |
| WI-FI & GPS SPECIFICATIONS | ||
| Wi-Fi (Optional Accessory): | (1) WPS [Wi-Fi Protected Setup] (push-button system, PIN code system) (2) Manual setup (3) Search for access points Open system, WPA-PSK, WPA2-PSK, WEP-64, WEP-128, TKIP, AES, Auto /manual | |
| GPS Information (Optional Accessory): | Latitude/Longitude/Elevation, Coordinated Universal Time (UTC) | |
| WHITE BALANCE | ||
| Auto: | Yes | |
| Preset: | Daylight (5400K), Tungsten (3200K), Kelvin (2000K-15000K, 100K intervals), Set A, Set B | |
| White Balance Matching: | Yes, for previous models | |
| White Balance Shift: | Yes. -9 to +9 (Daylight and Tungsten only) | |
| BLACK BALANCE | ||
| Black Balance Adjustment: | Yes | |
| TIME CODE | ||
| Count Up System: | Regen, RecRun, Free Run, External, Hold (Drop frame available for some frame rates) | |
| Start Value Setting: | “00:00:00:00”, Set/Reset selectable | |
| AUDIO | ||
| Recording: | Linear PCM (24-bit / 48kHz), 4 channels | |
| ACCESSORIES | ||
| Supplied: | Camera Grip GR-V1, Thumb rest, Mic holder unit [w/ M4 screw], LCD Monitor LM-V2, LCD Attachment Unit LA-V2, Handle unit, Shoulder strap SS-1200, Battery Charger CG-A20, Compact power adapter CA-CP200B, AC cable, Battery pack (BP-A60), Extension System Attachment Bracket, Unit Cable UN-5, Other: Stopper, Hex Wrenches (M4 and M3), Hex Socket Head Bolt (1/4 in.), Hex Socket Head Bolt (M3) | |
| Optional: | Canon Battery Pack BP-A30/BP-A60 (provided with camera) Canon Battery Charger CG-A10/CG-A20 (provided with camera) Canon Remote Controller RC-V100 Canon RC-IP100 PTZ Controller Canon Compact Power Adapter CA-CP200B (provided with camera) Canon Shoulder Strap SS-1200 (provided with camera) Canon Tripod base TB-1 Canon Wireless Transmitter WFT- E9* Canon GPS Receiver GP-E2 Canon Unit Cable UN-5 (provided)/UN-10 (purchased separately) Canon OLED Electronic View Finder EVF-V50/EVF-V70 Canon Extension unit 1: EU-V1 Canon Extension unit 2: EU-V2 Canon Extension unit 3: EU-V3 Canon EF Cinema Lock Mount Kit CM-V1 Canon PL Mount Kit PM-V1 Canon B4 Mount Adapter MO-4E / MO-4P Canon LCD Monitor LM-V2 (included) / LM-V1 Canon LCD Attachment Unit LA-V2 (included) / LA-V1 Canon Camera Grip GR-V1 (included) Canon Shoulder Support Unit SU-15 Canon Shoulder Style Grip Unit SG-1 Canon Clamp Base CL-V2 Canon Rod Clamp RD-1 Canon Handle Unit HDU-2 Canon 8-pin Remote Cable RR-10 / RR-100 Canon EF/EF cinema lens group, Canon PL cinema lens group, and accessories designed for these lenses | |
| Third Party Accessories: | V-Lock battery | |
| POWER | ||
| Power Supply: | BP-A60 (Supplied), BP-A30 (Optional), V-Lock with EU-V2 / EU-V3, 11.5V - 20V, Mains 4-pin XLR | |
| Power Consumption: | RAW: (4096x2160) Super 35mm 1Gbps, 31.0W Super 16mm 250Mbps, 28.7W XF-AVC: (4096x2160) Super 35mm 810Mbps, 31.0W Super 16mm 310Mbps, 28.7W | |
| Recording Time:
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