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Atomos Sumo PRO-19 4K Production Monitor

Atomos Sumo PRO-19 4K Production Monitor

SKU: AO-ATOMSMPR19
Regular price £2,425.00 GBP ex VAT
£2,910.00 GBP inc VAT
Regular price ex VAT Sale price £2,425.00 GBP ex VAT
£2,910.00 GBP inc VAT
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  • Details
  • Features
  • Specifications

Introducing Sumo PRO-19 - a new 19 inch 4K HDR DCI-P3 monitor-recorder-switcher built for on-set production and video village workflows. 

Building on the foundation of the widely adopted Sumo 19SE, this new model represents a significant step forward, positioning itself not just as a 4K monitoring tool, but with the addition of camera control and network connectivity it’s a central control hub for on-set collaboration and beyond.

Sumo PRO 19 gives productions a powerful all in one hub for reviewing shots, managing exposure and lighting, and keeping every department aligned. It records in ProRes, ProRes RAW, and Avid DNx, supports RAW workflows up to 8K, and offers flexible media options with CFexpress or USB C storage - ideal for fast moving shoots.

It also doubles as a backup recorder, instant review station, and dependable confidence monitor. With tools like EL Zone™, waveform, focus peaking, LUTs, quad view, and new user assignable function buttons, crews can work faster and with greater accuracy.

For connected sets, Sumo PRO 19 includes Wi Fi, Ethernet, and direct uploads to ATOMOSphere, Frame.io, and Dropbox, enabling near real time review for distributed teams. AirGlu™ timecode keeps everything in sync, while built in NDI® HX3 opens the door to flexible video village and remote production setups over standard networks.
 Sumo PRO 19 brings modern monitoring, recording, and connected workflows together in one flagship device, making it a must-have upgrade for creators.

On-set 4K monitoring you can trust
Sumo PRO-19 is our next generation, 19-inch 4K HDR monitor-recorder-switcher, built for real-world on-set workflows. This is not just a monitor for the video village. It’s the control center, providing directors, clients, and talent with an on‑set viewing station for rapid decision‑making.

Built for connected workflows
With built in Wi-Fi and Ethernet connectivity for remote collaboration you can upload directly to camera to cloud platforms like ATOMOSphere, Frame.io, Dropbox, and more. Transmit or receive high quality NDI HX3 video over IP streams. With AirGlu™ wireless timecode you can sync multiple cameras and devices frame-accurately over Bluetooth® or RF.

Camera control & touch to focus
Sumo PRO-19 offers touchscreen control over key camera parameters including start/stop, ISO, shutter, aperture, and white balance for supported cameras, as well as touch to focus. The ability to control cameras remotely is especially valuable in situations where the camera itself is difficult to access during shooting, for example when mounted on cranes, jibs, or ceiling rigs. Now, the director doesn’t just watch the shot. From the comfort of their chair, they can directly control the camera via the touchscreen. Adjust settings, refine the image, and shape the shot in real-time without needing to step onto the set. Faster decisions, tighter feedback, better results. Control is available for most Canon, Fujifilm, Nikon, Panasonic, and Sony mirrorless cameras.

Customizable control buttons
Get instant access to up to six frequently-used features – for example exposure, framing and monitoring tools, playback modes, LUTs, anamorphic desqueeze – all at the touch of a button. Turn Sumo PRO‑19 into a professional control surface, optimized for speed, reliability, and personalized workflows in real production conditions.

CFexpress – built for speed
Capture 8K RAW and high‑bitrate codecs with confidence, thanks to ultra‑fast write speeds designed for sustained performance. CFexpress Type B media is compact, durable, and built to withstand the rigours of video production. With rapid offload speeds, your footage moves into post or the cloud without slowing down your pipeline. Alternatively, you can capture to external, cost‑effective USB‑C storage.
*Storage media purchased separately. Minimum performance / certification requirements apply.

10-bit industry-standard codecs
Sumo PRO-19 records 10-bit, 4:2:2 Apple ProRes, ProRes RAW or Avid DNx from SDI or HDMI sources, for immediate post-event turnaround. It can also record in 10-bit H.265 up to 30Mbps, giving you complete flexibility to master at the highest quality for colour correction and finishing, or proxy recording for dailies in a faster turnaround production workflow.

Professional monitoring tools
Sumo PRO-19 offers a comprehensive suite of simple, one-touch monitoring tools for focus, framing, and exposure, including focus peaking, zoom (2:1, 1:1), zebras, EL Zone™ false colour, frame guides, SMPTE safe areas, grid markers, waveforms, an RGB parade, vectorscope, and flexible 3D/1D LUT support with profile and preset options (including .cube file uploads). It also offers anamorphic de-squeeze monitoring to correct the ratio for anamorphic lens setups, and 16:9 framing for social media.

EL Zone
Sumo PRO-19 supports EL Zone, a professional false colour exposure tool that helps you see exactly how bright or dark different parts of your image are. Unlike traditional false colour systems that use rough IRE ranges, EL Zone assigns specific colours to exact exposure values — based on stops of light, in the same way your camera sees exposure. It’s a precise and consistent way to expose your image correctly every time.

LUTS
Sumo PRO-19 can receive LOG signals from the camera and provide real-time LUT (Look‑Up Table) preview to approximate what the final graded image will look like in Rec.709 — all while recording in high‑quality ProRes, DNxHR, or ProRes RAW. Custom LUTs (.cube files) can be loaded from CFexpress card or external USB‑C media (or SSD drive in the case of Sumo 19SE) and used in conjunction with the built‑in monitoring tools for precise exposure control.

Complete solutions for on-set and video village
On-set review
Confidently manage complex productions with a large, colour-accurate 19-inch display that’s ideal for directors, technical directors, and camera operators.

Technical monitoring
Bright, 19-inch display with comprehensive technical monitoring tools including false colour, focus peaking, waveform vectorscope & more.

Live switching & routing
Live switcher capable of playing and recording up to four ISO camera feeds, plus a fifth program channel, all while cueing and switching in real‑time.

Connectivity at its core
Sumo PRO-19 supports demanding production workflows with comprehensive SDI and HDMI I/O, audio connectivity, timecode, and power options.

  • A – Audio: XLR inputs for line-level or mic sources, with selectable 48 V phantom power for compatible mics. XLR outputs for monitoring.
  • B – Power: 1 x 4-pin XLR for DC power supply included, or single battery (purchased separately).
  • C – HDMI & SDI: 2 x 12G-SDI (6G/3G backwards compatible) + 2 x 3G‑SDI inputs. Level A & B supported. 1 x 12G-SDI out. 1 x HDMI in/out up to 4K60P.
  • D – Networking: RJ45 Ethernet port unlocks powerful IP workflows with a single, standard network cable, including NDI and cloud connectivity.
  • E – Sync: Supports reference signal input to lock to an external source. Can also be used as a LTC timecode input for multi-camera setups.
  • F – USB: 2 x USB-C ports for attaching external storage media, camera control, and other accessories.


Colour precision
The monitor can be calibrated with Calibrite Display Pro HL and Plus HL probes via the Atomos Calibrator app, using the Atomos calibration cable (ATOMCAB018, sold separately). This ensures consistently accurate HDR and Rec.709 monitoring, so what you see on screen is exactly what you deliver.

Pro audio, fully integrated
Sumo PRO-19 supports 24-bit/48 kHz PCM audio, accepts two balanced XLR inputs with 48V phantom power for external mics or line sources, and has gain controls, meters, and per-channel delay adjustment. You also get balanced XLR outputs, embedded HDMI/SDI audio, built-in speakers, and a headphone jack for direct monitoring and sync with video.

Durable, lightweight chassis
Crafted from high-quality aluminium, Sumo PRO-19 combines strength with a refined, professional look. The chassis is engineered to withstand the rigours of daily production while remaining lightweight and easy to handle. Its sleek finish gives the monitor a premium feel that reflects the performance and reliability inside.

Built-in handle
The integrated carry handle makes moving the Sumo PRO-19 around set effortless and secure. Ergonomically designed for comfort and balance, it allows you to quickly reposition your monitor between shots or locations without additional accessories. A practical feature that keeps your workflow moving smoothly.

Removable feet
Adapt your setup in seconds. Keep the feet attached for stable desktop or DIT cart monitoring, or remove them for rig integration. With multiple strategically placed mounting points, Sumo can easily be attached to stands, cages, arms, or integrated into custom setups.

Camera to Cloud
Camera to Cloud (C2C) is a revolutionary new workflow that lets you upload your video files directly from your Atomos monitor-recorder to the cloud, from wherever you’re shooting. There’s no time lost transporting and copying drives. Sumo PRO-19 has everything you need to do C2C built in, and supports direct upload to our own cloud platform – ATOMOSphere – as well as third-party platforms, including Frame.io and Dropbox.

NDI 6 HX3 transmit and receive
NDI can send and receive video over ordinary networks (including Wi‑Fi) in high quality, but with very low bandwidth requirements. It’s used increasingly in live production and events. Sumo PRO‑19 can be an NDI source, visible to all other authorized devices on the network, or an NDI receiver, with all the monitoring functionality you expect from an Atomos device.Using NDI, you can send a video stream from a Ninja TX to a Sumo PRO‑19 over a local network without any video cables. This setup is ideal for flexible on-set monitoring, remote viewing, or multi-device production workflows.

Wireless timecode for multicam shoots
Timecode is a unique digital “timestamp” assigned to each frame of video. It ensures that all your devices—cameras, audio recorders, and monitors — are in perfect sync. Sumo PRO‑19 includes AirGlu timecode sync over RF or Bluetooth to act as a powerful timecode hub.

  • 19-inch, 4K HDR DCI-P3 free standing monitor for on-set review & video village workflows 
  • Record in ProRes, ProRes RAW, Avid DNx to CFexpress Type B or external USB-C storage
  • Record up to four isolated camera feeds (ISOs), plus a fifth program output
  • Quad-view and multi-camera monitoring
  • 2 x 12G-SDI + 2 x 3G-SDI in, 12G-SDI out, HDMI in/out with XLR audio
  • Comprehensive technical monitoring tools including EL Zone™ false color, focus peaking, waveform & more 
  • Transmit and receive NDI® HX3 over Wi-Fi or Ethernet
  • AirGlu timecode over Bluetooth & RF
  • Direct upload to ATOMOSphere, Frame.io, Dropbox & more
  • User-definable function buttons
PHYSICAL
Dimensions: 474mm x 315mm x 62mm
Weight: 7.1 Kg 
Mounting Points: Top: 4 x 1/4"20, 2 x 3/8″
Bottom: 6 x 1/4"20, 3 x 3/8″
Right: 4 x 1/4"20, 2 x 3/8″
Left: 2 x 1/4"20, 1 x 3/8″ 
VESA Mount: 100 x 100 
ENVIRONMENTAL
Ambient Operating Temperature: Up to 40 Degrees Celsius 
CONSTRUCTION
Body: Aluminium with ABS plastic 
Cooling: Actively controlled fan and heat sink 
Touch Screen: Capacitive touch 
Tally Light: LED on rear 
Multi-Function Button: Power + 6 assignable 
POWER
Input Voltage: DC 12V to 16.8V DC 
Operating Power: 75W
Compatible Batteries: 95Wh+ V-Lock / Anton Bauer Gold Mount via XLR terminal (optional mounting plates available) 
Battery Voltage: 14.4V nominal 
Battery Power: Dual battery input via dedicated 4-pin XLR 
DC-In Connector: 1 x 4-pin XLR for included DC power supply
D-Tap: Via third-party D-Tap to 4-pin XLR cable 
DISPLAY
Size: 19-inch 
Resolution: 3840 x 2160 4K UHD 
Bit Depth: 10-bit (8+2 FRC) 
Backlight Type: Double Edge Lit 
Brightness (cd/m²/nits): 1200
Aspect Ratio: 16:9 
Colour Gamut: 100% Rec.709, 99% DCI-P3, 99% NTSC, 87% BT.2020 
Calibration Support: Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable (ATOMCAB018, sold separately) 
COLOUR PIPELINE
Gamma: Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log 
Gamut: DCI P3, DCI P3+, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema / Panasonic V Gamut /ARRI Alexa Wide Gamut / JVC LS300. RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut 
3D LUT Display: .Cube Format (17 & 33 points supported) 
3D LUT Output: Loop out 
3D LUT 50/50: Yes 
Monitoring Modes: Native / HLG / PQ / 3D LUT 
HDR Output Conversion: Log / HDR to HLG / PQ 
VIDEO INPUT
HDMI: 1 x HDMI (2.0) up to 4K60P 
Locking Port: No
SDI: 2 x 12G-SDI (6G/3G backwards compatible) + 2 x 3G-SDI 
Wi-Fi: Wi-Fi 6E 
Bit Depth: 8/10-bit for video / up to 12-bit for RAW
Video Chroma Subsampling: YCbCr 4:2:0 & 4:2:2 
HDR Output Conversion: HDMI auto detection
VIDEO OUTPUT
HDMI: 1 x HDMI (2.0) up to 4K60P 
Locking Port: No
SDI Loop Through: 1 x 12G-SDI
Wi-Fi: Wi-Fi 6E 
Bit Depth: 8/10-bit video 
Video Chroma Subsampling: 4:2:2 
METADATA
SDI: File name – ARRI & RED. RAW – white balance, exposure index, shutter speed/angle, iris/F-stop, ISO, gamma, gamut 
File Naming - Standard: Scene/shot/take & rolling scene/shot/take 
File Naming - Over SDI: Auto-matched filenames from supported ARRI, RED, Sony, Canon Cameras 
NETWORK
Wi-Fi: Wi-Fi 6E 
Ethernet: 1 x RJ45 connector
CONNECTIVITY
USB: 2 x USB-C 2.0/3.0
Bluetooth: Yes
LANC: Yes
VIDEO SIGNAL CONVERSION
HDMI to SDI: Yes
SDI to HDMI: Yes
AUDIO IN/OUT:
Audio Quality: 24-Bit / 48kHz
Audio Codec: PCM
HDMI: 8-channel, 24-bit (input dependent) 
SDI: 12-channel, 24-bit (input dependent) 
Analog Audio In: 2 x 3-pin XLR (female)
Analog Audio Out: 2 x 3-pin XLR (male) 
Speakers: Mono confidence up to 1.5W 
Headphone Out: 3.5mm headphone jack, 2-channel
TIMECODE
Embedded: HDMI & SDI 
Time of Day: Yes
Reference / Genlock Input: Yes (playback mode only) 
LTC: LTC via dedicated BNC input (record mode only)
Wireless AirGlu RF Server and Client: Yes
Wireless AirGlu BT Server: Yes
RESOLUTION & FRAME RATES (RECORD, MONITOR & PLAY)
8K RAW: Up to 8Kp30 
6K RAW: Up to 6Kp30 
4K RAW: Up to 4Kp60 
2K RAW: Up to 2Kp240 
4K DCI: Up to 4Kp60 
4K UHD: Up to UHDp60 
2K DCI 2048 x 1080: Up to 2Kp60 
1080p: Up to 1080p120 
1080 PsF: Only via pulldown to progressive
1080i: 1080i50 / 1080i60 
720p: Up to 720p60 
SUPPORTED MEDIA
CF Express: Atomos certified CF Express Type B media 
USB: Atomos certified USB 3.0 media 
File System: ExFAT 
CODECS
Apple ProRes RAW: ProRes RAW, ProRes RAW HQ
Apple ProRes: LT, 422, 422 HQ 
Avid DNxHD: DNxHD 220x, 220, 145, 36 
Avid DNxHR: LB, SQ, HQ, HQX
H.265: LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0
H.264: Not supported
PLAYBACK
Playlist: Yes - create customer playlists from full or sub-clips 
Loop: Yes, with user-customizable in/out markers 
Apple ProRes RAW: Yes - recorded clips 
Apple ProRes: HQ, 422, LT (linear PCM audio only) 
Avid DNx: DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (linear PCM audio only) 
H.265: Yes
RECORDING
Pre-Roll: 8s HD / 2s 4K - ProRes, DNxHD only 
Timelapse: Yes
ISO Recording: 4 x ISO up to 1080p60 (3G SDI Level A & B)
Switched Program Recording: Yes
MULTI-INPUT SWITCHING
Dual Input Display: Via multi ISO input mode 
Multiple SDI Input: Up to 4 x 1080p60 (3G SDI Level A) 
Multiview Display: via Multi ISO input mode 
Input Switching: Yes
ON-SCREEN MONITORING TOOLS
Waveform: 3 sizes – adjustable opacity & brightness 
RGB Parade: 3 sizes – adjustable opacity & brightness 
Vectorscope: 2 sizes – adjustable opacity & brightness
2x Zoom: Yes
Focus Peaking: Color selected / threshold setting / color / mono / edges only
Atomos False Colour: Yes, with scale
ARRI False Colour: Yes
EL Zone: Yes
Zebra: Yes, adjustable
Isolate Colour Channel: Blue only
Cine Frame Guides: Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame Guides: Presets for 9:16, 1:1, 191:1, 4:5
Onion Skin: Yes
Safe Areas: Action and graphic
Grid Markers: 9 grid
Anamorphic Desqueeze: 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x
Display Flip: Vertical only
ONBOARD SIGNAL PROCESSING
4K UHD Downscale for HD: Loop out - 4K UHD to FHD 
DCI Crop: Loop out - 17:9 to 16:9 crop
Pulldown Removal: 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown)
REMOTE CONTROL
HDMI: Auto HDMI trigger, supported protocols - Canon, Sony, Atomos
SDI: SDI trigger camera selectable
Serial 2.5mm Jack: Calibration via optional USB to serial cable
AirGlu BT: Yes
AirGlu RT: Yes
ACCESSORIES
AC to DC Power Adaptor: Yes, sold separately (ATOMPWR024)
Sun Hood: Yes, sold separately by third party 
CAMERA TO CLOUD
ATOMOSphere: Direct progressive upload supported (20GB free storage) over Wi-Fi or Ethernet
Adobe Frame.io: Direct progressive upload supported (separate purchase) over Wi-Fi or Ethernet
Dropbox: Direct progressive upload supported (separate purchase) over Wi-Fi or Ethernet
WARRANTY
Standard: 1 year. Extended to 2 years on product registration (excludes screen)