






Introducing Sumo PRO-19 - a new 19 inch 4K HDR DCI-P3 monitor-recorder-switcher built for on-set production and video village workflows.
Building on the foundation of the widely adopted Sumo 19SE, this new model represents a significant step forward, positioning itself not just as a 4K monitoring tool, but with the addition of camera control and network connectivity it’s a central control hub for on-set collaboration and beyond.
Sumo PRO 19 gives productions a powerful all in one hub for reviewing shots, managing exposure and lighting, and keeping every department aligned. It records in ProRes, ProRes RAW, and Avid DNx, supports RAW workflows up to 8K, and offers flexible media options with CFexpress or USB C storage - ideal for fast moving shoots.
It also doubles as a backup recorder, instant review station, and dependable confidence monitor. With tools like EL Zone™, waveform, focus peaking, LUTs, quad view, and new user assignable function buttons, crews can work faster and with greater accuracy.
For connected sets, Sumo PRO 19 includes Wi Fi, Ethernet, and direct uploads to ATOMOSphere, Frame.io, and Dropbox, enabling near real time review for distributed teams. AirGlu™ timecode keeps everything in sync, while built in NDI® HX3 opens the door to flexible video village and remote production setups over standard networks.
Sumo PRO 19 brings modern monitoring, recording, and connected workflows together in one flagship device, making it a must-have upgrade for creators.
On-set 4K monitoring you can trust
Sumo PRO-19 is our next generation, 19-inch 4K HDR monitor-recorder-switcher, built for real-world on-set workflows. This is not just a monitor for the video village. It’s the control center, providing directors, clients, and talent with an on‑set viewing station for rapid decision‑making.
Built for connected workflows
With built in Wi-Fi and Ethernet connectivity for remote collaboration you can upload directly to camera to cloud platforms like ATOMOSphere, Frame.io, Dropbox, and more. Transmit or receive high quality NDI HX3 video over IP streams. With AirGlu™ wireless timecode you can sync multiple cameras and devices frame-accurately over Bluetooth® or RF.
Camera control & touch to focus
Sumo PRO-19 offers touchscreen control over key camera parameters including start/stop, ISO, shutter, aperture, and white balance for supported cameras, as well as touch to focus. The ability to control cameras remotely is especially valuable in situations where the camera itself is difficult to access during shooting, for example when mounted on cranes, jibs, or ceiling rigs. Now, the director doesn’t just watch the shot. From the comfort of their chair, they can directly control the camera via the touchscreen. Adjust settings, refine the image, and shape the shot in real-time without needing to step onto the set. Faster decisions, tighter feedback, better results. Control is available for most Canon, Fujifilm, Nikon, Panasonic, and Sony mirrorless cameras.
Customizable control buttons
Get instant access to up to six frequently-used features – for example exposure, framing and monitoring tools, playback modes, LUTs, anamorphic desqueeze – all at the touch of a button. Turn Sumo PRO‑19 into a professional control surface, optimized for speed, reliability, and personalized workflows in real production conditions.
CFexpress – built for speed
Capture 8K RAW and high‑bitrate codecs with confidence, thanks to ultra‑fast write speeds designed for sustained performance. CFexpress Type B media is compact, durable, and built to withstand the rigours of video production. With rapid offload speeds, your footage moves into post or the cloud without slowing down your pipeline. Alternatively, you can capture to external, cost‑effective USB‑C storage.
*Storage media purchased separately. Minimum performance / certification requirements apply.
10-bit industry-standard codecs
Sumo PRO-19 records 10-bit, 4:2:2 Apple ProRes, ProRes RAW or Avid DNx from SDI or HDMI sources, for immediate post-event turnaround. It can also record in 10-bit H.265 up to 30Mbps, giving you complete flexibility to master at the highest quality for colour correction and finishing, or proxy recording for dailies in a faster turnaround production workflow.
Professional monitoring tools
Sumo PRO-19 offers a comprehensive suite of simple, one-touch monitoring tools for focus, framing, and exposure, including focus peaking, zoom (2:1, 1:1), zebras, EL Zone™ false colour, frame guides, SMPTE safe areas, grid markers, waveforms, an RGB parade, vectorscope, and flexible 3D/1D LUT support with profile and preset options (including .cube file uploads). It also offers anamorphic de-squeeze monitoring to correct the ratio for anamorphic lens setups, and 16:9 framing for social media.
EL Zone
Sumo PRO-19 supports EL Zone, a professional false colour exposure tool that helps you see exactly how bright or dark different parts of your image are. Unlike traditional false colour systems that use rough IRE ranges, EL Zone assigns specific colours to exact exposure values — based on stops of light, in the same way your camera sees exposure. It’s a precise and consistent way to expose your image correctly every time.
LUTS
Sumo PRO-19 can receive LOG signals from the camera and provide real-time LUT (Look‑Up Table) preview to approximate what the final graded image will look like in Rec.709 — all while recording in high‑quality ProRes, DNxHR, or ProRes RAW. Custom LUTs (.cube files) can be loaded from CFexpress card or external USB‑C media (or SSD drive in the case of Sumo 19SE) and used in conjunction with the built‑in monitoring tools for precise exposure control.
Complete solutions for on-set and video village
On-set review
Confidently manage complex productions with a large, colour-accurate 19-inch display that’s ideal for directors, technical directors, and camera operators.
Technical monitoring
Bright, 19-inch display with comprehensive technical monitoring tools including false colour, focus peaking, waveform vectorscope & more.
Live switching & routing
Live switcher capable of playing and recording up to four ISO camera feeds, plus a fifth program channel, all while cueing and switching in real‑time.
Connectivity at its core
Sumo PRO-19 supports demanding production workflows with comprehensive SDI and HDMI I/O, audio connectivity, timecode, and power options.
Colour precision
The monitor can be calibrated with Calibrite Display Pro HL and Plus HL probes via the Atomos Calibrator app, using the Atomos calibration cable (ATOMCAB018, sold separately). This ensures consistently accurate HDR and Rec.709 monitoring, so what you see on screen is exactly what you deliver.
Pro audio, fully integrated
Sumo PRO-19 supports 24-bit/48 kHz PCM audio, accepts two balanced XLR inputs with 48V phantom power for external mics or line sources, and has gain controls, meters, and per-channel delay adjustment. You also get balanced XLR outputs, embedded HDMI/SDI audio, built-in speakers, and a headphone jack for direct monitoring and sync with video.
Durable, lightweight chassis
Crafted from high-quality aluminium, Sumo PRO-19 combines strength with a refined, professional look. The chassis is engineered to withstand the rigours of daily production while remaining lightweight and easy to handle. Its sleek finish gives the monitor a premium feel that reflects the performance and reliability inside.
Built-in handle
The integrated carry handle makes moving the Sumo PRO-19 around set effortless and secure. Ergonomically designed for comfort and balance, it allows you to quickly reposition your monitor between shots or locations without additional accessories. A practical feature that keeps your workflow moving smoothly.
Removable feet
Adapt your setup in seconds. Keep the feet attached for stable desktop or DIT cart monitoring, or remove them for rig integration. With multiple strategically placed mounting points, Sumo can easily be attached to stands, cages, arms, or integrated into custom setups.
Camera to Cloud
Camera to Cloud (C2C) is a revolutionary new workflow that lets you upload your video files directly from your Atomos monitor-recorder to the cloud, from wherever you’re shooting. There’s no time lost transporting and copying drives. Sumo PRO-19 has everything you need to do C2C built in, and supports direct upload to our own cloud platform – ATOMOSphere – as well as third-party platforms, including Frame.io and Dropbox.
NDI 6 HX3 transmit and receive
NDI can send and receive video over ordinary networks (including Wi‑Fi) in high quality, but with very low bandwidth requirements. It’s used increasingly in live production and events. Sumo PRO‑19 can be an NDI source, visible to all other authorized devices on the network, or an NDI receiver, with all the monitoring functionality you expect from an Atomos device.Using NDI, you can send a video stream from a Ninja TX to a Sumo PRO‑19 over a local network without any video cables. This setup is ideal for flexible on-set monitoring, remote viewing, or multi-device production workflows.
Wireless timecode for multicam shoots
Timecode is a unique digital “timestamp” assigned to each frame of video. It ensures that all your devices—cameras, audio recorders, and monitors — are in perfect sync. Sumo PRO‑19 includes AirGlu timecode sync over RF or Bluetooth to act as a powerful timecode hub.
| PHYSICAL | |
| Dimensions: | 474mm x 315mm x 62mm |
| Weight: | 7.1 Kg |
| Mounting Points: | Top: 4 x 1/4"20, 2 x 3/8″ Bottom: 6 x 1/4"20, 3 x 3/8″ Right: 4 x 1/4"20, 2 x 3/8″ Left: 2 x 1/4"20, 1 x 3/8″ |
| VESA Mount: | 100 x 100 |
| ENVIRONMENTAL | |
| Ambient Operating Temperature: | Up to 40 Degrees Celsius |
| CONSTRUCTION | |
| Body: | Aluminium with ABS plastic |
| Cooling: | Actively controlled fan and heat sink |
| Touch Screen: | Capacitive touch |
| Tally Light: | LED on rear |
| Multi-Function Button: | Power + 6 assignable |
| POWER | |
| Input Voltage: | DC 12V to 16.8V DC |
| Operating Power: | 75W |
| Compatible Batteries: | 95Wh+ V-Lock / Anton Bauer Gold Mount via XLR terminal (optional mounting plates available) |
| Battery Voltage: | 14.4V nominal |
| Battery Power: | Dual battery input via dedicated 4-pin XLR |
| DC-In Connector: | 1 x 4-pin XLR for included DC power supply |
| D-Tap: | Via third-party D-Tap to 4-pin XLR cable |
| DISPLAY | |
| Size: | 19-inch |
| Resolution: | 3840 x 2160 4K UHD |
| Bit Depth: | 10-bit (8+2 FRC) |
| Backlight Type: | Double Edge Lit |
| Brightness (cd/m²/nits): | 1200 |
| Aspect Ratio: | 16:9 |
| Colour Gamut: | 100% Rec.709, 99% DCI-P3, 99% NTSC, 87% BT.2020 |
| Calibration Support: | Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable (ATOMCAB018, sold separately) |
| COLOUR PIPELINE | |
| Gamma: | Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut: | DCI P3, DCI P3+, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema / Panasonic V Gamut /ARRI Alexa Wide Gamut / JVC LS300. RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display: | .Cube Format (17 & 33 points supported) |
| 3D LUT Output: | Loop out |
| 3D LUT 50/50: | Yes |
| Monitoring Modes: | Native / HLG / PQ / 3D LUT |
| HDR Output Conversion: | Log / HDR to HLG / PQ |
| VIDEO INPUT | |
| HDMI: | 1 x HDMI (2.0) up to 4K60P |
| Locking Port: | No |
| SDI: | 2 x 12G-SDI (6G/3G backwards compatible) + 2 x 3G-SDI |
| Wi-Fi: | Wi-Fi 6E |
| Bit Depth: | 8/10-bit for video / up to 12-bit for RAW |
| Video Chroma Subsampling: | YCbCr 4:2:0 & 4:2:2 |
| HDR Output Conversion: | HDMI auto detection |
| VIDEO OUTPUT | |
| HDMI: | 1 x HDMI (2.0) up to 4K60P |
| Locking Port: | No |
| SDI Loop Through: | 1 x 12G-SDI |
| Wi-Fi: | Wi-Fi 6E |
| Bit Depth: | 8/10-bit video |
| Video Chroma Subsampling: | 4:2:2 |
| METADATA | |
| SDI: | File name – ARRI & RED. RAW – white balance, exposure index, shutter speed/angle, iris/F-stop, ISO, gamma, gamut |
| File Naming - Standard: | Scene/shot/take & rolling scene/shot/take |
| File Naming - Over SDI: | Auto-matched filenames from supported ARRI, RED, Sony, Canon Cameras |
| NETWORK | |
| Wi-Fi: | Wi-Fi 6E |
| Ethernet: | 1 x RJ45 connector |
| CONNECTIVITY | |
| USB: | 2 x USB-C 2.0/3.0 |
| Bluetooth: | Yes |
| LANC: | Yes |
| VIDEO SIGNAL CONVERSION | |
| HDMI to SDI: | Yes |
| SDI to HDMI: | Yes |
| AUDIO IN/OUT: | |
| Audio Quality: | 24-Bit / 48kHz |
| Audio Codec: | PCM |
| HDMI: | 8-channel, 24-bit (input dependent) |
| SDI: | 12-channel, 24-bit (input dependent) |
| Analog Audio In: | 2 x 3-pin XLR (female) |
| Analog Audio Out: | 2 x 3-pin XLR (male) |
| Speakers: | Mono confidence up to 1.5W |
| Headphone Out: | 3.5mm headphone jack, 2-channel |
| TIMECODE | |
| Embedded: | HDMI & SDI |
| Time of Day: | Yes |
| Reference / Genlock Input: | Yes (playback mode only) |
| LTC: | LTC via dedicated BNC input (record mode only) |
| Wireless AirGlu RF Server and Client: | Yes |
| Wireless AirGlu BT Server: | Yes |
| RESOLUTION & FRAME RATES (RECORD, MONITOR & PLAY) | |
| 8K RAW: | Up to 8Kp30 |
| 6K RAW: | Up to 6Kp30 |
| 4K RAW: | Up to 4Kp60 |
| 2K RAW: | Up to 2Kp240 |
| 4K DCI: | Up to 4Kp60 |
| 4K UHD: | Up to UHDp60 |
| 2K DCI 2048 x 1080: | Up to 2Kp60 |
| 1080p: | Up to 1080p120 |
| 1080 PsF: | Only via pulldown to progressive |
| 1080i: | 1080i50 / 1080i60 |
| 720p: | Up to 720p60 |
| SUPPORTED MEDIA | |
| CF Express: | Atomos certified CF Express Type B media |
| USB: | Atomos certified USB 3.0 media |
| File System: | ExFAT |
| CODECS | |
| Apple ProRes RAW: | ProRes RAW, ProRes RAW HQ |
| Apple ProRes: | LT, 422, 422 HQ |
| Avid DNxHD: | DNxHD 220x, 220, 145, 36 |
| Avid DNxHR: | LB, SQ, HQ, HQX |
| H.265: | LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0 |
| H.264: | Not supported |
| PLAYBACK | |
| Playlist: | Yes - create customer playlists from full or sub-clips |
| Loop: | Yes, with user-customizable in/out markers |
| Apple ProRes RAW: | Yes - recorded clips |
| Apple ProRes: | HQ, 422, LT (linear PCM audio only) |
| Avid DNx: | DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (linear PCM audio only) |
| H.265: | Yes |
| RECORDING | |
| Pre-Roll: | 8s HD / 2s 4K - ProRes, DNxHD only |
| Timelapse: | Yes |
| ISO Recording: | 4 x ISO up to 1080p60 (3G SDI Level A & B) |
| Switched Program Recording: | Yes |
| MULTI-INPUT SWITCHING | |
| Dual Input Display: | Via multi ISO input mode |
| Multiple SDI Input: | Up to 4 x 1080p60 (3G SDI Level A) |
| Multiview Display: | via Multi ISO input mode |
| Input Switching: | Yes |
| ON-SCREEN MONITORING TOOLS | |
| Waveform: | 3 sizes – adjustable opacity & brightness |
| RGB Parade: | 3 sizes – adjustable opacity & brightness |
| Vectorscope: | 2 sizes – adjustable opacity & brightness |
| 2x Zoom: | Yes |
| Focus Peaking: | Color selected / threshold setting / color / mono / edges only |
| Atomos False Colour: | Yes, with scale |
| ARRI False Colour: | Yes |
| EL Zone: | Yes |
| Zebra: | Yes, adjustable |
| Isolate Colour Channel: | Blue only |
| Cine Frame Guides: | Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame Guides: | Presets for 9:16, 1:1, 191:1, 4:5 |
| Onion Skin: | Yes |
| Safe Areas: | Action and graphic |
| Grid Markers: | 9 grid |
| Anamorphic Desqueeze: | 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x |
| Display Flip: | Vertical only |
| ONBOARD SIGNAL PROCESSING | |
| 4K UHD Downscale for HD: | Loop out - 4K UHD to FHD |
| DCI Crop: | Loop out - 17:9 to 16:9 crop |
| Pulldown Removal: | 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
| REMOTE CONTROL | |
| HDMI: | Auto HDMI trigger, supported protocols - Canon, Sony, Atomos |
| SDI: | SDI trigger camera selectable |
| Serial 2.5mm Jack: | Calibration via optional USB to serial cable |
| AirGlu BT: | Yes |
| AirGlu RT: | Yes |
| ACCESSORIES | |
| AC to DC Power Adaptor: | Yes, sold separately (ATOMPWR024) |
| Sun Hood: | Yes, sold separately by third party |
| CAMERA TO CLOUD | |
| ATOMOSphere: | Direct progressive upload supported (20GB free storage) over Wi-Fi or Ethernet |
| Adobe Frame.io: | Direct progressive upload supported (separate purchase) over Wi-Fi or Ethernet |
| Dropbox: | Direct progressive upload supported (separate purchase) over Wi-Fi or Ethernet |
| WARRANTY | |
| Standard: | 1 year. Extended to 2 years on product registration (excludes screen) |