Atomos Shogun AV-19
Atomos Shogun AV-19
SKU:
AO-ATOMSHGAV1
Regular price
£1,699.00 GBP ex VAT
£2,038.80 GBP inc VAT
£2,038.80 GBP inc VAT
Regular price
ex VAT
Sale price
£1,699.00 GBP ex VAT
£2,038.80 GBP inc VAT
Unit price
per
£2,038.80 GBP inc VAT
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- Details
- Features
- Specifications
- What's Included
Shogun AV-19 is a powerful 19-inch 4K HDR monitor-recorder-switcher designed for professional live production, broadcast, and video village environments. With 4 SDI inputs, ISO recording, live multi-camera switching, NDI HX3 over Ethernet, ProRes/DNx/ProRes RAW, XLR audio, and advanced monitoring tools, it delivers a complete Monitor-Record-Switch workflow for modern studio and outside broadcast environments.
Its rugged, rack-mountable design and crisp DCI-P3 display make it an ideal central hub for multi?camera monitoring, with built-in switching that supports four ISO feeds plus a fifth program channel for smooth, real?time operation.
Shogun AV-19 includes the monitoring tools professionals expect - EL Zone™, waveform, vectorscope, focus peaking, and full LUT support, and records Apple ProRes, ProRes RAW, and Avid DNx up to 10-bit 4:2:2 from SDI or HDMI. It offers flexible media options via CFexpress or USB-C, and integrated camera control provides direct access to key exposure settings on supported mirrorless systems.
With native NDI HX3 and built-in Ethernet, Shogun AV-19 delivers high-quality, low-latency IP video over a single RJ45 cable, making it ideal for those transitioning to IP-based production.
Professional calibration support and a fully integrated audio system - including balanced XLR I/O with 48V phantom power, embedded SDI/HDMI audio, speakers, and headphone monitoring - round out a complete, ready-to-deploy solution for broadcast and event environments.
Use cases:
- On-set monitoring - Confidently manage complex productions with a large, colour-accurate 4K HDR display that’s ideal for directors, technical directors, and camera operators
- Technical & confidence monitoring - Bright, 19-inch 4K HDR display with comprehensive technical monitoring tools including EL Zone™ false colour, focus peaking, waveform & more
- Live switching & routing - Live switcher capable of playing and recording up to four ISO camera feeds, for broadcasts and live events
- 19-inch, 4K HDR DCI-P3 7RU rack-mounted monitor
- Record in ProRes, ProRes RAW, Avid DNx to CFexpress or external USB-C storage
- Record up to four isolated camera feeds (ISOs), plus a fifth program output
- Live multi-camera monitoring
- 2 x 12G-SDI + 2 x 3G-SDI in, 12G-SDI out, HDMI in/out with XLR audio
- Comprehensive technical monitoring tools including EL Zone™ false colour, focus peaking, waveform & more
- Transmit and receive NDI® HX3 over Ethernet
- User-definable function buttons
- Log to LUT viewing, supporting 3D & .cube
- Backup recording for redundancy
| PHYSICAL | |
| Dimensions: | 482mm x 310mm x 60mm |
| Weight: | 5.22 Kg |
| Mounting Points: | 19-inch rack ears |
| Rack Height: | 7 RU |
| VESA Mount: | No |
| ENVIRONMENTAL | |
| Ambient Operating Temperature: | Up to 40 degrees Celsius |
| CONSTRUCTION | |
| Body: | Aluminium with ABS plastic |
| Cooling: | Actively controlled fan and heat sink |
| Touchscreen: | Capacitive touch |
| Tally Light: | LED on front only |
| Multi-Function Buttons: | Power + 6 assignable |
| POWER | |
| Input Voltage: | DC 12V to 16.8V DC |
| Operating Power: | 75W |
| Compatible Batteries: | Connect to either/both DC 4-pin XLR input |
| Battery Voltage: | 14.4V nominal |
| Battery Power: | Single battery input via dedicated 4-pin XLR |
| DC-In Connector: | 1 x 4-pin XLR for included DC power supply |
| D-Tap: | Via third-party D-Tap to 4-pin XLR cable |
| DISPLAY | |
| Size: | 19-inch |
| Resolution: | 3840 x 2160 4K UHD |
| Bit Depth: | 10-bit (8+2 FRC) |
| Backlight Type: | Double Edge-Lit |
| Brightness (cd/m² / nits): | 1200 |
| Aspect Ratio: | 16:9 |
| Colour Gamut: | 100% Rec.709, 99% DCI-P3, 99% NTSC, 87% BT.2020 |
| Calibration Support: | Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable (ATOMCAB018, sold separately) |
| COLOUR PIPELINE | |
| Gamma: | Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut: | DCI P3, DCI P3+, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema / Panasonic V Gamut /ARRI Alexa Wide Gamut / JVC LS300. RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display: | .Cube format (17 & 33 points supported) |
| 3D LUT Down Stream: | Loop out |
| 3D LUT 50/50: | Yes |
| Monitoring Modes: | Native / HLG / PQ / 3D LUT |
| HDR Output Conversion: | Log / HDR to HLG / PQ |
| VIDEO INPUT | |
| HDMI: | 1 x HDMI (2.0) up to 4K60P |
| Locking Port: | No |
| SDI: | 2 x 12G-SDI (6G/3G backwards compatible) + 2 x 3G-SDI |
| Wi-Fi: | No |
| USB: | 8/10-bit for video / up to 12-bit for RAW |
| BIt Depth: | YCbCr 4:2:0 & 4:2:2 |
| Video Chroma Subsampling: | HDMI auto detection |
| VIDEO OUTPUT | |
| HDMI: | 1 x HDMI (2.0) up to 4K60P |
| Locking Port: | No |
| SDI: | 1 x 12G-SDI |
| Wi-Fi: | No |
| USB: | 2 x USB-C 2.0/3.0 |
| Bit Depth: | 8/10-bit video |
| Video Chroma Subsampling: | 4:2:2 |
| METADATA | |
| SDI: | File name – ARRI & RED.RAW – white balance, exposure index, shutter speed/angle, iris/F-stop, ISO, gamma, gamut |
| File Naming - Standard: | Scene / shot / take & rolling scene / shot / take |
| File Naming - Over SDI: | Auto-matched filenames from supported ARRI & RED Cameras |
| NETWORK | |
| Ethernet: | 1 x RJ45 |
| CONNECTIVITY | |
| USB: | 2 x USB-C 2.0/3.0 |
| Bluetooth: | No |
| LANC: | Yes |
| VIDEO SIGNAL CONVERSION | |
| HDMI to SDI: | Yes |
| SDI ot HDMI: | Yes |
| AUDIO IN / OUT | |
| Audio Quality: | 24-bit / 48kHz |
| Audio Codec: | PCM |
| HDMI: | 8-channel, 24-bit (input dependent) |
| SDI: | 12-channel, 24-bit (input dependent) |
| Analog Audio In: | 2 x 3-pin XLR (female) |
| Analog Audio Out: | 2 x 3-pin XLR (male) |
| Speakers: | Mono confidence up to 1.5W |
| Headphone Out: | 3.5mm headphone jack, 2-channel |
| TIMECODE | |
| Embedded: | HDMI & SDI |
| Time of Day: | Yes |
| Reference / Genlock Input: | Yes (playback mode only) |
| LTC: | LTC via dedicated BNC input (record mode only) |
| Wireless AirGlu RF Server and Client: | No |
| Wireless AirGlu BT Server: | No |
| RESOLUTION AND FRAME RATES (RECORD, MONITOR & PLAYBACK) | |
| 8K RAW: | Up to 8Kp30 via SDI |
| 6K RAW: | Up to 6Kp60 via SDI |
| 4K RAW: | Up to 4Kp60 via SDI |
| 2K RAW: | Up to 2Kp240 via SDI |
| 4K DCI: | Up to 4Kp60 |
| 4K UHD: | Up to UHDp60 |
| 2K DCI 2048 x 1080: | Up to 2Kp60 |
| 1080p: | Up to 1080p120 |
| 1080 PsF: | Only via pulldown to progressive |
| 1080i: | 1080i50 / 1080i60 |
| 720p: | Up to 720p60 |
| SUPPORTED MEDIA | |
| CF Express: | Atomos certified CF Express Type B media |
| USB: | Atomos certified USB 3.0 media |
| File System: | ExFAT |
| CODECS | |
| Apple ProRes RAW: | ProRes RAW, ProRes RAW HQ |
| Apple ProRes: | LT, 422, 422 HQ |
| Avid DNxHD: | DNxHD 220x, 220, 145, 36 |
| Avid DNxHR: | LB, SQ, HQ, HQX |
| H.265: | LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0 |
| H.264: | Not supported |
| PLAYBACK | |
| Playlist: | Yes - create customer playlists from full or sub-clips |
| Loop: | Yes, with user-customizable in/out markers |
| Apple ProRes RAW: | Yes - recorded clips |
| Apple ProRes: | HQ, 422, LT (linear PCM audio only) |
| Avid DNx: | DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (linear PCM audio only) |
| H.265: | Yes |
| RECORDING | |
| Pre-Roll: | 8s HD / 2s 4K - ProRes, DNxHD only |
| Timelapse: | Yes |
| ISO Recording: | 4 x ISO up to 1080p60 (3G SDI Level A & B) |
| Switched Program Recording: | Yes |
| MULTI-INPUT SWITCHING | |
| Dual Input Display: | Via multi ISO input mode |
| Multiple SDI Input: | Up to 4 x 1080p60 (3G SDI Level A & B) |
| Multiview Display: | Via multi ISO input mode |
| Input Switching: | Yes |
| ON-SCREEN MONITORING TOOLS | |
| Waveform: | 3 sizes – adjustable opacity & brightness |
| RGB Parade: | 3 sizes – adjustable opacity & brightness |
| Vectorscope: | 2 sizes – adjustable opacity & brightness |
| 1x Zoom: | Yes. 1:1 pixel mapping for 4K |
| 2x Zoom: | Yes |
| Focus Peaking: | Color selected / threshold setting / color / mono / edges only |
| Atomos False Colour: | Yes, with scale |
| ARRI False Colour: | Yes |
| EL Zone False Colour: | Yes |
| Zebra: | Yes, adjustable |
| Isolate Colour Channel: | Blue Only |
| Cine Frame Guides: | Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame Guides: | Presets for 9:16, 1:1, 191:1, 4:5 |
| Onion Skin: | Yes |
| Safe Areas: | Action and graphic |
| Grid Markers: | 9 grid |
| Anamorphic Desqueeze: | 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x |
| Display Flip: | Vertical only |
| ONBOARD SIGNAL PROCESSING | |
| 4K UHD Downscale for HD: | Loop out - 4K UHD to FHD |
| DCI Crop: | Loop out - 17:9 to 16:9 crop |
| Pulldown Removal: | 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
| REMOTE CONTROL | |
| HDMI: | Auto HDMI trigger, supported protocols - Canon, Sony, Atomos |
| SDI: | SDI trigger camera selectable |
| Serial 2.5mm Jack: | Calibration via optional USB to serial cable |
| ACCESSORIES | |
| AC to DC Power Adaptor: | Yes, sold separately (ATOMPWR024) |
| Sun Hood: | No |
| CAMERA TO CLOUD | |
| ATOMOSphere: | Direct progressive upload supported (20GB free storage) over Ethernet |
| Adobe Frame.io: | Direct progressive upload supported (separate purchase) over Ethernet |
| Dropbox: | Direct progressive upload supported (separate purchase) over Ethernet |
- Shogun AV-19 monitor-recorder-switcher
- 4-pin XLR PSU
- 5x international IEC power cables
- 10x rack nuts & bolts
- screen cloth
- Quick Start Guide