Atomos Ninja Ultra
Atomos Ninja Ultra
SKU:
AO-ATOMNJAU01
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£599.00 GBP ex VAT
£718.80 GBP inc VAT
£718.80 GBP inc VAT
Regular price
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£599.00 GBP ex VAT
£718.80 GBP inc VAT
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£718.80 GBP inc VAT
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- Details
- Features
- Specifications
- What's Included
Ninja Ultra is a leap forward in filmmaking technology that captures your vision in ProRes RAW up to 8K 30P, 6K 60P & 4K 120P with full codec flexibility choice between ProRes RAW, ProRes, DNxHD & H.265 (HEVC).
Ninja Ultra has been built with a new operating system AtomOS 11 that hosts new and exclusive monitoring and recording features that bring creativity to life in every project, from cinematic to social media. RecordAssist and PlayBackAssist cover pre-arranged or remote shots, while improved false colour tools like ARRI False Colour or EL Zone fit with today's creators needs. In conjunction with the Atomos Connect, it opens up ultra-efficient cloud workflows, including dual record ProRes RAW/H.265 for Camera to Cloud and 4K H.265 for instant publishing from the cloud, and the SDI Cine feature for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras.
Share what’s on your Atomos screen with other Atomos Connect users, as well as with Shogun Connect, iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with full audio communication between devices in the included feature Atomos RemoteView*. These new features bring even more versatility to the Ninja Ultra, providing professional I/O options for a multitude of cameras 12G-SDI, AirGlu wireless timecode and control and up to 4K NDI– from entry level mirrorless cameras through to the latest compact cinema and high-end professional cameras. Ninja Ultra supports WiFi 6E that boosts cloud video workflows offering more a stable connection.
Atomos’ close partnerships with major camera manufacturers ensure that Ninja Ultra works flawlessly with an increasing range of DSLR, mirrorless and cinematic cameras.
What's New At A Glance
- Brand New OS - New AtomOS 11 - faster, with more features
- More Codecs Included - 8K ProRes RAW, ProRes, DNxHD & H.265 - all for free
- Dual Record - Dual 4Kp60 ProRes RAW & proxy recording for Cloud
- 4K H.265 Recording - Record & upload high bitrate 4K files to the Cloud
- SDI Cine - Auto matched filenames from ARRI, Canon & RED cameras
- Wi-Fi 6E - The best. Faster, lower latency, more stable connection
- RemoteView - Share live views from your screen over the internet
- Superb Monitoring Tools - Now with EL Zone exposure and ARRI false color
- Premium Options - NDI 4K TX
- Atomos Care360 - Premium extended warranty that covers unforeseen damage
Capture Your Vision with the Ninja Ultra
Ninja Ultra brings your creativity to life in every project, from cinematic to social media, HDR and SDR. It pairs flawlessly with a huge range of HDMI-equipped cameras, from professional cinema to mirrorless.
Record with the Ultimate Monitor-Recorder
Ninja Ultra is the ultimate field monitor for on-the-go film and video creators who value high-quality industry-standard codecs like ProRes and ProRes RAW. The Ninja’s state-of-the-art screen maintains clarity and colour in the brightest conditions and displays bright, clear HDR images for on-set or on-location monitoring.
Compact Monitor-Recorder Made Perfect
The Atomos Ninja Ultra features a stunningly bright 5.2-inch 10-bit HDR monitor with 1000nits brightness. Sleek and durable, the aluminium body weighs just 360g and is only 25mm deep for easy mounting on any rig.
New AtomOS, New Look, New Possibilities
Introducing a new version of our operating system, AtomOS 11. Built uniquely for the new Ninja Ultra, it not only looks amazing but introduces a host of great new features.
We’ve made the tools more visible and improved the look of the icons so you know exactly what you’re selecting. It’s easier to use, more logical and feels more professional.
Endless Features with OS11
The Ninja Ultra offers a huge range of features that can enhance your workflow, including AtomOS Monitor Assist features like Focus Peaking, Zoom, Vectorscopes & Atomos and ARRI False Colour, EL Zone colourized exposure through to Safe Areas, Cine Guides and our AtomHDR processing engine that allows realtime Log>PQ/HLG previewing and more.
Unlock the Full Potential of Your Camera with Ninja Ultra
Ninja Ultra’s wide range of codecs makes it compatible with all major editing software packages. Virtually any HDMI or SDI source is supported, including cameras from Nikon, FujiFilm, Canon, Panasonic, Sony, Z-Cam, Sigma, Olympus, RED and ARRI.
Ninja Ultra & up to 8K ProRes RAW
Over 55 cameras now support RAW recording over HDMI on the Ninja and this list is still growing. Apple ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. It gives filmmakers enormous latitude to adjust the look of their images, making it ideal for HDR workflows. The new Apple ProRes RAW plug-in adds camera-specific characteristics to the mix.
Ninja Ultra & Atomos Connect Module
Add an Atomos Connect module to the Ninja Ultra to access to cloud workflows like C2C, Atomos Edit and Atomos RemoteView via Atomos Cloud Studio. Connect also features 12G-SDI, AirGlu wireless timecode and control, Wi-Fi 6E and GigE Ethernet.
Access to Atomos RemoteView with a subscription to Atomos Cloud Services, using Atomos Credits for a simple 'pay as you go service'. Atomos RemoteView is a unique new service that lets you share what’s on your Atomos screen with other Atomos users, as well as with iPads, Macs and Apple TVs wirelessly. You can monitor what’s happening on-set and look through the camera taking the shot. What’s more, you can do this remotely from anywhere in the world. It’s a new degree of creative freedom for filmmakers.
NDI is a way to send video over ordinary networks (including Wi-Fi and Mobile) in high quality but with remarkably low bandwidth requirements. It’s increasingly used in live production, and now your Ninja Ultra can take part in an NDI network. The NDI 4K TX option turns your Connect-enabled Ninja Ultra into an NDI 4K source, visible to all other NDI compatible devices on the local network.
4K 60p ProRes RAW and HD 60p H.265 Dual Record Codecs with Atomos Connect
Now you can record your primary file at up to 4Kp60 in ProRes RAW. Parallel recording with RAW and H.265 has always been a major request from users, especially for scripted work and dailies. Now you can record up to 4K 60p ProRes RAW to the SSD in the Ninja Ultra while simultaneously recording and uploading HDp60 H.265 files to Camera to Cloud. It’s the best of both worlds.
New 4K C2C Mode Lets You Upload H.265 files up to 4Kp60 with an Attached Atomos Connect
With the new 4K C2C mode you can record and upload much higher resolution and frame rate clips to C2C than ever before. Save crucial time by uploading high quality 4Kp60 H.265 files up to 30mbps (ACS subscription tier dependent) to C2C as your primary working file. Think sports or events to get HQ content edited and published as fast as possible. No longer do you have to wait for a near instantaneous 4K C2C edit. Using Atomos Progressive Upload technology ensures no time is wasted.
Atomos SDICine with Atomos Connect
Automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras.
Previously, Camera to Cloud relied on matching filenames with hero and proxy files made by AtomOS. Now, thanks to cooperation with ARRI, Canon, RED and Sony, Atomos Camera to Cloud files are matched back to the original in-camera (OCF) filenames, enabling a seamless process when conforming C2C or SSD proxy files in the edit with camera files. Total flexibility of recording files wherever makes sense for your workflow. On camera or on Atomos, the choice is yours.
RAW SDI for Ninja Ultra with Atomos Connect
Ninja Ultra owners can now benefit from the ability to record RAW over SDI with compatible cameras using the Atomos Connect module.
Enhanced metadata support from ARRI, Canon, RED and Sony Cine cameras, with a dual record codec for a Proxy workflow.
These new features bring even more versatility to the Ninja Ultra, providing professional I/O options for a multitude of cameras – from entry level mirrorless cameras through to the latest compact cinema and high-end professional cameras.
4K NDI with Atomos Connect
NDI is a way to send video over ordinary networks (including Wi-Fi and Mobile) in high quality but with remarkably low bandwidth requirements. It’s increasingly used in live production, and now your Ninja can take part in an NDI network. The NDI 4K TX option turns your Connect-enabled Ninja Ultra into an NDI 4K source, visible to all other NDI compatible devices on the local network.
Supercharge Your Wi-Fi Connection to Atomos Cloud Studio with Atomos Connect
With lower latency, higher throughput and a more stable connection, WiFi 6E boosts cloud video workflows. All other Wi-Fi variants share the same two radio frequency bands: 2.4 GHz and 5GHz, but Wi-Fi 6E also occupies 6GHz. Only Wi-Fi 6E devices use this frequency, so they have no competition from legacy Wi-Fi formats.
Wi-Fi 6E is less prone to interference and works over a longer range. All things being equal, users will have at least twice the bandwidth available at a given distance from the transmitter.
The new format also offers lower latency and can make more simultaneous connections to Wi-Fi 6E routers. Wi-Fi 6E is backwards compatible with previous Wi-Fi versions, but its extended capabilities will only be available when connecting to other Wi-Fi 6E equipment.
- 5-inch, 1000nit HDR monitor-recorder for mirrorless and cinematic cameras
- Lightweight, tough and reliable monitor recorder with advanced monitoring and recording features
- Capture in ProRes RAW up to 8K 30P, 6K 60P & 4K 120P
- Flexible codec choice - ProRes RAW, ProRes, DNxHD & H.265 (HEVC) - all for free!
- Dual RAW record for Camera to Cloud workflows - capture 4Kp60 ProRes RAW & H.265 simultaneously*
- SDI Cine new feature for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras
- New AtomOS 11 improves memory management, boosts responsiveness, and unleashes new features
- Publish directly from the cloud with 4K H.265 Camera to Cloud mode*
- Faster and stronger connectivity with Wi-Fi 6E*
- Share what’s on your Atomos screen with other ATOMOS CONNECT users, as well as with Shogun CONNECT, iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with Atomos RemoteView*
- Additional advanced industry leading suite of monitoring tools with one-touch operation like SegmentPro**, EL Zone, ARRI False colour added in combination with other monitoring tools like Vectorscopes, Zebra, Atomos False Colour, Onion Skin, etc.
- New monitoring tools to arrange in advance recording and playback with RecordAssist and PlayBackAssist
- Add ATOMOS CONNECT for a gateway into the cloud and all the benefits of Atomos Cloud Studio
- Same form factor as NinjaV, all Accessories are compatible with the new Ninja Series (Ninja & Ninja Ultra)
*requires Atomos Connect
**Coming September 2023
| PHYSICAL | |
| Dimensions: | 151mm x 91.5mm x 31 mm / 5.95" x 3.6" x 1.2" |
| Weight: | 360g / 12.7 oz |
| Mounting Points: | Top: 1 x 1/4"20 or 3/8" with anti rotational points Bottom: 1 x 1/4"20 or 3/8" with anti rotational points |
| ENVIRONMENTAL | |
| Ambient Operating Temperature: | Up to 40 Degrees Celsius |
| CONSTRUCTION | |
| Body: | Aluminium Alloy Chassis with ABS Polycarbonate Rear Enclosure |
| Cooling: | Heat Sink + Actively Controlled Fan |
| Tally Light: | LED on the Rear of the Device |
| Multi-Function Button: | Power / Lock Screen |
| AtomXpansion Slot: | Integrated into Battery Slot |
| Touch Screen: | Capacitive Touch |
| POWER | |
| Input Voltage: | 6.2V to 16.8V |
| Operating Power: | 10 - 22W |
| Compatible Batteries: | 1 x NP-F / L-Series |
| Battery Runtime (Record): | 5200mAh: Up to 2 Hours – 7800mAh: up to 3 Hours |
| DC-In Connector: | Via locking DC Jack (5.5mm OD & 2.1mm ID) on Battery Eliminator |
| D-Tap: | Via Battery Eliminator and optional D-Tap to DC-Barrel Cable |
| Fan Control: | Low, Medium, Auto / Turbo Cool / Dim Display |
| DISPLAY | |
| Display Panel: | SuperAtom IPS Panel (Capacitive Touch) |
| Size: | 5.2" |
| Resolution: | 1920 x 1080 |
| Viewing Angle: | 178 + H & V |
| PPI: | 423 |
| Bit Depth: | 10-Bit (8+2 FRC) |
| Backlight Type: | Edge-Lit |
| Brightness (cd/m²/nits): | 1000 |
| Aspect Ratio: | 16:9 |
| Colour Gamut: | Rec.709 |
| Calibration Support: | ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| COLOUR PIPELINE | |
| Gamma: | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Arri LogC4, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log, Z CAM Z-Log2, Olympus OM-Log400 / Flat, Leica L-Log |
| Gamut: | BT2020, DCI P3, PDCI P3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display: | .Cube Format (17 & 33 points supported) |
| 3D LUT Output: | Loop out |
| 3D LUT 50/50: | Via Compare Option in LUTs Menu |
| Monitoring Modes: | Native / HLG / PQ / 3D LUT |
| HDR Output Conversion: | Camera Log to HLG / PQ |
| COLOUR MANAGEMENT | |
| Calibration: | ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Display Controls: | Backlight, Lift, Gamma, Gain |
| AtomHDR: | Built-in Technical Log to HDR EOTF |
| 3D LUTs: | Load .Cube files from SSD into 8 LUT Slots On-Device – Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals |
| Legalize: | Full to Legal Range Conversion available via Input Menu |
| VIDEO INPUT | |
| HDMI: | 1 x HDMI (2.0) |
| SDI: | 1 x 12G SDI (optional Atomos Connect Accessory required) |
| Bit Depth: | 8/10-Bit for Video / up to 12-Bit for RAW |
| Video Chroma Subsampling: | YCbCr 4:2:0 & 4:2:2 |
| HDR: | HDMI Auto Detection |
| METADATA | |
| HDMI: | RAW – White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut |
| SDI: | File name from ARRI, Canon, RED & Sony via optional Atomos Connect module |
| FILE NAMING | |
| Standard: | Scene/Shot/Take & Rolling Scene/Shot/Take |
| via SDI: | Auto-matched filenames from supported Arri, Canon, RED, Sony cameras (optional Atomos Connect Accessory required) |
| VIDEO OUTPUT | |
| HDMI: | 1 x HDMI (2.0) |
| Video Chroma Subsampling: | 4:2:2 |
| Bit Depth: | 10-bit Video |
| VIDEO SIGNAL CONVERSION | |
| SDI to HDMI: | Supported (optional Atomos Connect Accessory required) |
| AUDIO IN / OUT | |
| Audio Quality: | 24-Bit / 48kHz |
| Audio Codec: | PCM |
| HDMI: | 8ch 24-Bit, Input dependent |
| SDI: | 12ch 24-Bit, Input dependent |
| Analog Audio In: | 3.5mm Jack |
| Analog Audio Out / Headphone Jack: | 3.5mm Jack |
| Audio Input Delay: | Frame Delay on Analog Input + Automatic Offset Calibration via AtomOS |
| TIMECODE / SYNC | |
| HDMI Embedded: | Supported |
| SDI Embedded: | Supported (optional Atomos Connect Accessory required) |
| Time of Day: | Supported |
| Wireless SYNC: | AirGlu™ SYNC Timecode Network (optional Atomos Connect Accessory required) |
| RF Network Range: | 300m (optional Atomos Connect Accessory required) |
| RF Frequency: | Region dependent (optional Atomos Connect Accessory required) |
| Number of RF Channels: | 12 RF Channels per Region (optional Atomos Connect Accessory required) |
| Number of RF Clients: | Region dependent (optional Atomos Connect Accessory required) |
| Bluetooth Network Range: | 10-15m (line of sight) (optional Atomos Connect Accessory required) |
| Number of BT Clients: | 2 Clients (optional Atomos Connect Accessory required) |
| RESOLUTION & FRAME RATES (RECORD, MONITOR & PLAYBACK) | |
| 8K RAW: | up to 8Kp30 via HDMI |
| 6K RAW: | up to 6Kp60 via HDMI & 6Kp30 via SDI (optional Atomos Connect Accessory required for SDI) |
| 4K RAW: | up to 4Kp120 via HDMI / SDI (optional Atomos Connect Accessory required for SDI) |
| 3.5K Anamorphic RAW: | up to 3.5Kp60 via HDMI |
| 2K RAW: | up to 2Kp240 (optional Atomos Connect Accessory required for SDI) |
| 4K DCI: | up to 4Kp60 |
| 4K UHD: | up to UHDp60 |
| 2K DCI 2048 x 1080: | up to 2Kp60 (optional Atomos Connect Accessory required for SDI) |
| FHD 1920 x 1080 Progressive: | up to 1080p120 |
| FHD 1920 x 1080 PsF: | Only via Pulldown to Progressive |
| FHD 1920 x 1080 Interlaced: | 1080i50 / 1080i60 |
| 1280 x 720p: | up to 720p60 |
| RECORDING CODECS | |
| Apple ProRes RAW: | ProRes RAW & RAW HQ |
| Apple ProRes: | HQ, 422, LT |
| Avid DNxHD: | 220x, 220, 145, 36 (.MOV Wrapper – .MXF Support coming soon) |
| Avid DNxHR: | HQX, HQ, SQ, LB (.MOV Wrapper – .MXF Support coming soon) |
| H.265: | XQ, HQ, MQ, LQ (.MOV Wrapper) |
| RECORDING FUNCTIONS | |
| Camera to Cloud: | H.265 uploaded to Atomos Edit, Adobe Frame.io, Sony CI Media (optional Atomos Connect Accessory required) |
| Simultaneous Proxy Recording: | ProRes RAW / ProRes / DNx + H.265 Proxy in C2C Mode (optional Atomos Connect Accessory required) |
| Pre-Roll Recording: | 8s HD / 4s 4K – ProRes & DNx only |
| Timelapse: | Supported |
| Gang Control: | Via AirGlu™ SYNC Timecode Network (optional Atomos Connect Accessory required) |
| Scheduled Recording: | At specified Time of Day or after a specified Time has elapsed |
| PLAYBACK | |
| Playlist: | Selected Clips, Favorites, or Combined |
| Loop: | Supported, with user-customizable In / Out Markers |
| Apple ProRes RAW: | Yes, Recorded clips only |
| Apple ProRes: | HQ, 422, LT (Linear PCM Audio only) |
| Avid DNx: | DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only) |
| H.265: | Recorded clips only |
| Scheduled Playback: | At specified Time of Day or after a specified Time has elapsed |
| MULTI INPUT / SWITCHING | |
| Multiple HDMI Input: | Supported (optional AtomX CAST Switching Dock required) |
| Multiview Display: | Supported (optional AtomX CAST Switching Dock required) |
| Multiview Output: | Supported (optional AtomX CAST Switching Dock required) |
| Picture in Picture (PiP): | Supported (optional AtomX CAST Switching Dock required) |
| Graphic Overlays: | Supported (optional AtomX CAST Switching Dock required) |
| Media Pool Storage: | 8 PNG Overlays (optional AtomX CAST Switching Dock required) |
| Input Transitions: | Fade to White or Black (optional AtomX CAST Switching Dock required) |
| SUPPORTED MEDIA | |
| Master Caddy I: | Not Supported |
| Master Caddy II: | Supported – Not supported with AtomX CAST or Atomos Connect Accessories attached |
| Master Caddy III: | Supported |
| SSDmini: | Supported |
| CFast 2.0: | Supported via optional AtomX CFast 2.0 Adapter |
| Network: | Capture to Cloud via Atomos Cloud Studio (optional Atomos Connect Accessory required) |
| File Naming: | Unit Name – Scene/Shot/Take |
| File System: | exFAT |
| Interface: | SATA 3.0 |
| ON-SCREEN TOOLS | |
| Waveforms: | 3 Sizes – Adjustable Opacity & Brightness |
| RGB Parade: | 3 Sizes – Adjustable Opacity & Brightness |
| Vector Scope: | 2 Sizes – Adjustable Opacity & Brightness |
| 1x Zoom: | Tap to Zoom |
| 2x Zoom: | Tap to Zoom |
| Focus Peaking: | 3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity |
| Zebra: | Adjustable Threshold (50% to 105%) |
| Isolate Colour Channel: | Blue Only |
| Cine Frame Guides: | 6 Presets & Custom Frame Guide Calculator |
| Social Frame Guides: | 4 Presets & Custom Frame Guide Calculator |
| Safe Areas: | SMPTE Safe Title Area – 93% & 90% |
| Grid Markers: | 9 Grid |
| Anamorphic Desqueeze: | 2x, 1.8x, 1.79x, 1.65x, 1.6x, 1.5x, 1.33x, 1.25x |
| Display Flip: | Vertical |
| Colourized Exposure: | Atomos False Color, EL Zone System, Arri False Color |
| Frame Grab + Onion Skin Overlay: | Capture lossless 1920 x 1080 Pixel Frame Grab & Overlay with various Position + Transparency Options |
| ONBOARD SIGNAL PROCESSING | |
| 4K UHD Downscale for HD: | Available on loop out |
| DCI Crop: | Available on loop out |
| Interlaced to Progressive: | 2:2 & 3:2 Pulldown |
| PsF to Progressive: | 2:2 & 3:2 Pulldown |
| OPTIONAL ACTIVATION KEYS | |
| NDI HX2 TX (HD): | $99 optional Activation available via my.atomos.com |
| NDI HX2 TX (4K): | $199 optional Activation available via my.atomos.com |
| REMOTE CONTROL | |
| HDMI: | Trigger Recording via Camera Record Button – Supported Protocols: Canon, Sony, Atomos Open Standard, Timecode (Rec Run) |
| SDI: | Trigger Recording via Camera Record Button – Supported Protocols: Arri, Canon, Ikegami, JVC, Panasonic, RED, Sony, Timecode (Rec Run) (optional Atomos Connect Accessory required) |
| Serial 2.5mm Jack: | Start & Stop Recording via compatible LANC Remotes – Calibration via optional USB to Serial Cable |
| Bluetooth LE: | Via AtomRemote App (optional Atomos Connect Accessory required) |
| Wireless RF: | AirGlu™ Gang Control (optional Atomos Connect Accessory required) |
| EXTERNAL DEVICE CONTROL | |
| Serial 2.5mm Jack: | Z CAM Camera Control via Remote to USB-C Cable |
| CUT & TAG | |
| FCP XML: | Up to 10 Tags supported for each Clip |
| SUPPORTED APPLICATIONS | |
| XML: | Apple Final Cut Pro (.fcpxml) |
| Apple ProRes RAW: | Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH, FilmLight Baselight |
| Video Codecs: | All NLE applications that support Apple ProRes, Avid DNx and H.265 in .MOV Wrapper |
| WARRANTY | |
| Standard: | 1 Year |
| Extended: | Extend to 2 Years with Atomos Care360 (optional purchase) |
- Ninja Ultra
- 1x battery eliminator
- 1x USB C PD to 2.1mm DC power lead
- QuickStart Guide