








Ninja TX GO combines HDMI I/O, Apple ProRes/RAW recording to ultra-fast CFexpress or external USB media, with a full suite of professional monitoring tools, camera control and touch to focus. It features built-in camera-to-cloud, supports NDI 6 streaming, and runs on the lightning-fast AtomOS Linux platform. Ideal for content creators with HDMI DSLRs and mirrorless cameras.
The Ninja TX GO is an affordable, all?in?one monitor?recorder built for HDMI workflows with DSLRs and mirrorless cameras.
With its bright 1500?nit, 10?bit HDR touchscreen, Ninja TX GO delivers pristine monitoring even in direct sunlight. It combines HDMI I/O, ProRes RAW recording to ultra?fast CFexpress or external USB media, and includes a full suite of professional monitoring tools, camera control, and touch?to?focus.
Ninja TX GO also adds advanced connectivity with NDI 6 streaming and integrated Wi?Fi for direct uploads to ATOMOSphere, Dropbox, or Frame.io. Three USB?C ports handle power, storage, calibration, and more - streamlining production from capture to edit and helping creators work faster, smarter, and with confidence.
For productions that demand more, Ninja TX steps up with SDI connectivity, AirGlu™ wireless timecode, and expanded RAW recording up to 8Kp30.
Together, Ninja TX and Ninja TX GO give creators the right tools to focus on creativity: Ninja TX GO is purpose?built for HDMI cameras and lightweight mirrorless rigs, while Ninja TX delivers full connectivity and power for large?scale cinematic productions.
| PHYSICAL | |
| Dimensions: | 151mm x 92mm x 36mm |
| Weight: | 400gms |
| Mount Points: | 1 x anti-rotation 1/4-inch / 3/8-inch top and bottom |
| ENVIRONMENTAL | |
| Ambient Operating Temperature: | Up to 40 degrees Celsius |
| CONSTRUCTION | |
| Body: | Aluminium with ABS plastic |
| Cooling: | Actively controlled fan and heat sink |
| POWER | |
| Input Voltage: | 6.2V to 16.8V DC |
| Operating Power: | Up to 30W |
| Multi-Function Button: | Power / lock screen |
| Continuous Power: | Via NP-F battery or USB-C PD Power |
| DC In Connector: | Via Battery Eliminator (optional) |
| DTAP: | Up to 13W |
| USB PD IN: | 45W capable, power supply required |
| USB PD OUT: | Up to 13W |
| DISPLAY | |
| Size: | 5.2-inch |
| Resolution: | 1920 x 1080 |
| Backlight Type: | Edge lit |
| Brightness (cdm2 / Nits): | 1500 |
| ASpect Ratio: | 16:9 |
| Colour Gamut: | Rec.709 |
| Calibration Support: | Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable |
| COLOUR PIPELINE | |
| Gamma: | Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut: | BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display: | .Cube format |
| 3D LUT Down Stream: | Loop out |
| 3D LUT 50/50: | Yes |
| Monitoring Modes: | Native / HLG / PQ / 3D LUT |
| HDR Output Conversion: | Log / HDR to HLG / PQ |
| VIDEO INPUT | |
| HDMI: | 1 x HDMI (2.0) up to 6Kp30 |
| Locking Port: | Optional |
| Wi-Fi: | Wi-Fi 6E |
| USB: | 2 x USB-C 2.0/3.0 |
| Bit Depth: | 8/10-bit video |
| Video Chroma Subsampling: | 4:2:2 |
| VIDEO OUTPUT | |
| HDMI: | 1 x HDMI (2.0) up to 6Kp30 |
| Locking Port: | Optional |
| Wi-Fi: | Wi-Fi 6E |
| USB: | 2 x USB-C 2.0/3.0 |
| Bit Depth: | 8/10-bit video |
| Video Chroma Subsampling: | 4:2:2 |
| METADATA | |
| HDMI: | RAW - white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamut |
| NETWORK | |
| Wi-Fi: | Wi-Fi 6E |
| USB: | 2 x USB-C 2.0/3.0 |
| CONNECTIVITY | |
| Bluetooth: | No |
| LANC: | Yes |
| AUDIO IN / OUT | |
| HDMI: | 8-channel, 24-bit |
| Analogue Audio Line In: | 3.5mm headphone jack, 2-channel input |
| Headphone Out: | 3.5mm headphone jack, 2-channel |
| TIMECODE | |
| Embedded: | HDMI |
| Time of Day: | Yes |
| Reference / Genlock Input: | No |
| LTC: | No |
| Wireless AirGlu RF Server and Client: | No |
| Wireless AirGlu BT Server: | No |
| RESOLUTION & FRAME RATES (RECORD, MONITOR & PLAYBACK) | |
| RAW: | Up to 6Kp30 |
| 4K DCI: | 23.98/24/25/29.9/30/50/59.94/60p |
| 4K UHD: | 23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI 2048 x 1080: | Yes |
| 1080p: | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
| 1080 PsF: | Converted to P and looped out PsF |
| 1080i: | 50/59.94/60i |
| 720p: | 50/59.94/60p |
| SUPPORTED MEDIA | |
| CF Express: | Atomos certified CF Express type B media |
| USB: | Atomos certified USB 3.0 media |
| File System: | ExFAT |
| CODECS | |
| Apple ProRes RAW: | ProRes RAW, ProRes RAW HQ |
| Apple ProRes: | LT, 422, 422 HQ |
| Avid DNxHD: | DNxHD 220x, 220, 145, 36 |
| Avid DNxHR: | LB, SQ, HQ, HQX |
| H.265: | LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0 |
| PLAYBACK | |
| Playlist: | Yes, create customer playlists from full or sub-clips |
| Loop: | Yes, with user-customizable in/out markers |
| Apple ProRes RAW: | Yes, recorded clips |
| Apple ProRes: | Yes, with linear PCM audio |
| Avid DNx: | Yes, with linear PCM audio |
| H.265: | Yes |
| RECORDING | |
| Pre-Roll: | ProRes, DNxHD only |
| Timelapse: | Yes |
| Simultaneous Proxy Record: | Yes |
| ON-SCREEN MONITORING TOOLS | |
| Waveform: | 3 sizes – adjustable opacity & brightness |
| RGB Parade: | 3 sizes – adjustable opacity & brightness |
| Vectorscope: | 2 sizes – adjustable opacity & brightness |
| 1x Zoom: | Yes, 1:1 pixel mapping for 4K |
| 2x Zoom: | Yes |
| Focus Peaking: | Colour selected / threshold setting / colour / mono / edges only |
| Atomos False Colour: | Yes, with scale |
| ARRI False Colour: | Yes |
| EL ZONE: | Yes |
| Zebra: | Yes, adjustable |
| Isolate Colour Channel: | Blue Only |
| Cine Frame Guides: | Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame Guides: | Presets for 9:16, 1:1, 191:1, 4:5 |
| Onion Skin: | Yes |
| Safe Areas: | Action and graphic |
| Grid Markers: | 9 grid |
| Anamorphic Desqueeze: | 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x |
| Display Flip: | Vertical only |
| ONBOARD SIGNAL PROCESSING | |
| Pulldown Removal: | 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
| 4K UHD Downscale for HD: | Loop out - 4K UHD to HD |
| DCI Crop: | Loop out - 17:9 to 16:9 crop |
| REMOTE CONTROL | |
| HDMI: | Auto HDMI trigger, supported protocols - Canon, Sony, Atomos |
| Serial 2.5mm Jack: | Calibration via optional USB to serial cable |
| AirGlu BT: | No |
| AirGlu RF: | No |
| CAMERA TO CLOUD | |
| ATOMOSphere: | Direct progressive upload supported (20GB free storage) |
| Adobe Frame.io: | Direct progressive upload supported (separate subscription service) |
| Dropbox: | Direct progressive upload supported (separate subscription service) |