Atomos Ninja TX
Atomos Ninja TX
SKU:
AO-ATOMNJTX01
Regular price
£835.00 GBP ex VAT
£1,002.00 GBP inc VAT
£1,002.00 GBP inc VAT
Regular price
ex VAT
Sale price
£835.00 GBP ex VAT
£1,002.00 GBP inc VAT
Unit price
per
£1,002.00 GBP inc VAT
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- Details
- Features
- Specifications
- What's Included
Ninja TX combines SDI and HDMI inputs and outputs, Apple ProRes/RAW recording to ultra-fast CFexpress or external USB media, with a full suite of professional monitoring tools. It features built-in camera-to-cloud with free ATOMOSphere membership, supports NDI 6 streaming, and runs on the lightning-fast AtomOS Linux platform. No other monitor-recorder packs so much performance and compatibility into such a compact, connected device.
Wireless Connectivity Built In
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Camera to Cloud
Camera to Cloud (C2C) is a revolutionary new workflow that allows you to upload your video files directly from your Atomos monitor-recorder to the cloud, right from wherever you’re shooting. There’s no time lost transporting and copying drives. Ninja TX has everything you need to do C2C built in. Atomos supports direct progressive upload to our own cloud platform - ATOMOSphere - as well Adobe Frame.io and Dropbox. -
NDI 6 HX3 over Wi-Fi
NDI is a way to send and receive video over ordinary networks (including Wi-Fi and mobile) in high quality, but with remarkably low bandwidth requirements. It’s increasingly used in live production and events. Ninja TX can be fully integrated into an NDI environment, either as an NDI source, visible to all other authorized devices on the network, or as an NDI receiver, with all the professional monitoring functionality you expect from an Atomos field monitor. -
Timecode
Timecode is a unique digital timestamp assigned to each frame of video. It ensures that all your devices–cameras, audio recorders, and monitors – are in perfect sync. Ninja TX includes AirGlu timecode sync over RF or Bluetooth to act as a powerful timecode hub.
More Cameras
When it comes to connectivity, there’s never been a more versatile Ninja. With HDMI 2.0 I/O and 12G-SDI I/O packed into a new, lightweight 5-inch screen form factor, Ninja TX has got all bases covered.
Brighter Display
With its bright 1500nit, 10-bit HDR touchscreen, Ninja TX provides rich, accurate color with “what you see is what you get” precision, even in bright sunlight.
Next-Gen Media
CFexpress and USB-C support blazinglyfast data transfer rates, based on PCIe and NVMe protocols—making Ninja TX scalable for future data needs.
Wireless C2C & NDI HX3
With integrated Wi-Fi you can upload your content directly to ATOMOSphere, Dropbox or Frame.io or, from anywhere in the world. Ninja TX streamlines the production workflow from capture to edit, helping creators to work faster and smarter.
Futureproof
USB-C is fast becoming the universal standard for connectivity. Ninja TX has not one but three USB-C ports - one for power and two for attaching direct storage, screen calibration devices and, with future firmware updates, audio devices and more.
- Wi-Fi enabled, 5-inch HDR monitor-recorder
- Record in Apple ProRes/RAW, Avid DNx or H.265/H.264
- Capture up to 8K RAW to CFexpress Type B or USB-C storage
- Super-bright, 1500nit 5-inch touchscreen display
- HDMI 2.0, 12G-SDI & Wi-Fi 6E input and output
- Supports NDI streaming (TX and RX)
- AtomOS Linux-based operating system
- Direct upload to ATOMOSphere, Frame.io, Dropbox
- Timecode sync over RF or Bluetooth
- Powered by USB-C, NP-F battery or AC adaptor
- Get 20GB cloud storage FREE with ATOMOSphere
| PHYSICAL | |
| Dimensions: | 151mm x 92mm x 36mm |
| Weight: | 400gms |
| Mount Points: | 1 x anti-rotation 1/4-inch / 3/8-inch top and bottom |
| ENVIRONMENTAL | |
| Ambient Operating Temperature: | Up to 40 degrees Celsius |
| CONSTRUCTION | |
| Body: | Aluminium with ABS plastic |
| Cooling: | Actively controlled fan and heat sink |
| POWER | |
| Input Voltage: | 6.2V to 16.8V DC |
| Operating Power: | Up to 30W |
| Multi-Function Button: | Power / lock screen |
| Continuous Power: | Via NP-F battery or USB-C PD Power |
| DC-In Connector: | Via Battery Eliminator (optional) |
| DTAP: | Up to 13W |
| USB PD IN: | 45W capable, power supply required |
| USB PD OUT: | Up to 13W |
| DISPLAY | |
| Size: | 5.2-inch |
| Resolution: | 1920 x 1080 |
| Backlight Type: | Edge lit |
| Brightness (cdm2 / Nits): | 1500 |
| Aspect Ratio: | 16:9 |
| Colour Gamut: | Rec.709 |
| Calibration Support: | Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable |
| COLOUR PIPELINE | |
| Gamma: | Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut: | BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display: | .Cube format |
| 3D LUT Down Stream: | Loop out |
| 3D LUT 50/50: | Yes |
| Monitoring Modes: | Native / HLG / PQ / 3D LUT |
| HDR Output Conversion: | Log / HDR to HLG / PQ |
| VIDEO INPUT | |
| HDMI: | 1 x HDMI 2.0 |
| Locking Port: | Bracket provided; HDMI locking cable purchased separately |
| SDI: | 12G |
| Wi-Fi: | Wi-Fi 6E |
| USB: | 2 x USB-C 2.0/3.0 |
| Bit Depth: | 8/10-bit video |
| Video Chroma Subsampling: | 4:2:2 |
| VIDEO OUTPUT | |
| HDMI: | 1 x HDMI (2.0) up to 4K60P |
| Locking Port: | Optional |
| SDI: | 12G |
| Wi-Fi: | Wi-Fi 6E |
| USB: | 2 x USB-C 2.0/3.0 |
| Bit Depth: | 8/10-bit video |
| Video Chroma Subsampling: | 4:2:2 |
| METADATA | |
| HDMI: | RAW - white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamut |
| NETWORK | |
| Wi-Fi: | Wi-Fi 6E |
| USB: | 2 x USB-C 3.0 |
| CONNECTIVITY: | |
| Bluetooth: | Yes |
| LANC: | Yes |
| VIDEO SIGNAL CONVERSION | |
| HDMI to SDI: | Yes |
| SDI to HDMI: | Yes |
| AUDIO IN / OUT | |
| HDMI: | 8-channel, 24-bit |
| SDI: | 12-channel, 24-bit |
| Analogue Audio Line In: | 3.5mm headphone jack, 2-channel input |
| Headphone Out: | 3.5mm headphone jack, 2-channel |
| TIMECODE | |
| Embedded: | HDMI & SDI |
| Time of Day: | Yes |
| Reference / Genlock Input: | No |
| LTC: | No |
| Wireless AirGlu RF Server and Client: | Yes |
| Wireless AirGlu BT Server: | Yes |
| RESOLUTION & FRAME RATES (RECORD, MONITOR & PLAYBACK) | |
| RAW: | Up to 6Kp60/8Kp30 |
| 4K DCI: | 23.98/24/25/29.9/30/50/59.94/60p |
| 4K UHD: | 23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI 2048 x 1080: | Yes |
| 1080p: | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
| 1080 PsF: | Converted to P and looped out PsF |
| 1080i: | 50/59.94/60i |
| 720p: | 50/59.94/60p |
| SUPPORTED MEDIA | |
| CF Express: | Atomos certified CF Express type B media |
| USB: | Atomos certified USB 3.0 media |
| File System: | ExFAT |
| CODECS | |
| Apple ProRes RAW: | ProRes RAW, ProRes RAW HQ |
| Apple ProRes: | LT, 422, 422 HQ |
| Avid DNxHD: | DNxHD 220x, 220, 145, 36 |
| Avid DNxHR: | LB, SQ, HQ, HQX |
| H.265: | LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0 |
| PLAYBACK | |
| Playlist: | Yes, create customer playlists from full or sub-clips |
| Loop: | Yes, with user-customizable in/out markers |
| Apple ProRes RAW: | Yes, recorded clips |
| Apple ProRes: | Yes, with linear PCM audio |
| Avid DNx: | Yes, with linear PCM audio |
| H.265: | Yes |
| RECORDING | |
| Pre-Roll: | ProRes, DNxHD only |
| Timelapse: | Yes |
| Simultaneous Proxy Record: | Yes |
| ON-SCREEN MONITORING TOOLS | |
| Waveform: | 3 sizes – adjustable opacity & brightness |
| RGB Parade: | 3 sizes – adjustable opacity & brightness |
| Vectorscope: | 2 sizes – adjustable opacity & brightness |
| 1x Zoom: | Yes, 1:1 pixel mapping for 4K |
| 2x Zoom: | Yes |
| Focus Peaking: | Colour selected / threshold setting / colour / mono / edges only |
| Atomos False Colour: | Yes, with scale |
| ARRI False Colour: | Yes |
| EL ZONE: | Yes |
| Zebra: | Yes, adjustable |
| Isolate Colour Channel: | Blue Only |
| Cine Frame Guides: | Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame Guides: | Presets for 9:16, 1:1, 191:1, 4:5 |
| Onion Skin: | Yes |
| Safe Areas: | Action and graphic |
| Grid Markers: | 9 grid |
| Anamorphic Desqueeze: | 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x |
| Display Flip: | Vertical only |
| ONBOARD SIGNAL PROCESSING | |
| Pulldown Removal: | 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
| 4K UHD Downscale for HD: | Loop out - 4K UHD to FHD |
| DCI Crop: | Loop out - 17:9 to 16:9 crop |
| REMOTE CONTROL | |
| HDMI: | Auto HDMI trigger, supported protocols - Canon, Sony, Atomos |
| SDI: | SDI trigger camera selectable |
| Serial 2.5mm Jack: | Calibration via optional USB to serial cable |
| AirGlu BT: | Yes |
| AirGlu RF: | Yes |
| CAMERA TO CLOUD | |
| ATOMOSphere: | Direct progressive upload supported (20GB free storage) |
| Adobe Frame.io: | Direct progressive upload supported (20GB free storage) |
| Dropbox: | Direct progressive upload supported (20GB free storage) |
- Ninja TX monitor-recorder
- USB-C locking cable adaptor
- HDMI locking cable adaptor
- Wi-Fi antenna
- 5x antenna tips (black, white, yellow, green, red)
- AirGlu antenna
- antenna caps
- USB-C locking cable (45cm)
- Quick Start Guide