





Ninja RAW combines HDMI I/O, 1500nits HDR touchscreen, Apple ProRes/RAW recording to ultra-fast CFexpress or external USB media, with a full suite of professional monitoring tools, and camera control/touch to focus for supported cameras. Ideal for content creators with HDMI DSLRs and mirrorless cameras.
Ninja RAW is a compact 5-inch HDR monitor-recorder designed for affordable, high-quality capture and precise on-set monitoring across filmmaking, broadcast, and content-creation environments.
Its bright 1500-nit HDR touchscreen provides clear visibility indoors and outdoors, while direct HDMI recording captures Apple ProRes and ProRes RAW straight from the camera sensor to CFexpress Type B or external USB-C storage for fast, reliable results.
Ninja RAW supports a wide range of professional codecs, including ProRes RAW, ProRes RAW HQ, ProRes LT, ProRes 422, and ProRes 422 HQ, and is fully compatible with leading NLEs. USB-C camera control is available for supported models, giving access to key settings such as start/stop, SO, shutter, aperture, and white balance.
Essential monitoring tools are built in, including EL Zone™ false colour, waveform, vectorscope, and focus peaking, while creative features like Onion Skin overlay support frame-accurate alignment for VFX, animation, and continuity-critical work.
Dual USB-C ports offer flexibility for external storage or optional network adaptors, and the rugged, production?ready design ensures dependable performance on set. With flexible power options for both studio and field use, Ninja RAW combines advanced ProRes RAW recording, professional monitoring, and a bright, portable form factor in a single next-generation device.
| Dimensions: | 151mm x 92mm x 36mm |
| Weight: | 400gms |
| Mount Points: | 1 x anti-rotation 1/4-inch & 3/8-inch, top and bottom |
| ENVIRONMENTAL | |
| Ambient Operating Temperature: | Up to 40 degrees Celsius |
| CONSTRUCTION | |
| Body: | Aluminium with ABS plastic |
| Cooling: | Actively controlled fan and heat sink |
| POWER | |
| Input Voltage: | 6.2V to 16.8V DC |
| Operating Power: | Up to 30W |
| Multi-Function Button: | Power / lock screen |
| Continuous Power: | Via NP-F battery or USB-C PD Power |
| DC In Connector: | Via Battery Eliminator (optional) |
| DTAP: | Up to 13W |
| USB PD In: | 45W capable, power supply required |
| USB PD Out: | Up to 13W |
| DISPLAY | |
| Size: | 5.2-inch |
| Resolution: | 1920 x 1080 |
| Backlight Type: | Edge lit |
| Brightness (cdm2 / Nits): | 1500 |
| Aspect Ratio: | 16:9 |
| Colour Gamut: | Rec.709 |
| Calibration Support: | Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable (ATOMCAB018, sold separately) |
| COLOUR PIPELINE | |
| Gamma: | Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut: | BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display: | .Cube format |
| 3D LUT Down Stream: | Loop out |
| 3D LUT 50/50: | Yes |
| Monitoring Modes: | Native / HLG / PQ / 3D LUT |
| HDR Output Conversion: | Log / HDR to HLG / PQ |
| VIDEO INPUT | |
| HDMI: | 1 x HDMI (2.0) up to 6Kp30 |
| Locking Port: | Optional |
| Wi-Fi: | No |
| USB: | 2 x USB-C 2.0/3.0 |
| Bit Depth: | 8/10-bit video |
| Video Chrome Subsampling: | 4:2:2 |
| VIDEO OUTPUT | |
| HDMI: | 1 x HDMI (2.0) up to 6Kp30 |
| Locking Port: | Optional |
| Wi-Fi: | No |
| USB: | 2 x USB-C 2.0/3.0 |
| Bit Depth: | 8/10-bit video |
| Video Chrome Subsampling: | 4:2:2 |
| METADATA | |
| HDMI: | RAW - white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamut |
| NETWORK | |
| USB: | 2 x USB-C 2.0/3.0 |
| CONNECTIVITY | |
| Bluetooth: | No |
| LANC: | Yes |
| AUDIO IN / OUT | |
| HDMI: | 8-channel, 24-bit |
| Analogue Audio Line In: | 3.5mm headphone jack, 2-channel input |
| Headphone Out: | 3.5mm headphone jack, 2-channel |
| TIMECODE | |
| Embedded: | HDMI |
| Time of Day: | Yes |
| Reference / Genlock Input: | No |
| LTC: | No |
| Wireless AirGlu RF Server and Client: | No |
| Wireless AirGlu BT Server: | No |
| RESOLUTION & FRAME RATES (RECORD, MONITOR & PLAYBACK) | |
| RAW: | Up to 6Kp30 |
| 4K DCI: | 23.98/24/25/29.9/30/50/59.94/60p |
| 4K UHD: | 23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI 2048 x 1080: | Yes |
| 1080p: | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
| 1080 PsF: | Converted to P and looped out PsF |
| 1080i: | 50/59.94/60i |
| 720p: | 50/59.94/60p |
| SUPPORTED MEDIA | |
| CF Express: | Atomos certified CF Express Type B media |
| USB: | Atomos certified USB 3.0 media |
| File System: | ExFAT |
| CODECS | |
| Apple ProRes RAW: | ProRes RAW, ProRes RAW HQ |
| Apple ProRes: | LT, 422, 422 HQ |
| Avid DNxHD: | DNxHD 220x, 220, 145, 36 |
| Avid DNxHR: | LB, SQ, HQ, HQX |
| H.265: | LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0 |
| PLAYBACK | |
| Playlist: | Yes - create customer playlists from full or sub-clips |
| Loop: | Yes - with user-customizable in/out markers |
| Apple ProRes RAW: | Yes - recorded clips |
| Apple ProRes: | Yes - with linear PCM audio |
| Avid DNx: | Yes - with linear PCM audio |
| H.265: | Yes |
| RECORDING | |
| Pre-Roll: | ProRes, DNxHD only |
| Timelapse: | Yes |
| Simultaneous Proxy Record: | Yes |
| ON-SCREEN MONITORING TOOLS | |
| Waveform: | 3 sizes – adjustable opacity & brightness |
| RGB Parade: | 3 sizes – adjustable opacity & brightness |
| Vectorscope: | 2 sizes – adjustable opacity & brightness |
| 1x Zoom: | Yes. 1:1 pixel mapping for 4K |
| 2x Zoom: | Yes |
| Focus Peaking: | Colour selected / threshold setting / colour / mono / edges only |
| Atomos False Colour: | Yes, with scale |
| ARRI False Colour: | Yes |
| EL Zone: | Yes |
| Zebra: | Yes, adjustable |
| Isolate Colour Channel: | Blue only |
| Cine Frame Guides: | Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame Guides: | Presets for 9:16, 1:1, 191:1, 4:5 |
| Onion Skin: | Yes |
| Safe Areas: | Action and graphic |
| Grid Markers: | 9 grid |
| Anamorphic Desqueeze: | 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x |
| Display Flip: | Vertical only |
| ONBOARD SIGNAL PROCESSING | |
| Pulldown Removal: | 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
| 4K UHD Downscale for HD: | Loop out - 4K UHD to HD |
| DCI Crop: | Loop out - 17:9 to 16:9 crop |
| REMOTE CONTROL | |
| HDMI: | Auto HDMI trigger, supported protocols - Canon, Sony, Atomos |
| Serial 2.5mm Jack: | Calibration via optional USB to serial cable |
| AirGlu BT: | No |
| AirGlu RF: | No |
| CAMERA CONTROL | |
| USB-C: | Start/stop recording, ISO, shutter, aperture, frame rate, touch to focus (with supported cameras) |