{"product_id":"canon-eos-c500-mk-ii","title":"Canon EOS C500 MK II","description":"\u003cdiv\u003e\u003cstrong\u003eNew Generation Cinema EOS System\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e5.9K Full Frame sensor packed into a newly developed compact and reliable Cinema EOS body, this camera provides new inspiration and great flexibility for all cinematographers.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBreathtaking Full Frame Image Quality\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eCanon’s own developed 5.9K full frame CMOS sensor delivers an immersive cinematic look combined with natural, smooth skin-tones and faithful colour reproduction with Canon colour science.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe sensor also provides 15+ stop latitude with a wide colour space, perfect for High Dynamic Range productions.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHigh Quality and Efficient Recording Formats\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C500 Mark II features a newly developed DIGIC DV 7 image processor which enables Cinema RAW Light recording internally at 5.9K, as well as supporting recording of Canon’s XF-AVC format in 4K 4:2:2 10-bit. Simultaneous recording of the same file format is possible to the dual CFexpress card slots, with an additional SD card slot for proxy files.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThis multi-recording format provides efficiency and fulfils production requirements.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eCinema RAW Light 5.9K - Record Cinema RAW Light internally at up to 2.1Gbps\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eXF-AVC 4K 4:2:2 10-bit - Record XF-AVC up to 810Mbps\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e5.9K Over Sampling Processing for 4K\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C500 Mark II uses a high-quality debayering algorithm when over sampling 5.9K for 4K\/UHD recording. This suppresses moiré and reduces noise, resulting in a superior quality image.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompact, Lightweight and Reliable\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eApprox. 1,750g lightweight body enables it to be comfortably rigged with gimbals, hand-held rigs, making it ideal for various shooting conditions.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eVarious Mount and Lens Options\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C500 Mark II provides support for optional interchangeable lens mounts for different project requirements.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke \/i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHighly Configurable and Modular Design\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eOptional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eExtension Unit EU-V1 offers additional connectivity such as a Genlock interface, while Extension Unit EU-V2 adds further interfaces, including two more XLR inputs and a V-Lock battery mount for extended recording times. Extension Unit EU-V3 is designed for multi-camera live productions with Tally and Return Signal support. The optional EVF -V50 viewfinder is ideal for hand-held use and it is easily removable for gimbal applications.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePioneering Auto Focus Technology\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C500 MARK II features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF and reliable Face Detection up to 120p. Users also benefit from smooth, intuitive touch focus operation with the new 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull. To further fine tune AF performance, the EOS C500 MARK II offers the ability to set the AF tracking speed and response.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFirst Cinema EOS to Support Electronic IS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEOS C500 Mark II is the first Cinema EOS camera to incorporate Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eAutomatically obtains focal length - When a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eElectronic IS with non-electrical contact lenses - Shooting with Electronic IS is possible even when a lens that does not support data transmission is attached by simply manually inputting the focal length. It is also compatible with anamorphic lenses.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eFocal Length can be saved - Just select focal length during shooting to shoot with an electronic IS effect optimized for the settings.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHigh Frame Rates\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C500 Mark II supports high frame rate recordings up to a maximum 50\/60 fps at 5.9K. In 2K (crop) mode, settings from 1fps to a maximum 120fps can also be made, increasing creative possibilities. The new Slow \u0026amp; Fast button gives quick access for Slow \u0026amp; Fast settings.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAdvanced Interface\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C500 Mark II features an advanced 12G-SDI interface which has four times the bandwidth compared to 3G-SDI, simplifying 4K workflows by enabling it to output 4K 50\/60p over a single cable. Similarly, the HDMI interface can also deliver 4K 50\/60p over a single cable.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMonitor and HDMI terminals can operate simultaneously, and the 12G-SDI output features 2K or FHD options when shooting at 4K for additional flexibility.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFull Frame ND Filter\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEquipped with a robust built-in electronically controlled ND filter system, EOS C500 Mark II supports 2\/4\/6 and an extended 8\/10 stops, making it possible to create an image with a shallow depth of field, even in the daytime.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eNew OSD Layout\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNewly added On-Screen Display (OSD) peripheral displays options that do not overlay information on the screen are available – choose from several options according to your needs.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAnamorphic Lens Support\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEOS C500 MARK II supports anamorphic lenses by electronically de-squeezing the image in the viewfinder and on connected monitors for viewing. In addition, 4:3 (4192 x 3140) and 6:5 (3768 x 3140) shooting resolutions are supported.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eUsers can take advantage of the camera's full 5.9K resolution by using 1.3x squeeze anamorphic lenses. Popular 2x and 1.8x anamorphic lenses are also supported.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUser LUT Support\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn addition to Canon’s in-built Cinema EOS lookup tables, import custom 3D LUTs for both viewing and internal recording, for even more efficient colour pipeline workflows.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eA dedicated LUT button gives additional operational flexibility.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eACES Support\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C500 Mark II supports ACES 1.0 of the Academy Color Encoding System. Using Canon supplied IDTs, images captured on the EOS C500 Mark II can be imported directly into the ACES compatible systems.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAdditionally, video output from the camera can be monitored by selecting the ACES Proxy.\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":47123156566244,"sku":"CAN-3794C006","price":5423.86,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/CAN-3794C003-2_07d04747-fd27-45ad-b87a-e757a4912cbc.jpg?v=1764756928","url":"https:\/\/progear-website.myshopify.com\/products\/canon-eos-c500-mk-ii","provider":"Progear-website","version":"1.0","type":"link"}