{"product_id":"blackmagic-design-atem-2-me-constellation-4k","title":"Blackmagic Design ATEM 2 M\/E Constellation 4K","description":"\u003cdiv\u003eIntroducing ATEM Constellation, the world’s most powerful HD and 4K live production switchers! These incredibly powerful switchers are available in 1 M\/E models with 10 inputs, 2 M\/E models with 20 inputs and massive 4 M\/E models with 40 inputs! Plus each SDI input features a full standards converter! ATEM Constellation includes advanced features such as DVEs, ATEM advanced chroma keyers, media players, multiviews, and SuperSource processors! Plus the built in Fairlight audio mixer includes a compressor, limiter, 6 band parametric EQ and expander on each input. The free ATEM Software Control is included, or you can add a 1 M\/E, 2 M\/E or 4 M\/E ATEM Advanced Panel!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eSeriously Advanced Broadcast Power\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eATEM Constellation switchers feature a compact rack mount design with a built-in control panel. This allows the operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on-screen menus. The compact design is perfect for portable live production, with the rear of the switcher including connections for 3G-SDI or 12G-SDI inputs, aux outputs, balanced audio and Ethernet for control. The top 4 M\/E models even include RS-422 for serial control and MADI digital audio connections. Even with all this power, ATEM Constellation is extremely quiet with its innovative high-efficiency thermal system.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDesigned for Massive Live Events!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eATEM Constellation switchers are ideal for concerts and music festivals because you can place cameras on all areas of the stage for amazing coverage. Even live sports benefit from the huge number of inputs and DVEs let you build multi-layer compositions to cover the action. The fastest way to produce programming is live. With powerful internal graphics and lots of ATEM advanced chroma keyers, you get everything you need for complex program production. ATEM Constellation is also perfect for house of worship programming as it’s big enough to allow professional results, but it’s very simple to learn so it’s easy to train a volunteer crew.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eTrue Broadcast Style Mix Effects Switching\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eATEM Constellation uses a professional \"program\/preview\" style operation, which is the same way large broadcasters use live production switchers. This means you are using the same type of switcher used by the television industry. Both the free ATEM Software Control and the optional hardware ATEM Advanced Panels will allow program\/preview style switching. This means you can select a source on the preview bus to ensure it’s correct before pushing the CUT or AUTO button to switch it on air. This 2 step program\/preview process means far fewer mistakes. Program\/preview operation means ATEM Constellation is the best solution for training students for a career in broadcast television.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFull Front Panel Control\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith a control panel built into the front panel, you can simply walk up and operate the ATEM Constellation at any time. ATEM Constellation has similar features to ATEM Mini, so it’s a fantastic upgrade when you need a bigger switcher. Plus the front panel control buttons are the same premium type used on full-sized panels so they are extremely reliable. You can even control keyers, media and fade to black from the front panel. There is an industry-standard 5-pin talkback headset connector on the front panel, with controls for talkback control. Plus the front panel LCD and menu buttons also allow almost every single operational feature of the switcher to be accessed.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUp to 40 Standards Converted SDI Inputs\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe ATEM Constellation family features HD models that have up to 40 independent 3G-SDI inputs as well as 4K models with 12G-SDI inputs, with each input featuring its own dedicated up and cross converter. That means it’s possible to convert any 1080p input source to the video standard of the switcher. That means you could have each switcher SDI input running a different television standard and all the inputs will just work. On the ATEM 4 M\/E Constellation models, you can even loop out audio channels 1, 2, 3 and 4 from SDI inputs 1 to 30 to the two MADI digital audio outputs, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUp to 24 Customizable SDI Outputs\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe ATEM Constellation family has a massive number of fully independent outputs. Even the small 1 M\/E models have 6 outputs. The 2 M\/E models have 12 outputs and the 4 M\/E models have a massive 24 outputs. These SDI outputs are very powerful because you can independently route any SDI input or any internal source to each SDI output. That’s perfect for running independent feeds to stage screens, master recorders and streaming processors. Or use the SDI outputs for ISO recorders, where each deck will get a resynchronized switcher input with matching timecode. All SDI outputs contain program audio, RP-188 timecode, SDI camera control, tally and talkback.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFor live streaming, the USB-C connection on ATEM Constellation operates as a webcam source. That means you can plug into a computer and get working with any video software. The software is tricked into thinking the ATEM Constellation is a common webcam, but it's really a live production switcher. That guarantees full compatibility with any video software in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi-camera broadcast quality style. The ATEM Constellation webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eChoose from Hardware or Software Control Panels\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll ATEM switchers feature a wide range of hardware and software control options, plus it’s possible to share control panels between all ATEM models for different events. Included with ATEM Constellation is a free software-based control panel for Mac and Windows. The software connects to the switcher via Ethernet or USB and you can control the switcher, upload media, mix audio and control cameras. Then, when you need more power, you can add an ATEM Advanced Panel for professional switching or an ATEM Camera Control Panel for controlling cameras. There's even an ATEM developer SDK so you can build your own custom automation control solution.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes Multiview with Labels, Tally and Meters\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe built-in multiview lets you monitor multiple sources on a single monitor. The 1 M\/E models include 1 multiview, the 2 M\/E models have 2 independent multiviews and the 4 M\/E models have 4 independent multiviews. All external SDI inputs, plus all internal video sources can be routed to any view. All multiviews are fully customizable and can be independently set to 4, 7, 10, 13 or 16 simultaneous views. That’s up to 32 views in total on the 2 M\/E models and a massive 64 views across 4 monitors with the 4 M\/E models. You can add the tally border plus source label and VU meters as an overlay on each view. Plus a red and green border will show tally on each view, so you know what sources are on air.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt-in DVE for Video Effects\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eATEM Constellation features up to 4 independent DVEs, depending on the model, that let you reposition graphics and create picture-in-picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real-time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions. Then the 2 and 4 M\/E models include SuperSource processors for even more DVEs.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eProfessional Broadcast Talkback\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eTo keep crews working as a single creative team, ATEM Constellation features built-in talkback. Talkback supports a 5-pin XLR headset connector, plus a rear-mounted RJ12 connector for interfacing with industry-standard talkback systems such as ClearCom or RTS. You get full talkback control including program and engineering loops, sidetone control for hearing the headset mic into the headphones and program mix. ATEM Constellation also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It’s even possible to mix the talkback mic into the program audio for voiceovers.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eInternal Media for Stills and Motion Graphics\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe built-in media pool stores broadcast-quality RGBA graphics and animations that can be played back instantly by the 2 or 4 media players. Media players simply appear as additional input sources on the ATEM Constellation, so you don’t have to use extra SDI inputs for graphics. The built-in media pool holds graphics for use with the media players and the 1 M\/E models can hold 20 stills and 200 frame animations, the 2 M\/E models can hold 40 stills and 400 frame animations and the 4 M\/E models can hold 60 stills and up to 400 frame animations. You can easily manage all of your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes New ATEM Advanced Chroma Key\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFor news or virtual set work, ATEM Constellation is perfect as it features lots of ATEM advanced keyers for high-quality chroma or luminance keying. The chroma keyer is incredibly powerful and features a color picker to sample background colours for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground colour corrector so you can match the \"look\" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying. You get 4 ATEM Advanced Keyers on the 1 M\/E models, 8 ATEM Advanced Keyers on the 2 M\/E models and 16 ATEM Advanced Keyers on the 4 M\/E models.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCreate Amazing Virtual Sets\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith 4 upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets. With so many ATEM advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. Even the 1 M\/E models have enough keyers to generate a 4-camera virtual set. You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre-rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players. With so much flexibility, you can experiment to try out different studio setups.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePowerful SuperSource Processing\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn addition to the DVEs in the M\/E rows, the 2 M\/E and 4 M\/E models include powerful SuperSource multi-layer processors with 4 extra DVE layers plus a background layer, that all appear to ATEM Constellation as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is just like having an extra multi-layer VFX switcher built in. SuperSource is perfect for doing picture-in-picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks. The ATEM 4 M\/E Constellation models even have 2 completely independent SuperSource processors.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eMulti Rate SDI for HD and Ultra HD Video Standards\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith up to 40 multi-rate SDI input connections, depending on the model, the ATEM Constellation is compatible with all types of video sources. You can connect equipment in HD or Ultra HD television standards including 720p, 1080i,1080p and 2160p formats. Only multi-rate SDI allows switching between formats so you can instantly adapt to the needs of the job you are doing anywhere in the world. The SDI inputs will also handle embedded audio and mix audio from all video inputs. The program outputs include talkback, tally and camera control information. So you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eThe First Switcher with Truly Professional Audio\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eATEM Constellation is the world’s first live production switcher that fully embraces live professional audio production. All SDI inputs are connected to a built-in Fairlight audio mixer that features 6 band parametric EQ, compressor, limiter, noise gate and expander on each input. On the ATEM 4 M\/E Constellation models there are 2 MADI outputs for breaking out channels 1, 2, 3 and 4 of the first 30 SDI inputs out to an external audio engineer, plus a MADI input for allowing an extra 32 external audio channels into the audio mixer. The Fairlight audio mixer even has additional inputs for mixing audio from analogue inputs, talkback microphones for voice over and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eProfessional Fairlight Audio Mixer\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith a built-in Fairlight audio mixer, the ATEM Constellation makes it possible to do extremely complex live sound mixing. The internal mixer has up to 156 input channels, for the biggest audio mixer in a live production switcher. Audio is de-embedded from all the SDI video inputs and passed to the audio mixer. Then the 4 M\/E models have extra audio mixer input channels for the MADI audio inputs. Each input channel features the highest quality 6-band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. All this audio power can be controlled via the ATEM Software Control or a Mackie-compatible panel.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes Free Software Control Panel\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet and all work on different parts of the event at the same time. The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. Plus you can run the software on Mac or Windows.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAdd the Speed and Power of an ATEM Hardware Panel\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eOnly ATEM Constellation has such a wide range of control panel options with 7 models of ATEM Advanced Panels available. ATEM Advanced Panels feature an industry standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high-quality buttons with customizable illumination colour, a DVE joystick plus a T-bar fader. You can even set up and trigger Macros. All rows of M\/E buttons include integrated LCDs for dynamic input button labelling. The 1 M\/E panels feature a single M\/E row while the 2 M\/E panels have 2 rows. Both 1 M\/E and 2 M\/E Advanced Panels are available in either 10, 20 or 30 input button models. The massive 4 M\/E model features 4 M\/E rows with 40 input buttons per row.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAlternative Portable Panel\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe ATEM Micro Panel is a low-cost solution for adding panel control to ATEM Software control. Featuring the same high-end buttons as ATEM Advanced Panels you get a true broadcast-quality feel. It also has a familiar layout with buttons for program and preview. You can use the shift buttons to access up to 20 sources. There are 4 upstream and 2 downstream key buttons, plus a macro button. It even has 4 M\/E buttons so you can control a massive 4 M\/E switcher. There’s a fader for smooth manual transition control, which also means it’s low profile and very portable. With connection via USB-C or Bluetooth and a large internal battery, ATEM Micro Panel is perfect when you need a portable panel.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eGet Industry Standard Professional Camera Control\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new ATEM Camera Control Panel provides 4 industry standard camera controllers for the same workflow as camera chains costing hundreds of thousands of dollars. Designed to be portable, ATEM Camera Control Panel can be placed on a desktop or on a slide-out rack shelf. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera colour, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced and new operators.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompatible with Blackmagic Cameras, Panels, Decks and More\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eATEM switchers are powerful because they can grow and expand with you. Add an ATEM Advanced Panel to get professional industry standard switcher control. Then add an ATEM Camera Control Panel for fast control and color balancing of up to four cameras. For cameras, Blackmagic Studio Cameras make great studio cameras as they have tally, talkback and control all built into the compact and very portable design. For mastering, Blackmagic HyperDeck Studio recorders are perfect because they include popular file formats such as ProRes, H.264 and DNx. You can even live stream using an UltraStudio or Blackmagic Web Presenter. Then add a Micro Converter SDI to HDMI 3G converter for HDMI monitoring.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eBlackmagic URSA Broadcast G2 - \u003c\/strong\u003eDesigned for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eBlackmagic Studio Viewfinder G2\u003c\/strong\u003e - Turn URSA Broadcast into a professional studio camera with a large and bright 7-inch screen, removable sunshade, adjustable mount and knobs for control of brightness, contrast and focus peaking.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eBlackmagic Camera Fiber Converter - \u003c\/strong\u003eConnect URSA Broadcast cameras to live production switchers using SMPTE fiber with all video, control connections and camera power on a single SMPTE fiber cable up to 2 km away.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eBlackmagic Studio Fiber Converter\u003c\/strong\u003e - Convert SMPTE fiber to 12G-SDI broadcast equipment while powering remote cameras up to 2 km away. Supports converting SMPTE fiber to 12G-SDI, multiple channels of return video, control and power.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eBlackmagic Studio Camera 4K Pro G2 - \u003c\/strong\u003eDesigned for professional SDI switchers, you get the features of the Studio Camera Plus, as well as 12G‑SDI, XLR audio, bright HDR LCD, 5-pin XLR talkback, 10G Ethernet IP link and HD live streaming.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eHyperDeck Studio HD Mini - \u003c\/strong\u003eMiniaturized deck records H.264, ProRes or DNxHD files onto SD\/UHS-II cards or external USB disks in SD\/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in\/out and HDMI out.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eHyperDeck Studio HD Pro - \u003c\/strong\u003eIncludes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes a machined metal search dial with clutch, SDI monitor out and XLR timecode connections.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eATEM Camera Control Panel - \u003c\/strong\u003eControl up to 4 cameras at one time including iris, shutter speed, white balance, master gain, pedestal, RGB and more.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAll Features Included. No Hidden Costs\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eUnlike other switchers, all features are included in the purchase price. That means you get all features fully enabled and always ready for use. There are no license fees to allow you to use features and no ongoing monthly costs. This means you'll never experience a license expiring 5 minutes before your program starts. Advanced features such as multiview, SuperSource, DVEs or the ATEM Advanced Keyers are always enabled and always ready to use. Plus, you can use the free ATEM Software Control on an unlimited number of computers. 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