{"title":"Video Recorders","description":"","products":[{"product_id":"atomos-connect-capture-card","title":"Atomos Connect Capture Card","description":"\u003cp\u003e\u003cfont color=\"#000000\" face=\"arial,\n\n                                                    helvetica neue,\n\n                                                    helvetica,\n\n                                                    sans-serif\"\u003eAtomos Connect is a new HDMI to USB converter that allows the user to take an HDMI input up to 4K 30p and output at up to HD 1080 60p through the USB connection to a host computer; providing an A\/V feed ready for use as a webcam or as a source for the users choice of streaming platform.\u003c\/font\u003e\u003c\/p\u003e\n\n\n\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\"\u003e\n\n\t\u003ctbody\u003e\n\n\t\t\u003ctr\u003e\n\n\t\t\t\u003ctd\u003e\n\n\t\t\t\u003ctable align=\"left\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\"\u003e\n\n\t\t\t\t\u003ctbody\u003e\n\n\t\t\t\t\t\u003ctr\u003e\n\n\t\t\t\t\t\t\u003ctd style=\"line-height:150%;\"\u003e\n\n\t\t\t\t\t\t\u003cdiv\u003e\u003cstrong\u003eSimply Connect, Convert, Stream.\u003c\/strong\u003e\u003c\/div\u003e\n\n\t\t\t\t\t\t\u003c\/td\u003e\n\n\t\t\t\t\t\u003c\/tr\u003e\n\n\t\t\t\t\u003c\/tbody\u003e\n\n\t\t\t\u003c\/table\u003e\n\n\t\t\t\u003c\/td\u003e\n\n\t\t\u003c\/tr\u003e\n\n\t\u003c\/tbody\u003e\n\n\u003c\/table\u003e\n\n\n\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\"\u003e\n\n\t\u003ctbody\u003e\n\n\t\t\u003ctr\u003e\n\n\t\t\t\u003ctd\u003e\n\n\t\t\t\u003ctable align=\"left\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\"\u003e\n\n\t\t\t\t\u003ctbody\u003e\n\n\t\t\t\t\t\u003ctr\u003e\n\n\t\t\t\t\t\t\u003ctd style=\"line-height:150%;\"\u003eAtomos Connect provides simple, plug and play operation with no driver installation required and is supported by any CDN\/Social platform that supports the UVC standard; such as Zoom, MS Teams, Skype, Twitch and YouTube.\u003cbr\u003e\n\n\t\t\t\t\t\t\u003cbr\u003e\n\n\t\t\t\t\t\t4K video inputs up to 30p and HD 1080p and 720p inputs are supported up to 60fps, with the output resolution to the computer available up to 1080p60. 8\/10\/12-bit deep colour is also supported.\u003c\/td\u003e\n\n\t\t\t\t\t\u003c\/tr\u003e\n\n\t\t\t\t\u003c\/tbody\u003e\n\n\t\t\t\u003c\/table\u003e\n\n\t\t\t\u003c\/td\u003e\n\n\t\t\u003c\/tr\u003e\n\n\t\u003c\/tbody\u003e\n\n\u003c\/table\u003e\n\n\n\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\"\u003e\n\n\t\u003ctbody\u003e\n\n\t\t\u003ctr\u003e\n\n\t\t\t\u003ctd\u003e\n\n\t\t\t\u003ctable align=\"left\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\"\u003e\n\n\t\t\t\t\u003ctbody\u003e\n\n\t\t\t\t\t\u003ctr\u003e\n\n\t\t\t\t\t\t\u003ctd\u003e\u003cimg align=\"middle\" alt=\"Atomos Connect is\n\n                                                  perfect for Vloggers,\n\n                                                  Education, Corporate\n\n                                                  and Gamers\" moz-do-not-send=\"true\" shrinktofit=\"true\" src=\"https:\/\/mcusercontent.com\/ffab258c621ff99882d6aab74\/images\/31dafe23-8628-47fa-84f0-10973761d8ec.jpg\" style=\"vertical-align:bottom;border:1px\n\n                                                  none #D5D5D5;height:auto;\" width=\"564\"\u003e\u003c\/td\u003e\n\n\t\t\t\t\t\u003c\/tr\u003e\n\n\t\t\t\t\u003c\/tbody\u003e\n\n\t\t\t\u003c\/table\u003e\n\n\t\t\t\u003c\/td\u003e\n\n\t\t\u003c\/tr\u003e\n\n\t\u003c\/tbody\u003e\n\n\u003c\/table\u003e\n\n\n\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\"\u003e\n\n\t\u003ctbody\u003e\n\n\t\t\u003ctr\u003e\n\n\t\t\t\u003ctd\u003e\n\n\t\t\t\u003ctable align=\"left\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\"\u003e\n\n\t\t\t\t\u003ctbody\u003e\n\n\t\t\t\t\t\u003ctr\u003e\n\n\t\t\t\t\t\t\u003ctd style=\"line-height:150%;\"\u003e\n\n\t\t\t\t\t\t\u003cdiv\u003e\u003cstrong\u003eConnect is the perfect product for thousands of users.\u003c\/strong\u003e\u003c\/div\u003e\n\n\t\t\t\t\t\t\u003c\/td\u003e\n\n\t\t\t\t\t\u003c\/tr\u003e\n\n\t\t\t\t\u003c\/tbody\u003e\n\n\t\t\t\u003c\/table\u003e\n\n\t\t\t\u003c\/td\u003e\n\n\t\t\u003c\/tr\u003e\n\n\t\u003c\/tbody\u003e\n\n\u003c\/table\u003e\n\n\n\n\u003ctable border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\"\u003e\n\n\t\u003ctbody\u003e\n\n\t\t\u003ctr\u003e\n\n\t\t\t\u003ctd\u003e\n\n\t\t\t\u003ctable align=\"left\" border=\"0\" cellpadding=\"0\" cellspacing=\"0\" width=\"100%\"\u003e\n\n\t\t\t\t\u003ctbody\u003e\n\n\t\t\t\t\t\u003ctr\u003e\n\n\t\t\t\t\t\t\u003ctd style=\"line-height:150%;\"\u003e\n\n\t\t\t\t\t\t\u003cdiv\u003eStreaming is more relevant than ever and Connect provides a simple, affordable solution to consumers, professionals, corporates and education. Whether a user is taking an HDMI source from their DSLR or mirrorless camera, professional camcorder, their Atomos monitor-recorder, a games console or a video switcher, Connect easily provides that signal to their computer for video capture, live streaming or for use as a webcam.\u003c\/div\u003e\n\n\t\t\t\t\t\t\u003c\/td\u003e\n\n\t\t\t\t\t\u003c\/tr\u003e\n\n\t\t\t\t\u003c\/tbody\u003e\n\n\t\t\t\u003c\/table\u003e\n\n\t\t\t\u003c\/td\u003e\n\n\t\t\u003c\/tr\u003e\n\n\t\u003c\/tbody\u003e\n\n\u003c\/table\u003e","brand":"Atomos","offers":[{"title":"Default Title","offer_id":47122980471012,"sku":"AO-ATOMCON001","price":50.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/AO-ATOMCON001_c8422fc0-5384-47a4-9ab9-216868c3fc6d.jpg?v=1764754648"},{"product_id":"blackmagic-ursa-mini-recorder","title":"Blackmagic URSA Mini Recorder","description":"\u003cp class=\"description expand\"\u003eNow you can record 12-bit Blackmagic RAW files onto fast 2.5 inch SSDs, including the latest 7mm U.2 NVMe Enterprise SSDs which transfer data at speeds of up to 900 MB\/s!\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123106365668,"sku":"BMD-CINEURSASHMSSD2","price":310.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CINEURSASHMSSD2_-_1.jpg?v=1764755769"},{"product_id":"blackmagic-design-hyperdeck-shuttle-hd","title":"Blackmagic Design HyperDeck Shuttle HD","description":"\u003cdiv aria-labelledby=\"2\" class=\"collapse show\" id=\"longDes\" style=\"\"\u003e\n\n\u003cdiv class=\"card-body\"\u003e\n\n\u003cdiv\u003eHyperDeck Shuttle HD is a recorder and player that's designed to be used on the desktop! That means it's more than a master recorder as it can also be used as a clip player. The large search dial is perfect for scrolling through lots of media to find the clip you want to play. You get support for ProRes, DNx and H.264 files in NTSC, PAL, 720p and 1080p video formats. The HDMI connections allow connection to switchers, cameras and monitors. Plus SD cards, UHS-II cards and USB-C external disks can be used for recording and playing media. HyperDeck Shuttle HD uses the same design as ATEM Mini Extreme, so it's a perfect combination to use as a media player. It even has a built in teleprompter.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eElegantly Designed Professional Broadcast Deck\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Shuttle HD is perfectly designed for the desktop. This means the front panel can be operated with a single hand. The gentle angle allows your hand to rest on the search dial, and the control buttons are positioned under your fingertips. The design is the same depth and angle as ATEM Mini Extreme, so they match perfectly when used together. Scrolling media is fast as the machined metal search dial has a natural inertia, and the soft rubber surface feels nice to the touch. That's perfect when you're searching through lots of media. Plus, the buttons are the same design as traditional broadcast decks. The rear panel includes all video, power, network and control connections.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePerfect for Live Production Mastering and Clip Playback\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eMastering Recorder\u003c\/strong\u003e - With support for H.264, ProRes and DNx files, you can record true broadcast masters. You can even select between PCM or AAC audio. That's perfect for higher quality mastering when used with ATEM Mini switchers. You get everything needed to send shows to broadcasters and for uploading to YouTube.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eMedia Player\u003c\/strong\u003e - The large search dial lets you visually browse your clip library. Then you can use the previous clip button to cue to the start of the clip. After playing, you can use the clip button to stop the playback at the end of the clip. ATEM switchers can even remote control HyperDeck Shuttle via Ethernet.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eTraditional Broadcast Deck Controls\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Shuttle includes a control panel that's very fast to use. The buttons are similar to a traditional broadcast deck. Simply press the record button and you instantly start recording the video input to a file. It will record in the file format that has been set in the record menu. There are other buttons for playback, to cue to the start of the clip and to move to the next clip. The buttons have been custom designed by Blackmagic Design for the highest quality. The large machined metal search dial supports shuttle, jog and scroll so you can find clips fast. Plus all deck control functions can be triggered remotely using the Ethernet network.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eMenus - \u003c\/strong\u003eWhen pressing the menu button, the settings menu will appear overlaid on the video output. The button is recessed so it's not accidentally pressed. This menu is where you set the record codec.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eRecord - \u003c\/strong\u003eThe record button starts recording in the codec set in the record menu at the HDMI input television standard. It makes recording as easy as pressing a button. This button is also an input switch.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eMedia Status - \u003c\/strong\u003eThe media status lights show the status of the SD card and USB media disks. The lights are red when recording and green when playing back. The stop button will flash when the disks are almost full.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eNext and Previous Clip - \u003c\/strong\u003eThe previous and next clip buttons make it fast to move up and down clips. You can use the previous clip button to cue to the start of the current clip. That ensures the clip is ready to play on air.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eJog and Shuttle - \u003c\/strong\u003eThe jog button allows a slow scroll, perfect when cueing to a specific frame. Press both jog and scroll buttons to change the search dial to shuttle mode. Shuttle even allows slow motion replay.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eScroll - \u003c\/strong\u003eThe scroll lets you quickly scroll up and down large amounts of media with the search dial. This lets you browse media visually, so it's fast. Pressing scroll lets you navigate down folder levels.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eClip - \u003c\/strong\u003eThe clip button allows you to play clips without running off the end to the next clip. When enabled, it stops playback at the end of the current clip. It can also be used to navigate back in scroll.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003ePlay and Stop - \u003c\/strong\u003eThe main playback controls are play and stop. Pressing play more than once will loop playback of all clips. If the clip button is selected, play or loop play will be limited to the current clip.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eSearch Dial\u003c\/strong\u003e - The search dial makes it easy to access your media. The extremely smooth design is machined metal with dual bearings. It works with the jog and scroll buttons, or if both are pressed, you get shuttle.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eSupports SD Cards and UHS-II Cards\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Shuttle supports recording to common SD cards and UHS-II cards so you don't need expensive custom media. SD cards are the perfect choice for broadcast media because they are small and very affordable. Plus, you can even record to external USB disks. When using USB disks, if you use a USB hub, or Blackmagic MultiDock, you can even record on multiple disks for non stop recording. When using H.264, the files are so incredibly small you get very long recordings even on smaller low cost cards. This means you can record up to 157 hours of H.264 in 1080p59.94 on a 1 TB card. That's over 6 days of recording in HD using a single 1 TB card.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRecord to External USB-C Media Disks\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf recording to other types of media is required, the USB-C expansion port lets you plug in an external flash disk for recording. USB-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Shuttle. There are also options for managing external disks in the settings menu.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePopular ProRes, DNx and H.264 Files\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Shuttle HD supports the most popular codecs in use today. You get broadcast quality DNx and ProRes file formats. However you also get space saving H.264 when recording in NTSC, PAL, 720p, 1080p plus even true 1080i interlaced formats. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. HyperDeck Shuttle HD supports both ExFAT used on Windows and HFS+ used on Mac disk formatting standards, so disks can be mounted and read on both platforms. You also get support for recording long duration events into a single video file.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePowerful Video and Control Connections\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFor such a small design, HyperDeck Shuttle has powerful connections. The HDMI input can be connected to cameras and switchers such as ATEM Mini, and the HDMI output can be connected to monitors for presentations or ATEM Mini switchers as a long form media player. Imagine playing commercials, promos or music videos into ATEM Mini switchers from HyperDeck Shuttle. The rear panel also includes a 12V DC power input and a power supply is included. The 1G Ethernet connection allows control and remote file uploads. The USB-C expansion port can be used to record to large external disks, for software updates or as a webcam output. The SD card slot supports both SD cards and UHS-II cards.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHDMI is Perfect for ATEM Mini Switchers\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith built in HDMI input and output, you can connect to consumer cameras, monitors, televisions, video projectors and even ATEM Mini switchers. The HDMI connections will automatically switch video standards to handle both SD and HD equipment. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck Shuttle can even support 1080 PsF formats.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt In Teleprompter\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith such a large search dial, HyperDeck Shuttle HD can be used as a teleprompter. Simply change to teleprompter in the record menu and it will read standard RTF text files as scripts. You don't need weird custom software as scripts can be written in simple text editors such as TextEdit. You can move between multiple scripts with the previous and next clip buttons. If you press both jog and scroll buttons, you can live scroll the script like a traditional teleprompter. Even the size, colour, font weight and alignment will be read from the RTF script file. Best of all, you can write your scripts in standard 12 point size and HyperDeck will scale them up for the prompter display automatically.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eNetwork File Transfers\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Shuttle allows media files to be uploaded remotely, using simple FTP client software. With 1G Ethernet built into the HyperDeck Shuttle, file transfers are very fast, and sometimes faster than the SD card media disk. For remote deck control, all models use an easy to learn text based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. It's that simple. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB-C disk array, you get a fantastic broadcast server for ingest, media management and play out.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe innovative Blackmagic OS has been designed for high performance film and broadcast products and it manages all functions on HyperDeck Shuttle. Only Blackmagic OS provides instant power on, while including powerful features such as video recording, timecode, audio, menu overlays, fast networking, multi-disk media management and even localization. The menus are overlaid on the video output and include settings to customize your HyperDeck Shuttle HD, plus the menus can be changed to display in either light or dark mode. Blackmagic OS provides world leading network performance to ensure HyperDeck Shuttle HD can sustain high speed network transfers using it's 1G Ethernet connection.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLocalized for 13 Popular Languages\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Shuttle HD supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. When initially powered on for the first time, HyperDeck Shuttle HD will display a menu for selecting a language, plus you can always use the menu to change the language at any time in the future. Once a language is selected, the menus overlaid on the video monitoring output will also change to the selected language. All this means HyperDeck Shuttle is perfect for doing work anywhere in the world.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eUse All Video Software and Streaming Sites\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Shuttle HD records files that are compatible with virtually all post production software. Plus if you record in H.264, you can upload files from HyperDeck Shuttle direct to streaming services such as YouTube, Facebook, Vimeo, Twitter and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro or Avid Media Composer, because HyperDeck uses the same file formats used in post production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to copy files.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eCompatible with Switchers, Disk Docks and Cameras\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck Shuttle HD, including switchers, cameras and streaming solutions. As HyperDeck Shuttle doesn't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Shuttle will manage multiple disks for you. HyperDeck Shuttle is also a perfect mastering recorder when used with ATEM switchers, because it has more record formats, plus it's a fantastic clip player for adding pre recorded clips into live production. When rendering playback files in software, just use ProRes, DNx or \"H.264 main profile\" formats.\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123110559972,"sku":"BMD-HYPERD\/PTSHD","price":348.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-HYPERD-PTSHD_43ea0e59-f219-42b6-bc41-431235e4bbe9.jpg?v=1764755934"},{"product_id":"blackmagic-design-hyperdeck-shuttle-4k-pro","title":"Blackmagic Design HyperDeck Shuttle 4K Pro","description":"\u003cp\u003eHyperDeck Shuttle is a recorder and player that's designed to be used on the desktop! It's more than a master recorder, as it's also a clip player. The large search dial lets you quickly scroll through media to find the clip you want. Depending on the model, you get support for ProRes, DNx, H.264 and H.265 files in NTSC, PAL, 720p, 1080p, and 2160p video standards. It even has a built in teleprompter! There are models with 12G-SDI and HDMI so you can connect to switchers and cameras. Plus it records to SD cards, UHS-II cards or USB-C disks. The HyperDeck Shuttle 4K Pro model has 10G Ethernet and internal M.2 storage, so it can share media on your local network or record to network storage.\u003c\/p\u003e\n\n\n\n\u003cp id=\"YQVQK8M\"\u003e\u003cstrong\u003eThe Elegantly Designed Professional Broadcast Deck\u003c\/strong\u003e\u003cbr\u003e\n\nHyperDeck Shuttle is perfectly designed for the desktop. This means the front panel can be operated with a single hand! The gentle angle allows your hand to rest on the search dial, and the control buttons are positioned under your fingertips. Scrolling media is fast as the machined metal search dial has a natural inertia, and the soft rubber surface feels nice to the touch. That's perfect when you're searching through lots of media. The HyperDeck Shuttle 4K Pro model boasts a large 7-inch LCD screen for live monitoring, complete with a \"heads up display\" overlay. Plus, it features full menus with all the deck settings! The rear panel includes all video, audio and network connections.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eMastering Recorder\u003c\/strong\u003e\u003cbr\u003e\n\nRecord true broadcast masters in high quality ProRes, H.264, H.265 and DNx files. You can also select between PCM or AAC audio. That's perfect for higher quality mastering when used with ATEM Mini switchers. You get everything needed to send shows to broadcasters and upload them to YouTube.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eMedia Player\u003c\/strong\u003e\u003cbr\u003e\n\nThe large search dial lets you visually browse your clip library. Then you can use the previous clip button to cue to the start of the clip. After playing, you can use the clip button to stop the playback at the end of the clip. ATEM switchers can even remote control HyperDeck Shuttle via Ethernet!\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123110592740,"sku":"BMD-HYPERD\/PTSKDP","price":1035.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-HYPERD_PTSKDP.jpg?v=1764755936"},{"product_id":"blackmagic-design-hyperdeck-extreme-4k-hdr","title":"Blackmagic Design HyperDeck Extreme 4K HDR","description":"\u003cdiv aria-labelledby=\"2\" class=\"collapse show\" id=\"longDes\" style=\"\"\u003e\n\n\u003cdiv class=\"card-body\"\u003e\n\n\u003cdiv\u003ePowerful Ultra HD touchscreen HyperDeck records and plays H.265 and ProRes files in all SD, HD and Ultra HD standards up to 2160p60. Includes scopes, upgradable cache plus SDI, HDMI and analogue video.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Extreme features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs and HDR support! With the ability to record up to native 8K in H.265, you get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of your recording as well as control over all deck settings. You can then add HyperDeck Extreme Control to transform it into a traditional broadcast deck! This means HyperDeck Extreme is the perfect solution for the next generation of broadcast, live production and digital signage.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eModern Design with Traditional Controls\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Extreme has an innovative touch screen user interface with deck controls as well as a large screen to view your recording. Then add a HyperDeck Extreme Control for traditional broadcast deck controls and a large shuttle knob that feels incredibly luxurious to use. You can even rack mount the HyperDeck and the controller. HyperDeck Extreme also includes 2 media slots, 12G‑SDI, analogue connections for archiving, USB‑C external disk recording, plus a front panel speaker and headphone jack. There's also an optional cache that eliminates dropped frames if your media becomes full or is too slow. Both AC and DC power connections are also included for studio or on location use.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePerfect for Live Production, Digital Signage and Archive\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player and for recording ISO cameras. The analogue inputs allow you to record from old video tapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote control protocol. You can even use it as a field recorder as it includes HDMI, SDI and analogue inputs with built in scopes and 3D LUTs. The scopes also help you QA masters to ensure compliance with broadcast standards before streaming and broadcast.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eConvert Legacy Programming for Streaming\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAs streaming services have become common, preserving cultural diversity through maintaining localized content is increasingly important. The solution is to get each country’s legacy programs onto streaming services at an affordable cost. HyperDeck Extreme Control lets you connect to legacy broadcast decks, set an in and an out point, then edit. Just add HyperDeck Extreme and HyperDeck Extreme Control to each legacy deck to keep them all archiving constantly with just one operator. It’s even possible to edit across formats by using Teranex Express to convert tapes from SD to HD in one step. You can control a wide range of decks, including Digital Betacam, 1 inch C format, and Betacam SP.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBig Bright Screen for Easy Touch Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe innovative touch LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog. The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus you can load and save 3D LUTs. You also get direct buttons for transport control, enabling the 3D LUT and remote enable. Then you can always add traditional deck controls with HyperDeck Extreme Control.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eTraditional Broadcast Deck Controls\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Extreme Control extends your HyperDeck Extreme to add traditional broadcast deck controls. It works like a traditional broadcast deck with a familiar layout. You can control up to 8 decks via industry standard RS‑422 control. You can even rack mount to the HyperDeck Extreme to create a single \"broadcast deck\" unit. Because it uses standard RS‑422, you can control old broadcast decks and perform edits using set in and out points. That's perfect for archiving work. Plus you can even edit between frame rates if standards converting between formats. Even the controls have been developed in-house by Blackmagic Design to ensure a premium feel with traditional styling.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDual CFast Media for Non Stop Recording\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eCFast media support allows you to record to commonly available flash memory cards. The H.265 files are small enough to allow long recordings on standard CFast cards. Plus there are 2 CFast card slots so you can swap out any full cards even during recording, allowing infinite length recording. CFast cards are perfect for broadcast because they are small, high speed and affordable. You can even use a Blackmagic MultiDock 10G to add SSD compatibility. With H.265, you can record up to 1,398 minutes at 8Kp60 on a 1 TB card, 3,530 minutes in 2160p60 Ultra HD and 9,446 minutes in 1080p59.94 on a 1 TB card. That’s over 23 hours in 8K and over 6 days in HD.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRecord Direct to External USB‑C Media Disks\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf recording to other media types is required, then the USB‑C Expansion port lets you plug in an external flash disk for recording. USB‑C flash disks have massive capacity as they don't suffer from any size constraint. Plus, it’s possible to record to the same disk you are using or editing, so you don't need to waste time copying files before starting post production. Flash disks are so fast, they can record high data rate formats that are too big for CFast cards, such as real time ProRes in 4K or 8K. Adding a Blackmagic MultiDock 10G also makes it easy to use SSDs for compatibility with other HyperDeck models. You even get on screen menus for managing external disks using the touch screen.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eOptional Media Cache Eliminates Dropped Frames\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eSometimes your media can fill before you change to a blank card, or if the card is too slow, then you can get dropped frames in your recording. To eliminate this problem, you can install a PCIe flash disk into HyperDeck Extreme to use as a record cache. This eliminates problems with CFast media or external disks, as the cache will automatically take over and record any content the media could not capture. Even if a card fills, recording will continue to the cache until it’s swapped. The cache even lets you record formats that are too fast for the media card or external disk. Common PCIe flash disks are used and a thermal pad is included to allow user installation.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eSupports 12G‑SDI, HDMI and Legacy Analogue\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Extreme features a wide range of video and audio connections such as multi-rate 12G-SDI for SD, HD, Ultra HD and 8K devices. The 12G-SDI outputs support fill and key when playing RGBA 4:4:4:4 files. HDMI is included for consumer televisions and video projectors. For archiving work, HyperDeck also includes both balanced analogue, HiFi audio plus timecode connections. For monitoring there's even a down converted monitor SDI output that includes overlays. The USB‑C connection lets you plug in flash disks or disk arrays for recording. The latest 10G Ethernet is included for high speed upload using FTP protocols. HyperDeck even includes both AC and XLR 12V DC power connections.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAdvanced HDR Support and Bright Wide Gamut LCD\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eYou'll be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide colour gamut. The built in scopes even change to HDR scopes when working in HDR formats. Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider colour gamut so can handle both Rec. 2020 and Rec. 709 colourspaces. The built in HyperDeck Extreme HDR LCD colour gamut can even handle 100% of the DCI‑P3 format.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt In Scopes Ensure Compliance to Broadcast Standards\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Extreme features full internal waveform monitoring so you can ensure compliance to broadcast standards when used on high end work. The waveform display provides a traditional luminance (brightness) levels view of your input or playback signal. The vectorscope display allows you to see the intensity of colour at 100% SDI reference levels. You also get RGB and YUV parade displays which are ideal for colour correction and checking for illegal levels. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built in scopes can be overlaid on live video, or as a small picture in picture view at the top right of the scope.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLatest MultiRate 12G-SDI for SD, HD and Ultra HD\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eYou get full support for the most popular video standards. The SDI and HDMI connections are multi-rate, so handle SD, HD and Ultra HD. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. You can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. 2K and 4K DCI rates are available up to 25p.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eStandard H.265 and ProRes Files for Wide Compatibility\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eH.265 files are extremely small and range from 60:1 to 285:1 compression ratios which means much lower file sizes. Plus H.265 is now supported on all major operating systems. HyperDeck Extreme even supports ProRes 422 HQ, ProRes 422, ProRes 422 LT for recording and playback plus ProRes 4444 for playback to fill and key out. This means files will be compatible with software such as DaVinci Resolve, Media Composer, Premiere Pro or Final Cut Pro.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eProfessional Multi Channel SDI and Analogue Audio\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Extreme includes professional audio for modern broadcasters or archiving from older broadcast decks. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio in real time. For capturing legacy programming there are 4 XLR analogue audio inputs that let you record all 4 channels from Betacam SP decks. You can monitor using 4 on screen audio meters with user selectable VU or PPM ballistics. For consumer devices such as VHS, DVD and set top boxes, there are also direct HiFi audio inputs. HyperDeck Extreme models use the latest broadcast technology, however the analogue connections have also been designed to low noise and low distortion broadcast specifications.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLocalized for Popular Languages\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMultiple languages are fully supported so you don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, HyperDeck Extreme will display a menu for selecting a language, plus you can still use the menus to change languages any time you need. When a language is selected, the on screen text overlays will change, as well as all menus and the overlays on the SDI monitoring output will also be displayed with the selected language. All this means HyperDeck is perfect for doing international location work with different crews.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eThe Fastest Networking with Modern 10G Ethernet\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith 10G Ethernet, HyperDeck Extreme is perfect for digital signage because remote uploads are extremely fast. What's amazing is the ethernet uploads on HyperDeck Extreme are much faster than CFast card transfer speeds. Both models use an easy text based protocol plus you can use Telnet to test control commands. Simply log into HyperDeck and then type \"play\" or \"record\" and it will execute the command. It's that simple. To upload media files remotely, you can use FTP, or even use simple FTP client software. When the ethernet protocol and FTP is used with large USB-C disk arrays, HyperDeck Extreme becomes a great broadcast server for ingest, media management and play out.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eTraditional RS-422 Broadcast Deck Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS‑422 protocol. Originally developed by Sony, RS‑422 is used on almost all broadcast gear. HyperDeck Extreme features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS‑422 control solutions, you'll know you’re connected to a HyperDeck Extreme when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our web site.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eCompatible with Controllers, Switchers, Converters and More\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck Extreme, including the HyperDeck Extreme Control for adding traditional broadcast deck controls. Plus it uses the industry standard RS‑422 deck control protocol so it works with any broadcast deck. Add the Blackmagic MultiDock 10G to use regular SSDs for compatibility with media from other HyperDeck models. HyperDeck Extreme is also a perfect mastering recorder with the ATEM Constellation 8K, or for clip playback and ISO recording. For monitoring, the Teranex SDI to HDMI 8K allows broadcast monitoring on a television and it also has monitor calibration, 3D LUTs and on screen scopes.\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123110625508,"sku":"BMD-HYPERD\/RSTEX4KHDR","price":2030.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-HYPERD-RSTEX4KHDR_4a72c3ac-f615-4f33-8e9d-0068b1046f34.jpg?v=1764755939"},{"product_id":"blackmagic-design-hyperdeck-extreme-8k-hdr","title":"Blackmagic Design Hyperdeck Extreme 8K HDR","description":"\u003cdiv\u003eThe new HyperDeck Extreme 8K HDR features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs, native 8K and HDR support. With the ability to record native 8K in H.265, you get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of your recording as well as control over all deck settings. You can then add HyperDeck Extreme Control to transform it into a traditional broadcast deck. This means HyperDeck Extreme is the perfect solution for the next generation of broadcast, live production and digital signage.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eMODERN DESIGN WITH TRADITIONAL CONTROLS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Extreme has an innovative touch screen user interface with deck controls as well as a large screen to view your recording. Then add a HyperDeck Extreme Control for traditional broadcast deck controls and a large shuttle knob that feels incredibly luxurious to use. You can even rack mount the HyperDeck and the controller. HyperDeck Extreme also includes 2 media slots, Quad 12G-SDI for 8K, analogue connections for archiving, USB‑C external disk recording, plus a front panel speaker and headphone jack. There's also an optional cache that eliminates dropped frames if your media becomes full or is too slow. Both AC and DC power connections are also included for studio or on location use.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003ePERFECT FOR LIVE PRODUCTION, DIGITAL SIGNAGE AND ARCHIVE\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player and for recording ISO cameras. The analogue inputs allow you to record from old video tapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage in 8K is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote control protocol. You can even use it as a field recorder as it includes HDMI, SDI and analogue inputs with built in scopes and 3D LUTs. The scopes also help you QA masters to ensure compliance with broadcast standards before streaming and broadcast.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eCONVERT LEGACY PROGRAMMING FOR STREAMING\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAs streaming services have become common, preserving cultural diversity through maintaining localized content is increasingly important. The solution is to get each country’s legacy programs onto streaming services at an affordable cost. HyperDeck Extreme Control lets you connect to legacy broadcast decks, set an in and an out point, then edit. Just add HyperDeck Extreme 8K and HyperDeck Extreme Control to each legacy deck to keep them all archiving constantly with just one operator. It’s even possible to edit across formats by using Teranex Express to convert tapes from SD to HD in one step. You can control a wide range of decks, including Digital Betacam, 1 inch C format, and Betacam SP.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eRECORD AND PLAYBACK FULL RESOLUTION 8K\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe latest Quad Link 12G-SDI is included so it’s possible to record and playback in full resolution 8K for amazing quality. The SDI connections are multi-rate, so you can use Quad Link 12G-SDI to get compatibility with other 8K products, or switch to SD, HD or Ultra HD using the single link 12G-SDI connection. To allow regular CFast cards to be recorded at high resolution 8K, HyperDeck Extreme uses modern H.265 files for 8K recording and playback. This means HyperDeck Extreme 8K is perfect for connecting to the latest 8K televisions and projectors. Plus it’s also the perfect solution when using ATEM switchers. With 8K broadcasting already happening in Japan now, you're ready for an 8K future.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eBIG BRIGHT SCREEN FOR EASY TOUCH CONTROL\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe innovative touch LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog. The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus you can load and save 3D LUTs. You also get direct buttons for transport control, enabling the 3D LUT and remote enable. Then you can always add traditional deck controls with HyperDeck Extreme Control.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eTRADITIONAL BROADCAST DECK CONTROLS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Extreme Control extends your HyperDeck Extreme to add traditional broadcast deck controls. It works like a traditional broadcast deck with a familiar layout. You can control up to 8 decks via industry standard RS‑422 control. You can even rack mount to the HyperDeck Extreme to create a single \"broadcast deck\" unit. Because it uses standard RS‑422, you can control old broadcast decks and perform edits using set in and out points. That's perfect for archiving work. Plus you can even edit between frame rates if standards converting between formats. Even the controls have been developed in-house by Blackmagic Design to ensure a premium feel with traditional styling.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eDUAL CFAST MEDIA FOR NON STOP RECORDING\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eCFast media support allows you to record to commonly available flash memory cards. The H.265 files are small enough to allow long recordings on standard CFast cards. Plus there are 2 CFast card slots so you can swap out any full cards even during recording, allowing infinite length recording. CFast cards are perfect for broadcast because they are small, high speed and affordable. You can even use a Blackmagic MultiDock 10G to add SSD compatibility. With H.265, you can record 498 minutes at 8Kp60 on a 1 TB card, 1,059 minutes in 2160p60 Ultra HD and 2,354 minutes in 1080p59.94 on a 1 TB card. That’s over 8 hours in 8K and over 39 hours in HD.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eRECORD DIRECT TO EXTERNAL USB‑C MEDIA DISKS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf recording to other media types is required, then the USB‑C Expansion port lets you plug in an external flash disk for recording. USB‑C flash disks have massive capacity as they don't suffer from any size constraint. Plus, it’s possible to record to the same disk you are using or editing, so you don't need to waste time copying files before starting post production. Flash disks are so fast, they can record high data rate formats that are too big for CFast cards, such as real time ProRes in 8K. Adding a Blackmagic MultiDock 10G also makes it easy to use SSDs for compatibility with other HyperDeck models. You even get on screen menus for managing external disks using the touch screen.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eOPTIONAL MEDIA CACHE ELIMINATES DROPPED FRAMES\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eSometimes your media can fill before you change to a blank card, or if the card is too slow, then you can get dropped frames in your recording. To eliminate this problem, you can install a PCIe flash disk into HyperDeck Extreme 8K to use as a record cache. This eliminates problems with CFast media or external disks, as the cache will automatically take over and record any content the media could not capture. Even if a card fills, recording will continue to the cache until it’s swapped. The cache even lets you record formats that are too fast for the media card or external disk. Common PCIe flash disks are used and a thermal pad is included to allow user installation.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eADVANCED QUAD LINK 12G-SDI FOR 8K, HDMI AND LEGACY ANALOGUE\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Extreme 8K features a wide range of video and audio connections such as multi-rate Quad Link 12G-SDI for SD, HD, Ultra HD and 8K SDI devices. The 12G-SDI outputs support fill and key when playing RGBA 4:4:4:4 files. HDMI is included for consumer televisions and video projectors. For archiving work, HyperDeck also includes both balanced analogue, HiFi audio plus timecode connections. For monitoring there's even a down converted monitor SDI output that includes overlays. The USB‑C connection lets you plug in flash disks or disk arrays for recording. The latest 10G Ethernet is included for high speed upload using FTP protocols. HyperDeck even includes both AC and XLR 12V DC power connections.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eADVANCED HDR SUPPORT AND BRIGHT WIDE GAMUT LCD\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eYou'll be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide colour gamut. The built in scopes even change to HDR scopes when working in HDR formats. Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider colour gamut so can handle both Rec. 2020 and Rec. 709 colourspaces. The built in HyperDeck Extreme 8K HDR LCD colour gamut can even handle 100% of the DCI‑P3 format.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eBUILT IN SCOPES ENSURE COMPLIANCE TO BROADCAST STANDARDS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Extreme features full internal waveform monitoring so you can ensure compliance to broadcast standards when used on high end work. The waveform display provides a traditional luminance (brightness) levels view of your input or playback signal. The vectorscope display allows you to see the intensity of colour at 100% SDI reference levels. You also get RGB and YUV parade displays which are ideal for colour correction and checking for illegal levels. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built in scopes can be overlaid on live video, or as a small picture in picture view at the top right of the scope.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eLATEST MULTIRATE 12G-SDI FOR SD, HD, ULTRA HD AND NATIVE 8K\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eYou get full support for the most popular video standards. The SDI and HDMI connections are multi-rate, so handle SD, HD, Ultra HD and 8K. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. You can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. 2K and 4K DCI rates are available up to 25p. 8K standards are included at 4320p23.98, 24, 25, 29.97, 50, 59.94 and 60p. HyperDeck Extreme also supports Level A and Level B at 3G‑SDI rates.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eSTANDARD H.265 AND PRORES FILES FOR WIDE COMPATIBILITY\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e8K has 4 times as many pixels as Ultra HD so HyperDeck Extreme 8K uses H.265 files for 8K recording to reduce costs and make working with 8K files easy. H.265 files are extremely small and range from 60:1 to 285:1 compression ratios which means much lower file sizes. Plus H.265 are now supported on all major operating systems. You can use H.265 for all 8K, Ultra HD or progressive HD formats. HyperDeck Extreme 8K even supports ProRes 422 HQ, ProRes 422, ProRes 422 LT for recording and playback plus ProRes 4444 for playback to fill and key out. This means files will be compatible with software such as DaVinci Resolve, Media Composer, Premiere Pro or Final Cut Pro X.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003ePROFESSIONAL MULTI CHANNEL SDI AND ANALOGUEUE AUDIO\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Extreme 8K HDR includes professional audio for modern broadcasters or archiving from older broadcast decks. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio in real time. For capturing legacy programming there are 4 XLR analogue audio inputs that let you record all 4 channels from Betacam SP decks. You can monitor using 4 on screen audio meters with user selectable VU or PPM ballistics. For consumer devices such as VHS, DVD and set top boxes, there are also direct HiFi audio inputs. HyperDeck Extreme 8K HDR might be the latest in 8K technology, however the analogue connections have also been designed to low noise and low distortion broadcast specifications.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eLOCALIZED FOR 11 POPULAR LANGUAGES\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMultiple languages are fully supported so you don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, HyperDeck Extreme 8K will display a menu for selecting a language, plus you can still use the menus to change languages any time you need. When a language is selected, the on screen text overlays will change, as well as all menus and the overlays on the SDI monitoring output will also be displayed with the selected language. All this means HyperDeck is perfect for doing international location work with different crews.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eTHE FASTEST NETWORKING WITH MODERN 10G ETHERNET\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith 10G ethernet, HyperDeck Extreme 8K HDR is perfect for digital signage because remote uploads are extremely fast. What's amazing is the ethernet uploads on HyperDeck Extreme 8K HDR are much faster than CFast card transfer speeds. All models use an easy text based protocol plus you can use Telnet to test control commands. Simply log into HyperDeck and then type \"play\" or \"record\" and it will execute the command. It's that simple. To upload media files remotely, you can use FTP, or even use simple FTP client software. When the ethernet protocol and FTP is used with large USB‑C disk arrays, HyperDeck Extreme becomes a great broadcast server for ingest, media management and playout.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eTRADITIONAL RS‑422 BROADCAST DECK CONTROL\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS‑422 protocol. Originally developed by Sony, RS‑422 is used on almost all broadcast gear. HyperDeck Extreme 8K HDR features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS‑422 control solutions, you'll know you’re connected to a HyperDeck Extreme 8K when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our web site.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eCOMPATIBLE WITH CONTROLLERS, SWITCHERS, CONVERTERS AND MORE\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck Extreme, including the HyperDeck Extreme Control for adding traditional broadcast deck controls. Plus it uses the industry standard RS‑422 deck control protocol so it works with any broadcast deck. Add the new Blackmagic MultiDock 10G to use regular SSDs for compatibility with media from other HyperDeck models. HyperDeck Extreme 8K is also a perfect mastering recorder with the new ATEM Constellation 8K, or for clip playback and ISO reordering. For monitoring, the Teranex SDI to HDMI 8K allows broadcast monitoring on a television and it also has monitor calibration, 3D LUTs and on screen scopes.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eWORKS WITH THE WORLD'S MOST POPULAR VIDEO SOFTWARE\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe files from HyperDeck Extreme 8K are common so they are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so you can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for use with HyperDeck because it features editing, colour correction, audio post production and visual effects all in one software application. Plus you can download DaVinci Resolve free of charge for Mac, Windows and Linux. You can also use recorded files in other popular software such as Premiere Pro and Final Cut Pro X. With HyperDeck, your media is common so your files will remain readable in the future.\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123110691044,"sku":"BMD-HYPERD\/RSTEX8KHDR","price":3380.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-HYPERD-RSTEX8KHDR-1_aff5c22c-8ce2-4fdc-86a4-48c519f8ddee.jpg?v=1764755942"},{"product_id":"blackmagic-design-hyperdeck-extreme-control","title":"Blackmagic Design Hyperdeck Extreme Control","description":"\u003cdiv\u003eHyperDeck Extreme Control gives you traditional deck control features with a built in editor for automating the ingest of legacy videotape based programming. Combined with HyperDeck Extreme, you get a professional deck solution that’s exciting and fast to use. There are transport control buttons, timecode, deck status, plus a large search dial with electronic clutch for jog, shuttle and positioning. Controlling up to 8 separate decks is possible using standard RS‑422 ensuring compatibility with virtually any type of deck. It’s even possible to edit between different video standards, so you can up convert old 4:3 interlaced SD masters to 1080p HD in 16:9 via a Teranex Express converter.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eAUTOMATE EDITING BETWEEN TAPE AND HYPERDECK\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe built in editor allows deck to deck editing. Operating the same way as traditional decks, the controller can operate both the HyperDeck recorder and the legacy broadcast deck all from the same front panel. This allows editing of old videotape simply by selecting the player button and entering in and out points on the tape and then selecting the recorder and pressing edit. The HyperDeck Extreme Control will now cue and play the broadcast deck while recording on the HyperDeck. Often streaming services need 1080p24 masters. That’s easy as it’s possible to add an inline Teranex Express converter to de-interlace, up convert, aspect ratio convert and remove pulldown while editing.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eCONTROL UP TO 8 BROADCAST DECKS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe top of the HyperDeck Extreme Control includes a row of 8 buttons for the recorder selection and a row of 8 buttons for the player selection. There’s a built in remote control router that makes multi deck work possible. The connections are all standard RS-422 control so each device can be plugged into one of 8 rear mounted RS-422 sockets. You can even use the 8 ports to control 8 HyperDecks. The RS-422 control has been tested to ensure compatibly with legacy broadcast decks such as the BVH-2000 series 1 inch C format machines, D2, Betacam SP and Digital Betacam broadcast decks.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eFAMILIAR BROADCAST VTR STYLE DESIGN\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe transport controls are a hybrid of controls from HyperDeck as well as traditional decks. You get buttons for rewind, fast forward, stop, play and record. To protect videotape masters, recording requires pressing both REC and PLAY. There's an eject button for ejecting cassettes, an input button for changing EE\/PB modes plus a pre-roll button for cueing the tape.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eTRADITIONAL AND ELEGANT TRANSPORT CONTROLS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eYou get familiar transport controls, such as PLAY, which when pressed during a recording, will cause the recording to stop and then the deck will continue to play from the same point. To start a recording, press both the REC and PLAY button simultaneously. If you hold down the REC button while a HyperDeck is in record it will change cards. When either REW or F FWD is pressed, the deck will shuttle reverse or forward at the maximum rate. The search direction indicator will also show full speed shuttle. Available when used with HyperDeck, the SKIP REW and SKIP FWD buttons will move to the previous clip or the next clip in the recording.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003ePREMIUM SEARCH DIAL FOR JOG AND SHUTTLE\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe high quality search dial features both jog and shuttle plus an electronic clutch that stops the knob at the end of the shuttle travel or allows free spinning when in jog. HyperDeck Extreme Control replaces varispeed with a position function that allows rapid movement up and down the recording. The search dial uses twin bearings so you can free spin it for fast jog.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eFULL TIMECODE DISPLAY AND DECK STATUS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFull deck status is included and this includes a large easy to read timecode display. This display indicates the timecode of the current selected deck and the timecode source switch will control what’s displayed on the time counter. The horizontal light bar indicator allows the user to see the position of the search dial and provide a visual feedback, which is important when working with remote decks. The servo indicator light will show when the deck is in play or record mode and the servo system is correctly locked. Because remote decks will still display the time counter and transport state, the remote indicator will let you know if the deck is in remote. There’s even external video reference status.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eFLEXIBLE IN AND OUT POINT ENTRY FOR EDITING\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFor editing, you need to enter an in and out point for the remote deck. Simply select the IN or OUT buttons and the ENTRY button simultaneously to enter the points. To display each edit point on the time counter display, simply press the IN or OUT buttons only and the time point will be shown. While the entry button is used for entering the in or out point data, you can also clear the in and out points by pressing the IN or OUT buttons while pressing DELETE. To trim edit points, you can press the TRIM + or - button while pressing the IN or OUT button, and you will advance or delay the edit point by 1 frame at each press.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003ePRE-ROLL EDITS TO CUE DECKS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFor cueing decks a pre-roll button is included. When this button is pressed, the tape machine will run to the pre-roll point which is generally 5 seconds before the IN point. If you are using an older broadcast deck it could take a few minutes for the deck to get to the cue point as the machine has to spool the tape. Although a HyperDeck will cue instantly. If the PREROLL button is pressed when simultaneously pressing the IN or OUT point then the deck will cue to the IN or OUT point exactly. This feature is great for cueing to a specific location set via the IN or OUT points.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003ePERFORM THE EDIT AUTOMATICALLY\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eOnce you have your in and out points set, you can perform the edit automatically by pressing the EDIT button. If the EDIT button is pressed before setting the IN point, then the current tape position will be automatically entered as the IN point, and then the editing will be performed. This means you can select the edit button and it will set the IN point and then perform the edit all in one step.\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123110723812,"sku":"BMD-HYPERD\/RSTEXCTR","price":890.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-HYPERD-RSTEXCTR-2_130d6eda-25d2-474b-8016-1d55607a3882.jpg?v=1764755942"},{"product_id":"blackmagic-design-hyperdeck-extreme-rack-kit","title":"Blackmagic Design HyperDeck Extreme Rack Kit","description":"\u003cp\u003eRack mount two HyperDeck Extreme 8K HDR or HyperDeck Extreme Control Units side by side with this Rack Kit.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123110756580,"sku":"BMD-HYPERD\/RSTEXRMK","price":150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-HYPERD-RSTEXRMK-2_9d51dc98-1f73-4330-8243-a4ae2af5757a.jpg?v=1764755942"},{"product_id":"blackmagic-hyperdeck-studio-hd-mini","title":"Blackmagic HyperDeck Studio HD Mini","description":"\u003cdiv\u003e\u003cstrong\u003eProfessional broadcast decks that record and playback using SD cards and SSD media\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio lets you record broadcast quality video files directly onto SD cards and SSD media. The new redesigned HyperDeck Studios feature modern design with more codecs and quieter cooling. All models now support recording to H.264, Apple ProRes or DNxHD files with either PCM or AAC audio. Plus the 4K model adds support for H.265 files. When you've finished recording, media can be mounted on any computer to access the files using your favorite video software. For ISO recording, there's even built in timecode and reference generators for syncing multiple units. All of these powerful features make HyperDeck Studio perfect for broadcast, live production or multi screen digital signage.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eElegantly Designed Professional Broadcast Deck\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast deck. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003e4 Great HyperDeck Models\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThere are 4 different models of HyperDeck Studio, perfect for all types of work. The 3G-SDI based HD Mini model records and plays H.264, ProRes or DNxHD files onto SD cards, UHS-II cards or external USB disks in SD and HD formats up to 1080p60. The larger HD Plus model adds better transport controls, front panel headphone and speaker, 6G-SDI with fill and key out, SDI monitoring and records H.264 up to 1080p60 or ProRes and DNxHD up to 2160p30. The full rack HD Pro model is the same as the HD Plus model but adds 2 SSD slots and a machined metal search dial with clutch. The incredibly powerful 4K Pro model records H.264, H.265, ProRes or DNx in SD, HD and Ultra HD in standards up to 2160p60.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Mini\u003c\/strong\u003e - Miniaturized deck records H.264, ProRes or DNxHD files onto SD\/UHS-II cards or external USB disks in SD\/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in\/out and HDMI out.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Plus\u003c\/strong\u003e - Includes features of the Mini model plus better transport controls, front panel headphone and speaker, 6G-SDI and fill and key out. Supports all codecs up to 1080p60 and ProRes and DNxHD to 2160p30.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Pro\u003c\/strong\u003e - Includes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio 4K Pro\u003c\/strong\u003e - This extremely powerful Ultra HD model records and plays H.264\/5, ProRes and DNx files in all SD, HD and Ultra HD standards up to 2160p60. Records SD and HD in H.264 and Ultra HD in H.265.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePerfect for Live Production, Broadcast and Archive\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eMastering Recorder\u003c\/strong\u003e - All models record to H.264, ProRes and DNx files, so are perfect for recording broadcast masters. You can even use PCM or AAC audio, plus the 4K model adds H.265 when recording to Ultra HD files. You get everything you need to send shows to broadcasters and for uploading to YouTube.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eISO Recording\u003c\/strong\u003e - All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has a frame sync.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eDigital Signage\u003c\/strong\u003e - HyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eBroadcast Archive\u003c\/strong\u003e - HyperDeck Studio supports all SD and HD standards so it’s ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1\", U-matic and VHS. You can even record direct to H.264 to maximize storage. For analogue decks, just add a Mini Converter Analogue to SDI.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBright Colour LCD Status Display\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio features traditional deck style transport controls, including a search dial for jog, shuttle and scroll. The compact LCD shows timecode and transport information, plus a full colour thumbnail preview of the current clip in record or playback. It also displays information about each card’s recording status, along with video format, frame rate information and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eTraditional Broadcast Deck Controls\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio includes a traditional broadcast style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip and more. The Pro models have a machined metal search dial that supports shuttle, jog and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eSupports SD Cards, UHS‑II Cards or SSDs\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choice for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1 TB card. That's over 6 days of recording in HD using a single 1 TB card.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDual Media Slots For Non‑Stop Recording\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll HyperDeck Studio models feature dual media slots for non stop recording. When the recording card becomes full, recording automatically continues onto the next card. That’s perfect when recording long live events because you can \"hot swap\" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eRecord to External USB-C Media Disks\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf recording to other types of media is required, the USB-C expansion port lets you plug in an external flash disk for recording. USB-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built in LCD.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePopular ProRes, DNx, H.264 and H.265 Files\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAdvanced Broadcast Connections\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. The 4K model has 10G Ethernet for extremely fast network file copying. All models even include AC and locking DC power.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eDC Power Input\u003c\/strong\u003e - Broadcast style 4 pin 12V power connection.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eRemote In\/Out\u003c\/strong\u003e - RS-422 deck control, loops to multiple decks.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eReference In\/Out\u003c\/strong\u003e - Built in sync generator for syncing decks.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHDMI In and Out\u003c\/strong\u003e - Record and play to cameras, projectors and TVs.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eAC Power Inputs\u003c\/strong\u003e - Dual 100-240V AC power for full redundancy.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003e10G Ethernet\u003c\/strong\u003e - Remote deck control and extremely file transfer.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eUSB-C\u003c\/strong\u003e - Record to external disks or disk arrays.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eSDI Monitor Out\u003c\/strong\u003e - 3G-SDI monitor output with graphic overlays.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eTimecode In\/Out\u003c\/strong\u003e - Timecode connections from internal generator.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003e12G-SDI Video\u003c\/strong\u003e - Supports all formats to 2160p60 in ProRes, DNx and H.264\/5\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eChoose 3G‑SDI, 6G‑SDI or 12G‑SDI Models\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck can even support 1080 PsF formats. On the 4K model, Ultra HD formats up to 2160p60 are supported. Plus the 4K model supports 2K and 4K DCI rates up to 30p. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFill and Key Outputs for Broadcast Animations\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the 2 separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file’s alpha channel will be automatically converted to the key SDI output for realtime keying in a live production switcher. Plus the HyperDeck Studio 4K Pro model adds fill and key playback in Ultra HD. Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multi layered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAdvanced HDR Support and Monitoring 3D LUTs\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider colour gamut for both Rec. 2020 and Rec. 709 colourspaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes Professional Multi Channel SDI Audio\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio includes professional multi channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8 or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8 or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has fantastic sound.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncredibly Fast Network File Transfers\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. With 10G Ethernet built into the HyperDeck Studio 4K Pro model, file transfers are so fast, they are faster than the SD card or SSD media disks. For remote deck control, all models use an easy to learn text based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. It's that simple. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB-C disk array, you get a fantastic broadcast server for ingest, media management and play out.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eTraditional RS-422 Broadcast Deck Control\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you’re connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our web site.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt in Timecode and Sync Generators\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators \"free run\" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes the Power of Blackmagic OS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe innovative Blackmagic OS has been designed for high performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on, while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode. Blackmagic OS provides world leading network performance and HyperDeck Studio 4K Pro can sustain data transfers at a massive 1.2 gigabytes per second on its 10G Ethernet connection.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLocalized for 13 Popular Languages\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUse All Video Software and Streaming Sites\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio records files that are compatible with virtually all post production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro or Avid Media Composer, because HyperDeck uses the same file formats used in post production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt in Redundancy Keeps You On Air\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDesigned for Both Portable or Rack Mount Use\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5 inch wide compact design that's only one third of a rack unit wide. That means you can fit 3 recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the 3 units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analogue to SDI 12G to convert the input from analogue to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it’s not rack mounted and simply used by itself on a desktop.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompatible with Switchers, Disk Docks and Cameras\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras and streaming solutions. As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times. HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording.\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123110822116,"sku":"BMD-HYPERD\/ST\/DAHM","price":348.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-HYPERD-ST-DAHM01_69a303dd-6b06-4207-8d4b-c3e0eaf5eb9f.jpg?v=1764755945"},{"product_id":"blackmagic-hyperdeck-studio-hd-plus","title":"Blackmagic Hyperdeck Studio HD Plus","description":"\u003cdiv\u003e\u003cstrong\u003eProfessional broadcast decks that record and playback using SD cards and SSD media\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio lets you record broadcast quality video files directly onto SD cards and SSD media. The new redesigned HyperDeck Studios feature modern design with more codecs and quieter cooling. All models now support recording to H.264, Apple ProRes or DNxHD files with either PCM or AAC audio. Plus the 4K model adds support for H.265 files. When you've finished recording, media can be mounted on any computer to access the files using your favorite video software. For ISO recording, there's even built in timecode and reference generators for syncing multiple units. All of these powerful features make HyperDeck Studio perfect for broadcast, live production or multi screen digital signage.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eElegantly Designed Professional Broadcast Deck\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast deck. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003e4 Great HyperDeck Models\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThere are 4 different models of HyperDeck Studio, perfect for all types of work. The 3G-SDI based HD Mini model records and plays H.264, ProRes or DNxHD files onto SD cards, UHS-II cards or external USB disks in SD and HD formats up to 1080p60. The larger HD Plus model adds better transport controls, front panel headphone and speaker, 6G-SDI with fill and key out, SDI monitoring and records H.264 up to 1080p60 or ProRes and DNxHD up to 2160p30. The full rack HD Pro model is the same as the HD Plus model but adds 2 SSD slots and a machined metal search dial with clutch. The incredibly powerful 4K Pro model records H.264, H.265, ProRes or DNx in SD, HD and Ultra HD in standards up to 2160p60.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Mini\u003c\/strong\u003e - Miniaturized deck records H.264, ProRes or DNxHD files onto SD\/UHS-II cards or external USB disks in SD\/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in\/out and HDMI out.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Plus\u003c\/strong\u003e - Includes features of the Mini model plus better transport controls, front panel headphone and speaker, 6G-SDI and fill and key out. Supports all codecs up to 1080p60 and ProRes and DNxHD to 2160p30.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Pro\u003c\/strong\u003e - Includes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio 4K Pro\u003c\/strong\u003e - This extremely powerful Ultra HD model records and plays H.264\/5, ProRes and DNx files in all SD, HD and Ultra HD standards up to 2160p60. Records SD and HD in H.264 and Ultra HD in H.265.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePerfect for Live Production, Broadcast and Archive\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eMastering Recorder\u003c\/strong\u003e - All models record to H.264, ProRes and DNx files, so are perfect for recording broadcast masters. You can even use PCM or AAC audio, plus the 4K model adds H.265 when recording to Ultra HD files. You get everything you need to send shows to broadcasters and for uploading to YouTube.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eISO Recording\u003c\/strong\u003e - All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has a frame sync.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eDigital Signage\u003c\/strong\u003e - HyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eBroadcast Archive\u003c\/strong\u003e - HyperDeck Studio supports all SD and HD standards so it’s ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1\", U-matic and VHS. You can even record direct to H.264 to maximize storage. For analogue decks, just add a Mini Converter Analogue to SDI.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBright Colour LCD Status Display\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio features traditional deck style transport controls, including a search dial for jog, shuttle and scroll. The compact LCD shows timecode and transport information, plus a full colour thumbnail preview of the current clip in record or playback. It also displays information about each card’s recording status, along with video format, frame rate information and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eTraditional Broadcast Deck Controls\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio includes a traditional broadcast style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip and more. The Pro models have a machined metal search dial that supports shuttle, jog and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eSupports SD Cards, UHS‑II Cards or SSDs\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choice for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1 TB card. That's over 6 days of recording in HD using a single 1 TB card.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDual Media Slots For Non‑Stop Recording\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll HyperDeck Studio models feature dual media slots for non stop recording. When the recording card becomes full, recording automatically continues onto the next card. That’s perfect when recording long live events because you can \"hot swap\" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eRecord to External USB-C Media Disks\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf recording to other types of media is required, the USB-C expansion port lets you plug in an external flash disk for recording. USB-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built in LCD.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePopular ProRes, DNx, H.264 and H.265 Files\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAdvanced Broadcast Connections\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. The 4K model has 10G Ethernet for extremely fast network file copying. All models even include AC and locking DC power.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eDC Power Input\u003c\/strong\u003e - Broadcast style 4 pin 12V power connection.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eRemote In\/Out\u003c\/strong\u003e - RS-422 deck control, loops to multiple decks.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eReference In\/Out\u003c\/strong\u003e - Built in sync generator for syncing decks.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHDMI In and Out\u003c\/strong\u003e - Record and play to cameras, projectors and TVs.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eAC Power Inputs\u003c\/strong\u003e - Dual 100-240V AC power for full redundancy.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003e10G Ethernet\u003c\/strong\u003e - Remote deck control and extremely file transfer.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eUSB-C\u003c\/strong\u003e - Record to external disks or disk arrays.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eSDI Monitor Out\u003c\/strong\u003e - 3G-SDI monitor output with graphic overlays.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eTimecode In\/Out\u003c\/strong\u003e - Timecode connections from internal generator.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003e12G-SDI Video\u003c\/strong\u003e - Supports all formats to 2160p60 in ProRes, DNx and H.264\/5\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eChoose 3G‑SDI, 6G‑SDI or 12G‑SDI Models\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck can even support 1080 PsF formats. On the 4K model, Ultra HD formats up to 2160p60 are supported. Plus the 4K model supports 2K and 4K DCI rates up to 30p. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFill and Key Outputs for Broadcast Animations\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the 2 separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file’s alpha channel will be automatically converted to the key SDI output for realtime keying in a live production switcher. Plus the HyperDeck Studio 4K Pro model adds fill and key playback in Ultra HD. Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multi layered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAdvanced HDR Support and Monitoring 3D LUTs\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider colour gamut for both Rec. 2020 and Rec. 709 colourspaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes Professional Multi Channel SDI Audio\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio includes professional multi channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8 or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8 or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has fantastic sound.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncredibly Fast Network File Transfers\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. With 10G Ethernet built into the HyperDeck Studio 4K Pro model, file transfers are so fast, they are faster than the SD card or SSD media disks. For remote deck control, all models use an easy to learn text based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. It's that simple. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB-C disk array, you get a fantastic broadcast server for ingest, media management and play out.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eTraditional RS-422 Broadcast Deck Control\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you’re connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our web site.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt in Timecode and Sync Generators\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators \"free run\" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes the Power of Blackmagic OS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe innovative Blackmagic OS has been designed for high performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on, while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode. Blackmagic OS provides world leading network performance and HyperDeck Studio 4K Pro can sustain data transfers at a massive 1.2 gigabytes per second on its 10G Ethernet connection.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLocalized for 13 Popular Languages\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUse All Video Software and Streaming Sites\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio records files that are compatible with virtually all post production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro or Avid Media Composer, because HyperDeck uses the same file formats used in post production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt in Redundancy Keeps You On Air\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDesigned for Both Portable or Rack Mount Use\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5 inch wide compact design that's only one third of a rack unit wide. That means you can fit 3 recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the 3 units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analogue to SDI 12G to convert the input from analogue to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it’s not rack mounted and simply used by itself on a desktop.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompatible with Switchers, Disk Docks and Cameras\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras and streaming solutions. As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times. HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording.\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123110854884,"sku":"BMD-HYPERD\/ST\/DCHP","price":487.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-HYPERD-ST-DCHP_debcba70-f4f6-4176-a722-03c89ed2a7bf.jpg?v=1764755947"},{"product_id":"blackmagic-hyperdeck-studio-hd-pro","title":"Blackmagic HyperDeck Studio HD Pro","description":"\u003cdiv\u003e\u003cstrong\u003eProfessional broadcast decks that record and playback using SD cards and SSD media\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio lets you record broadcast quality video files directly onto SD cards and SSD media. The new redesigned HyperDeck Studios feature modern design with more codecs and quieter cooling. All models now support recording to H.264, Apple ProRes or DNxHD files with either PCM or AAC audio. Plus the 4K model adds support for H.265 files. When you've finished recording, media can be mounted on any computer to access the files using your favorite video software. For ISO recording, there's even built in timecode and reference generators for syncing multiple units. All of these powerful features make HyperDeck Studio perfect for broadcast, live production or multi screen digital signage.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eElegantly Designed Professional Broadcast Deck\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast deck. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003e4 Great HyperDeck Models\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThere are 4 different models of HyperDeck Studio, perfect for all types of work. The 3G-SDI based HD Mini model records and plays H.264, ProRes or DNxHD files onto SD cards, UHS-II cards or external USB disks in SD and HD formats up to 1080p60. The larger HD Plus model adds better transport controls, front panel headphone and speaker, 6G-SDI with fill and key out, SDI monitoring and records H.264 up to 1080p60 or ProRes and DNxHD up to 2160p30. The full rack HD Pro model is the same as the HD Plus model but adds 2 SSD slots and a machined metal search dial with clutch. The incredibly powerful 4K Pro model records H.264, H.265, ProRes or DNx in SD, HD and Ultra HD in standards up to 2160p60.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Mini\u003c\/strong\u003e - Miniaturized deck records H.264, ProRes or DNxHD files onto SD\/UHS-II cards or external USB disks in SD\/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in\/out and HDMI out.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Plus\u003c\/strong\u003e - Includes features of the Mini model plus better transport controls, front panel headphone and speaker, 6G-SDI and fill and key out. Supports all codecs up to 1080p60 and ProRes and DNxHD to 2160p30.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Pro\u003c\/strong\u003e - Includes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio 4K Pro\u003c\/strong\u003e - This extremely powerful Ultra HD model records and plays H.264\/5, ProRes and DNx files in all SD, HD and Ultra HD standards up to 2160p60. Records SD and HD in H.264 and Ultra HD in H.265.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePerfect for Live Production, Broadcast and Archive\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eMastering Recorder\u003c\/strong\u003e - All models record to H.264, ProRes and DNx files, so are perfect for recording broadcast masters. You can even use PCM or AAC audio, plus the 4K model adds H.265 when recording to Ultra HD files. You get everything you need to send shows to broadcasters and for uploading to YouTube.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eISO Recording\u003c\/strong\u003e - All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has a frame sync.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eDigital Signage\u003c\/strong\u003e - HyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eBroadcast Archive\u003c\/strong\u003e - HyperDeck Studio supports all SD and HD standards so it’s ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1\", U-matic and VHS. You can even record direct to H.264 to maximize storage. For analogue decks, just add a Mini Converter Analogue to SDI.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBright Colour LCD Status Display\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio features traditional deck style transport controls, including a search dial for jog, shuttle and scroll. The compact LCD shows timecode and transport information, plus a full colour thumbnail preview of the current clip in record or playback. It also displays information about each card’s recording status, along with video format, frame rate information and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eTraditional Broadcast Deck Controls\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio includes a traditional broadcast style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip and more. The Pro models have a machined metal search dial that supports shuttle, jog and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eSupports SD Cards, UHS‑II Cards or SSDs\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choice for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1 TB card. That's over 6 days of recording in HD using a single 1 TB card.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDual Media Slots For Non‑Stop Recording\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll HyperDeck Studio models feature dual media slots for non stop recording. When the recording card becomes full, recording automatically continues onto the next card. That’s perfect when recording long live events because you can \"hot swap\" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eRecord to External USB-C Media Disks\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf recording to other types of media is required, the USB-C expansion port lets you plug in an external flash disk for recording. USB-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built in LCD.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePopular ProRes, DNx, H.264 and H.265 Files\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAdvanced Broadcast Connections\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. The 4K model has 10G Ethernet for extremely fast network file copying. All models even include AC and locking DC power.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eDC Power Input\u003c\/strong\u003e - Broadcast style 4 pin 12V power connection.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eRemote In\/Out\u003c\/strong\u003e - RS-422 deck control, loops to multiple decks.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eReference In\/Out\u003c\/strong\u003e - Built in sync generator for syncing decks.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHDMI In and Out\u003c\/strong\u003e - Record and play to cameras, projectors and TVs.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eAC Power Inputs\u003c\/strong\u003e - Dual 100-240V AC power for full redundancy.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003e10G Ethernet\u003c\/strong\u003e - Remote deck control and extremely file transfer.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eUSB-C\u003c\/strong\u003e - Record to external disks or disk arrays.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eSDI Monitor Out\u003c\/strong\u003e - 3G-SDI monitor output with graphic overlays.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eTimecode In\/Out\u003c\/strong\u003e - Timecode connections from internal generator.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003e12G-SDI Video\u003c\/strong\u003e - Supports all formats to 2160p60 in ProRes, DNx and H.264\/5\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eChoose 3G‑SDI, 6G‑SDI or 12G‑SDI Models\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck can even support 1080 PsF formats. On the 4K model, Ultra HD formats up to 2160p60 are supported. Plus the 4K model supports 2K and 4K DCI rates up to 30p. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFill and Key Outputs for Broadcast Animations\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the 2 separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file’s alpha channel will be automatically converted to the key SDI output for realtime keying in a live production switcher. Plus the HyperDeck Studio 4K Pro model adds fill and key playback in Ultra HD. Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multi layered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAdvanced HDR Support and Monitoring 3D LUTs\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider colour gamut for both Rec. 2020 and Rec. 709 colourspaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes Professional Multi Channel SDI Audio\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio includes professional multi channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8 or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8 or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has fantastic sound.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncredibly Fast Network File Transfers\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. With 10G Ethernet built into the HyperDeck Studio 4K Pro model, file transfers are so fast, they are faster than the SD card or SSD media disks. For remote deck control, all models use an easy to learn text based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. It's that simple. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB-C disk array, you get a fantastic broadcast server for ingest, media management and play out.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eTraditional RS-422 Broadcast Deck Control\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you’re connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our web site.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt in Timecode and Sync Generators\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators \"free run\" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes the Power of Blackmagic OS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe innovative Blackmagic OS has been designed for high performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on, while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode. Blackmagic OS provides world leading network performance and HyperDeck Studio 4K Pro can sustain data transfers at a massive 1.2 gigabytes per second on its 10G Ethernet connection.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLocalized for 13 Popular Languages\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUse All Video Software and Streaming Sites\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio records files that are compatible with virtually all post production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro or Avid Media Composer, because HyperDeck uses the same file formats used in post production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt in Redundancy Keeps You On Air\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDesigned for Both Portable or Rack Mount Use\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5 inch wide compact design that's only one third of a rack unit wide. That means you can fit 3 recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the 3 units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analogue to SDI 12G to convert the input from analogue to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it’s not rack mounted and simply used by itself on a desktop.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompatible with Switchers, Disk Docks and Cameras\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras and streaming solutions. As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times. HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording.\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123110887652,"sku":"BMD-HYPERD\/ST\/DFHP","price":691.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-HYPERD-ST-DFHP_9e0d40eb-56f6-4dfa-8654-1d99531e27fa.jpg?v=1764755949"},{"product_id":"blackmagic-hyperdeck-studio-4k-pro","title":"Blackmagic HyperDeck Studio 4K Pro","description":"\u003cdiv\u003e\u003cstrong\u003eProfessional broadcast decks that record and playback using SD cards and SSD media\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio lets you record broadcast quality video files directly onto SD cards and SSD media. The new redesigned HyperDeck Studios feature modern design with more codecs and quieter cooling. All models now support recording to H.264, Apple ProRes or DNxHD files with either PCM or AAC audio. Plus the 4K model adds support for H.265 files. When you've finished recording, media can be mounted on any computer to access the files using your favorite video software. For ISO recording, there's even built in timecode and reference generators for syncing multiple units. All of these powerful features make HyperDeck Studio perfect for broadcast, live production or multi screen digital signage.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eElegantly Designed Professional Broadcast Deck\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast deck. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003e4 Great HyperDeck Models\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThere are 4 different models of HyperDeck Studio, perfect for all types of work. The 3G-SDI based HD Mini model records and plays H.264, ProRes or DNxHD files onto SD cards, UHS-II cards or external USB disks in SD and HD formats up to 1080p60. The larger HD Plus model adds better transport controls, front panel headphone and speaker, 6G-SDI with fill and key out, SDI monitoring and records H.264 up to 1080p60 or ProRes and DNxHD up to 2160p30. The full rack HD Pro model is the same as the HD Plus model but adds 2 SSD slots and a machined metal search dial with clutch. The incredibly powerful 4K Pro model records H.264, H.265, ProRes or DNx in SD, HD and Ultra HD in standards up to 2160p60.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Mini\u003c\/strong\u003e - Miniaturized deck records H.264, ProRes or DNxHD files onto SD\/UHS-II cards or external USB disks in SD\/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in\/out and HDMI out.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Plus\u003c\/strong\u003e - Includes features of the Mini model plus better transport controls, front panel headphone and speaker, 6G-SDI and fill and key out. Supports all codecs up to 1080p60 and ProRes and DNxHD to 2160p30.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Pro\u003c\/strong\u003e - Includes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio 4K Pro\u003c\/strong\u003e - This extremely powerful Ultra HD model records and plays H.264\/5, ProRes and DNx files in all SD, HD and Ultra HD standards up to 2160p60. Records SD and HD in H.264 and Ultra HD in H.265.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePerfect for Live Production, Broadcast and Archive\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eMastering Recorder\u003c\/strong\u003e - All models record to H.264, ProRes and DNx files, so are perfect for recording broadcast masters. You can even use PCM or AAC audio, plus the 4K model adds H.265 when recording to Ultra HD files. You get everything you need to send shows to broadcasters and for uploading to YouTube.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eISO Recording\u003c\/strong\u003e - All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has a frame sync.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eDigital Signage\u003c\/strong\u003e - HyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eBroadcast Archive\u003c\/strong\u003e - HyperDeck Studio supports all SD and HD standards so it’s ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1\", U-matic and VHS. You can even record direct to H.264 to maximize storage. For analogue decks, just add a Mini Converter Analogue to SDI.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBright Colour LCD Status Display\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio features traditional deck style transport controls, including a search dial for jog, shuttle and scroll. The compact LCD shows timecode and transport information, plus a full colour thumbnail preview of the current clip in record or playback. It also displays information about each card’s recording status, along with video format, frame rate information and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eTraditional Broadcast Deck Controls\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio includes a traditional broadcast style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip and more. The Pro models have a machined metal search dial that supports shuttle, jog and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eSupports SD Cards, UHS‑II Cards or SSDs\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choice for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1 TB card. That's over 6 days of recording in HD using a single 1 TB card.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDual Media Slots For Non‑Stop Recording\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll HyperDeck Studio models feature dual media slots for non stop recording. When the recording card becomes full, recording automatically continues onto the next card. That’s perfect when recording long live events because you can \"hot swap\" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eRecord to External USB-C Media Disks\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf recording to other types of media is required, the USB-C expansion port lets you plug in an external flash disk for recording. USB-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built in LCD.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePopular ProRes, DNx, H.264 and H.265 Files\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. While the 4K model adds H.265 when recording in Ultra HD. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAdvanced Broadcast Connections\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDepending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. The 4K model has 10G Ethernet for extremely fast network file copying. All models even include AC and locking DC power.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eDC Power Input\u003c\/strong\u003e - Broadcast style 4 pin 12V power connection.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eRemote In\/Out\u003c\/strong\u003e - RS-422 deck control, loops to multiple decks.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eReference In\/Out\u003c\/strong\u003e - Built in sync generator for syncing decks.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHDMI In and Out\u003c\/strong\u003e - Record and play to cameras, projectors and TVs.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eAC Power Inputs\u003c\/strong\u003e - Dual 100-240V AC power for full redundancy.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003e10G Ethernet\u003c\/strong\u003e - Remote deck control and extremely file transfer.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eUSB-C\u003c\/strong\u003e - Record to external disks or disk arrays.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eSDI Monitor Out\u003c\/strong\u003e - 3G-SDI monitor output with graphic overlays.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eTimecode In\/Out\u003c\/strong\u003e - Timecode connections from internal generator.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003e12G-SDI Video\u003c\/strong\u003e - Supports all formats to 2160p60 in ProRes, DNx and H.264\/5\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eChoose 3G‑SDI, 6G‑SDI or 12G‑SDI Models\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck can even support 1080 PsF formats. On the 4K model, Ultra HD formats up to 2160p60 are supported. Plus the 4K model supports 2K and 4K DCI rates up to 30p. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFill and Key Outputs for Broadcast Animations\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the 2 separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file’s alpha channel will be automatically converted to the key SDI output for realtime keying in a live production switcher. Plus the HyperDeck Studio 4K Pro model adds fill and key playback in Ultra HD. Imagine running animated lower third titles and stingers with key channel outputs for incredibly clean multi layered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFor compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAdvanced HDR Support and Monitoring 3D LUTs\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eYou'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider colour gamut for both Rec. 2020 and Rec. 709 colourspaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes Professional Multi Channel SDI Audio\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio includes professional multi channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8 or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8 or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has fantastic sound.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncredibly Fast Network File Transfers\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. With 10G Ethernet built into the HyperDeck Studio 4K Pro model, file transfers are so fast, they are faster than the SD card or SSD media disks. For remote deck control, all models use an easy to learn text based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type \"play\" or \"record\" and it will execute the command. It's that simple. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB-C disk array, you get a fantastic broadcast server for ingest, media management and play out.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eTraditional RS-422 Broadcast Deck Control\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it direct to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you’re connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30\/60p, 0xF1E0 in 25\/50p or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our web site.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt in Timecode and Sync Generators\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators \"free run\" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes the Power of Blackmagic OS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe innovative Blackmagic OS has been designed for high performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on, while including powerful features such as LCD with video, timecode and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The on screen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode. Blackmagic OS provides world leading network performance and HyperDeck Studio 4K Pro can sustain data transfers at a massive 1.2 gigabytes per second on its 10G Ethernet connection.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLocalized for 13 Popular Languages\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUse All Video Software and Streaming Sites\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHyperDeck Studio records files that are compatible with virtually all post production software. Plus if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro or Avid Media Composer, because HyperDeck uses the same file formats used in post production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt in Redundancy Keeps You On Air\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eSerious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDesigned for Both Portable or Rack Mount Use\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5 inch wide compact design that's only one third of a rack unit wide. That means you can fit 3 recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the 3 units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analogue to SDI 12G to convert the input from analogue to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it’s not rack mounted and simply used by itself on a desktop.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompatible with Switchers, Disk Docks and Cameras\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThere's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras and streaming solutions. As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times. 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Frees you from manual camera control to focus on the video.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAdvanced Features as Standard\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eFree MultiStreaming\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eCustomized MultiView Out\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e4K Streaming\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eApp\/Web Control Control\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eInviting Guests\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eWeb URL Overlay\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eVideo Follow Audio\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eCustom Layouts(Scene Building)\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAudio Investment Evolved\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eAssignable AFV - \u003c\/strong\u003eEach audio channel automatically switches as the video changes, ensuring perfect synchronization.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eMix Minus\u003c\/strong\u003e - Easily solo monitor a specific audio channel or mute it entirely, giving you full control.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eAudio Delay - \u003c\/strong\u003eFor any sync issues between audio and video, simply adjust the timing to ensure synchronization.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"YoloLiv","offers":[{"title":"Default Title","offer_id":47123799146724,"sku":"YLIV-YOLOBOXEXTREME","price":1734.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/YLIV-YOLOBOXEXTREME.jpg?v=1764772325"}],"url":"https:\/\/progear-website.myshopify.com\/collections\/video-recorders.oembed","provider":"Progear-website","version":"1.0","type":"link"}