{"title":"Monitors \u0026 EVF's","description":"","products":[{"product_id":"atomos-lcd-screen-protector-for-19-sumo-models","title":"Atomos LCD Screen Protector for 19\" Sumo Models","description":"","brand":"Atomos","offers":[{"title":"Default Title","offer_id":47122980700388,"sku":"AO-ATOMLCDP02","price":39.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/AO-ATOMLCDP02_d6674669-d6f7-4251-8183-a7b21bedcc79.jpg?v=1764754659"},{"product_id":"atomos-screen-protector-for-ninja-v-and-shinobi-models","title":"Atomos Screen Protector for Ninja V and Shinobi Models","description":"\u003cp\u003eThe Atomos Screen Protector for Ninja V features a matte material designed to stick right onto the display of the Ninja V, without any adhesive. 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AtomOS 11 brings to creators a host of great new and advanced monitoring and recording features like RecordAssist, PlayBackAssist, SegmentPro, ELZone, ARRI False colour.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAdd the Atomos Connect module to Ninja to share what's on your Atomos screen with other connect related devices, iPads, Macs and Apple TV wirelessly in the same premises or anywhere in the world in Atomos RemoteView. Make Ninja even more versatile in combination with ATOMOS CONNECT to access cloud workflows like C2C, Atomos Edit and Atomos RemoteView via Atomos Cloud Studio. Connect also features 12G-SDI, AirGlu wireless timecode and control, Wi-Fi 6, and NDI. Atomos’ close partnerships with major camera manufacturers ensure that Ninja works flawlessly with an increasing range of DSLR and mirrorless cameras.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/X1n9_AtD2P4\" title=\"The New Ninja\" width=\"640\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWhat's New At A Glance\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eBrand New OS  \u003c\/strong\u003e- New AtomOS 11 - faster, with more features\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eMore Codecs Included  \u003c\/strong\u003e- 6K ProRes RAW, ProRes, DNxHD \u0026amp; H.265 - all for free\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eSuperb Monitoring Tools  \u003c\/strong\u003e- Now with EL Zone exposure and ARRI false color\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eRecordAssist  \u003c\/strong\u003e- Set a time for your recording to start\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003ePlaybackAssist  \u003c\/strong\u003e- Set a time for your Ninja to play out files or sequences\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eTimeLapse  \u003c\/strong\u003e- Set up time-lapse recording and control it from your Ninja\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eSegment Pro  \u003c\/strong\u003e- Automatically split files when they reach a set size\/duration\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eRemoteView  \u003c\/strong\u003e- Share live views from your screen over the internet\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eWi-Fi 6  \u003c\/strong\u003e- Faster, more stable connection to the internet\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eAtomos Care360  \u003c\/strong\u003e- Premium extended warranty that covers unforeseen damage\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCapture Your Vision with the Ninja\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNinja brings your creativity to life in every project, from cinematic to social media, HDR and SDR. It pairs flawlessly with a huge range of HDMI-equipped cameras, from professional cinema to mirrorless.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eRecord Like a Ninja\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNinja is the ultimate field monitor for on-the-go film and video creators who value high quality industry standard codecs like ProRes and ProRes RAW. The Ninja’s state-of-the-art screen maintains clarity and colour in the brightest of conditions and displays bright, clear HDR images for on-set or on-location monitoring.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompact Monitor-Recorder Made Perfect\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Atomos Ninja features a stunningly bright 5.2-inch 10-bit HDR monitor with 1000nits brightness. Sleek and durable, the aluminium body weighs just 360g and is only 25mm deep for easy mounting on any rig.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eNew AtomOS, New Look, New Possibilities\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIntroducing a new version of our operating system, AtomOS 11. Built uniquely for the new Ninja, it not only looks amazing but introduces a host of great new features.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWe’ve made the tools more visible and improved the look of the icons so you know exactly what you’re selecting. It’s easier to use, more logical and feels more professional.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eEndless Features with OS11\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Ninja offers a huge range of features that can enhance your workflow, including AtomOS Monitor Assist features like Focus Peaking, Zoom, Vectorscopes \u0026amp; Atomos and ARRI False Colour, EL Zone colourized exposure through to Safe Areas, Cine Guides and our AtomHDR processing engine that allows realtime Log\u0026gt;PQ\/HLG previewing and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUnlock the Full Potential of Your Camera with Ninja\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNinja’s wide range of codecs makes it compatible with all major editing software packages. Virtually any HDMI or SDI source is supported, including cameras from Nikon, FujiFilm, Canon, Panasonic, Sony, Z-Cam, Sigma, Olympus, RED and ARRI.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eNinja \u0026amp; ProRes RAW\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eOver 55 cameras now support RAW recording over HDMI on the Ninja and this list is still growing. Apple ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. It gives filmmakers enormous latitude to adjust the look of their images, making it ideal for HDR workflows. 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It’s increasingly used in live production, and now your Ninja can take part in an NDI network. The NDI TX option turns your Connect-enabled Ninja into an NDI source, visible to all other NDI compatible devices on the local network.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eRecord 4K HDR Gaming\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNinja is a stand-alone system for 4k UHD, HDR and high frame rate capture that eliminates expensive, complicated and unreliable PC setups. Ninja enables simple recording, monitoring and instant review. Capture every detail in HDR and automatically include all the correct HDR flags ready for upload to YouTube. 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RecordAssist and PlayBackAssist cover pre-arranged or remote shots, while improved false colour tools like ARRI False Colour or EL Zone fit with today's creators needs. In conjunction with the Atomos Connect, it opens up ultra-efficient cloud workflows, including dual record ProRes RAW\/H.265 for Camera to Cloud and 4K H.265 for instant publishing from the cloud, and the SDI Cine feature for automated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras.\u003c\/p\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eShare what’s on your Atomos screen with other Atomos Connect users, as well as with Shogun Connect, iPads, Macs and Apple TVs wirelessly in the same premises or anywhere in the world with full audio communication between devices in the included feature Atomos RemoteView*. These new features bring even more versatility to the Ninja Ultra, providing professional I\/O options for a multitude of cameras 12G-SDI, AirGlu wireless timecode and control and up to 4K NDI– from entry level mirrorless cameras through to the latest compact cinema and high-end professional cameras. 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Faster, lower latency, more stable connection\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eRemoteView  \u003c\/strong\u003e- Share live views from your screen over the internet\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eSuperb Monitoring Tools  \u003c\/strong\u003e- Now with EL Zone exposure and ARRI false color\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003ePremium Options  \u003c\/strong\u003e- NDI 4K TX\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eAtomos Care360  \u003c\/strong\u003e- Premium extended warranty that covers unforeseen damage\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCapture Your Vision with the Ninja Ultra\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNinja Ultra brings your creativity to life in every project, from cinematic to social media, HDR and SDR. It pairs flawlessly with a huge range of HDMI-equipped cameras, from professional cinema to mirrorless.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eRecord with the Ultimate Monitor-Recorder\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNinja Ultra is the ultimate field monitor for on-the-go film and video creators who value high-quality industry-standard codecs like ProRes and ProRes RAW. The Ninja’s state-of-the-art screen maintains clarity and colour in the brightest conditions and displays bright, clear HDR images for on-set or on-location monitoring.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompact Monitor-Recorder Made Perfect\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Atomos Ninja Ultra features a stunningly bright 5.2-inch 10-bit HDR monitor with 1000nits brightness. Sleek and durable, the aluminium body weighs just 360g and is only 25mm deep for easy mounting on any rig.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eNew AtomOS, New Look, New Possibilities\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIntroducing a new version of our operating system, AtomOS 11. Built uniquely for the new Ninja Ultra, it not only looks amazing but introduces a host of great new features.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWe’ve made the tools more visible and improved the look of the icons so you know exactly what you’re selecting. It’s easier to use, more logical and feels more professional.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eEndless Features with OS11\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Ninja Ultra offers a huge range of features that can enhance your workflow, including AtomOS Monitor Assist features like Focus Peaking, Zoom, Vectorscopes \u0026amp; Atomos and ARRI False Colour, EL Zone colourized exposure through to Safe Areas, Cine Guides and our AtomHDR processing engine that allows realtime Log\u0026gt;PQ\/HLG previewing and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUnlock the Full Potential of Your Camera with Ninja Ultra\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNinja Ultra’s wide range of codecs makes it compatible with all major editing software packages. Virtually any HDMI or SDI source is supported, including cameras from Nikon, FujiFilm, Canon, Panasonic, Sony, Z-Cam, Sigma, Olympus, RED and ARRI.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eNinja Ultra \u0026amp; up to 8K ProRes RAW\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eOver 55 cameras now support RAW recording over HDMI on the Ninja and this list is still growing. Apple ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. It gives filmmakers enormous latitude to adjust the look of their images, making it ideal for HDR workflows. The new Apple ProRes RAW plug-in adds camera-specific characteristics to the mix.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eNinja Ultra \u0026amp; Atomos Connect Module\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAdd an Atomos Connect module to the Ninja Ultra to access to cloud workflows like C2C, Atomos Edit and Atomos RemoteView via Atomos Cloud Studio. Connect also features 12G-SDI, AirGlu wireless timecode and control, Wi-Fi 6E and GigE Ethernet.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAccess to Atomos RemoteView with a subscription to Atomos Cloud Services, using Atomos Credits for a simple 'pay as you go service'. Atomos RemoteView is a unique new service that lets you share what’s on your Atomos screen with other Atomos users, as well as with iPads, Macs and Apple TVs wirelessly. You can monitor what’s happening on-set and look through the camera taking the shot. What’s more, you can do this remotely from anywhere in the world. It’s a new degree of creative freedom for filmmakers.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNDI is a way to send video over ordinary networks (including Wi-Fi and Mobile) in high quality but with remarkably low bandwidth requirements. It’s increasingly used in live production, and now your Ninja Ultra can take part in an NDI network. The NDI 4K TX option turns your Connect-enabled Ninja Ultra into an NDI 4K source, visible to all other NDI compatible devices on the local network.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003e4K 60p ProRes RAW and HD 60p H.265 Dual Record Codecs with Atomos Connect\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNow you can record your primary file at up to 4Kp60 in ProRes RAW. Parallel recording with RAW and H.265 has always been a major request from users, especially for scripted work and dailies. Now you can record up to 4K 60p ProRes RAW to the SSD in the Ninja Ultra while simultaneously recording and uploading HDp60 H.265 files to Camera to Cloud. It’s the best of both worlds.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eNew 4K C2C Mode Lets You Upload H.265 files up to 4Kp60 with an Attached Atomos Connect\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith the new 4K C2C mode you can record and upload much higher resolution and frame rate clips to C2C than ever before. Save crucial time by uploading high quality 4Kp60 H.265 files up to 30mbps (ACS subscription tier dependent) to C2C as your primary working file. Think sports or events to get HQ content edited and published as fast as possible. No longer do you have to wait for a near instantaneous 4K C2C edit. Using Atomos Progressive Upload technology ensures no time is wasted.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAtomos SDICine with Atomos Connect\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAutomated matching filenames, timecode and record trigger from ARRI, Canon, RED and Sony SDI cameras.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003ePreviously, Camera to Cloud relied on matching filenames with hero and proxy files made by AtomOS. Now, thanks to cooperation with ARRI, Canon, RED and Sony, Atomos Camera to Cloud files are matched back to the original in-camera (OCF) filenames, enabling a seamless process when conforming C2C or SSD proxy files in the edit with camera files. Total flexibility of recording files wherever makes sense for your workflow. 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Shinobi II has been redesigned with a new, slimline case and a 50% brighter HDR screen, yet it still manages to pack in all of Atomos' renowned screen processing technology and professional monitoring tools, plus exciting new hardware features like camera control. Take control of Canon, Panasonic or Sony cameras via USB-C, plus Z CAM cameras via optional USB-C to Serial cable. More vendors will be supported with future firmware releases. Due to its low power consumption and efficient hardware, Shinobi II will run all day on a single battery charge. Expose your shots accurately using our advanced exposure tools like false color, zebras, histograms, waveforms and vectorscopes. A multi-tool Analysis View gives you all the essential info at a glance. There’s even a selfie Mirror Mode for vloggers. 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The red edge display shows when the camera is recording internally, regardless of whether it's triggered by the camera or from the Shinobi II.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eGet Perfect Exposure, Every Time\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eCombine Shinobi II's ability to adjust your camera lenses' aperture, shutter speed\/angle and ISO with its built-in exposure tools such as false color, waveforms, zebras, or the histogram and achieve perfect exposure on every shot.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eNew AtomOS, New Look, New Possibilities\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eShinobi II runs under a version of our latest operating system, AtomOS 11. 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The device supports nearly all HDMI and USB UVC sources to livestream to Facebook Live, Twitch, YouTube, and other social sites, or can be used to create a webcam source for Microsoft Teams, Slack, Zoom, and other conferencing software.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe implementation of the AtomOS Lite software provides an intuitive and easy-to-use experience for new customers. The software includes all the essential tools, so it feels familiar for existing customers too. With a compact form factor, the SuperAtom IPS 5-inch (1000nit) display, Wi-Fi 5, USB-C, and Ethernet (via USB-C adapter) connectivity, as well as, NP-F battery or USB-C PD power options, ZATO CONNECT is an ideal companion for livestreaming in the field, the studio, or wherever else it travels.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/gxvwvs3ZLfs\" title=\"YouTube video player\" width=\"640\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eStream From Anywhere\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eLivestreaming and high-quality video conferencing is made easy and accessible with ZATO CONNECT. With support for HDMI and USB UVC cameras or video sources, the device is equipped with Wi-Fi 5, Gigabit Ethernet (via USB-C), and the ability to join cellular hotspots, everyone can stream to Facebook Live, Twitch, and YouTube, or create high-quality video for Microsoft Teams, Slack, and Zoom from anywhere.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eStreaming Simplified\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAnyone can setup a livestream (using ATOMOS Cloud Studio) and create high-value video content with the easy-to-use ZATO CONNECT. The 5-inch touchscreen display can be used to switch between sources and monitor the outgoing program stream. The device is compact enough to mount on a DSLR or mirrorless camera rig. It’s equally at home next to a PC, Mac computer, or gaming console. Streaming has never been easier and ZATO CONNECT is the ideal, all-in-one solution.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eComprehensive I\/O\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhile incredibly compact, the ZATO CONNECT lives up to its name. Featuring input and output ports for both HDMI and USB UVC, the device can transform the output from a wide array of video equipment into a livestream or webcam source. The 3.5mm audio jack can also be used to add microphone or line sources and the ZATO CONNECT can be used to mix them with embedded audio from HDMI or USB UVC.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGo Live or As Live!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEach livestream can be recorded as local H.264 backup to an SD card. With the ability to combine recorded sources with live content, it’s possible to take one of these recordings and stream the content “as live” with ZATO CONNECT. This opens lots of creative opportunities and adds value to any stream or video presentation.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGet your Audio in the Mix\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eZATO CONNECT includes an audio mixer, which can be used to adjust and combine audio signals from the 3.5mm analog input with the embedded audio from HDMI and USB UVC sources. Each channel can be adjusted independently and mixed down to a single stereo track for a livestream, recording, or video presentation.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAn Essential Toolkit\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhether it’s configuring streams, switching between sources, recording, playback, mixing audio, or adding effects, AtomOS Lite on the ZATO CONNECT makes it all a breeze. The software features a number of key tools including overlay effects, image zoom, and frame guides that will help add value to every stream or video conference.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eCreate an Identity\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhether through a livestream or virtual meeting, video has become an everyday part of all our lives. Today businesses, influencers, entrepreneurs, houses of worship, and educators all use video to establish an identity or reinforce a brand. Compelling content can make a difference and help emphasize branding, core messages, or even empower sponsorship opportunities. Applying graphic overlays to streams or watermarking recorded content is easy with ZATO CONNECT.\u003c\/div\u003e","brand":"Atomos","offers":[{"title":"Default Title","offer_id":47122983715044,"sku":"AO-ATOMZATC01","price":269.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/AO-ATOMZATC01_bc8b8e97-e573-4056-8850-fad2df77875d.jpg?v=1764754735"},{"product_id":"blackmagic-design-pocket-cinema-camera-pro-evf","title":"Blackmagic Design Pocket Cinema Camera Pro EVF","description":"\u003cp\u003eThe Blackmagic Pocket Cinema Camera Pro EVF is the perfect accessory to make outdoors and handheld shooting easy! 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 a large 5\" LCD with focus peaking, zebra and false colour. Connections include 3G‑SDI and HDMI. This model includes a single SD Card recorder for ProRes recording. Other features include WFM, vector, histogram and RGB parade scopes plus 3D LUTs.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eMODERN DESIGN WITH LATEST TECHNOLOGY AND AMAZING SCREENS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll Video Assist models are dominated by a large touch screen with all controls for recording, playback of clips, viewing scopes and setting focus assist features. Both 7\" models are large enough to include analogue inputs for audio and two SD card slots so you get continuous recording, with automatic recording to the second card. Both of the 12G models include 12G-SDI and Ultra HD HDMI connections and USB-C for recording direct to external flash media disks. All models include a rear tally light, a front panel speaker for clip playback and a headphone jack. Video Assist uses Sony L-Series batteries, and with 2 battery slots, you can change batteries without interrupting recording.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eTRANSFORMS CAMERA
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If you're using Blackmagic RAW, the 3D LUT is only added into the metadata so it can be disabled in post production.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDUAL MEDIA RECORDERS FOR UNINTERRUPTED RECORDING\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eVideo Assist uses commonly available SD card media, so you can record to flash memory cards that are easy to obtain. The files are small enough to allow long recordings on standard SD cards or the faster UHS-II cards. The larger Video Assist 12G 7\" model even includes 2 SD card slots so you can swap out any full cards even during recording, allowing infinite length recording. Standard SD cards or the faster UHS-II cards are perfect for broadcast because they are small, high speed and affordable.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRECORDING FOR DIGITAL CAMERAS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Video Assist is an ideal upgrade for cameras, as its bright display is bigger than the tiny displays found on consumer cameras, plus you're also adding professional focus assist features and better quality file formats. Video Assist is also a great solution for professional cameras because you can use it to upgrade older broadcast cameras to modern file formats used on the latest editing software. You get support for all editing software as you can record in Apple ProRes and Avid DNx. You can even use Blackmagic RAW on supported cameras. With both HDMI and SDI inputs you can connect it to any consumer camera, broadcast camera or even DSLR cameras.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePOST PRODUCTION FRIENDLY FILE FORMATS.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eVideo Assist records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, including DaVinci Resolve Studio. Recording works in industry standard 10-bit ProRes or DNx files in all formats and from all HDMI or SDI cameras, as well as 12-bit Blackmagic RAW on the 12G-SDI HDR models when connected to supported cameras. Blackmagic RAW is the fastest growing RAW format and developers can download and use the free Blackmagic RAW SDK to add support to their applications. Best of all media files work on all operating systems.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBUILT IN SCOPES ENSURE COMPLIANCE TO STANDARDS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eVideo Assist features scopes for accurate exposure on cameras and compliance to broadcast standards. That means it’s also a great portable waveform monitoring solution. The waveform display provides a traditional luminance (brightness) level view of the video inputs or the playback signal. The vectorscope allows you to see the intensity of colour at 100% SDI reference levels. You also get a RGB parade display which is ideal for colour correction. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built in scopes can even be overlaid on live video, or as a small picture in picture view at the top right of the scope.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLOAD CUSTOM 3D LUTS TO RECREATE FILM LOOKS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eSome cameras can output logarithmic colourspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look like when editing. LUTs can be applied temporarily for monitoring only, or they can be burned into files for use in editing when capturing Blackmagic RAW. Video Assist works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDIRECT METADATA
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All metadata is saved with the files and available in post production with software such as DaVinci Resolve.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePROFESSIONAL MULTI CHANNEL SDI AND ANALOG AUDIO\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Video Assist includes a built in professional audio recorder that’s much better quality than the audio found in most cameras, eliminating the need to carry around extra audio equipment. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio. For connecting microphones the 7\" models have 2 XLR analog audio inputs with phantom power and high definition audio sample rates of 192 kHz at 16 and 24 bit per sample. The audio meters can even be changed between VU or PPM ballistics. Blackmagic Video Assist 12G features the latest audio technology to ensure low noise floor and very low distortion so you can use it for digital cinema and broadcast work.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLOCALIZED FOR 11 POPULAR LANGUAGES\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMultiple languages are fully supported so you don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, Video Assist will display a menu for selecting a language, plus you can switch languages in the menus. When a language is selected, the on screen text overlays will change to the selected language, as well as overlays on the video outputs when enabled. All this means Video Assist is perfect for doing international location work with different crews because you can just go into the menu and change the language any time you need.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWORKS WITH THE WORLD'S MOST POPULAR VIDEO SOFTWARE\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe files from Blackmagic Video Assist are common and are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so you can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for using with Video Assist as it features editing, colour correction, audio post production and visual effects all in one software application. Plus you can download DaVinci Resolve free of charge for Mac, Windows and Linux. You can also use recorded files in other popular software such as Premiere Pro and Final Cut Pro X. With Video Assist, your media is common so your files will remain readable in the future.\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123110265060,"sku":"BMD-HYPERD\/AVIDA03\/5","price":222.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-HYPERD-AVIDA03-5_e1af2746-4b92-486e-a198-c166429f1838.jpg?v=1764755927"},{"product_id":"blackmagic-video-assist-7quot-3g","title":"Blackmagic Video Assist 7\" 3G","description":"\u003cdiv\u003eThis model includes all the features of the 5\" model, but has a much larger screen. This model has 2 SD Card slots so recording can continue when a card becomes full. There are also 2 mini XLR audio inputs with phantom power so you can connect and record direct from microphones.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eMODERN DESIGN WITH LATEST TECHNOLOGY AND AMAZING SCREENS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll Video Assist models are dominated by a large touch screen with all controls for recording, playback of clips, viewing scopes and setting focus assist features. Both 7\" models are large enough to include analogue inputs for audio and two SD card slots so you get continuous recording, with automatic recording to the second card. Both of the 12G models include 12G-SDI and Ultra HD HDMI connections and USB-C for recording direct to external flash media disks. All models include a rear tally light, a front panel speaker for clip playback and a headphone jack. Video Assist uses Sony L-Series batteries, and with 2 battery slots, you can change batteries without interrupting recording.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eTRANSFORMS CAMERA
 USABILITY WITH VIDEO ASSIST\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eTraditional cameras are designed for shoulder mounted operation, so are a compromise. Hours spent leaning into a viewfinder for long tripod mounted shoots can be tough. Video Assist will transform your shooting style with an on-board rigged screen. It's much more comfortable using a screen rigged to a position best suited for a shooting setup. Plus you get better situational awareness for the operator, assistant or director. With both 5\" and 7\" models, you choose the size of a rigged monitor that suits you best. Plus you're also adding fantastic features such as focus zoom, focus peaking, zebras, histogram, false colour, scopes, frame markers, frame guides, touch screen and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eCUSTOMIZE YOUR
 TOUCHSCREEN TOOLS AND FEATURES\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith large and bright 5 and 7\" touchscreens, Video Assist makes it incredible easy to frame shots and accurately focus. The touchscreen displays critical information while you’re shooting including the timecode, transport control, audio meters and a histogram for exposure. You can also customize the LCD to add or remove overlays such as current filename, focus peaking, zebra, false colour, frame guides, 3D LUTs and more. 3D LUTs support allows monitoring shots with the desired colour and look, plus you can even \"bake in\" the LUT if you want to record it into the file. If you're using Blackmagic RAW, the 3D LUT is only added into the metadata so it can be disabled in post production.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDUAL MEDIA RECORDERS FOR UNINTERRUPTED RECORDING\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eVideo Assist uses commonly available SD card media, so you can record to flash memory cards that are easy to obtain. The files are small enough to allow long recordings on standard SD cards or the faster UHS-II cards. The larger Video Assist 12G 7\" model even includes 2 SD card slots so you can swap out any full cards even during recording, allowing infinite length recording. Standard SD cards or the faster UHS-II cards are perfect for broadcast because they are small, high speed and affordable.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRECORDING FOR DIGITAL CAMERAS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Video Assist is an ideal upgrade for cameras, as its bright display is bigger than the tiny displays found on consumer cameras, plus you're also adding professional focus assist features and better quality file formats. Video Assist is also a great solution for professional cameras because you can use it to upgrade older broadcast cameras to modern file formats used on the latest editing software. You get support for all editing software as you can record in Apple ProRes and Avid DNx. You can even use Blackmagic RAW on supported cameras. With both HDMI and SDI inputs you can connect it to any consumer camera, broadcast camera or even DSLR cameras.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePOST PRODUCTION FRIENDLY FILE FORMATS.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eVideo Assist records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, including DaVinci Resolve Studio. Recording works in industry standard 10-bit ProRes or DNx files in all formats and from all HDMI or SDI cameras, as well as 12-bit Blackmagic RAW on the 12G-SDI HDR models when connected to supported cameras. Blackmagic RAW is the fastest growing RAW format and developers can download and use the free Blackmagic RAW SDK to add support to their applications. Best of all media files work on all operating systems.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBUILT IN SCOPES ENSURE COMPLIANCE TO STANDARDS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eVideo Assist features scopes for accurate exposure on cameras and compliance to broadcast standards. That means it’s also a great portable waveform monitoring solution. The waveform display provides a traditional luminance (brightness) level view of the video inputs or the playback signal. The vectorscope allows you to see the intensity of colour at 100% SDI reference levels. You also get a RGB parade display which is ideal for colour correction. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built in scopes can even be overlaid on live video, or as a small picture in picture view at the top right of the scope.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLOAD CUSTOM 3D LUTS TO RECREATE FILM LOOKS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eSome cameras can output logarithmic colourspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look like when editing. LUTs can be applied temporarily for monitoring only, or they can be burned into files for use in editing when capturing Blackmagic RAW. Video Assist works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDIRECT METADATA
 ENTRY FOR FASTER EDITING\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe advanced digital slate and metadata features make it extremely fast to add metadata to any shot. Simply swipe left or right from the edge of the screen to bring up the digital slate. You can even select for take numbers to be automatically incremented when you start and stop recording, so you don’t have to enter them manually for each shot. You can also set reel numbers to increment each time you format a card. All metadata is saved with the files and available in post production with software such as DaVinci Resolve.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePROFESSIONAL MULTI CHANNEL SDI AND ANALOG AUDIO\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Video Assist includes a built in professional audio recorder that’s much better quality than the audio found in most cameras, eliminating the need to carry around extra audio equipment. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio. For connecting microphones the 7\" models have 2 XLR analog audio inputs with phantom power and high definition audio sample rates of 192 kHz at 16 and 24 bit per sample. The audio meters can even be changed between VU or PPM ballistics. Blackmagic Video Assist 12G features the latest audio technology to ensure low noise floor and very low distortion so you can use it for digital cinema and broadcast work.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLOCALIZED FOR 11 POPULAR LANGUAGES\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMultiple languages are fully supported so you don't need to learn another language to use it. Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, Video Assist will display a menu for selecting a language, plus you can switch languages in the menus. When a language is selected, the on screen text overlays will change to the selected language, as well as overlays on the video outputs when enabled. All this means Video Assist is perfect for doing international location work with different crews because you can just go into the menu and change the language any time you need.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWORKS WITH THE WORLD'S MOST POPULAR VIDEO SOFTWARE\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe files from Blackmagic Video Assist are common and are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so you can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for using with Video Assist as it features editing, colour correction, audio post production and visual effects all in one software application. Plus you can download DaVinci Resolve free of charge for Mac, Windows and Linux. You can also use recorded files in other popular software such as Premiere Pro and Final Cut Pro X. With Video Assist, your media is common so your files will remain readable in the future.\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123110297828,"sku":"BMD-HYPERD\/AVIDA03\/7","price":368.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-HYPERD-AVIDA03-7_04eb2c6c-bb81-4587-8ef7-3367c121082d.jpg?v=1764755930"},{"product_id":"blackmagic-design-video-assist-5quot-12g-hdr","title":"Blackmagic Design Video Assist 5\" 12G HDR","description":"\u003cdiv\u003eBlackmagic Video Assist 5\" 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The super bright 2500nit 5 inch HDR monitor supports 3D LUTs and features professional scopes along with powerful focus assist and exposure tools that help you accurately set focus, exposure and frame shots. The built in SD card recorder save files in broadcast quality 10-bit 4:2:2 ProRes or DNx formats. The files are all standard, so you can start editing immediately without having to convert them!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIntroducing Blackmagic Video Assist 12G HDR\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new Blackmagic Video Assist 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The whole new design includes innovations such as brighter screens for HDR work, tally indicator, 4 built in scopes, enhanced focus assist features, 3D LUTs and native Blackmagic RAW recording from supported cameras! With 12G-SDI and HDMI 2.0 on both 5\" and 7\" models, you get support for recording from virtually any device in all formats up to 2160p60. The brighter touch screen ensures a perfect view of your recording for HDR digital film and when shooting outdoors in sunlight. The new design also features upgraded batteries and supports two standard Sony L‑Series batteries. This means Blackmagic Video Assist 12G is incredibly versatile and is the perfect solution for the next generation of digital cinema shoots, live production mastering and, broadcast testing and measurement.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePerfect for Digital Cinema, Live Recording and Monitoring\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith its amazing versatility, Blackmagic Video Assist 12G is also great for recording from cameras, or even as a clip player! As the files are compatible with the HyperDeck disk recorders, you can even use Video Assist as a broadcast field recorder, or an ultra portable broadcast scope! Video Assist is a fantastic broadcast solution because you get both HDMI and 12G-SDI inputs plus it has built in scopes and 3D LUTs! The scopes also help you QA masters to ensure compliance with broadcast standards before streaming and broadcast.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eModern Design with 12G‑SDI and Bright HDR Screens\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThere are two models of Blackmagic Video Assist 12G, with each model including an innovative touch screen user interface with deck controls as well as a large screen to view your recording. The Blackmagic Video Assist 7\" 12G model also includes 2 media slots, while both the 5\" and 7\" models include 12G‑SDI for high frame rate Ultra HD, analogue inputs for audio, USB‑C external disk recording, plus a front panel speaker and side mounted headphone jack! You also get 2 rear battery slots for mounting Sony L‑Series batteries, so you have enough power for the brighter HDR screens and higher speed Ultra HD electronics. Plus with 2 battery slots, you can change batteries without interrupting recording! A 12v universal power supply is included for studio or on location use.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eUpgrade to Better Recording for Digital Cameras\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Video Assist 12G HDR is an ideal upgrade for cameras, as it's super bright 2500nit display is bigger than the tiny displays found on consumer cameras, plus you're also adding professional focus assist features and better quality file formats. Video Assist is also a great solution for professional cameras because you can use it to upgrade older broadcast cameras to modern file formats used on the latest editing software. No matter what editing software you use, Video Assist lets you support them all, as you can record in Apple ProRes, Avid DNx and Blackmagic RAW. With both HDMI and 12G-SDI inputs you can connect it to any consumer camera, broadcast camera or even DSLR cameras. Then, on supported cameras, you can even upgrade to RAW style workflows with Blackmagic RAW.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge HDR Monitor with Easy Touch Controls\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe innovative touchscreen LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog! The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus you can load and save 3D LUTs.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDual Media Recorders for Uninterrupted Recording\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eVideo Assist uses commonly available SD card media, so you can record to flash memory cards that are easy to obtain. The files are small enough to allow long recordings on standard SD cards or the faster UHS-II cards. The larger Video Assist 12G 7\" model even includes 2 SD card slots so you can swap out any full cards even during recording, allowing infinite length recording. Standard SD cards or the faster UHS-II cards are perfect for broadcast because they are small, high speed and affordable.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRecord Direct to External USB‑C Media Disks\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf recording to other media types is required, then the USB‑C Expansion port lets you plug in an external flash disk for recording. USB‑C flash disks have massive capacity as they don't suffer from any size constraint. Plus, it's possible to record to the same disk you are using or editing, so you don't need to waste time copying files before starting post production. Flash disks are so fast they can record high data rate formats that are too big for some lower cost media cards, such as high frame rate Ultra HD. Imagine adding a Blackmagic MultiDock 10G for easy SSD compatibility with other recorders such as Blackmagic HyperDeck models. You even get on screen menus for managing external disks using the touch screen.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAdvanced 12G‑SDI and HDMI 2.0 Inputs and Outputs\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eVideo Assist features a wide range of video and audio connections such as multi‑rate 12G‑SDI for SD, HD, and Ultra HD SDI devices. HDMI is included for HDMI cameras and monitoring to consumer televisions and video projectors. The 7 inch model features Mini XLR inputs which are provided for audio input from microphones and external audio mixers. The USB‑C connection lets you plug in flash disks or disk arrays for recording, allowing extremely long record durations and because you're recording to a media disk, you can edit direct from this disk after the shoot, eliminating extra file copying work. Video Assist even includes a 12V DC power connection with locking power connector.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHDR Support with Bright Wide Gamut LCD\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eYou'll be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide color gamut. Plus the high brightness screen makes outdoor shooting in bright sunlight possible! The built in scopes even change to HDR scopes when working in HDR formats! Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider color gamut so it can handle both Rec. 2020 and Rec. 709 colorspaces. The built in Video Assist LCD color gamut can even handle 100% of the DCI‑P3 format.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt In Scopes Ensure Compliance to Standards\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eVideo Assist features full internal waveform monitoring so you can ensure compliance to broadcast standards and it also works great as a portable waveform monitoring solution! The waveform display provides a traditional luminance (brightness) levels view of your input or playback signal. The vectorscope display allows you to see the intensity of color at 100% SDI reference levels. You also get an RGB parade display which is ideal for color correction and checking for illegal levels. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built in scopes can even be overlaid on live video, or as a small picture in picture view at the top right of the scope.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLatest Multi Rate 12G‑SDI for SD, HD and Ultra HD\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eYou get full support for the most popular video standards. The SDI and HDMI connections are multi‑rate, so handle SD, HD, and Ultra HD. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. You can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. You can even record 2K and 4K DCI rates up to 25p for digital film work.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLoad Custom 3D LUTs to Recreate Film Looks\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eSome cameras can output logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look like when editing. LUTs can be applied temporarily for monitoring only, or they can be burned into files for use in editing when capturing Blackmagic RAW. Video Assist works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePost Production Friendly File Formats\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eVideo Assist records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, including DaVinci Resolve Studio. Recording works in industry standard 10‑bit Apple ProRes files in all formats and from all HDMI or SDI camera, or 12‑bit Blackmagic RAW when connected to supported cameras. Blackmagic RAW is the fastest growing RAW format and developers can download and use the free Blackmagic RAW SDK to add support to their applications. Best of all, media files work on all operating systems.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eThe quality of RAW and the speed of video\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from cameras. Video Assist supports Blackmagic RAW recording from popular cameras such as Panasonic EVA1 and Canon C300 MK II. This eliminates the problems with popular camera formats such as H.264, which are highly compressed resulting in noise and processing artifacts. Blackmagic RAW eliminates this problem and gives you stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure, then override them later while editing, all without any loss of quality! Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eProfessional Multi Channel SDI and Analogue Audio\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Video Assist 12G includes professional audio for modern cameras or other outboard audio equipment. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio in real time. For connecting microphones the Video Assist 7\" model has two XLR analogue audio inputs with phantom power that support the high definition audio sample rate of 192 kHz at uncompressed 16 and 24 bit per sample. You can monitor using on screen audio meters with user selectable VU or PPM ballistics. Blackmagic Video Assist 12G features the latest in technology, including audio, with the analogue audio connections designed to low noise and low distortion digital cinema and broadcast specifications.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLocalized for 11 Popular Languages\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMultiple languages are fully supported so you don't need to learn another language to use it! Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, Video Assist will display a menu for selecting a language, plus you can still use the menus to change languages any time you need. When a language is selected, the on screen text overlays will change to the selected language, as well as overlays on the video outputs when enabled. All this means Video Assist is perfect for doing international location work with different crews.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWorks with the World's Most Popular Video Software\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe files from Blackmagic Video Assist 12G are common and are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so you can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for use with Video Assist because it features editing, color correction, audio post production and visual effects all in one software application. Plus you can download DaVinci Resolve free of charge for Mac, Windows and Linux! You can also use recorded files in other popular software such as Premiere Pro and Final Cut Pro X. With Video Assist, your media is common so your files will remain readable in the future.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBlackmagic RAW\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe world’s fastest RAW format with better quality and better features\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary new and very modern codec that’s easier to use and much better quality than popular video formats, but with all the benefits of RAW recording. Featuring multiple new technologies, such as a new advanced de-mosaic algorithm, Blackmagic RAW gives you visually lossless images that are ideal for high resolution, high frame rate and high dynamic range workflows. Incredible image quality, extensive metadata support and highly optimized GPU and CPU accelerated processing make Blackmagic RAW the world’s first codec that can be used for acquisition, post production and finishing. Blackmagic RAW is a totally new design, plus it’s cross platform, freely available and includes a developer SDK so anyone can add support for Blackmagic RAW to their own software.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eNext Generation RAW Codec - The quality of RAW at the speed of video\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWorking with traditional RAW formats is difficult because the files are huge, they’re proprietary and extremely processor intensive, which makes them slow and inefficient. While working with traditional video codecs is faster, quality is damaged because of the limitation to 10 bit and the 4:2:2 video filter that’s used which dramatically reduces colour detail. Blackmagic Design engineers have spent years solving these problems and have created a new RAW codec that moves part of the de-mosaic processing from the computer’s CPU into the camera itself, resulting in incredibly efficient encoding for an entirely new high performance RAW experience. With Blackmagic RAW, you get the same quality, bit depth, dynamic range and controls as RAW, with better performance and even smaller file sizes than traditional video codecs.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePerfect for High End Feature Films and Television - Cinematic quality images that you can use for all your work\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe incredible quality and speed of Blackmagic RAW makes it ideal for virtually any type of production. The pristine camera native quality of Blackmagic RAW Q0 or 3:1 is perfect for effects heavy feature film and commercial work, where you need the highest possible quality. Blackmagic RAW Q5 and 5:1 are extremely high quality making them great for episodic television and independent films. Blackmagic RAW quality is so high, you can even use 8:1 and 12:1 settings for incredibly small files that are suitable for all kinds of uses such as broadcast news, live sport events, digital signage, A\/V, corporate video, weddings and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eNew Advanced De-Mosaic - Partial de-mosaic in the camera hardware allows maximum speed playback\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new advanced de-mosaic algorithm is a central component of Blackmagic RAW. Part of the RAW processing is moved out of software and into the camera, where it can be accelerated. Noise management, sensor profiling and new edge reconstruction algorithms are used to produce high quality cinematic images with incredible depth, crisp details and beautiful image separation. The partially de?mosaiced images, along with the unique characteristics of the image sensor, are encoded and saved into the Blackmagic RAW file so you get total control over features such as ISO, white balance, exposure, contrast, saturation and more. The partial in camera accelerated de?mosaic allows for extremely efficient compression. This results in significantly reduced processing on your computer, making it faster to decode and use the files while retaining the sensor data needed for full RAW control.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGeneration 4 Colour Science - Accurate skin tones and faithful colour reproduction\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW uses Blackmagic Design Generation 4 Colour Science for reproducing extremely accurate skin tones and gorgeous, lifelike colours that rival those of cameras costing tens of thousands of dollars more! Images are encoded using a custom non?linear 12?bit space designed to provide the maximum amount of colour data and dynamic range. Unlike traditional RAW workflows that rely on LUTs which alter the pixel data in a harsh way, Blackmagic RAW is non destructive. It harnesses the power of metadata to ensure that the creative vision of the cinematographer is carried through to post production. Most importantly, the free SDK lets third party software applications use the embedded sensor profile metadata if required, as well as Blackmagic Design colour science for predictable and accurate image rendering that yields consistent colour throughout the entire pipeline.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e2 Separate Encoding Methods - Constant bitrate or constant quality encoding gives you total control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW features both constant quality and constant bitrate encoding options, giving you the flexibility to prioritize image quality or file size so you can better tailor your production costs.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eConstant Bitrate - High quality images and predictable file sizes\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe constant bitrate encoding option is very similar to most codecs that are set to never exceed a specific data rate. The four constant bitrate variations are Blackmagic RAW 3:1, 5:1, 8:1 and 12:1. These ratios are based on the unprocessed file size of a single frame from the camera’s sensor, making it easy to understand the relative amount of compression being used. The constant bitrate variations are designed to give you the best possible images with predictable and consistent file sizes.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eConstant Quality - Variable bitrate encoding for guaranteed quality\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new constant quality options preserve image quality by completely removing the upper data limit. That means complex frames will be encoded at higher data rates to preserve detail and maintain quality. Only constant quality ensures quality levels never suffer. Blackmagic RAW Q0 has minimum quantization and yields the highest possible quality, while Blackmagic RAW Q5 uses moderate quantization for more efficient encoding and a smaller file size.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eExtremely Fast RAW Performance - The world’s fastest RAW codec for better render speed on complex projects\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eUnlike traditional RAW formats, which are slow and processor intensive, Blackmagic RAW is designed to accelerate your post production workflow. It’s highly optimized for AVX, AVX2 and SSE4.1 enabled processors, it’s multi?threaded and it works across multiple CPU cores. In addition, Blackmagic RAW is also GPU accelerated and works with Apple Metal, CUDA and OpenCL. Frame decoding and image processing is extremely fast, making Blackmagic RAW super smooth for editing, colour correction and visual effects in DaVinci Resolve. Best of all, clips are stored as single files, not image sequences. That makes media management easier and file transfers faster than other RAW formats. Blackmagic RAW performance scales as processors and GPUs get faster, making it the only codec that’s ready for tomorrow’s higher resolution and higher frame rate formats.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eNext Generation Metadata - Supports embedded metadata or user customizable sidecar metadata files\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW and the .braw SDK feature highly descriptive and flexible metadata options that are designed to support today’s modern workflows. The SDK takes care of all the work for developers, so supporting Blackmagic RAW is easy and fast. Using the Blackmagic RAW SDK means you get flawless handling of all camera metadata such as lens information, iris, ISO, colour space, slate information and much, much more. Metadata is embedded directly into the .braw file. In addition, .sidecar files that contain fully editable and human readable JSON formatted metadata can also be used. The metadata in .sidecar files is ancillary, which means that it can override the file’s embedded metadata without overwriting it. Blackmagic RAW also supports frame based metadata so you can access values, such as focus distance, that often change on a frame by frame basis.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBlackmagic RAW Player - Review Blackmagic RAW clips with consistent colour between software\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eTraditional RAW formats often display content inconsistently when viewed through different media players. Because the SDK manages all colour, colour transformations and also contains information about the characteristics of the camera’s sensor, the Blackmagic RAW Player can reliably display all of the dynamic range and deep colour of .braw clips. In fact, any software that utilizes the Blackmagic RAW SDK can ensure accurate and reliable interpretation of colour and tonal values rendered to the viewer. Most importantly, playback will be silky smooth, even on slower systems that typically struggle with other high bitrate RAW formats.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAvailable Now in DaVinci Resolve 15.1\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDaVinci Resolve 15.1 includes support for Blackmagic RAW, so you can start shooting and finishing your work immediately! DaVinci Resolve is used on more feature films and television commercials than any other solution and is the standard in high end post production. This means you can work with the world’s largest facilities to finish your work, or simply download DaVinci Resolve 15.1 now and edit, colour correct, perform visual effects and audio post production yourself! DaVinci Resolve 15.1 includes full support for Blackmagic RAW, giving you a non-destructive workflow. Picture adjustments and settings that you make in the camera will come into DaVinci Resolve via metadata and are completely editable. You can even make changes to the RAW settings in DaVinci Resolve, open the files in other applications that support Blackmagic RAW and automatically see the settings, so you have a consistent look and controls between software apps and different platforms.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eOpen Standard and Free to Download - Cross platform and license free\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is the world’s only truly modern, high performance, professional RAW codec that is open, cross platform and free. The codec is supported via the free SDK on Mac OS, Windows and Linux systems. Best of all, there are no hidden licenses or ongoing fees. Blackmagic RAW has been designed to provide the industry with an open, elegant and standardized high quality image format that can be used across products and in customer workflows absolutely free.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eFree Software Development Kit - Fully documented SDK is publicly available\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe .braw SDK is fully documented and publicly available for all developers on Mac OS, Windows and Linux. Using the SDK gives you access to GPU accelerated and CPU optimized algorithms for decoding Blackmagic RAW files. In addition to the encoded image data, the SDK also provides access to unique information about the camera’s imaging sensor so you know how to accurately decode and present the image based on the characteristics of the sensor. The SDK supports 32?bit float, 16?bit integer and 8?bit integer pixel formats, manages the decoding of colour science, allows for user customizable colour space transformation, and provides access to all embedded and sidecar metadata. You even get advanced features such as I\/O clip trimming, preview scaling for fast playback and much more. Best of all, Blackmagic RAW and the .braw SDK are available free and even included on Blackmagic Design’s camera software installers.\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123110330596,"sku":"BMD-HYPERD\/AVIDA12\/5HDR","price":399.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-HYPERD-AVIDA12-5HDR-1_5b6e2933-d18f-40b8-bd1b-6a811bd3ab2a.jpg?v=1764755931"},{"product_id":"blackmagic-design-video-assist-7quot-12g-hdr","title":"Blackmagic Design Video Assist 7\" 12G HDR","description":"\u003cdiv\u003eBlackmagic Video Assist 7\" 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The super bright 2500nit 7 inch HDR monitor supports 3D LUTs and features professional scopes along with powerful focus assist and exposure tools that help you accurately set focus, exposure and frame shots. Dual built in SD card recorders save files from any camera in 10-bit 4:2:2 ProRes or DNx formats. You also get two mini XLR connections with 48V of phantom power and a noise floor of -128dBV for high quality, crystal clear audio recording. Plus, you can start editing immediately because you don’t have to convert the files.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIntroducing Blackmagic Video Assist 12G HDR\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new Blackmagic Video Assist 12G HDR adds professional monitoring and recording to any SDI or HDMI camera in all HD, Ultra HD, 2K and 4K DCI formats! The whole new design includes innovations such as brighter screens for HDR work, tally indicator, 4 built in scopes, enhanced focus assist features, 3D LUTs and native Blackmagic RAW recording from supported cameras! With 12G-SDI and HDMI 2.0 on both 5\" and 7\" models, you get support for recording from virtually any device in all formats up to 2160p60. The brighter touch screen ensures a perfect view of your recording for HDR digital film and when shooting outdoors in sunlight. The new design also features upgraded batteries and supports two standard Sony L‑Series batteries. This means Blackmagic Video Assist 12G is incredibly versatile and is the perfect solution for the next generation of digital cinema shoots, live production mastering and, broadcast testing and measurement.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePerfect for Digital Cinema, Live Recording and Monitoring\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith its amazing versatility, Blackmagic Video Assist 12G is also great for recording from cameras, or even as a clip player! As the files are compatible with the HyperDeck disk recorders, you can even use Video Assist as a broadcast field recorder, or an ultra portable broadcast scope! Video Assist is a fantastic broadcast solution because you get both HDMI and 12G-SDI inputs plus it has built in scopes and 3D LUTs! The scopes also help you QA masters to ensure compliance with broadcast standards before streaming and broadcast.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eModern Design with 12G‑SDI and Bright HDR Screens\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThere are two models of Blackmagic Video Assist 12G, with each model including an innovative touch screen user interface with deck controls as well as a large screen to view your recording. The Blackmagic Video Assist 7\" 12G model also includes 2 media slots, while both the 5\" and 7\" models include 12G‑SDI for high frame rate Ultra HD, analogue inputs for audio, USB‑C external disk recording, plus a front panel speaker and side mounted headphone jack! You also get 2 rear battery slots for mounting Sony L‑Series batteries, so you have enough power for the brighter HDR screens and higher speed Ultra HD electronics. Plus with 2 battery slots, you can change batteries without interrupting recording! A 12v universal power supply is included for studio or on location use.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eUpgrade to Better Recording for Digital Cameras\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Video Assist 12G HDR is an ideal upgrade for cameras, as it's super bright 2500nit display is bigger than the tiny displays found on consumer cameras, plus you're also adding professional focus assist features and better quality file formats. Video Assist is also a great solution for professional cameras because you can use it to upgrade older broadcast cameras to modern file formats used on the latest editing software. No matter what editing software you use, Video Assist lets you support them all, as you can record in Apple ProRes, Avid DNx and Blackmagic RAW. With both HDMI and 12G-SDI inputs you can connect it to any consumer camera, broadcast camera or even DSLR cameras. Then, on supported cameras, you can even upgrade to RAW style workflows with Blackmagic RAW.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge HDR Monitor with Easy Touch Controls\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe innovative touchscreen LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog! The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus you can load and save 3D LUTs.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDual Media Recorders for Uninterrupted Recording\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eVideo Assist uses commonly available SD card media, so you can record to flash memory cards that are easy to obtain. The files are small enough to allow long recordings on standard SD cards or the faster UHS-II cards. The larger Video Assist 12G 7\" model even includes 2 SD card slots so you can swap out any full cards even during recording, allowing infinite length recording. Standard SD cards or the faster UHS-II cards are perfect for broadcast because they are small, high speed and affordable.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRecord Direct to External USB‑C Media Disks\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf recording to other media types is required, then the USB‑C Expansion port lets you plug in an external flash disk for recording. USB‑C flash disks have massive capacity as they don't suffer from any size constraint. Plus, it's possible to record to the same disk you are using or editing, so you don't need to waste time copying files before starting post production. Flash disks are so fast they can record high data rate formats that are too big for some lower cost media cards, such as high frame rate Ultra HD. Imagine adding a Blackmagic MultiDock 10G for easy SSD compatibility with other recorders such as Blackmagic HyperDeck models. You even get on screen menus for managing external disks using the touch screen.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAdvanced 12G‑SDI and HDMI 2.0 Inputs and Outputs\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eVideo Assist features a wide range of video and audio connections such as multi‑rate 12G‑SDI for SD, HD, and Ultra HD SDI devices. HDMI is included for HDMI cameras and monitoring to consumer televisions and video projectors. The 7 inch model features Mini XLR inputs which are provided for audio input from microphones and external audio mixers. The USB‑C connection lets you plug in flash disks or disk arrays for recording, allowing extremely long record durations and because you're recording to a media disk, you can edit direct from this disk after the shoot, eliminating extra file copying work. Video Assist even includes a 12V DC power connection with locking power connector.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHDR Support with Bright Wide Gamut LCD\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eYou'll be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide color gamut. Plus the high brightness screen makes outdoor shooting in bright sunlight possible! The built in scopes even change to HDR scopes when working in HDR formats! Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider color gamut so it can handle both Rec. 2020 and Rec. 709 colorspaces. The built in Video Assist LCD color gamut can even handle 100% of the DCI‑P3 format.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt In Scopes Ensure Compliance to Standards\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eVideo Assist features full internal waveform monitoring so you can ensure compliance to broadcast standards and it also works great as a portable waveform monitoring solution! The waveform display provides a traditional luminance (brightness) levels view of your input or playback signal. The vectorscope display allows you to see the intensity of color at 100% SDI reference levels. You also get an RGB parade display which is ideal for color correction and checking for illegal levels. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built in scopes can even be overlaid on live video, or as a small picture in picture view at the top right of the scope.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLatest Multi Rate 12G‑SDI for SD, HD and Ultra HD\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eYou get full support for the most popular video standards. The SDI and HDMI connections are multi‑rate, so handle SD, HD, and Ultra HD. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. You can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. You can even record 2K and 4K DCI rates up to 25p for digital film work.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLoad Custom 3D LUTs to Recreate Film Looks\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eSome cameras can output logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look like when editing. LUTs can be applied temporarily for monitoring only, or they can be burned into files for use in editing when capturing Blackmagic RAW. Video Assist works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePost Production Friendly File Formats\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eVideo Assist records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, including DaVinci Resolve Studio. Recording works in industry standard 10‑bit Apple ProRes files in all formats and from all HDMI or SDI camera, or 12‑bit Blackmagic RAW when connected to supported cameras. Blackmagic RAW is the fastest growing RAW format and developers can download and use the free Blackmagic RAW SDK to add support to their applications. Best of all, media files work on all operating systems.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eThe quality of RAW and the speed of video\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from cameras. Video Assist supports Blackmagic RAW recording from popular cameras such as Panasonic EVA1 and Canon C300 MK II. This eliminates the problems with popular camera formats such as H.264, which are highly compressed resulting in noise and processing artifacts. Blackmagic RAW eliminates this problem and gives you stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure, then override them later while editing, all without any loss of quality! Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eProfessional Multi Channel SDI and Analogue Audio\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Video Assist 12G includes professional audio for modern cameras or other outboard audio equipment. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio in real time. For connecting microphones the Video Assist 7\" model has two XLR analogue audio inputs with phantom power that support the high definition audio sample rate of 192 kHz at uncompressed 16 and 24 bit per sample. You can monitor using on screen audio meters with user selectable VU or PPM ballistics. Blackmagic Video Assist 12G features the latest in technology, including audio, with the analogue audio connections designed to low noise and low distortion digital cinema and broadcast specifications.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLocalized for 11 Popular Languages\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMultiple languages are fully supported so you don't need to learn another language to use it! Support is included for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese and Turkish. At first start, Video Assist will display a menu for selecting a language, plus you can still use the menus to change languages any time you need. When a language is selected, the on screen text overlays will change to the selected language, as well as overlays on the video outputs when enabled. All this means Video Assist is perfect for doing international location work with different crews.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWorks with the World's Most Popular Video Software\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe files from Blackmagic Video Assist 12G are common and are compatible with all operating systems or in most video software. Media can be formatted using ExFAT or HFS+ so you can easily access the media on computers and access the files like regular disks. DaVinci Resolve is perfect for use with Video Assist because it features editing, color correction, audio post production and visual effects all in one software application. Plus you can download DaVinci Resolve free of charge for Mac, Windows and Linux! You can also use recorded files in other popular software such as Premiere Pro and Final Cut Pro X. With Video Assist, your media is common so your files will remain readable in the future.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBlackmagic RAW - The world’s fastest RAW format with better quality and better features\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary new and very modern codec that’s easier to use and much better quality than popular video formats, but with all the benefits of RAW recording. Featuring multiple new technologies, such as a new advanced de-mosaic algorithm, Blackmagic RAW gives you visually lossless images that are ideal for high resolution, high frame rate and high dynamic range workflows. Incredible image quality, extensive metadata support and highly optimized GPU and CPU accelerated processing make Blackmagic RAW the world’s first codec that can be used for acquisition, post production and finishing. Blackmagic RAW is a totally new design, plus it’s cross platform, freely available and includes a developer SDK so anyone can add support for Blackmagic RAW to their own software.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eNext Generation RAW Codec - The quality of RAW at the speed of video\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWorking with traditional RAW formats is difficult because the files are huge, they’re proprietary and extremely processor intensive, which makes them slow and inefficient. While working with traditional video codecs is faster, quality is damaged because of the limitation to 10 bit and the 4:2:2 video filter that’s used which dramatically reduces colour detail. Blackmagic Design engineers have spent years solving these problems and have created a new RAW codec that moves part of the de-mosaic processing from the computer’s CPU into the camera itself, resulting in incredibly efficient encoding for an entirely new high performance RAW experience. With Blackmagic RAW, you get the same quality, bit depth, dynamic range and controls as RAW, with better performance and even smaller file sizes than traditional video codecs.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePerfect for High End Feature Films and Television - Cinematic quality images that you can use for all your work\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe incredible quality and speed of Blackmagic RAW makes it ideal for virtually any type of production. The pristine camera native quality of Blackmagic RAW Q0 or 3:1 is perfect for effects heavy feature film and commercial work, where you need the highest possible quality. Blackmagic RAW Q5 and 5:1 are extremely high quality making them great for episodic television and independent films. Blackmagic RAW quality is so high, you can even use 8:1 and 12:1 settings for incredibly small files that are suitable for all kinds of uses such as broadcast news, live sport events, digital signage, A\/V, corporate video, weddings and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eNew Advanced De-Mosaic - Partial de-mosaic in the camera hardware allows maximum speed playback\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new advanced de-mosaic algorithm is a central component of Blackmagic RAW. Part of the RAW processing is moved out of software and into the camera, where it can be accelerated. Noise management, sensor profiling and new edge reconstruction algorithms are used to produce high quality cinematic images with incredible depth, crisp details and beautiful image separation. The partially de?mosaiced images, along with the unique characteristics of the image sensor, are encoded and saved into the Blackmagic RAW file so you get total control over features such as ISO, white balance, exposure, contrast, saturation and more. The partial in camera accelerated de?mosaic allows for extremely efficient compression. This results in significantly reduced processing on your computer, making it faster to decode and use the files while retaining the sensor data needed for full RAW control.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGeneration 4 Colour Science - Accurate skin tones and faithful colour reproduction\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW uses Blackmagic Design Generation 4 Colour Science for reproducing extremely accurate skin tones and gorgeous, lifelike colours that rival those of cameras costing tens of thousands of dollars more! Images are encoded using a custom non?linear 12?bit space designed to provide the maximum amount of colour data and dynamic range. Unlike traditional RAW workflows that rely on LUTs which alter the pixel data in a harsh way, Blackmagic RAW is non destructive. It harnesses the power of metadata to ensure that the creative vision of the cinematographer is carried through to post production. Most importantly, the free SDK lets third party software applications use the embedded sensor profile metadata if required, as well as Blackmagic Design colour science for predictable and accurate image rendering that yields consistent colour throughout the entire pipeline.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e2 Separate Encoding Methods - Constant bitrate or constant quality encoding gives you total control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW features both constant quality and constant bitrate encoding options, giving you the flexibility to prioritize image quality or file size so you can better tailor your production costs.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eConstant Bitrate - High quality images and predictable file sizes\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe constant bitrate encoding option is very similar to most codecs that are set to never exceed a specific data rate. The four constant bitrate variations are Blackmagic RAW 3:1, 5:1, 8:1 and 12:1. These ratios are based on the unprocessed file size of a single frame from the camera’s sensor, making it easy to understand the relative amount of compression being used. The constant bitrate variations are designed to give you the best possible images with predictable and consistent file sizes.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eConstant Quality - Variable bitrate encoding for guaranteed quality\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new constant quality options preserve image quality by completely removing the upper data limit. That means complex frames will be encoded at higher data rates to preserve detail and maintain quality. Only constant quality ensures quality levels never suffer. Blackmagic RAW Q0 has minimum quantization and yields the highest possible quality, while Blackmagic RAW Q5 uses moderate quantization for more efficient encoding and a smaller file size.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eExtremely Fast RAW Performance - The world’s fastest RAW codec for better render speed on complex projects\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eUnlike traditional RAW formats, which are slow and processor intensive, Blackmagic RAW is designed to accelerate your post production workflow. It’s highly optimized for AVX, AVX2 and SSE4.1 enabled processors, it’s multi?threaded and it works across multiple CPU cores. In addition, Blackmagic RAW is also GPU accelerated and works with Apple Metal, CUDA and OpenCL. Frame decoding and image processing is extremely fast, making Blackmagic RAW super smooth for editing, colour correction and visual effects in DaVinci Resolve. Best of all, clips are stored as single files, not image sequences. That makes media management easier and file transfers faster than other RAW formats. Blackmagic RAW performance scales as processors and GPUs get faster, making it the only codec that’s ready for tomorrow’s higher resolution and higher frame rate formats.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eNext Generation Metadata - Supports embedded metadata or user customizable sidecar metadata files\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW and the .braw SDK feature highly descriptive and flexible metadata options that are designed to support today’s modern workflows. The SDK takes care of all the work for developers, so supporting Blackmagic RAW is easy and fast. Using the Blackmagic RAW SDK means you get flawless handling of all camera metadata such as lens information, iris, ISO, colour space, slate information and much, much more. Metadata is embedded directly into the .braw file. In addition, .sidecar files that contain fully editable and human readable JSON formatted metadata can also be used. The metadata in .sidecar files is ancillary, which means that it can override the file’s embedded metadata without overwriting it. Blackmagic RAW also supports frame based metadata so you can access values, such as focus distance, that often change on a frame by frame basis.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBlackmagic RAW Player - Review Blackmagic RAW clips with consistent colour between software\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eTraditional RAW formats often display content inconsistently when viewed through different media players. Because the SDK manages all colour, colour transformations and also contains information about the characteristics of the camera’s sensor, the Blackmagic RAW Player can reliably display all of the dynamic range and deep colour of .braw clips. In fact, any software that utilizes the Blackmagic RAW SDK can ensure accurate and reliable interpretation of colour and tonal values rendered to the viewer. Most importantly, playback will be silky smooth, even on slower systems that typically struggle with other high bitrate RAW formats.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAvailable Now in DaVinci Resolve 15.1\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDaVinci Resolve 15.1 includes support for Blackmagic RAW, so you can start shooting and finishing your work immediately! DaVinci Resolve is used on more feature films and television commercials than any other solution and is the standard in high end post production. This means you can work with the world’s largest facilities to finish your work, or simply download DaVinci Resolve 15.1 now and edit, colour correct, perform visual effects and audio post production yourself! DaVinci Resolve 15.1 includes full support for Blackmagic RAW, giving you a non-destructive workflow. Picture adjustments and settings that you make in the camera will come into DaVinci Resolve via metadata and are completely editable. You can even make changes to the RAW settings in DaVinci Resolve, open the files in other applications that support Blackmagic RAW and automatically see the settings, so you have a consistent look and controls between software apps and different platforms.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eOpen Standard and Free to Download - Cross platform and license free\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is the world’s only truly modern, high performance, professional RAW codec that is open, cross platform and free. The codec is supported via the free SDK on Mac OS, Windows and Linux systems. Best of all, there are no hidden licenses or ongoing fees. 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The SDK supports 32?bit float, 16?bit integer and 8?bit integer pixel formats, manages the decoding of colour science, allows for user customizable colour space transformation, and provides access to all embedded and sidecar metadata. You even get advanced features such as I\/O clip trimming, preview scaling for fast playback and much more. 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It is lightweight and durably constructed and attaches to a monitor by touch fastener. A touch fastener strip comes included to be fixed to the monitor, and the hood itself comes already outfitted with a touch fastener.\u003c\/p\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123358679268,"sku":"HOO-H-600","price":34.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/H600.jpg?v=1764760681"},{"product_id":"hoodman-84-lcd-monitor-hood-long","title":"Hoodman 8.4\" LCD Monitor Hood - Long","description":"\u003cp\u003eFits 8.4 inch Hi-Def \/ LCD Panel (Long Version)\u003cbr\u003e\n\nFits 9.0 inch 16:9 HD onboard monitors.\u003c\/p\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123358712036,"sku":"HOO-H-900","price":119.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/H900.jpg?v=1764760683"},{"product_id":"hoodman-84-lcd-monitor-hood-short","title":"Hoodman 8.4\" LCD Monitor Hood - Short","description":"\u003cp\u003eFits 8.4 Hi-Def \/ LCD Panel (Short Version) Fits 9.0 inch 16:9 HD onboard monitors.\u003c\/p\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123358744804,"sku":"HOO-H-900SHORT","price":63.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/H900SHORT.jpg?v=1764760684"},{"product_id":"hoodman-sony-pvm-a170-and-1741-oled","title":"Hoodman Sony PVM A170 and 1741 OLED","description":"\u003cp\u003eThe Hoodman Hood for 17\" TVLogic Monitors is designed to fit Sony PVM A170 and PVM 1741 Monitors. It is made of nylon, with plastic inserts, and this allows it to collapse flat for transport and storage. You attach the hood to your monitor by snapping it to the monitors built-in snaps. The hood accommodates your monitor, with or without yoke supports, and includes a removable vinyl rain cape that protects the monitor from the elements.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e    The hood includes hook and loop adhesive that you mount to your monitor and the hood. This allows you to remove the hood when not needed.\u003c\/li\u003e\n\n\t\u003cli\u003e    The removable rain cape is durable and protects the your monitor from rain dust and wind.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123358777572,"sku":"HOO-HA170B","price":209.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/HA170.jpg?v=1764760686"},{"product_id":"hoodman-drone-aviator-hood-kit-for-the-ipad-mini","title":"Hoodman Drone Aviator Hood Kit for the iPad Mini","description":"\u003cp\u003eThe Drone Aviator Hood Kit from Hoodman includes the HAV1 Aviator Hood and HAV1E Aviator Hood Extender. Together, these two devices mount to your iPad mini for improved outdoor viewing by sealing out external light to reduce glare and enhance visibility, all without hindering touchscreen access or functionality.\u003c\/p\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123358810340,"sku":"HOO-HAV1KIT","price":66.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/HAV1KIT.jpg?v=1764760686"},{"product_id":"hoodman-hav2e-drone-aviator-extender-hood-for-ipad-air-12","title":"Hoodman HAV2E Drone Aviator Extender Hood for iPad Air 1\/2","description":"\u003cp\u003eThe HAV2E Drone Aviator Extender Hood from Hoodman mounts to your HAV2 Hood and iPad Air or iPad Air 2 (both sold separately), giving you an extended viewfinder. The Hood is designed to seal out all light so that you get glare-free viewing with your iPad Air or iPad Air 2. When attached to your HAV2 and device, the HAV2E provides an overall extended distance of 13\".\u003c\/p\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123358843108,"sku":"HOO-HAV2E","price":54.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/HAV2E.jpg?v=1764760688"},{"product_id":"hoodman-drone-aviator-hood-kit-for-ipad-air-12","title":"Hoodman Drone Aviator Hood Kit for iPad Air 1\/2","description":"\u003cp\u003eThe Drone Aviator Hood Kit from Hoodman includes the HAV2 Aviator Hood and HAV2E Aviator Hood Extender. Together, these two devices mount to your iPad Air or iPad Air 2 for improved outdoor viewing by sealing out external light to reduce glare and enhance visibility, all without hindering touchscreen access or functionality.\u003c\/p\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123358875876,"sku":"HOO-HAV2KIT","price":83.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/HAV2KIT.jpg?v=1764760690"},{"product_id":"hoodman-hav6-drone-aviator-hood-for-iphone-66s","title":"Hoodman HAV6 Drone Aviator Hood for iPhone 6\/6s","description":"\u003cp\u003eThe HAV6 Drone Aviator Hood from Hoodman mounts to your iPhone 6 or 6s for improved outdoor viewing. The bottom panel of the Aviator Hood has a unique, pierceable feature designed to allow access to the touchscreen. The included adjustable mounting straps make hood mounting quick and easy.\u003c\/p\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123358908644,"sku":"HOO-HAV6","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/HAV6.jpg?v=1764760691"},{"product_id":"hoodman-drone-aviator-hood-kit-for-iphone-66s","title":"Hoodman Drone Aviator Hood Kit for iPhone 6+\/6s+","description":"\u003cp\u003eThe Drone Aviator Hood Kit from Hoodman includes the HAV6P Aviator Hood and HAV6PE Aviator Hood Extender. Together, these two devices mount to your iPhone 6+ or 6s+ for improved outdoor viewing by sealing out external light to reduce glare and enhance visibility, all without hindering touchscreen access or functionality.\u003c\/p\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123358941412,"sku":"HOO-HAV6PKIT","price":53.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/HAV6KIT.jpg?v=1764760692"},{"product_id":"hoodman-hav6p-drone-aviator-hood-for-iphone-6-plus6s-plus","title":"Hoodman HAV6P Drone Aviator Hood for iPhone 6 Plus\/6s Plus","description":"\u003cp\u003eThe HAV6P Drone Aviator Hood from Hoodman mounts to your iPhone 6 Plus or 6s Plus for improved outdoor viewing. The bottom panel of the Aviator Hood has a unique, pierceable feature designed to allow access to the touchscreen. The included adjustable mounting straps make hood mounting quick and easy.\u003c\/p\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123358974180,"sku":"HOO-HAV6P","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/HAV6P.jpg?v=1764760694"},{"product_id":"hoodman-hbm1-hood-for-blackmagic-cinema-camera","title":"Hoodman HBM1 Hood For Blackmagic Cinema Camera","description":"\u003cp\u003eThe Hoodman HBM1 Hood For Blackmagic Cinema Camera is designed to greatly improve the outdoor\/bright light visibility of the camera's LCD screen. Extending much further from the camera than the basic visor Blackmagic Design provides, the shade will block most direct light from hitting the screen reducing glare and specular reflections.\u003cbr\u003e\n\n\u003cbr\u003e\n\nThe screen attaches via a touch-tab fastener over the existing visor and is made of a flexible nylon material reinforced with plastic that folds flat for storage. A self-closing opening on the underside of the hood allows touchscreen access.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e    Cuts down glare reflecting from LCD panel\u003c\/li\u003e\n\n\t\u003cli\u003e    Pierceable bottom panel allows touchscreen access\u003c\/li\u003e\n\n\t\u003cli\u003e    Folds flat for storage\u003c\/li\u003e\n\n\t\u003cli\u003e    Attaches to camera visor via an adhesive touch-tab fastener\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123359006948,"sku":"HOO-HBM1","price":108.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/HBM1.jpg?v=1764760697"},{"product_id":"hoodman-hd-hood-for-canon-c300-c500","title":"Hoodman HD Hood for Canon C300 \u0026 C500","description":"\u003cp\u003eThe Hoodman HD Hood for Canon C300 \u0026amp; C500 is a Nylon hood that quickly attaches to the C300 \/ C500's monitor via an integrated elastic strap on one side. The hood folds flat for storage.\u003c\/p\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123359039716,"sku":"HOO-HC300","price":34.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/HC300.jpg?v=1764760697"},{"product_id":"hoodman-hcd7-hood-for-convergent-design-odyssey-7-7q","title":"Hoodman HCD7 Hood for Convergent Design Odyssey 7 \u0026 7Q","description":"\u003cp\u003eThe HCD7 Hood for Convergent Design Odyssey 7 \u0026amp; 7Q from Hoodman provides glare protection when shooting outdoors with your Odyssey 7 or 7Q monitor\/recorder. It features a rugged nylon with plastic insert construction that allows the hood to fold down flat for easy storage. Adjustable elastic mounting straps reach around the back of the Odyssey 7 or 7Q and accommodate all sizes of on-board battery options. The bottom panel of the hood is made of elastic, allowing it to stretch so you can use the monitor's touch panel without removing the hood. For protection from the elements, a rain cape is included which mounts to the back of the hood.\u003c\/p\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123359105252,"sku":"HOO-HCD7","price":96.66,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/HDC7.jpg?v=1764760701"},{"product_id":"hoodman-hd-300-camcorder-25-3-hood","title":"Hoodman HD-300 Camcorder 2.5-3\" Hood","description":"\u003cp\u003eThe black Hoodman HD-300VIDEO Camcorder Hood is made to fit a camcorder with a 2.5\" 16 x 9 LCD monitor screen. It may also work with some 3\" LCD screens as well. The hood will provide glare free viewing when attached. It is constructed from plastic inserts wrapped in water resistant nylon and attaches with elastic straps.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e    Camcorder hood made of plastic inserts wrapped in water resistant nylon\u003c\/li\u003e\n\n\t\u003cli\u003e    Keeps glare from affecting your eye when using the LCD monitor\u003c\/li\u003e\n\n\t\u003cli\u003e    Hood folds for quick and easy storage\u003c\/li\u003e\n\n\t\u003cli\u003e    Elastic straps are used to mount hood to camera\u003c\/li\u003e\n\n\t\u003cli\u003e    Compatible with camcorder with a 2.5\" 16 x 9 LCD monitor\u003c\/li\u003e\n\n\t\u003cli\u003e    Hood may also work with some 3\" LCD monitors\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003e\u003cbr\u003e\n\n \u003c\/p\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123359138020,"sku":"HOO-HD300","price":21.63,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/HD300.jpg?v=1764760702"},{"product_id":"hoodman-camcorder-35-hidef-lcd-hood","title":"Hoodman Camcorder 3.5\" HiDef LCD Hood","description":"\u003cp\u003eFits 3.5\" Hi Def LCD screens.\u003c\/p\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123359203556,"sku":"HOO-HD350","price":22.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/HD350.jpg?v=1764760703"},{"product_id":"hoodman-hd450-video-hi-def-16x9-lcd-hood","title":"Hoodman HD450 VIDEO HI DEF 16X9 LCD Hood","description":"\u003cp\u003eFits 4\" HD Widescreen\u003cbr\u003e\n\nCanon XF Camcorder Series: XF305, XF300, XF105 \u0026amp; XF100\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"360\" src=\"\/\/www.youtube.com\/embed\/oqQ1SNZvBIc?feature=player_embedded\" width=\"640\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123359236324,"sku":"HOO-HD450","price":22.08,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/HD450.jpg?v=1764760705"},{"product_id":"hoodman-belt-for-3dr-mount","title":"Hoodman Belt for 3DR Mount","description":"\u003cp\u003eThe Drone Controller Support Belt from Hoodman provides a hands-free way to carry your drone's transmitter (radio controller). It features a custom mounting interface that is compatible with 3DR controllers.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdl\u003e\n\n\t\t\u003cdd\u003eRelieves fatigue in hands, fingers, neck, and back\u003c\/dd\u003e\n\n\t\u003c\/dl\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdl\u003e\n\n\t\t\u003cdd\u003eBelt distributes weight to torso muscle groups\u003c\/dd\u003e\n\n\t\u003c\/dl\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdl\u003e\n\n\t\t\u003cdd\u003eQuick release mounting plate\u003c\/dd\u003e\n\n\t\u003c\/dl\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdl\u003e\n\n\t\t\u003cdd\u003eCustom mounting bracket\u003c\/dd\u003e\n\n\t\u003c\/dl\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdl\u003e\n\n\t\t\u003cdd\u003eVertical and tilt adjustments\u003c\/dd\u003e\n\n\t\u003c\/dl\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdl\u003e\n\n\t\t\u003cdd\u003eAccommodates 28 to 56\" waist sizes\u003c\/dd\u003e\n\n\t\u003c\/dl\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123359269092,"sku":"HOO-HDB3DR","price":169.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/HDB3DR.jpg?v=1764760707"},{"product_id":"hoodman-drone-controller-support-belt-with-dji-mount-kit","title":"Hoodman Drone Controller Support Belt with DJI Mount Kit","description":"\u003cp\u003eThe Drone Controller Support Belt from Hoodman provides a hands-free way to carry your drone's transmitter (radio controller). It features a custom mounting interface that is compatible with DJI controllers.#\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eRelieves fatigue in hands, fingers, neck, and back\u003c\/li\u003e\n\n\t\u003cli\u003eBelt distributes weight to torso muscle groups\u003c\/li\u003e\n\n\t\u003cli\u003eQuick release mounting plate\u003c\/li\u003e\n\n\t\u003cli\u003eCustom mounting bracket\u003c\/li\u003e\n\n\t\u003cli\u003eVertical and tilt adjustments\u003c\/li\u003e\n\n\t\u003cli\u003eAccommodates 28 to 56\" waist sizes\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123359334628,"sku":"HOO-HDBDJI","price":169.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/HDBDJI.jpg?v=1764760708"},{"product_id":"hoodman-h-eyec18-for-most-canon-slr-models","title":"Hoodman H-EYEC18 for most Canon SLR Models","description":"\u003cp\u003eEasily upgrade your camera's eyepiece\u003cbr\u003e\n\nFive models fit all Canon and Nikon digital SLR cameras\u003cbr\u003e\n\nComfortably seals out ambient light\u003cbr\u003e\n\nSelf Locking mount keeps eyecup in place\u003cbr\u003e\n\nSlides over eyepiece mounting rails\u003cbr\u003e\n\nEyecup rotates to accommodate right or left eyed shooters\u003cbr\u003e\n\nHypoallergenic silicon rubber eyecup\u003c\/p\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123359400164,"sku":"HOO-H-EYEC18","price":19.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/H-EYEC18.jpg?v=1764760709"},{"product_id":"hoodman-glasses-model-hoodeye-eyecup-for-most-canon-slr-models","title":"Hoodman Glasses model Hoodeye Eyecup for Most Canon SLR Models\"","description":"\u003cp\u003eNew oversized eyecup, designed specifically for use with glasses.\u003cbr\u003e\n\nComfortably seals out ambient light\u003cbr\u003e\n\nSelf Locking mount keeps eyecup in place\u003cbr\u003e\n\nSlides over eyepiece mounting rails\u003cbr\u003e\n\nEyecup rotates to accommodate right or left eyed shooters\u003cbr\u003e\n\nHypoallergenic silicon rubber eyecup\u003c\/p\u003e","brand":"Hoodman","offers":[{"title":"Default Title","offer_id":47123359498468,"sku":"HOO-HEYEC18G","price":19.16,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/H-EYEC18G.jpg?v=1764760711"}],"url":"https:\/\/progear-website.myshopify.com\/collections\/monitors-evfs.oembed?page=2","provider":"Progear-website","version":"1.0","type":"link"}