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Above the center trackball are keys for switching between log and offset color correction, as well as a key to display DaVinci Resolve’s full screen viewer, which is great for use with laptops. Eighteen dedicated keys on the right side also give you access to the most commonly used grading features and playback controls. DaVinci Resolve Micro Panel is perfect for independent editors and colorists that need a truly portable solution, great on set to create looks and evaluate color and lighting, ideal for quickly grading video in broadcast trucks, great for education and much more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePrimary Correction Creative Controls\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eTo take your color grading to the next creative level, the DaVinci Resolve Mini and Micro panels include 12 dedicated primary color correction control knobs. These are designed to make it easy for you to stylize the look of your images and generate precise “film looks.” All knobs can be pressed to instantly reset the control. That’s perfect for when you are trying an exciting new style but get a bit lost. Simply press the knobs to reset.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLift\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAdjust the contrast of the image in the darker areas, specifically in the Y (luminance) channel only. This adjustment is great for a changing the black point without changing saturation.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eY Gamma\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAdjust the contrast of the image in the mid-tone areas, specifically in the Y (luminance) channel only. This control helps add depth to shots, along with extra vibrancy.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eY Gain\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAdjust the contrast of the image in the brighter areas, specifically in the Y (luminance) channel only. You can reduce hot shots or pull the whites to make the shot look more angelic.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eContrast\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIncrease contrast to make the blacks darker and the whites brighter, or decrease contrast to do the opposite. Use this to improve the dynamic range and make shots pop.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePivot\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eChanges the center of tonality about which dark and bright parts of the image are stretched or narrowed during a contrast adjustment.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eMid-tone Detail\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIncreases the contrast of regions of the image with high edge detail to increase or decrease the perception of image sharpness and definition or when lowered regions of the image with low amounts of detail are softened while areas of high detail are left untouched. Great for softening facial features and popular for beauty shots.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eColour Boost\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNaturally raise the saturation in regions of the image with low saturation while leaving properly saturated areas alone. Sometimes referred to as a vibrance operation, this is great for adding color without over saturating the image.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eShadows\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eSelectively lighten or darken shadow detail. Raising this value retrieves shadow detail while leaving the mid-tones untouched.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHighlights\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEasily retrieve blown out highlight detail in high dynamic range media by lowering this parameter to achieve a smooth blend between the retrieved highlights and the unadjusted mid tones for a natural result.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eSaturation\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIncreases or decreases overall image saturation. At higher values, colors appear more intense, while at lower values color intensity diminishes and can be adjusted until all color is gone, leaving a grayscale image.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHue\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eRotates all hues of the image around the full perimeter of the color wheel. The default setting is 50, which retains the original unaffected distribution of hues.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLuminance Mix\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eControl the balance between the YRGB adjustments and Y only adjustments made using the Y channel lift, gamma and gain controls in the primaries palette or the un-ganged luma curve.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eProfessional Trackballs\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eTrackballs provide RGB balance adjustments for lift, gamma and gain, each with a master level control. The Advanced panel also features a dedicated RGB offset and master gain trackball to adjust the tint and brightness of the entire image. The trackballs can be set to work in either log or RGB with the touch of a button.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIlluminated Keys\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe buttons and keys on the DaVinci Resolve control panels illuminate when selected so you can easily see which controls are active. On the Advanced and Mini panels, the keys are also backlit, making it easy to clearly see each button in a dimly lit suite.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eQuickly Change Tools\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe DaVinci Resolve Advanced and Mini panels include dedicated feature buttons that let you quickly change tools so you don’t have to switch back and forth between the mouse and panel. With the push of a button you can easily access tools such as the RAW palette, primary color correctors, curves, qualifiers, windows, tracker and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eStill Store Reference Management\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eColorists constantly grab and play stills to compare grades using the gallery. The DaVinci Resolve Advanced, Mini and Micro panels have dedicated keys to quickly save and recall stills. On the DaVinci Resolve Advanced Panel you can also use the fader T-bar to wipe between saved stills and your grading timeline.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eTransport Controls\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe play forward, reverse and stop transport keys on all the panels give you full control of your project timeline or deck while the Advanced panel adds a jog\/shuttle knob for faster and more precise scrubbing.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFlexible Power Options\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe DaVinci Resolve Micro Panel is fully powered via USB so you can simply plug and play to get up and running. Power over USB means you can use it with a laptop and it will operate from the laptop’s battery, making it ideal for on set grading. The DaVinci Resolve Mini Panel also includes ethernet so it can operate via your network, making it fantastic for larger facilities. 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It also has Bluetooth with internal battery for connecting wirelessly, or you can connect via USB-C. That means it's more portable than a full sized keyboard!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eSearch Dial Control\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe DaVinci Resolve keyboards allow a better quality editing experience because they create a physical connection to the edit that’s deeper than a simple computer mouse. The search dial is a machined metal design so it has a weighted feel and it can be spun fast to move up and down the timeline quickly. However the search dial is more than this because it can be used for live trimming! Simply press one of the trim buttons and the search dial will transform into a large adjustment knob for real time, precise trimming. Once you've experienced trimming with the search dial, it's virtually impossible to go back to a mouse.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eTransport Control\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eHardware control panels are perfect for fast playback control. Instantly start and stop playback using the \"space bar\" style button that's positioned so it can be pressed with your thumb. The shuttle, jog and scroll buttons change the function of the search dial, so you can edit fast and accurately.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eSource Tape for Scrolling Clips\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eTraditional edit software uses thousands of clips to organize your media, so you need to constantly click and drag clips to edit. That’s too slow for work such as TVCs, news, promos and training videos. However old tape based linear editing had the advantage of all media being played from a videotape, so you could simply fast forward and rewind to see all your shots. Now the cut page has a modern version of the videotape and it’s called the \"source tape\". Simply push the source button and use the search dial to scroll through all your media. Plus, the current clip is highlighted live in the bin. After the edit the viewer will stay in the source tape so you can move to the next shot faster.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFast In and Out Points\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEntering in and out points is the most used function in editing, so the speed editor keyboard includes large in and out point buttons that you can easily locate by feel. That’s perfect for two handed editing where you're using your right hand for transport control and your left hand is placing in and out points and performing edits. You can simply scroll along with the search dial and place in and out points anywhere you want. Once the in and out points are set, just reach your fingers up to the edit function buttons to perform the edit. The in and out points can also be used to focus the source tape. Then you can change the source tape back to the whole bin by pressing the escape key.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIntelligent Keyboard Edit Modes\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEditing with a keyboard is different to editing with a mouse, so the cut page editing functions have been upgraded to take advantage of the speed of a keyboard. The edit functions are intelligent and use the \"smart indicator\" in the timeline to work out where to insert, so most of the time you don't need to place in or out points in the timeline to do an edit. They are located just above the in and out keys, so are easy to locate by feel. Plus each time you edit, the cut page won't waste time switching over to the timeline, allowing you to stay in the source tape and visually browse, placing clips continuously. That's much faster as you can just keep throwing clips into the timeline.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eSmart Insert\u003c\/strong\u003e - Smart insert is similar to the traditional insert edit function, however it’s smarter as it eliminates the need to switch to the timeline and place an in point. All you need to do is select smart insert and it will locate the nearest edit in the timeline and insert the clip in that location.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eAppend To End\u003c\/strong\u003e - Append to end is fantastic for building edits fast. Simply select an in and out point on the clip and then append to end will add the clip to the end of the timeline. Append to end is fantastic when adding shots to an edit from content that’s been shot in time order.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eRipple Overwrite\u003c\/strong\u003e - Ripple overwrite is a popular edit function and it lets you replace shots extremely quickly. When applied, it will replace the clip in the timeline with the selected clip and if the clip is a different length, it will adjust the space to accommodate the new clip and ripple the timeline duration.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eClose Up\u003c\/strong\u003e - Close up is best for creating two camera angles from the one camera. Simply shoot your subject with a wide or mid shot, and then when close up is applied, it will create a slightly zoomed in version of the same camera shot and place it on top of the timeline.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003ePlace On Top\u003c\/strong\u003e - Place on top is similar to traditional edit functions and this edit mode will place the clip on top of the background layer that’s already in the timeline. If the timeline doesn't have a layer above the background layer, it will add a new timeline track and then place the clip on top.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eSource Overwrite\u003c\/strong\u003e - When shooting with multiple cameras and sync timecode, source overwrite lets you browse shots and add cutaways to your timeline. It automatically matches the clip timecode to the timecode of the timeline and places the clip in sync on the layer above. It's a simpler alternative to multi‑cam.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eSearch Dial Live Trimming\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith a large high quality search dial built into the panel, you get an extremely accurate way to trim shots. With the search dial being such a physically large control, it completely transforms how it feels to trim shots. Plus it’s much faster too. The trim buttons will change the search dial into a trim control and you simply hold the trim buttons and rotate the search dial. This means you can select various trim modes with your left hand while adjusting the trim with your right. It's extremely fast and the smart indicator in the timeline will let you know which edit you're trimming. Just move along the timeline and live trim edits. It’s a whole new way to work.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eTrim In\u003c\/strong\u003e - Trim in will adjust the in point of the clip to the right of the transition highlighted in the timeline via the smart indicator. However adjusting trim in on a single clip will reposition the in point on the clip. All adjustments will ripple the timeline duration.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eTrim Out\u003c\/strong\u003e - Trim out will adjust the out point of the clip to the left of the transition highlighted in the timeline via the smart indicator. However adjusting trim out on a single clip will reposition the out point on the clip. All adjustments will ripple the timeline duration.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eRoll\u003c\/strong\u003e - Roll is the same function as clicking the transition point to adjust it with the mouse, however it's frame accurate because it uses the search dial. It works by rolling the transition point up and down. Double pressing will change its function to slide. Plus it doesn't affect the timeline duration.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eSlip Source\u003c\/strong\u003e - Slip source affects the clip to the left of the edit and it will slide the shot up and down within the current clip’s in and out point positions in the timeline. Because slip source moves the clip within the same duration, it won't affect the overall timeline duration.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eSlip Destination\u003c\/strong\u003e - Slip destination affects the clip to the right of the edit and it will slide the shot up and down within the current clip’s in and out point positions in the timeline. Because slip destination moves the clip within the same duration, it won't affect the overall timeline duration.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eTransition Duration\u003c\/strong\u003e - One of the most popular trim controls, transition duration will adjust the duration of an effect on the edit point. When selected, adjusting the search dial will live adjust the duration of the transition. Double pressing the transition duration button will set default transition duration.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eThe Faster Way to Add and Remove Effects\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEditing software can be slow at adding transitions to edits because you have to click and drag effects down into the timeline. However, with the DaVinci Resolve Speed Editor, you can just press a button to switch them on and off. It’s really fast as you can scroll down the timeline adding or removing effects. The smart indicator in the timeline will let you know which edit point will be affected, and you can move the timeline to move the edit point in focus. The cut key will remove any effect on an edit point in the timeline. Pressing dissolve adds a dissolve to the edit point using the default duration. Pressing the smooth cut button adds a smooth cut so you can eliminate jump cuts.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFunction Keys\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe DaVinci Resolve Speed Editor eliminates the large QWERTY keyboard for a smaller more portable design, so the function button area includes only the controls you need for editing. Some of the enhanced function keys on the DaVinci Resolve Speed Editor are not even available on the full sized editor keyboard. Plus, some keys have an alternative function where you can press and hold or double press to get a second function using the same key. That means you need less keys for a more portable design, but it still retains a lot of editing power. The keys are in a separate group so you can find the key you need by feel and operate faster than a regular keyboard.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eEscape and Undo\u003c\/strong\u003e - The escape key is positioned to the top left so it's easy to locate, as it’s the most common key for reversing some functions. A good example is the sync bin and if you select a camera, you can go back to the multiview by selecting this escape key. Plus, if you double press it, it works as undo.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eSync Bin\u003c\/strong\u003e - The sync bin is a new style of multi-cam and it allows you to find shots that are sync'd to the current shot in the timeline. That lets you find cutaways using a familiar multiview interface. Then use the camera keys to select an alternative shot, and source overwrite to edit it into the timeline.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eAudio Level and Markers\u003c\/strong\u003e - The audio level key lets you quickly set audio levels of clips by holding the key and adjusting the level using the search dial. That's a fast way to set audio levels while editing. Double pressing the key lets you add a marker, and double pressing and holding allows you to set the marker colour.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eFull Screen Viewer\u003c\/strong\u003e - The full screen button is highlighted red so you can find it quickly and switch to a full screen view of your viewer. That’s great for presenting your edit to clients. Plus if you double press the full view button, it will go into full screen view and play from just before your most recent edit.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eAdd Transition\u003c\/strong\u003e - The transition button is similar to the cut and smooth cut buttons, however it will add a custom transition of your choice from a pallet of all the available DaVinci Resolve transitions. If you press and hold the transition button you'll see the pallet appear allowing selection of the one you want.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eSplit and Move\u003c\/strong\u003e - The split button will instantly cut the clip in the timeline at the current playback point. If you're positioned on a split in a clip, then pressing the split button will remove the split. If you press and hold, you can use the search dial to move the current clip up and down the timeline.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eSnap and Viewer Size\u003c\/strong\u003e - Pressing snap will turn on snapping in the timeline. Snapping on the speed editor is different, as it’s not magnetic so it’s more subtle. It works by momentarily pausing jog at the edit points so it's nicer to use. Or if you press and hold, the search dial will let you adjust the viewer size.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eRipple Delete\u003c\/strong\u003e - Ripple delete removes the current clip at the playback point then ripples the timeline to fill the space left by the deleted clip. This eliminates any blank spaces in the timeline. You can use it with split to remove parts of shots you don't want. Plus, it will also reduce your timeline duration.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eSync Bin Multi Camera Selection\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe camera number section lets you select the cameras when using the cut page sync bin. Plus, if you press a camera number while turning the search dial, the selected camera will be applied to the timeline in real time as you jog forward. This feature is called live override and on the speed editor panel you can do it momentarily by holding the camera button, or you can latch it on using the live override button. When live override is latched on, the buttons light up and you can select cameras just like a production switcher. You will see a multiview and you can just cut from camera to camera. Plus, this section even has the video only and audio only buttons for greater editing control.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBoth Bluetooth and USB Control\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe DaVinci Resolve Speed Editor model includes built in Bluetooth so you can use the keyboard without messy wires, and you can even use it in conjunction with your regular computer keyboard. That’s perfect for using it with a laptop. You can also use the keyboard via USB if required and the USB connection will also charge the internal battery. 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DaVinci is also the world’s fastest growing and most advanced editing software.\u003c\/p\u003e\n\n\n\n\u003cp\u003eNow, with DaVinci Resolve 14, you get incredible new Fairlight audio tools specifically designed for film and television post production. It’s like getting 3 high end applications in one. All it takes is a single click to switch between editing, colour correcting, audio mastering and delivery. Best of all, if you’re collaborating on a team, you can all work on the same project at the same time. DaVinci Resolve 14 is a revolution in post production. Download it for free and try it today.\u003c\/p\u003e\n\n\n\n\u003cp\u003eDaVinci Resolve 14 has hundreds of new features for editors, colourists and now, for the first time, audio professionals. The new playback engine dramatically increases responsiveness with up to 10x better performance for editors.\u003c\/p\u003e\n\n\n\n\u003cp\u003eYou also get a whole new page with the full Fairlight audio post production tools that let you record, edit, mix, sweeten and master sound with full 3D audio space and up to 1000 channels. Colourists will find amazing new filters that include automatic facial recognition and tracking for quickly smoothing skin tones, brightening eyes, changing lip colour and more.\u003c\/p\u003e\n\n\n\n\u003cp\u003ePlus, DaVinci Resolve 14 features revolutionary new multi user collaboration tools such as bin locking, chat and timeline merging that allow editors, colourists, and sound editors to all work on the same project at the same time. All these new features make DaVinci Resolve 14 is the world’s most advanced post production software.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eDaVinci Resolve Studio\u003c\/strong\u003e\u003c\/p\u003e\n\n\n\n\u003cp\u003eUpgrade to DaVinci Resolve Studio for even more creative tools and options.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe free version of DaVinci Resolve has all of the professional editing, legendary colour correction and Fairlight audio tools you need for SD, HD and Ultra HD work at up to 60 frames per second. DaVinci Resolve Studio adds support for 4K and higher, along with frame rates up to 120 fps. It also includes dozens of additional image processing features and filters that are not in the free version. This includes film grain, temporal and spatial noise reduction, amazing new face enhancement tools, lens flares, lens distortion correction, optical quality blur and mist effects, match move, warping and much more.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eNew High Performance Playback Engine\u003c\/strong\u003e\u003c\/p\u003e\n\n\n\n\u003cp\u003eFly through edits and colour correction with up to 10x the performance.\u003c\/p\u003e\n\n\n\n\u003cp\u003eDaVinci Resolve 14 features an incredible new video playback engine with CPU and GPU optimizations, fast 16-bit float playback, lower latency, faster UI refresh, support for Apple Metal, and more. These upgrades combine to make DaVinci Resolve faster and far more responsive than ever. Working on long timelines with thousands of clips is incredibly fluid and editing is even more precise. Scrubbing and playback are instant, often starting before you lift your fingers off the keyboard. Powerful acceleration for processor intensive formats, like H.264, makes it possible to edit 4K material on a laptop in realtime. Whether you’re working in HD or 4K, with ProRes, H.264 or even RAW images, DaVinci Resolve 14 is completely responsive and fast enough to keep up with your every move.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eLegendary DaVinci Quality\u003c\/strong\u003e\u003c\/p\u003e\n\n\n\n\u003cp\u003eUnique YRGB 32-bit float image processing\u003c\/p\u003e\n\n\n\n\u003cp\u003eDaVinci Resolve’s Emmy award-winning image processing technology features deep 32-bit float processing combined with unique, patented YRGB colour science that processes luminance independent of colour. This allows you to adjust the luminance of video without rebalancing the colour of your highlights, midtones, or shadows. The massive internal colour space is perfect for the latest HDR and wide colour gamut workflows, and lets you generate looks that are simply impossible to create on other systems.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eHardware Control Panels\u003c\/strong\u003e\u003c\/p\u003e\n\n\n\n\u003cp\u003eWork faster, be more creative and get absolute control.\u003c\/p\u003e\n\n\n\n\u003cp\u003eWhen you have a client looking over your shoulder you need to work fast. DaVinci Resolve control panels are designed to give you fluid, hands-on control over multiple parameters at the same time, allowing you to create looks that are simply impossible with a standard mouse. All controls are logically placed near your natural hand positions and are made out of the highest quality materials. You get smooth, high resolution weighted trackballs, along with precision engineered knobs and dials that feature the perfect amount of resistance so you can accurately adjust any setting. DaVinci Resolve control panels let you instinctively touch every part of the image.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eFairlight Professional Consoles\u003c\/strong\u003e\u003c\/p\u003e\n\n\n\n\u003cp\u003eModular and upgradable desktop or free standing consoles.\u003c\/p\u003e\n\n\n\n\u003cp\u003eFairlight mixing consoles provide high quality tactile controls for nearly every parameter and feature in the software. Unique user interfaces and fast to use buttons and controls allow quick mapping of the console keys into a configuration that is optimized for the task at hand, allowing you to work faster with Fairlight audio than any other tool in the world. Desktop and free standing consoles are available in a variety of configurations to meet the needs of your facility.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eMac, Windows and Linux\u003c\/strong\u003e\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe only post production solution that runs on all popular platforms.\u003c\/p\u003e\n\n\n\n\u003cp\u003eDaVinci Resolve runs on all major platforms so you can use it at home or in a post facility on a Mac, at a broadcast facility running Windows, or a VFX studio on Linux. This gives you the freedom to use the platform of your choice, making it easy to integrate with your existing systems and workflows. If you’re running Red Hat or CentOS Linux, you can even build your own workstation using low cost motherboards, extremely fast processors, massive amounts of RAM and up to 8 GPUs. Imagine building your own super computer for incredible real time performance.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eOpen and Compatible\u003c\/strong\u003e\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe world’s most compatible post production solution.\u003c\/p\u003e\n\n\n\n\u003cp\u003eWith all of the different workflows and systems out there, you need a post production solution that’s compatible and open enough to handle anything. DaVinci Resolve has been designed to work with all major file formats, media types, and post production software. You can use XML, EDLs, or AAF to move projects between DaVinci Resolve, Final Cut Pro, Avid Media Composer, and Premiere Pro. Deep integration with Fusion makes it easy to send shots out for VFX work, or you can roundtrip with software such as After Effects. For audio, projects can easily be moved between DaVinci Resolve and ProTools. 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DaVinci Resolve lets you work faster and at a higher quality because you don’t have to learn multiple apps or switch software for different tasks. That means you can work with camera original quality images throughout the entire process. It’s like having your own post production studio in a single app! Best of all, by learning DaVinci Resolve, you’re learning how to use the exact same tools used by Hollywood professionals!\u003cbr\u003e\n\n\u003cbr\u003e\n\nHollywood's #1 Post Solution\u003c\/p\u003e\n\n\n\n\u003cp\u003eHigh end professionals working on feature films and television shows use DaVinci Resolve more than any other solution! That’s because it’s known for incredible quality and creative tools that are light years beyond the competition. You get DaVinci’s Emmy™ award winning image technology with 32‑bit float processing, patented YRGB colour science and a massive wide gamut colour space for the latest HDR workflows. You also get the legendary quality of Fairlight audio processing for the best sound in the industry! With DaVinci Resolve, you get the same exact tools professional colourists, editors, VFX artists and sound engineers use every day to finish your favorite films and streaming television shows!\u003cbr\u003e\n\n\u003cbr\u003e\n\nWhat's New in DaVinci Resolve 17\u003c\/p\u003e\n\n\n\n\u003cp\u003eDaVinci Resolve 17 features new image processing for the latest wide gamut HDR, a powerful audio engine, immersive 3D audio workflows and more! Colourists get new HDR grading tools, AI based magic mask and more. Fairlight upgrades mouse and keyboard based edit selection tools along with Fairlight audio core, a high performance audio engine that supports 2,000 tracks on a single system! Editors get a new metadata based \"slate\" view with bin dividers to organise and find footage faster, zoomed waveforms for audio editing, smart reframing, proxies, live effect previews and more. In addition, effects, titles or transitions created on the Fusion page can be used on the edit and cut pages!\u003cbr\u003e\n\n\u003cbr\u003e\n\nAll In One Solution for Post Production\u003c\/p\u003e\n\n\n\n\u003cp\u003eDaVinci Resolve is divided into \"pages,\" each of which gives you a dedicated workspace and tools for a specific task. Editing is done on the cut and edit pages, visual effects and motion graphics on the Fusion page, colour correction on the colour page, audio on the Fairlight page, and media organisation and output on the media and deliver pages. All it takes is a single click to switch between tasks!\u003cbr\u003e\n\n\u003cbr\u003e\n\nEdit\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe world's fastest and most advanced professional NLE.\u003cbr\u003e\n\nThe edit page is the world’s most advanced professional non-linear editor. The familiar track layout, dual monitor design and traditional workflow makes it easy for new users to learn while still being powerful enough for professional editors. It’s perfect for larger projects such as feature films, television shows, streaming, commercials, documentaries and more. The edit page features drag and drop editing, context sensitive automatic trimming tools, fully customisable keyboard shortcuts so you can work faster, and a library full of hundreds of titles, transitions, and effects that you can add and animate. You also get complete media management, organisation and timeline management tools.\u003cbr\u003e\n\n\u003cbr\u003e\n\nCut\u003c\/p\u003e\n\n\n\n\u003cp\u003eDesigned for editors to turn around work fast!\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe cut page is perfect for projects with tight deadlines that you have to turn around quickly. It’s also great for documentary work. The cut page has a streamlined interface that’s fast to learn for new users and designed for speed. Features such as source tape, dual timelines, fast review, and smart editing tools help you work faster than ever. The sync bin and source overwrite tools are the fastest way to edit multicam programs, making it easy to create perfectly synchronised cut aways! Everything on the cut page is action based so every click does something. That means you’ll spend more time editing and less time hunting for commands. Plus, the scalable interface is great for portable editing!\u003c\/p\u003e\n\n\n\n\u003cp\u003eDaVinci Resolve 17 makes the cut page even smarter with great new features designed to help you finish quick turn around projects even faster! The new metadata slate view with bin dividers is a revolutionary new way to visually view, sort and find shots quickly. Audio trim mode displays larger waveforms for more precise trimming. Smart reframing automatically re-frames images so you can export projects in vertical, square, or other aspect ratios without having to manually reposition every shot. New icon view in the library lets you preview effects, transitions and titles. You can import and edit projects from ATEM Mini Pro ISO, there’s a new clip inspector, fast timeline switching and more!\u003cbr\u003e\n\n\u003cbr\u003e\n\nColour\u003c\/p\u003e\n\n\n\n\u003cp\u003eHollywood’s favorite colour corrector!\u003cbr\u003e\n\nThe DaVinci Resolve colour page is Hollywood’s most advanced colour corrector and has been used to colour and finish more high end feature films and television shows than any other system! It’s also approachable with exciting new features designed to make it easier for new users to get great results while they continue to learn the advanced tools. For example, new primary control sliders will be familiar to anyone that’s used image editing software, making it easy to adjust contrast, temperature, midtone detail, saturation and more. The colour page has an incredible range of primary and secondary colour grading features including PowerWindows™, qualifiers, tracking, advanced HDR grading tools and more!\u003c\/p\u003e\n\n\n\n\u003cp\u003eDaVinci Resolve 17 features incredible new creative tools for colourists! The new HDR palette lets you create custom colour wheels for targeted corrections, primary controls have a new design that makes them easier to use, magic mask uses the DaVinci Neural Engine to automatically isolate and track objects, and the new mesh and grid based colour warper lets you push and morph colours in creative new ways! Power Window drawing has been improved, there are new split screen wipe options, an additional Sat vs Lum curve, improved scopes, support for 17 point 3D LUTs and more. 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Fusion has everything from point, planar and 3D camera tracking to rotoscope and keying tool for creating photorealistic composites, stunning animated titles, 3D particle systems and more!\u003cbr\u003e\n\n\u003cbr\u003e\n\nResolve FX\u003c\/p\u003e\n\n\n\n\u003cp\u003eDaVinci Resolve Studio 17 features over 100 GPU and CPU accelerated Resolve FX in categories such as blurs, light effects, noise, image restoration, beauty enhancement, stylize and more! Version 17 adds 11 new plugins for texture pop, detail recovery, creating video collages, 3D keyer, HSL keyer, luma keyer, smear, motion trails, noise reduction, image transforms and false colour. The video collage plug-in is perfect for picture in picture zoom style videos, virtual choirs and more! There are also improvements to the object removal, dead pixel fixer, dust buster, blur and film grain plug‑ins. 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The automatic spill adjusting function allows you to eliminate the reflective background color from the foreground object easily.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePreview Output for the Mirroring\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe DVK-400 provides preview output for the mirroring for the subject to see the real-time composite picture to prevent the frame-out from happening. 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The talent can naturally move in front of the animation or behind the virtual objects, presenting the perspective effect like real.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHoldout Mask\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eUser can easily specify area of the image that wouldn't be keyed. Such as the green color on the TV screen.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eSimple UI Design and Easy to Use\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEasy to use the DVK-400 control app works on Windows computers. Connecting the DVK- 400 goes with a regular network connection and then you can set the chromakey related parameters and recall the pre-saved chromakey parameter file by connecting the DVK-400 to the Notebook PC through the IP connection.\u003c\/div\u003e","brand":"Datavideo","offers":[{"title":"Default Title","offer_id":47123186974948,"sku":"DATA-DVK400","price":1819.8,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/DATA-DVK400.jpg?v=1764757531"},{"product_id":"inogeni-u-bridge-usb-20-extender","title":"Inogeni U-BRIDGE - USB 2.0 Extender","description":"\u003cdiv\u003e\u003cstrong\u003eAvailable: September 2023\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe U-BRIDGE offers versatility and reliability for USB 2.0 extensions of up to 100 m. (330 feet). The U-BRIDGE enables users to extend beyond the standard 5 m cable limit for USB peripheral devices.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePlug \u0026amp; Go\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eINOGENI has developed advanced testing to ensure reliability and avoid any interoperability issues for the USB 2.0 extension. The U-BRIDGE will connect a USB 2.0 cameras anddevice or an INOGENI device to any PC or videoconferencing system like Microsoft Teams Rooms (MTR), Zoom Rooms, CODECs or Room PC from videoconferencing Host like Lenovo, Poly, Crestron, Cisco, Logitech, Q-SYS and Barco.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompatible with all cameras and devices (microphones, etc.)\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe U-BRIDGE is fully compatible with all USB cameras, including professional-caliber equipment, such as Huddly, HuddleCamHD, AVer, Jabra, Logitech, Marshall cameras, and web cameras.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eExtend USB 2.0\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eUp to 100 m\/330 ft. over a single CAT 5e\/6\/7 cable.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eCAMERA TO PC HOST\u003c\/li\u003e\n\n\t\u003cli\u003eINOGENI DEVICE TO PC HOST\u003c\/li\u003e\n\n\t\u003cli\u003eHDMI CAMERA with INOGENI DEVICES\u003c\/li\u003e\n\n\t\u003cli\u003eANY STANDARD USB 2.0 DEVICES\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eExtend USB 2.0 Camera to PC Host\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe U-BRIDGE is fully compatible with all USB cameras, including professional-caliber equipment, such as Huddly, HuddleCamHD, AVer, Jabra, Logitech, Marshall cameras, and web cameras.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cstrong\u003eExtend USB camera, microphone or any USB 2.0 devices up to 100m \/330 ft. over a single CAT 5e\/6\/7 cable.\u003c\/strong\u003e\u003cbr\u003e\n\nThe U-BRIDGE USB 2.0 Extender provides plug-and-play convenience, eliminating the need for complex software installations. It effortlessly connects USB devices to the videoconferencing system, ensuring a seamless setup process.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eExtend USB 2.0 Inogeni Device to PC Host\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe U-BRIDGE will connect an USB 2.0 Cameras, devices or INOGENI device to any PC or videoconferencing system like Microsoft Teams Rooms (MTR), Zoom Rooms, CODECs or Room PC from videoconference system like Lenovo, Poly, Crestron, Cisco, Logitech, Q-SYS and Barco.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eExtend BYOM to the laptop with the TOGGLE and the U-BRIDGE\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eKeep all cameras, microphones, INOGENI devices and systems connected on the TOGGLE around the TV wall side and use the U-BRIDGE to extend your USB 2.0 connection to the Laptop.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eExtend USB 2.0 with any HDMI CAMERA with INOGENI’s mixers, switchers and converters\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eUse an INOGENI converter to extend your HDMI Camera with the U-BRIDGE. By connecting your HDMI camera to any INOGENI’ Mixers or converters (HDMI to USB converter), you can effortlessly transmit high-quality video signals in MJPEG format, along with audio, to your computer or PC-based video conferencing setup in any room and this up to 100 m\/330 ft. long.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eUse an HDMI camera and convert it to USB before the U-BRIDGE with an INOGENI converter:\u003cbr\u003e\n\nSHARE2U, SHARE2, CAM300, CAM230, 4KXUSB3, 4K2USB3 and HD2USB3\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eEXTEND ANY USB 2.0 standard device to connect INOGENI switchers, mixers and converters\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e(INOGENI USB INPUT: SHARE2U, CAM300, CAM230, U-CAM and the TOGGLE)\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe signal will be converted into a USB 2.0 MJPEG high-quality video with audio.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThis innovative device is particularly well-suited for a wide range of applications, including whiteboard cameras like the Huddly Canvas or the Logitech Scribe, microphones, audio devices, and various other USB devices, such as hard drives, flash drives, and keyboards. Its versatility makes it a perfect choice for industrial control systems, interactive whiteboard setups, and sensor\/data acquisition tasks. Moreover, the U-BRIDGE provides seamless keyboard and mouse extensions, allowing users to operate their systems from a distance. Additionally, it supports webcam extensions, enabling enhanced videoconferencing and communication capabilities. With the U-BRIDGE, you can effortlessly extend USB 2.0 connectivity and enjoy reliable and efficient performance across various domains.\u003c\/div\u003e","brand":"Inogeni","offers":[{"title":"Default Title","offer_id":47123382075620,"sku":"INO-U-BRIDGE","price":324.44,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/INO-U-BRIDGE_5551f2e3-9e19-4e40-990d-c0e019c70fc8.jpg?v=1764761211"}],"url":"https:\/\/progear-website.myshopify.com\/collections\/editing-grading.oembed","provider":"Progear-website","version":"1.0","type":"link"}