{"title":"Digital Cinema Cameras","description":"","products":[{"product_id":"blackmagic-design-ursa-cine-12k-lf-body","title":"Blackmagic Design URSA Cine 12K LF - Body","description":"\u003cdiv\u003e\u003cstrong\u003eIntroducing the World’s Most Advanced Digital Film Camera\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic URSA Cine is a revolutionary digital film camera that introduces new advanced digital film technology combined with total integration into the post-production workflow. That means it's the first digital film camera with fast high capability storage built in, plus high-speed networking for on set media sync. Blackmagic URSA Cine also introduces a new large format RGBW 36 x 24mm image sensor with larger photo sites for incredible dynamic range. You can also swap between PL, LPL, EF and Hasselblad lens mounts. There's even WiFi with SRT streaming for remote client viewing. Plus the industry standard Lemo and Fischer connections make it perfect for high-end cinema production.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eCinematic Large Format Sensor\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 12K! The larger sensor builds on the technology of URSA Mini Pro 12K with larger photo-sites leading to an astounding 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green and blue pixels. This means it is optimized to deliver incredibly rich colours at all resolutions and provide the ultimate image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever before! Plus, in sensor scaling means you can record at all resolutions without cropping!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge Format Flexibility\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe large format sensor in URSA Cine provides the ultimate flexibility for aspect ratios, lenses and delivery formats! The full sensor area gives you a stunning 3:2 open gate image which lets you reframe your shots in post-production. Or you can use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8 and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. There are even 9K Super 35 4-perf, 3-perf and 2-perf modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eInterchangeable Lens Mounts\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDifferent projects require different lenses which is why URSA Cine features an interchangeable lens mount. You can quickly switch between PL, LPL, EF and Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest possible range of professional lenses. Imagine using modern high-speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses next! Plus, each mount has contact pins to read lens metadata for monitoring and use in post-production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHigh Resolution Monitoring and Camera Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine lets crews work faster on set with multiple monitoring options! The fold out monitor has a large 5″ HDR touchscreen on one side and an external colour status LCD on the other. You can even rotate the screen and fold it back into the camera! On the right side of the camera, there’s a dedicated assist station with a second 5″ HDR touchscreen which allows crew to work around the camera without needing external monitors. Plus, with a 1500 nit display and removable sunshade, it’s always visible, even in bright sunlight. On-screen overlays show status and record parameters, histogram, frame guides and more. There’s even a dedicated focus puller’s mode to help you get perfect focus!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRugged Industry Standard Connections\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe wide range of industry-standard connections on URSA Cine makes it perfect for high-end cinema production. The 7-pin Lemo and 3-pin Fischer connectors at the front provide record start\/stop and 24V power so are ideal for onboard accessories such as focus motors. Camera power is provided by a standard 24V 8-pin Lemo connection, plus there's an additional 2-pin Lemo 12V connection at the rear for lower voltage accessories. All this means you can power accessories straight from the camera without messy external cabling! There are also two independent 12G-SDI outputs for monitoring on 2 different monitors with different overlays, plus 10G Ethernet for Blackmagic Cloud media syncing!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBlackmagic RAW Fueled Image Capture\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post-production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options are designed to give you the best possible images with predictable and consistent file sizes. URSA Cine records to the included Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or a massive 20 hours in 4K!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGeneration 5 Colour Science\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Generation 5 Colour Science features a new film curve designed to make full use of the massive amount of colour data from the new URSA Cine sensor. This delivers even better colour response for more pleasing skin tones, and better rendering of highly saturated colours such as neon signs and car tail lights in high-contrast scenes. Generation 5 Colour Science informs complex Blackmagic RAW image processing, with colour and dynamic range data from the sensor preserved via metadata for use in post-production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Colour Science lets you take advantage of the new film curve even with your existing work!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt in Optical Low Pass Filter\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe high frequencies of synthetic materials like fabrics or the LED matrix in video walls can cause problems for ultra sharp modern lenses and high-resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. URSA Cine includes a high-performance, optical low pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red colour response which, when combined with Blackmagic RAW processing for the URSA Cine, preserves colour and critical image detail for new levels of image fidelity.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt-in Colour Balanced ND Filters\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine features high-quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colourimetry and colour science of the camera, the 2, 4 and 6-stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Cine ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eFull Frame Capture at Higher Frame Rates\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K, Super 35 9K and even insanely detailed 12K! You can shoot 100 fps in 12K 12,288 x 6480 17:9 or 120 fps in 12K 2.4:1 widescreen! For higher frame rates, you can shoot 144 fps at 8192 x 5360, 180 fps at 8192 x 3408 and even capture 8K 2.4:1 widescreen at an incredible 224 fps at 8,192 x 3,408! URSA Cine has flexible frame rate and resolution options and captures with incredible motion rendering with smoother edges in 8K and 4K, even at lower frame rates. Plus, with a massive 100 megapixels per frame at up to 80 fps in Blackmagic RAW, you can capture perfect stills and motion shots at the same time!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHigh-Performance Internal Media for Recording\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine is the first digital film camera with ultra-fast high capability Cloud Store technology built in. Blackmagic Media Module is fast, rugged and includes a massive 8TB of storage. It’s like a Cloud Store Mini built into your camera! The high-speed storage lets you record at the highest resolutions and frame rates for hours and access your files directly over high-speed 10G Ethernet. Or you can use the media you already own with the optional Blackmagic Media Module CF, which has dual CFexpress slots. The module can be easily removed from the camera and loaded into a Blackmagic Media Dock for transferring media to a network or Blackmagic Cloud for instant global collaboration!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eEliminate Media Offload Time\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Media Dock accelerates your post-production workflow by making it faster and simpler to start editing and colour correction! Mount up to three Blackmagic Media Modules for high-speed access to media from multiple URSA Cine cameras all at the same time! The four high-speed 10G Ethernet ports allow up to four separate edit workstations to connect directly and it is extremely fast, even when a lot of users are connected at the same time. Plus, the USB-C connection supports Ethernet so you can transfer media using a simple USB-C cable connected to your computer. There is also an HDMI output that lets you see the status of your media in real-time on a TV or monitor.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDeliver Clips Directly into DaVinci Resolve Bins\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine supports creating a small H.264 proxy file in addition to the camera's original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real-time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post-production workflows!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eThree Simple Steps\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eRecord to Internal Storage - \u003c\/strong\u003eYou can record to the internal Blackmagic Media Module. This will allow you to browse the clips and let the camera sync your media files to other users globally.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eSelect and Upload Clips\u003c\/strong\u003e - If you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eRecord into DaVinci Resolve - \u003c\/strong\u003eLog into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording, the media will automatically upload and sync to all DaVinci users on that project.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eConnect to Mobile Data, High-Speed Wifi or Ethernet!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen live streaming or uploading to Blackmagic Cloud, you can connect and use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and URSA Cine will configure for mobile data. Plus it works with the latest high-speed 5G phones, as well as 4G! You can also connect via high-speed wifi or wired Ethernet using the 10G Ethernet port. With live streaming built into the camera, you get the solution you need for clients and post-production to monitor shoots from anywhere in the world! That's a truly global post-production solution that works with Blackmagic Cloud to create amazing teams of creative people all working together.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLive Stream Directly to Your Client\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNow you can live stream from film sets! URSA Cine features a built hardware streaming engine that supports RTMP and SRT streaming to major platforms or directly to clients! Simply connect to the internet via Ethernet, high-speed wifi or even connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to the video village or the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now everyone can keep an eye on the shoot, live, while it's happening!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHigh-Resolution Viewfinder for Accurate Focus\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine supports the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 colour OLED display with built-in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built-in digital focus chart ensures you get the perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included viewfinder bracket and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eCompatible with Industry Standard Batteries and Power\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine includes an 8-pin Lemo power connector at the back of the camera that works with 24V and 12V power supplies. That means it’s easy to use the camera with existing power supplies, batteries and accessories! The front of the camera includes additional Lemo and Fischer connectors for powering lens motors and other accessories. URSA Cine comes with a massive 250W power supply and B Mount battery plate so you can use a wide range of high-voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB and more. You can also add the optional Blackmagic URSA Cine VLock Battery Plate or Blackmagic URSA Cine Gold Battery Plate for using legacy V‑Mount and Gold Mount batteries.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Cine features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDigital Slate for Fast Metadata Entry\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built-in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production specific information, technical information and more! All of the metadata is saved with the files for use in post-production when editing and colour-correcting with software such as DaVinci Resolve!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWireless Bluetooth Camera Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLocalized in 13 Popular Languages\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine is designed to be used worldwide and supports 13 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when travelling to locations worldwide! When you switch languages, all on-screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, colour correction, audio posts and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post-production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, colour correction, effects, audio and delivery.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eComes Ready to Shoot\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine comes with everything you need to get started on set! Every camera comes in a rugged Pelican case with custom foam cutouts that precisely and securely fit the camera and its accessories. The PL lens mount comes preinstalled on the camera body, plus you get an interchangeable locking EF mount for a strong and secure attachment when using heavier cine lenses. You even get a massive 8TB Media Module preinstalled, formatted and ready to record. That’s enough for over 4 hours of stunning 12K! You also get a top handle, antennas for high-speed wifi, baseplate, 24V power supply and high voltage B mount battery plate for quick set up. There’s even a kit that comes with the URSA Cine EVF!\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47104172818660,"sku":"BMD-CURSA12KLFBD","price":4685.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CURSA12KLFBD.webp?v=1764325842"},{"product_id":"blackmagic-design-ursa-mini-pro-12k-olpf","title":"Blackmagic Design URSA Mini Pro 12K OLPF","description":"\u003cdiv\u003eURSA Mini Pro 12K OLPF is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range. The third generation URSA Mini Pro features new color science and shoots 80 megapixels per frame in Blackmagic RAW. You also get built in ND filters, user changeable lens mount and recording to dual CFast or SD cards. URSA Mini Pro 12K even supports recording direct to a flash disk or SSD using its built in SuperSpeed USB‑C connection!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIntroducing the World’s Most Advanced Digital Film Camera!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives you the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. You can shoot at 60 fps in 12K, 120 fps in 8K and up to 240 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port and more. DaVinci Resolve Studio is included for creative control through post from editing to color, VFX and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDigital Film, Extreme Resolution\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means you not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible. This new generation of digital film technology ushers in an analog style purity and subtlety to deliver a better than film experience.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCinematic Super 35 12K Sensor\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame! The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. The new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. You can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 120 fps without cropping or changing your field of view. URSA Mini Pro’s interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses, so you can capture every ounce of character and detail from your favorite optics.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eShoot in 12K, Edit on a Laptop\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As an incredibly efficient next generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It’s like a multi camera shoot with only one camera. And it’s perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post production instantly, without rendering, while retaining the full sensor’s color accuracy.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBlackmagic RAW Fueled Image Capture\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eOnly Blackmagic RAW makes cinema quality 12‑bit, 80 megapixel images at up to 60 frames a reality! Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give you the best possible images with predictable and consistent file size. You can record RAW to two cards simultaneously so you can shoot 12K or 8K to either CFast or UHS‑II cards, even at high frame rates! Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eVirtual Cinema Production\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen shooting in virtual production environments, the high frequencies of the LED matrix in video walls can cause problems for ultra sharp modern lenses and high resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. URSA Mini Pro 12K OLPF adds a high performance, optical low pass filter that is precisely matched to the 12K sensor. The OLPF also incorporates updated IR filtering that improves far red color response which, when combined with Blackmagic RAW processing for the URSA Mini Pro 12K OLPF, preserves color and critical image detail for new levels of image fidelity.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eOptimized for Fast Flexible Post Production\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eShooting RAW in 12K preserves the deepest control of detail, exposure and color during post. Oversampling means you get extremely sharp 8K without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 12K for post production, making it as easy to work with as standard HD or Ultra HD files. It is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So you can always work with your camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in 4K or 8K.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eGeneration 5 Color Science\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Mini Pro 12K sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFull Resolution at Higher Frame Rates\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro 12K is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K! With a massive 80 megapixels per frame at 60 fps in RAW you can capture perfect stills and motion shots in a single camera at the same time! You can shoot up to 60 fps in 12K 12,288 x 6480 17:9! For higher frame rates, you can shoot 120 fps at 8192 x 4320, 160 fps at 8192 x 3408 and even window the sensor to Super 16 to capture 4K at an incredible 240 fps at 4096 x 2160 DCI! URSA Mini Pro 12K has flexible frame rate and resolution options, and captures with improved motion rendering which means that you get smoother edges in 8K and 4K even at lower frame rates.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHigh Band Width Recording\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. You get dual built in CFast and UHS‑II SD card recorders, and a SuperSpeed USB‑C expansion port for recording to fast SATA and NVMe drives. With \"Record RAW on 2 Cards\" turned on, URSA Mini Pro 12K can record simultaneously across two cards up to an incredible 900MB\/s to 2 CFast cards, or an impressive 500MB\/s to 2 UHS‑II SD cards. The SuperSpeed USB‑C expansion port on the rear can record to USB‑C flash storage up to 900MB\/s as a third recording option so you won’t be short of choices for capturing stunning 12K up to 60 fps or 8K up to 120 fps!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eEasy to Use Blackmagic OS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Mini Pro features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eRevolutionary Lightweight, Portable Design\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro is designed to include everything you need in a portable camera so you can take it anywhere! The evenly weighted camera body is made from lightweight, robust magnesium alloy. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. An external backlit LCD status display lets you view critical information. Plus there’s a 4\" fold out touchscreen for reviewing shots and accessing the menu settings. You get connections such as 12G‑SDI in and out, USB‑C, 48 volt phantom power XLR audio, timecode and reference in. The optional Blackmagic Shoulder Mount Kit lets you go from tripod to handheld in seconds!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eInterchangeable Lens Mounts\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDifferent projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. You can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro 12K, as well as B4 lenses on the URSA Mini Pro 4.6K G2. That means you can work with high quality large PL cinema lenses, EF or F mount photographic lenses, and even B4 broadcast lenses, making URSA Mini Pro compatible with the widest possible range of professional lenses. Additional PL, EF, F and B4 lens mounts can be purchased separately. With URSA Mini Pro, you get a single camera that works with virtually all professional lenses so you have the freedom to choose the lens you need for any kind of work!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt in Precision ND Filters\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro features high quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Mini Pro ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUSB-C for Direct Recording to External Disks\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic URSA Mini Pro features an innovative high speed USB-C Expansion Port. The 4.6K G2 model features USB‑C 3.1 Gen 1 which operates at up to 5 Gb\/s, while the new 12K model has a USB‑C 3.1 Gen 2 for a blistering 10 Gb\/s. You can connect and power external flash disks and SSDs or on URSA Mini Pro 12K you can connect the new URSA Mini Recorder for recording to fast NVMe SSD drives for longer recording times. NVMe SSD drives are ideal for shooting 12K in the highest constant quality 12‑bit Blackmagic RAW in the Q0 setting or for high frame rates. When shooting is complete you can simply move the external disk to your computer and start editing from the same disk, eliminating file copying!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHigh Resolution Monitoring and Camera Control\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe built in 4 inch fold out touchscreen on URSA Mini Pro is a bright, high resolution color display with a wide viewing angle that makes it perfect for monitoring and reviewing shots on set! The screen can also show you a \"heads up display\" overlay with critical information such as format, frame rate, iris, timecode, shutter angle, white balance, ISO and more. Plus you get a histogram, card recording status indicators and audio meters! You can show or hide the heads up display by simply swiping up or down. The fold out touchscreen also lets you use the incredible Blackmagic operating software so you get super fast access to every camera function, digital slate for metadata management and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDigital Slate for Fast Metadata Entry\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production specific information, technical information and more! All of the metadata is saved with the files for use in post production when editing and color correcting with software such as DaVinci Resolve!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFull Size, Durable Connections that Work with Standard Cables\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro features multiple connections such as 12G‑SDI out, LANC, balanced XLR audio with 48 volt phantom power, timecode in, reference input and a headphone connection. There’s also a 4 pin XLR DC output for powering accessories such as a viewfinder, and an HD‑SDI output for monitoring. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. There is also a 12 pin Hi‑rose connector for controlling servo zoom lenses. URSA Mini Pro 4.6K G2 and URSA Mini Pro 12K both include a USB‑C expansion port for recording to external disks, which on the 12K model is conveniently located on the rear of the camera.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eWireless Bluetooth Camera Control\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or trigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, color correction, effects, audio and delivery.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eOptional Shoulder Mount Kit\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro cameras include multiple ¼ inch mount points on the bottom so you can attach them directly to any tripod. When you need to quickly move from tripod to handheld and back, you can use the optional Blackmagic URSA Mini Shoulder Kit. This kit includes the shoulder pad with built in rosettes, rail mounts and integrated quick lock release attachment points for instantly latching onto the quick release plate without removing the shoulder pad. You also get a top handle for carrying the camera and attaching accessories such as the Blackmagic URSA Viewfinder, a support arm for Blackmagic Video Assist and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHigh Resolution Viewfinder for Accurate Focus\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro. You get a high resolution 1920 x 1080 color OLED display with precision glass optics, adjustable diopter and built in digital focus chart so you get perfect focus every time. As well as a clean feed of the image you can also view critical status information such as frame guides and more. You can easily access the fully assignable function buttons on top of the viewfinder for zooming, turning on overlays, focus peaking control and more. To preserve OLED screen life, there’s a built in sensor so the OLED only turns on when you’re looking through the viewfinder. There’s even a built in tally light!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBlackmagic URSA Mini Recorder\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new Blackmagic URSA Mini Recorder lets you record 12‑bit Blackmagic RAW files onto fast 2.5 inch SSDs, including the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB\/s! This blazing fast performance allows you longer recording times for full resolution 4K, 8K and 12K 12‑bit Blackmagic RAW files in the highest quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Mini Pro 12K between the camera and the battery. It’s controlled via the USB‑C so you don’t have to worry about manually starting or stopping the SSD recorder.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompatible with Industry Standard Batteries and Power\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro includes a 4‑pin XLR industry standard power connector that works with 12V to 18V external power supplies. That means it’s easy to use the camera with all of your existing power supplies and batteries! URSA Mini Pro cameras use the same battery power connector and mounting points on the rear of the camera so you can use a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. You can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V‑Mount and Gold Mount batteries.\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123104465124,"sku":"BMD-BMDCINUR12KOLPF","price":4167.55,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CINEURSAMUPRO12KOLPF_42608e06-6457-40e8-a5e8-c47c9faab654.jpg?v=1764755688"},{"product_id":"blackmagic-design-cinema-camera-6k","title":"Blackmagic Design Cinema Camera 6K","description":"\u003cp\u003eIntroducing a new generation in cinematography. The new Blackmagic Cinema Camera 6K is an extremely high end digital film camera that produces precise skin tones and rich organic colours. The camera features a massive full frame 24 x 36mm 6K sensor with wide dynamic range, a very flexible L-Mount for lenses and a built in optical low pass filter that's custom designed to match the sensor. You also get fast CFexpress media and the camera can even use Pocket Cinema Camera accessories. When you are doing cloud and mobile work, the camera records both deep bit depth Blackmagic RAW and H.264 proxies at the same time. No other camera includes this level of technology, image quality and portability.\u003c\/p\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eGet the \"Hollywood Look\" with Digital Film.\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Cinema Camera 6K has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLarge Format Cinematic Digital Film Sensor.\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Cinema Camera 6K features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic colour science means you get the same imaging technology as expensive digital cinema cameras.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFull Frame Flexibility\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe large full frame sensor in Blackmagic Cinema Camera 6K lets you work in a variety of film formats and aspect ratios without sacrificing quality. Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eNext Generation L‑Mount.\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Cinema Camera 6K features an L-Mount, an advanced lens mount designed to accommodate full frame sensors while ensuring compatibility with new and vintage lenses. With a large diameter of 51.6mm, L-Mount works with the latest full frame lenses from manufacturers such as Leica, Panasonic and Sigma. Plus, a very short flange distance of only 20mm means you can easily add adapters for a variety of lens mounts without impacting image quality. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses. With L-Mount, you get a single mount that works with virtually any lens for unlimited creative choice.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic Cinema Camera 6K has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. The Blackmagic Cinema Camera 6K features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Cinema Camera 6K can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels. Blackmagic Cinema Camera 6K will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4838 x 4032. You can even shoot 120 fps in 1080HD. With Blackmagic Cinema Camera 6K, you’ll always be able to shoot the right resolution for the job.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLightweight Carbon Fiber Polycarbonate Composite\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe elegant design of Blackmagic Cinema Camera 6K packs an incredible number of high end digital film features into a miniaturized, handheld design based on the Pocket Cinema Camera platform. Made from lightweight carbon fiber polycarbonate composite, the camera has a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5\" LCD makes it possible to get perfect focus at 6K resolution. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eFingertip Shooting Controls \u003c\/strong\u003e- The front and top of the Blackmagic Cinema Camera 6K features record start\/stop and still photo buttons along with dedicated controls for iris, ISO, white balance and shutter speed. The main power switch is located on the top next to a row of 3 customizable function buttons.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eBack Panel Controls \u003c\/strong\u003e- Conveniently placed below the right thumb rest, you can quickly change shooting speed with the high frame rate button, zoom into the image with the magnifying glass, access setup menus and quickly play back shots for review.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eMultifunction Grip with Fingertip Controls\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments. Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic Cinema Camera 6K features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false colour and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eShoot in Vertical Aspect Ratio\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNow you can easily create cinematic content for TikTok, YouTube Shorts and more. Simply rotate the Blackmagic Cinema Camera 6K to shoot vertical aspect ratios such as 9:16 and 4:5. The on screen HUD rotates so critical information, such as frame rate, shutter angle and frame guides, are easy to view, even when the camera’s turned upside down. You can even switch on frame guides so important details stay in shot for different aspect ratios. When you import your files into DaVinci Resolve, clips are automatically tagged as vertical so they appear correctly in your timeline. Once you’ve finished your project, it’s easy to upload to your channel with direct exporting to TikTok and YouTube.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePost Production Friendly File Formats\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Cinema Camera records in Blackmagic RAW to preserve control of detail, exposure and colour during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eRecord to CFexpress Cards or External Disks\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic Cinema Camera 6K features a built in CFexpress card recorder, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card. The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBlackmagic Raw | The quality of RAW and the speed of video\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eColour Temperature \u003c\/strong\u003e- Setting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eContrast \u003c\/strong\u003e- Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour correcting.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eISO \u003c\/strong\u003e- Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eTint \u003c\/strong\u003e- Adjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eExposure \u003c\/strong\u003e- In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge 5\" LCD Monitor\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Cinema Camera 6K features a large, bright 5 inch HDR touchscreen that makes it easy for you to frame shots and accurately focus, whatever the conditions. That means you don’t have to carry around an external monitor. On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired colour and look. The LCD monitor can even be tilted up to 180 degrees flat and down to 47 degrees so it's easy to monitor your shot from virtually any position. Plus, its HDR display features 1500 nits of brightness, so you can always frame your shot, even in bright sunlight.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eTouchscreen for Fast Setup\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus. You can also access settings such as the digital slate, to quickly add metadata to any shot.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eGeneration 5 Colour Science\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFeaturing the same generation 5 colour science as the high end URSA Mini Pro 12K, the Blackmagic Cinema Camera 6K delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eOptional Viewfinder for Professional Shooting\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Cinema Camera 6K supports an optional viewfinder to make outdoors and handheld shooting accurate and easy. You get an integrated high quality 1280 x 960 colour OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The EVF is extremely easy to connect to the Blackmagic Cinema Camera 6K as it simply mounts on top of the camera with a single screw. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eProfessional Connections for Custom Rigs\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThough small and portable, the Blackmagic Cinema Camera 6K features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also mini XLR connections with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector. The USB-C connection lets you connect and record direct to your media disk.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003e4 Built-in Microphones and Professional Audio Inputs\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic Cinema Camera features 2 mini XLR inputs with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. These mini XLR connections allow you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLoad Custom 3D LUTs to Recreate Film Looks\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDigital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic Cinema Camera 6K works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUSB-C for External Disks and Ethernet Control\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic Cinema Camera 6K features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk straight away, eliminating file copying. You can also add a USB-C to Ethernet adapter to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eGet Multi Camera Shoots in Perfect Sync\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eProfessional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eShoot Still Frames up to 24.6 Megapixels\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn addition to shooting video, the Blackmagic Cinema Camera 6K can also capture high resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLocalized in 13 Popular Languages\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic Cinema Camera is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eWireless Bluetooth Camera Remote Control\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePower from Batteries, 12V DC and Recharge via USB‑C\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Cinema Camera 6K uses high capacity NP-F570 batteries. These popular batteries come in a variety of capacities and are used around the world. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera or charge the battery when the camera is not in use. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Cinema Camera 6K includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123105218788,"sku":"BMD-CINECAM60KLFL","price":1725.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CINECAM60KLFL_08c1cb14-2a12-453a-bcdd-eb4585670763.jpg?v=1764755717"},{"product_id":"blackmagic-design-pyxis-6k-l-mount","title":"Blackmagic Design PYXIS 6K (L Mount)","description":"\u003cdiv\u003e\u003cstrong\u003eThe World’s Most Riggable Full Frame Digital Film Camera\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIntroducing the next generation customizable cinema camera. Blackmagic PYXIS 6K is a high end digital film camera that produces precise skin tones and rich organic colours. It features an extremely versatile design that lets you build the perfect camera rig for your production. You get a full-frame 36 x 24mm 6K sensor with wide dynamic range with a built-in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud. It even records both 12-bit Blackmagic RAW and extremely small H.264 proxy files at the same time.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDesigned for Maximum Customizability\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be. PYXIS’ compact body is made from precision CNC machined aerospace aluminium, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones. In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGet the \"Hollywood Look\" with Digital Film\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however, now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high-end production values for any kind of work. Imagine shooting with large-format digital film on low budget independent films, TV commercials or even corporate video.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge Format Cinematic Digital Film Sensor\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic colour science means you get the same imaging technology as expensive digital cinema cameras.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eFull Frame Flexibility\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe large full-frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality. Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post-production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eThree Great Models.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith 3 models, you can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world. The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high-quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. Blackmagic PYXIS features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels. Blackmagic PYXIS will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4832 x 4032. You can even shoot 120 fps in 1080HD. With Blackmagic PYXIS, you’ll always be able to shoot the right resolution for the job.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge 4″ LCD Monitor\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe built-in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high-resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set. Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor. You can even use the display as a focus assist station. Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired colour and look.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAll Controls at your Fingertips\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings. A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false colour and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eSide Plates for Flexible Mounting Options\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe innovative side plates expand the riggability of your camera even further. The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminium as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming. The optional Rosette Plate gives you maximum flexibility with 5 1\/4″ thread mounts and 4 3\/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePost Production Friendly File Formats\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and colour during post-production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRecord to CFexpress Cards or External Disks\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic PYXIS features two built-in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full-resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full-resolution 6K images on a single 256GB CFexpress card. Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping. The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBlackmagic RAW - The Quality of RAW and the Speed of Video\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eColour Temperature - \u003c\/strong\u003eSetting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post-production with DaVinci Resolve Studio.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eContrast\u003c\/strong\u003e - Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour-correcting.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eISO\u003c\/strong\u003e - Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eTint\u003c\/strong\u003e - Adjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eSaturation - \u003c\/strong\u003eSaturation is the strength or purity of a colour. More saturated colours are pure and less saturated colours have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colours visually pop or become muted.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eExposure\u003c\/strong\u003e - In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith the advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGeneration 5 Colour Science\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFeaturing the same generation 5 colour science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post-production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLive Sync to Blackmagic Cloud and Editors\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera's original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real-time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible. Any editor working anywhere in the world will get the shots. If you have multiple cameras, then the new multi-source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post-production workflows.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eThree Post Production Workflows\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003col\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eRecord to Internal Storage - \u003c\/strong\u003eYou can record to the internal media or an external USB-C flash disk. This will allow you to browse the clips and let the camera sync your media files to other users globally.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eSelect and Upload Clips\u003c\/strong\u003e - If you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eRecord into DaVinci Resolve - \u003c\/strong\u003eLog into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording the media will automatically upload and sync to all DaVinci users on that project.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ol\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high-speed 5G phones, as well as 4G phones. You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post-production teams anywhere in the world can start work in real time. Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post-production solution that works with Blackmagic Cloud to create amazing teams of creative people.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWorks with URSA Cine Viewfinder and Accessories\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy. You get an integrated high-quality 1920 x 1080 colour OLED display with a built-in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built-in digital focus chart ensures you get the perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eProfessional Connections for Custom Rigs\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48-volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt-in Microphones and Professional Audio Inputs\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built-in mics have an extremely low noise floor and are shock and wind-resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built-in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLoad Custom 3D LUTs to Recreate Film Looks\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDigital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post-production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post-production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built-in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eUSB-C for External Disks and Ethernet Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic PYXIS features an innovative and high-speed USB-C Expansion Port that operates at up to 5 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high-capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk straight away, eliminating file copying. You can also use the camera’s built-in Ethernet port to control your camera over a network via secure and easy-to-use REST APIs. You can even copy files off the camera via the network.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt In SRT and RTMP Live Streaming\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNow you can live stream from film sets. Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more. For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data. As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD. If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post-production team can keep an eye on the shoot, live, while it's happening.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGet Multi Camera Shoots in Perfect Sync\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eProfessional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eShoot Still Frames up to 24.6 Megapixels\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn addition to shooting video, Blackmagic PYXIS can also capture high-resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high-resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLocalized in 13 Popular Languages\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on-screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePower from Batteries or 12V DC\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS uses high-capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge. Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib. You also get a set of international socket adapters for worldwide use.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high-end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123105251556,"sku":"BMD-CINECAMCPYXA60LFL","price":1973.7,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CINECAMCPYXD60LFEF_7293a749-a7a1-48c8-ac46-1a45a635bf9e.jpg?v=1764755717"},{"product_id":"blackmagic-design-pyxis-6k-ef-mount","title":"Blackmagic Design PYXIS 6K (EF Mount)","description":"\u003cdiv\u003e\u003cstrong\u003eThe World’s Most Riggable Full Frame Digital Film Camera\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIntroducing the next generation customizable cinema camera. Blackmagic PYXIS 6K is a high end digital film camera that produces precise skin tones and rich organic colours. It features an extremely versatile design that lets you build the perfect camera rig for your production. You get a full-frame 36 x 24mm 6K sensor with wide dynamic range with a built-in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud. It even records both 12-bit Blackmagic RAW and extremely small H.264 proxy files at the same time.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDesigned for Maximum Customizability\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be. PYXIS’ compact body is made from precision CNC machined aerospace aluminium, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones. In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGet the \"Hollywood Look\" with Digital Film\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however, now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high-end production values for any kind of work. Imagine shooting with large-format digital film on low budget independent films, TV commercials or even corporate video.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge Format Cinematic Digital Film Sensor\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic colour science means you get the same imaging technology as expensive digital cinema cameras.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eFull Frame Flexibility\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe large full-frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality. Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post-production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eThree Great Models.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith 3 models, you can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world. The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high-quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. Blackmagic PYXIS features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels. Blackmagic PYXIS will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4832 x 4032. You can even shoot 120 fps in 1080HD. With Blackmagic PYXIS, you’ll always be able to shoot the right resolution for the job.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge 4″ LCD Monitor\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe built-in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high-resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set. Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor. You can even use the display as a focus assist station. Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired colour and look.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAll Controls at your Fingertips\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings. A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false colour and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eSide Plates for Flexible Mounting Options\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe innovative side plates expand the riggability of your camera even further. The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminium as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming. The optional Rosette Plate gives you maximum flexibility with 5 1\/4″ thread mounts and 4 3\/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePost Production Friendly File Formats\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and colour during post-production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRecord to CFexpress Cards or External Disks\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic PYXIS features two built-in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full-resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full-resolution 6K images on a single 256GB CFexpress card. Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping. The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBlackmagic RAW - The Quality of RAW and the Speed of Video\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eColour Temperature - \u003c\/strong\u003eSetting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post-production with DaVinci Resolve Studio.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eContrast\u003c\/strong\u003e - Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour-correcting.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eISO\u003c\/strong\u003e - Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eTint\u003c\/strong\u003e - Adjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eSaturation - \u003c\/strong\u003eSaturation is the strength or purity of a colour. More saturated colours are pure and less saturated colours have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colours visually pop or become muted.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eExposure\u003c\/strong\u003e - In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith the advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGeneration 5 Colour Science\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFeaturing the same generation 5 colour science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post-production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLive Sync to Blackmagic Cloud and Editors\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera's original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real-time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible. Any editor working anywhere in the world will get the shots. If you have multiple cameras, then the new multi-source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post-production workflows.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eThree Post Production Workflows\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003col\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eRecord to Internal Storage - \u003c\/strong\u003eYou can record to the internal media or an external USB-C flash disk. This will allow you to browse the clips and let the camera sync your media files to other users globally.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eSelect and Upload Clips\u003c\/strong\u003e - If you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eRecord into DaVinci Resolve - \u003c\/strong\u003eLog into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording the media will automatically upload and sync to all DaVinci users on that project.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ol\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high-speed 5G phones, as well as 4G phones. You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post-production teams anywhere in the world can start work in real time. Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post-production solution that works with Blackmagic Cloud to create amazing teams of creative people.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWorks with URSA Cine Viewfinder and Accessories\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy. You get an integrated high-quality 1920 x 1080 colour OLED display with a built-in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built-in digital focus chart ensures you get the perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eProfessional Connections for Custom Rigs\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48-volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt-in Microphones and Professional Audio Inputs\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built-in mics have an extremely low noise floor and are shock and wind-resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built-in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLoad Custom 3D LUTs to Recreate Film Looks\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDigital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post-production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post-production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built-in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eUSB-C for External Disks and Ethernet Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic PYXIS features an innovative and high-speed USB-C Expansion Port that operates at up to 5 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high-capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk straight away, eliminating file copying. You can also use the camera’s built-in Ethernet port to control your camera over a network via secure and easy-to-use REST APIs. You can even copy files off the camera via the network.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt In SRT and RTMP Live Streaming\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNow you can live stream from film sets. Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more. For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data. As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD. If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post-production team can keep an eye on the shoot, live, while it's happening.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGet Multi Camera Shoots in Perfect Sync\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eProfessional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eShoot Still Frames up to 24.6 Megapixels\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn addition to shooting video, Blackmagic PYXIS can also capture high-resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high-resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLocalized in 13 Popular Languages\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on-screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePower from Batteries or 12V DC\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS uses high-capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge. Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib. You also get a set of international socket adapters for worldwide use.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high-end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123105284324,"sku":"BMD-CINECAMCPYXD60LFEF","price":1990.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CINECAMCPYXD60LFEF_d7466156-5ed2-40c7-84a2-9c1db07f71bc.jpg?v=1764755717"},{"product_id":"blackmagic-design-pyxis-6k-pl-mount","title":"Blackmagic Design PYXIS 6K (PL Mount)","description":"\u003cdiv\u003e\u003cstrong\u003eThe World’s Most Riggable Full Frame Digital Film Camera\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIntroducing the next generation customizable cinema camera. Blackmagic PYXIS 6K is a high end digital film camera that produces precise skin tones and rich organic colours. It features an extremely versatile design that lets you build the perfect camera rig for your production. You get a full-frame 36 x 24mm 6K sensor with wide dynamic range with a built-in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud. It even records both 12-bit Blackmagic RAW and extremely small H.264 proxy files at the same time.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDesigned for Maximum Customizability\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be. PYXIS’ compact body is made from precision CNC machined aerospace aluminium, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones. In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGet the \"Hollywood Look\" with Digital Film\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however, now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high-end production values for any kind of work. Imagine shooting with large-format digital film on low budget independent films, TV commercials or even corporate video.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge Format Cinematic Digital Film Sensor\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic colour science means you get the same imaging technology as expensive digital cinema cameras.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eFull Frame Flexibility\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe large full-frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality. Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post-production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eThree Great Models.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith 3 models, you can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world. The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high-quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. Blackmagic PYXIS features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels. Blackmagic PYXIS will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4832 x 4032. You can even shoot 120 fps in 1080HD. With Blackmagic PYXIS, you’ll always be able to shoot the right resolution for the job.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge 4″ LCD Monitor\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe built-in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high-resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set. Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor. You can even use the display as a focus assist station. Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired colour and look.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAll Controls at your Fingertips\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings. A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false colour and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eSide Plates for Flexible Mounting Options\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe innovative side plates expand the riggability of your camera even further. The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminium as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming. The optional Rosette Plate gives you maximum flexibility with 5 1\/4″ thread mounts and 4 3\/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePost Production Friendly File Formats\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and colour during post-production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes. Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for colour, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRecord to CFexpress Cards or External Disks\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic PYXIS features two built-in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full-resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full-resolution 6K images on a single 256GB CFexpress card. Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping. The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBlackmagic RAW - The Quality of RAW and the Speed of Video\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eColour Temperature - \u003c\/strong\u003eSetting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post-production with DaVinci Resolve Studio.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eContrast\u003c\/strong\u003e - Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour-correcting.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eISO\u003c\/strong\u003e - Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eTint\u003c\/strong\u003e - Adjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eSaturation - \u003c\/strong\u003eSaturation is the strength or purity of a colour. More saturated colours are pure and less saturated colours have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colours visually pop or become muted.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eExposure\u003c\/strong\u003e - In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith the advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGeneration 5 Colour Science\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFeaturing the same generation 5 colour science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post-production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLive Sync to Blackmagic Cloud and Editors\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera's original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real-time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible. Any editor working anywhere in the world will get the shots. If you have multiple cameras, then the new multi-source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post-production workflows.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eThree Post Production Workflows\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003col\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eRecord to Internal Storage - \u003c\/strong\u003eYou can record to the internal media or an external USB-C flash disk. This will allow you to browse the clips and let the camera sync your media files to other users globally.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eSelect and Upload Clips\u003c\/strong\u003e - If you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eRecord into DaVinci Resolve - \u003c\/strong\u003eLog into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording the media will automatically upload and sync to all DaVinci users on that project.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ol\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high-speed 5G phones, as well as 4G phones. You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post-production teams anywhere in the world can start work in real time. Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post-production solution that works with Blackmagic Cloud to create amazing teams of creative people.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWorks with URSA Cine Viewfinder and Accessories\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy. You get an integrated high-quality 1920 x 1080 colour OLED display with a built-in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built-in digital focus chart ensures you get the perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eProfessional Connections for Custom Rigs\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48-volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt-in Microphones and Professional Audio Inputs\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built-in mics have an extremely low noise floor and are shock and wind-resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built-in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLoad Custom 3D LUTs to Recreate Film Looks\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDigital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post-production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post-production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built-in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eUSB-C for External Disks and Ethernet Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic PYXIS features an innovative and high-speed USB-C Expansion Port that operates at up to 5 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high-capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk straight away, eliminating file copying. You can also use the camera’s built-in Ethernet port to control your camera over a network via secure and easy-to-use REST APIs. You can even copy files off the camera via the network.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt In SRT and RTMP Live Streaming\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNow you can live stream from film sets. Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more. For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data. As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD. If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post-production team can keep an eye on the shoot, live, while it's happening.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGet Multi Camera Shoots in Perfect Sync\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eProfessional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eShoot Still Frames up to 24.6 Megapixels\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn addition to shooting video, Blackmagic PYXIS can also capture high-resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high-resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLocalized in 13 Popular Languages\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on-screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePower from Batteries or 12V DC\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS uses high-capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge. Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib. You also get a set of international socket adapters for worldwide use.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high-end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123105317092,"sku":"BMD-CINECAMCPYXH60LFPL","price":2120.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CINECAMCPYXD60LFEF_461e73be-be25-497c-af16-e9fc2eb2246f.jpg?v=1764755717"},{"product_id":"blackmagic-design-pyxis-12k-ef-mount","title":"Blackmagic Design PYXIS 12K - EF Mount","description":"\u003cdiv\u003eIntroducing the next generation customizable cinema camera! Blackmagic PYXIS is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 36 x 24mm 6K or 12K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cstrong\u003eBlackmagic PYXIS 12K\u003c\/strong\u003e\u003cbr\u003e\n\nAdvanced digital film camera with a revolutionary full frame 36 x 24mm RGBW sensor up to 12288 x 8040 resolution, 16 stops dynamic range and choice of EF, PL or L Mount. Records Blackmagic RAW with proxies to CFexpress.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cstrong\u003eDesigned for Maximum Customizability!\u003c\/strong\u003e\u003cbr\u003e\n\nWith multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cstrong\u003eGet the “Hollywood Look” with Digital Film!\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv id=\"OC8955E\"\u003e\n\u003cstrong\u003eLarge Format Cinematic Digital Film Sensor!\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic PYXIS models feature a large full frame sensor with a native resolution of 6048 x 4032 or a massive 12288 x 8040! That's almost three times larger than a Super 35 sensor and lets you shoot with a shallow depth of field or use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright light or in almost no light at all, the massive dynamic range with high performance sensor provides stunning low noise images in all lighting conditions. Plus, PYXIS lets you shoot up to 120 fps on the 6K model, or 112 fps on the PYXIS 12K. This amazing sensor combined with Blackmagic color science gives you the same quality as the most expensive digital cinema cameras.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFull Frame Flexibility\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eChoose from Three Lens Mounts!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eYou can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS 6K has an incredible 13 stops of dynamic range and PYXIS 12K, a massive 16 stops of dynamic range, which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eExceptional Low Light Performance\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light, even at night! Blackmagic PYXIS models feature ISO up to 25,600, which means they’re optimized to minimize noise in images, while maintaining the full dynamic range of the sensor. PYXIS 6K has a native ISO of 400, which is ideal for scenes with on-set lighting and a secondary high base ISO of 3200, which is perfect for shooting in dimly lit environments. PYXIS 12K has an ISO of 200 to 3200 and is optimized for 800. This makes it easy to capture great images when you don’t have time to set up lights.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS models can shoot in all standard resolutions and frame rates from HD up to DCI 4K, 6K, 8K and even 12K. Blackmagic PYXIS 12K features a multi scale sensor with that lets you shoot in 12K, 8K or 4K at the full sensor size. Shoot up to 40 fps at 12288 x 8040 3:2 open gate or 60 fps at 12288 x 5112 2.4:1 and 112 fps at 8192 x 3408 8K. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 9.6K at 9648 x 8040. With the 6K model, you can shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge 4″ LCD Monitor\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set! Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor! You can even use the display as a focus assist station! Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired color and look.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAll Controls at your Fingertips\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings! A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false color and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAdd Touchscreen Monitoring with Camera Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS Monitor is a versatile 5″ HDR touchscreen monitor with full camera control that can be mounted almost anywhere! It provides the same controls and overlays as PYXIS’ built in LCD, so it’s perfect to use when rigging or accessories block the internal display. Multiple mounting points make it easy to attach on any camera rig and use as a large viewfinder for easier focusing and framing. Or use it as an assist station so crew can frame and monitor shots from any position on set! There are 3 customizable buttons for quick access to zebra, focus assist, false color and more. Plus, the bright 1500 nit display and removable sunshade ensure visibility, even in sunlight!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eSide Plates for Flexible Mounting Options!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe innovative side plates expand the riggability of your camera even further! The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming! The optional Rosette Plate gives you maximum flexibility with 5 1\/4″ thread mounts and 4 3\/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eTransform Into a Fast Paced Broadcast Camera!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic PYXIS Pro Handle and Pro Grip transforms Blackmagic PYXIS into a flexible run and gun camera for ENG and documentary work! The top handle includes an integrated HD OLED viewfinder with precision glass optics, making outdoor shooting easy and accurate. It also features high quality stereo microphone with an ultra low noise floor for great sound in any location. There’s even a zoom rocker, an easy to reach record start\/stop button and custom function buttons! The Pro Grip adds a secure hand strap, assignable camcorder style zoom rocker and record button, making Blackmagic PYXIS even more versatile for fast paced productions!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePost Production Friendly File Formats!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K, 6K, 8K or even a massive 12K! Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRecord to CFexpress Cards or External Disks!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBlackmagic RAW - The quality of RAW and the speed of video!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eColor Temperature\u003c\/strong\u003e - Setting the color temperature tells the camera how to interpret white and other colors in an image. Instead of saving images with color values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eContrast\u003c\/strong\u003e - Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and color correcting.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eISO\u003c\/strong\u003e - Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eTint\u003c\/strong\u003e - Adjusting tint is another way you can affect the overall color balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colors in different directions.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eSaturation\u003c\/strong\u003e - Saturation is the strength or purity of a color. More saturated colors are pure and less saturated colors have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colors visually pop or become muted.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eExposure\u003c\/strong\u003e - In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed!\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGeneration 5 Color Science\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFeaturing the same generation 5 color science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLive Sync to Blackmagic Cloud and Editors\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post production workflows!\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123105349860,"sku":"BMD-CINECAMCPYXN12LFEF","price":3825.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CINECAMCPYXN12LFEF.jpg?v=1764755723"},{"product_id":"blackmagic-design-pyxis-12k-l-mount","title":"Blackmagic Design PYXIS 12K - L Mount","description":"\u003cdiv\u003eIntroducing the next generation customizable cinema camera! Blackmagic PYXIS is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 36 x 24mm 6K or 12K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cstrong\u003eBlackmagic PYXIS 12K\u003c\/strong\u003e\u003cbr\u003e\n\nAdvanced digital film camera with a revolutionary full frame 36 x 24mm RGBW sensor up to 12288 x 8040 resolution, 16 stops dynamic range and choice of EF, PL or L Mount. Records Blackmagic RAW with proxies to CFexpress.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cstrong\u003eDesigned for Maximum Customizability!\u003c\/strong\u003e\u003cbr\u003e\n\nWith multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cstrong\u003eGet the “Hollywood Look” with Digital Film!\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv id=\"OC8955E\"\u003e\n\u003cstrong\u003eLarge Format Cinematic Digital Film Sensor!\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic PYXIS models feature a large full frame sensor with a native resolution of 6048 x 4032 or a massive 12288 x 8040! That's almost three times larger than a Super 35 sensor and lets you shoot with a shallow depth of field or use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright light or in almost no light at all, the massive dynamic range with high performance sensor provides stunning low noise images in all lighting conditions. Plus, PYXIS lets you shoot up to 120 fps on the 6K model, or 112 fps on the PYXIS 12K. This amazing sensor combined with Blackmagic color science gives you the same quality as the most expensive digital cinema cameras.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFull Frame Flexibility\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eChoose from Three Lens Mounts!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eYou can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS 6K has an incredible 13 stops of dynamic range and PYXIS 12K, a massive 16 stops of dynamic range, which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eExceptional Low Light Performance\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light, even at night! Blackmagic PYXIS models feature ISO up to 25,600, which means they’re optimized to minimize noise in images, while maintaining the full dynamic range of the sensor. PYXIS 6K has a native ISO of 400, which is ideal for scenes with on-set lighting and a secondary high base ISO of 3200, which is perfect for shooting in dimly lit environments. PYXIS 12K has an ISO of 200 to 3200 and is optimized for 800. This makes it easy to capture great images when you don’t have time to set up lights.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS models can shoot in all standard resolutions and frame rates from HD up to DCI 4K, 6K, 8K and even 12K. Blackmagic PYXIS 12K features a multi scale sensor with that lets you shoot in 12K, 8K or 4K at the full sensor size. Shoot up to 40 fps at 12288 x 8040 3:2 open gate or 60 fps at 12288 x 5112 2.4:1 and 112 fps at 8192 x 3408 8K. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 9.6K at 9648 x 8040. With the 6K model, you can shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge 4″ LCD Monitor\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set! Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor! You can even use the display as a focus assist station! Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired color and look.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAll Controls at your Fingertips\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings! A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false color and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAdd Touchscreen Monitoring with Camera Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS Monitor is a versatile 5″ HDR touchscreen monitor with full camera control that can be mounted almost anywhere! It provides the same controls and overlays as PYXIS’ built in LCD, so it’s perfect to use when rigging or accessories block the internal display. Multiple mounting points make it easy to attach on any camera rig and use as a large viewfinder for easier focusing and framing. Or use it as an assist station so crew can frame and monitor shots from any position on set! There are 3 customizable buttons for quick access to zebra, focus assist, false color and more. Plus, the bright 1500 nit display and removable sunshade ensure visibility, even in sunlight!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eSide Plates for Flexible Mounting Options!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe innovative side plates expand the riggability of your camera even further! The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming! The optional Rosette Plate gives you maximum flexibility with 5 1\/4″ thread mounts and 4 3\/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eTransform Into a Fast Paced Broadcast Camera!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic PYXIS Pro Handle and Pro Grip transforms Blackmagic PYXIS into a flexible run and gun camera for ENG and documentary work! The top handle includes an integrated HD OLED viewfinder with precision glass optics, making outdoor shooting easy and accurate. It also features high quality stereo microphone with an ultra low noise floor for great sound in any location. There’s even a zoom rocker, an easy to reach record start\/stop button and custom function buttons! The Pro Grip adds a secure hand strap, assignable camcorder style zoom rocker and record button, making Blackmagic PYXIS even more versatile for fast paced productions!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePost Production Friendly File Formats!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K, 6K, 8K or even a massive 12K! Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRecord to CFexpress Cards or External Disks!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBlackmagic RAW - The quality of RAW and the speed of video!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eColor Temperature\u003c\/strong\u003e - Setting the color temperature tells the camera how to interpret white and other colors in an image. Instead of saving images with color values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eContrast\u003c\/strong\u003e - Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and color correcting.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eISO\u003c\/strong\u003e - Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eTint\u003c\/strong\u003e - Adjusting tint is another way you can affect the overall color balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colors in different directions.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eSaturation\u003c\/strong\u003e - Saturation is the strength or purity of a color. More saturated colors are pure and less saturated colors have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colors visually pop or become muted.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eExposure\u003c\/strong\u003e - In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed!\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGeneration 5 Color Science\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFeaturing the same generation 5 color science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLive Sync to Blackmagic Cloud and Editors\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post production workflows!\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123105382628,"sku":"BMD-CINECAMCPYXM12LFL","price":3330.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CINECAMCPYXM12LFL.jpg?v=1764755723"},{"product_id":"blackmagic-design-pyxis-12k-pl-mount","title":"Blackmagic Design PYXIS 12K - PL Mount","description":"\u003cdiv\u003eIntroducing the next generation customizable cinema camera! Blackmagic PYXIS is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 36 x 24mm 6K or 12K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cstrong\u003eBlackmagic PYXIS 12K\u003c\/strong\u003e\u003cbr\u003e\n\nAdvanced digital film camera with a revolutionary full frame 36 x 24mm RGBW sensor up to 12288 x 8040 resolution, 16 stops dynamic range and choice of EF, PL or L Mount. Records Blackmagic RAW with proxies to CFexpress.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cstrong\u003eDesigned for Maximum Customizability!\u003c\/strong\u003e\u003cbr\u003e\n\nWith multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cstrong\u003eGet the “Hollywood Look” with Digital Film!\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv id=\"OC8955E\"\u003e\n\u003cstrong\u003eLarge Format Cinematic Digital Film Sensor!\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic PYXIS models feature a large full frame sensor with a native resolution of 6048 x 4032 or a massive 12288 x 8040! That's almost three times larger than a Super 35 sensor and lets you shoot with a shallow depth of field or use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright light or in almost no light at all, the massive dynamic range with high performance sensor provides stunning low noise images in all lighting conditions. Plus, PYXIS lets you shoot up to 120 fps on the 6K model, or 112 fps on the PYXIS 12K. This amazing sensor combined with Blackmagic color science gives you the same quality as the most expensive digital cinema cameras.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFull Frame Flexibility\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eChoose from Three Lens Mounts!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eYou can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS 6K has an incredible 13 stops of dynamic range and PYXIS 12K, a massive 16 stops of dynamic range, which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eExceptional Low Light Performance\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light, even at night! Blackmagic PYXIS models feature ISO up to 25,600, which means they’re optimized to minimize noise in images, while maintaining the full dynamic range of the sensor. PYXIS 6K has a native ISO of 400, which is ideal for scenes with on-set lighting and a secondary high base ISO of 3200, which is perfect for shooting in dimly lit environments. PYXIS 12K has an ISO of 200 to 3200 and is optimized for 800. This makes it easy to capture great images when you don’t have time to set up lights.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS models can shoot in all standard resolutions and frame rates from HD up to DCI 4K, 6K, 8K and even 12K. Blackmagic PYXIS 12K features a multi scale sensor with that lets you shoot in 12K, 8K or 4K at the full sensor size. Shoot up to 40 fps at 12288 x 8040 3:2 open gate or 60 fps at 12288 x 5112 2.4:1 and 112 fps at 8192 x 3408 8K. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 9.6K at 9648 x 8040. With the 6K model, you can shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge 4″ LCD Monitor\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set! Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor! You can even use the display as a focus assist station! Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired color and look.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAll Controls at your Fingertips\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings! A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false color and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAdd Touchscreen Monitoring with Camera Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS Monitor is a versatile 5″ HDR touchscreen monitor with full camera control that can be mounted almost anywhere! It provides the same controls and overlays as PYXIS’ built in LCD, so it’s perfect to use when rigging or accessories block the internal display. Multiple mounting points make it easy to attach on any camera rig and use as a large viewfinder for easier focusing and framing. Or use it as an assist station so crew can frame and monitor shots from any position on set! There are 3 customizable buttons for quick access to zebra, focus assist, false color and more. Plus, the bright 1500 nit display and removable sunshade ensure visibility, even in sunlight!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eSide Plates for Flexible Mounting Options!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe innovative side plates expand the riggability of your camera even further! The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming! The optional Rosette Plate gives you maximum flexibility with 5 1\/4″ thread mounts and 4 3\/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eTransform Into a Fast Paced Broadcast Camera!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic PYXIS Pro Handle and Pro Grip transforms Blackmagic PYXIS into a flexible run and gun camera for ENG and documentary work! The top handle includes an integrated HD OLED viewfinder with precision glass optics, making outdoor shooting easy and accurate. It also features high quality stereo microphone with an ultra low noise floor for great sound in any location. There’s even a zoom rocker, an easy to reach record start\/stop button and custom function buttons! The Pro Grip adds a secure hand strap, assignable camcorder style zoom rocker and record button, making Blackmagic PYXIS even more versatile for fast paced productions!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePost Production Friendly File Formats!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K, 6K, 8K or even a massive 12K! Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRecord to CFexpress Cards or External Disks!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBlackmagic RAW - The quality of RAW and the speed of video!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eColor Temperature\u003c\/strong\u003e - Setting the color temperature tells the camera how to interpret white and other colors in an image. Instead of saving images with color values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eContrast\u003c\/strong\u003e - Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and color correcting.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eISO\u003c\/strong\u003e - Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eTint\u003c\/strong\u003e - Adjusting tint is another way you can affect the overall color balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colors in different directions.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eSaturation\u003c\/strong\u003e - Saturation is the strength or purity of a color. More saturated colors are pure and less saturated colors have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colors visually pop or become muted.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eExposure\u003c\/strong\u003e - In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). 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That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLive Sync to Blackmagic Cloud and Editors\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. 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You can even add an optional OLED viewfinder.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eIntroducing the Next Generation Handheld Digital Film Cameras\u003c\/strong\u003e\u003cbr\u003e\n\nDramatically improve the production value of your work by upgrading to digital film! Blackmagic Pocket Cinema Camera is better than a simple video camera because it has professional features allowing you to create the same \"look\" as Hollywood feature films. The combination of high dynamic range, great low light performance and Blackmagic RAW gives you feature film images with precise skin tones and gorgeous organic colours. You get advanced features such as 4K, 6K or 6K Pro models, large 5\" LCD for easy focus, SD card and CFast media, external USB-C media disk recording, EF or MFT lens mounts and more! 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Imagine getting film quality on independent film, music videos, weddings, corporate videos, documentaries and more!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eLightweight Carbon Fiber Polycarbonate Composite\u003c\/strong\u003e\u003cbr\u003e\n\nThe elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturised, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBlackmagic Pocket Cinema Camera 6K\u003c\/strong\u003e\u003cbr\u003e\n\nFeaturing a larger 6144 x 3456 Super 35 sensor and EF lens mount, the Blackmagic Pocket Cinema Camera 6K lets you use larger EF photographic lenses to create cinematic images with shallower depth of field, allowing creative defocussed backgrounds and gorgeous bokeh effects!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eMultifunction Grip with Fingertip Controls\u003c\/strong\u003e\u003cbr\u003e\n\nThe multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments! Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic Pocket Cinema Camera features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false colour and more. The Blackmagic Pocket Cinema Camera 6K Pro also adds extra ND filter controls.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eHigh Resolution Cinematic Digital Film Sensor\u003c\/strong\u003e\u003cbr\u003e\n\nThe Blackmagic Pocket Cinema Camera 4K features a native sensor resolution of 4096 x 2160, while the 6K models have a native resolution of 6144 x 3456. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus the 6K models feature a larger Super 35 sensor that allows shooting with a shallow depth of field and anamorphic lenses. All models let you shoot up to 60 fps in full resolution or 120 fps windowed. An amazing sensor combined with Blackmagic colour science means you get the same imaging technology as the most expensive digital film cameras.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003e3 Great Models\u003c\/strong\u003e\u003cbr\u003e\n\nWith 3 models, you can choose between EF or MFT lenses, making Blackmagic Pocket Cinema Camera compatible with the largest range and most popular lenses in the world! The 6K models feature an EF lens mount so you can use lenses you already own from other cameras such as DSLR, URSA Mini Pro or even the original Blackmagic Cinema Camera! You can use commonly available photographic lenses that provide incredible creative choice and wonderful feature film quality lens effects. The active lens mount lets you adjust focus and iris from the buttons on the camera or the touch screen. For even greater flexibility, the MFT lens mount on the 4K model can be adapted to PL, C, EF or other lens types!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBuilt in ND Filters\u003c\/strong\u003e\u003cbr\u003e\n\nThe Blackmagic Pocket Cinema Camera 6K Pro features high quality, motorized IR ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical and IR wavelengths evenly, eliminating IR contamination of the images. Activation buttons are located on the rear of the camera body, placed within easy reach of your thumb from the multi function hand grip. User selectable filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e\u003cbr\u003e\n\nThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Pocket Cinema Cameras have an incredible 13 stops of dynamic range which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colors than the standard DCI-P3 colorspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/strong\u003e\u003cbr\u003e\n\nIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night! The Pocket Cinema Cameras feature dual gain ISO up to 25,600, which means they're optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003cbr\u003e\n\nDepending on the model, the Blackmagic Pocket Cinema Camera can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can shoot stills at 21.2 megapixels on the 6K models and 8.8 megapixels on the 4K model. The 6K models will shoot up to 50 fps at 6144 x 3456 16:9 or 60 fps at 6144 x 2560 2.4:1 and 60 fps at 5744 x 3024 17:9. For higher frame rates you can window the sensor and shoot up to 120 fps at 2.8K 2868 x 1512 17:9. You can even work in true anamorphic 6:5 using anamorphic lenses in 3.7K 60 fps at 3728 x 3104. On the 4K model you can shoot up to 60 fps 4K DCI at 4096 x 2160 and 60 fps in Ultra HD at 3840 x 2160. You can even shoot 120 fps in 1080HD!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003ePost Production Friendly File Formats\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic Pocket Cinema Camera records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, or use the included DaVinci Resolve Studio. Recording works in industry standard 10-bit Apple ProRes files in all formats up to 4K or 12-bit Blackmagic RAW in all formats up to 6K. Blackmagic RAW is the fastest growing RAW format. Developers can download and use the free Blackmagic RAW SDK to add support into their applications. Best of all media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eUse Standard SD Cards, UHS‑II or CFast 2.0 Media\u003c\/strong\u003e\u003cbr\u003e\n\nThe Blackmagic Pocket Cinema Camera features built in CFast and SD UHS-II card recorders, and a USB-C expansion port for recording direct to an external media disk. You can use regular SD cards for HD or higher performance UHS-II and CFast cards for native 4K or 6K when using Blackmagic RAW. Imagine capturing over an hour of full resolution 6K images on a single 256GB SD UHS-II card! The ProRes and Blackmagic RAW files work with all video software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBlackmagic Raw\u003c\/strong\u003e\u003cbr\u003e\n\nThe quality of RAW and the speed of video! Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Video formats such as H.264 are highly compressed, plus add noise and weird artifacts, causing original sensor detail to be lost forever. Blackmagic RAW eliminates this problem and gives you stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eColor Temperature - Setting the color temperature tells the camera how to interpret white and other colors in an image. Instead of saving images with color values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio.\u003c\/li\u003e\n\n\t\u003cli\u003eContrast - Adjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and color correcting.\u003c\/li\u003e\n\n\t\u003cli\u003eISO - Changing the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003c\/li\u003e\n\n\t\u003cli\u003eTint - Adjusting tint is another way you can affect the overall color balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colors in different directions.\u003c\/li\u003e\n\n\t\u003cli\u003eSaturation - Saturation is the strength or purity of a color. More saturated colors are pure and less saturated colors have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colors visually pop or become muted.\u003c\/li\u003e\n\n\t\u003cli\u003eExposure - In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed!\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eTouchscreen for Fast Setup\u003c\/strong\u003e\u003cbr\u003e\n\nThe large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus! You can also access settings such as the digital slate, to quickly add metadata to any shot.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eLarge 5\" LCD Monitor\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic Pocket Cinema Camera features a large, bright 5 inch touchscreen that makes it easy for you to frame shots and accurately focus. That means you don’t have to carry around an external monitor! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired color and look. The Pocket Cinema Camera 6K Pro LCD monitor is a more advanced HDR display that can be tilted up and down so it's easy to monitor your shot from any position. Plus the 6K Pro model’s HDR display features 1500 nits of brightness, ideal for use in bright sunlight!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eThe Advanced OS with Features from URSA Mini Pro\u003c\/strong\u003e\u003cbr\u003e\n\nWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eLatest Generation 5 Color Science\u003c\/strong\u003e\u003cbr\u003e\n\nStunning Skin Tones and Faithful Color Reproduction. Featuring the same generation 5 color science as the high end URSA Mini Pro 12K, the new Pocket Cinema Camera 6K Pro delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve Studio.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eOptional Viewfinder for Professional Shooting\u003c\/strong\u003e\u003cbr\u003e\n\nThe Pocket Cinema Camera 6K Pro supports an optional viewfinder to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1280 x 960 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K Pro via a single connector. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eProfessional Connections for Custom Rigs\u003c\/strong\u003e\u003cbr\u003e\n\nThough small and portable, the Blackmagic Pocket Cinema Camera features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also a mini XLR connection with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector! The USB-C connection lets you connect and record direct to your media disk!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003e4 Built-in Microphones and Professional Audio Inputs\u003c\/strong\u003e\u003cbr\u003e\n\nWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic Pocket Cinema Cameras feature a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The 6K Pro model features 2 mini XLR connections, allowing you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eLoad Custom 3D LUTs to Recreate Film Looks\u003c\/strong\u003e\u003cbr\u003e\n\nDigital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Pocket Cinema Camera works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eUSB-C for Recording Direct to External Media Disks\u003c\/strong\u003e\u003cbr\u003e\n\nThe Blackmagic Pocket Cinema Camera features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and SSDs for significantly longer recording times. A high speed external disk allows shooting 6K in the highest constant quality 12-bit Blackmagic RAW in the Q0 setting or at high frame rates. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk, eliminating file copying.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBuilt In Timecode Generator\u003c\/strong\u003e\u003cbr\u003e\n\nGet Fast Multi Camera Shoots in Perfect Sync! Professional cameras include professional features and you also get a built in timecode generator, allowing shooting with more than one camera while keeping perfect sync! Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras! Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eShoot Still Frames up to 21.2 Megapixels\u003c\/strong\u003e\u003cbr\u003e\n\nIn addition to shooting video, the Blackmagic Pocket Cinema Camera can also capture high resolution stills. Simply press the dedicated stills button to record 21.2 megapixel images on the 6K models or 8 megapixel images on the 4K model. Still images are saved as fully uncompressed DNG frames, so you get the maximum image quality, which is perfect for making professional prints. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eLocalized in 11 Popular Languages\u003c\/strong\u003e\u003cbr\u003e\n\nThe Blackmagic Pocket Cinema Camera is designed to be used worldwide and supports 11 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Russian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide! When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote Control\u003c\/strong\u003e\u003cbr\u003e\n\nIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003ePower from Batteries,12V DC and Recharge via USB‑C\u003c\/strong\u003e\u003cbr\u003e\n\nThe Blackmagic Pocket Cinema Camera 4K and 6K use removable LP-E6 type batteries while the 6K Pro model uses larger NP-F570 batteries. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera and charge the battery simultaneously. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eUse Pocket Cinema Camera as a Live Studio Camera\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic Pocket Cinema Camera now works as a studio camera for live production when used with ATEM Mini! Video and control is via the HDMI connection, which is available as soon as you plug the cameras in. The record light becomes a tally light so you can see which camera is on air! The ATEM Software Control camera page has a camera control unit (CCU) style interface for adjusting and matching your cameras. Move the CCU control vertically for iris and left to right to adjust black level. It's the same as a broadcast CCU! There are also controls for color tint to balance cameras as well as focus, gain and shutter speed. You can even ISO record Blackmagic RAW in the camera for editing later!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003cbr\u003e\n\nGet ProfessionalEditing, Color Correction, Audio Post and VFX!All Pocket Cinema Camera models include a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the the same high end software that professional editors and colorists use!\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123105448164,"sku":"BMD-CINECAMPOCHDEF06P","price":1677.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CINECAMPOCHDEF06P-1_21c1be73-55cb-4032-a6ac-773ba447b324.jpg?v=1764755724"},{"product_id":"blackmagic-pocket-cinema-camera-6k-g2","title":"Blackmagic Pocket Cinema Camera 6K G2","description":"\u003cdiv aria-labelledby=\"2\" class=\"collapse show\" id=\"longDes\" style=\"\"\u003e\n\n\u003cdiv class=\"card-body\"\u003e\n\n\u003cdiv\u003eFeaturing a large 6144 x 3456 Super 35 sensor and EF lens mount, the Blackmagic Pocket Cinema Camera 6K G2 lets you use EF photographic lenses to create cinematic images with shallower depth of field. It also has an adjustable tilt LCD, viewfinder mount, mini XLR audio inputs and a NP-F570 style battery.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDramatically improve the production value of your work by upgrading to digital film! Blackmagic Pocket Cinema Camera is better than a simple video camera because it has professional features allowing you to create the same \"look\" as Hollywood feature films. The combination of high dynamic range, great low light performance and Blackmagic RAW gives you feature film images with precise skin tones and gorgeous organic colours. You get advanced features such as 4K, 6K G2 or 6K Pro models, large 5\" LCD for easy focus, SD card and CFast media, external USB-C media disk recording, EF or MFT lens mounts and more. DaVinci Resolve Studio is also included for editing, colour correction, audio post and VFX.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/xnEFUHm4mvc\" title=\"Introducing Blackmagic Pocket Cinema Camera 6K G2\" width=\"640\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGet the \"Hollywood Look\" with Digital Film.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003ePocket Cinema Camera has the professional features you need for feature film, television programming and documentaries, however now these same features can be used to revolutionize other types of work such as blog videos, YouTube content and more. You get the same features found on expensive digital film cameras, allowing capture of deeper colours, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine getting film quality on independent film, music videos, weddings, corporate videos, documentaries and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLightweight Carbon Fiber Polycarbonate Composite\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eMultifunction Grip with Fingertip Controls.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments. Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command. The Blackmagic Pocket Cinema Camera features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false colour and more.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eFingertip Shooting Controls\u003c\/strong\u003e\u003cbr\u003e\n\n\tThe front and top of the Blackmagic Pocket Cinema Camera features record start\/stop and still photo buttons along with dedicated controls for iris, ISO, white balance and shutter speed. The main power switch is located on the top next to a row of 3 customizable function buttons.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eBack Panel Controls\u003c\/strong\u003e\u003cbr\u003e\n\n\tConveniently placed below the right thumb rest, you can quickly change shooting speed with the high frame rate button, zoom into the image with the magnifying glass, access setup menus and quickly play back shots for review.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHigh Resolution Cinematic Digital Film Sensor\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic Pocket Cinema Camera 6K G2 features a native resolution of 6144 x 3456. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus the 6K models feature a larger Super 35 sensor that allows shooting with a shallow depth of field and anamorphic lenses. All models let you shoot up to 60 fps in full resolution or 120 fps windowed. An amazing sensor combined with Blackmagic colour science means you get the same imaging technology as the most expensive digital film cameras.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eCompatible with Cinema and Photographic Lenses\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith 3 models, you can choose between EF or MFT lenses, making Blackmagic Pocket Cinema Camera compatible with the largest range and most popular lenses in the world. The 6K models feature an EF lens mount so you can use lenses you already own from other cameras such as DSLR, URSA Mini Pro or even the original Blackmagic Cinema Camera. You can use commonly available photographic lenses that provide incredible creative choice and wonderful feature film quality lens effects. The active lens mount lets you adjust focus and iris from the buttons on the camera or the touch screen. For even greater flexibility, the MFT lens mount on the 4K model can be adapted to PL, C, EF or other lens types.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Pocket Cinema Cameras have an incredible 13 stops of dynamic range which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colours than the standard DCI-P3 colourspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when colour grading.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night. The Pocket Cinema Cameras feature dual gain ISO up to 25,600, which means they're optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDepending on the model, the Blackmagic Pocket Cinema Camera can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can shoot stills at 21.2 megapixels on the 6K models and 8.8 megapixels on the 4K model. The 6K models will shoot up to 50 fps at 6144 x 3456 16:9 or 60 fps at 6144 x 2560 2.4:1 and 60 fps at 5744 x 3024 17:9. For higher frame rates you can window the sensor and shoot up to 120 fps at 2.8K 2868 x 1512 17:9. You can even work in true anamorphic 6:5 using anamorphic lenses in 3.7K 60 fps at 3728 x 3104. On the 4K model you can shoot up to 60 fps 4K DCI at 4096 x 2160 and 60 fps in Ultra HD at 3840 x 2160. You can even shoot 120 fps in 1080HD.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePost Production Friendly File Formats\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Pocket Cinema Camera records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, or use the included DaVinci Resolve Studio. Recording works in industry standard 10-bit Apple ProRes files in all formats up to 4K or 12-bit Blackmagic RAW in all formats up to 6K. Blackmagic RAW is the fastest growing RAW format. Developers can download and use the free Blackmagic RAW SDK to add support into their applications. Best of all media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eUse Standard SD Cards, UHS‑II or CFast 2.0 Media\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic Pocket Cinema Camera features built in CFast and SD UHS-II card recorders, and a USB-C expansion port for recording direct to an external media disk. You can use regular SD cards for HD or higher performance UHS-II and CFast cards for native 4K or 6K when using Blackmagic RAW. Imagine capturing over an hour of full resolution 6K images on a single 256GB SD UHS-II card. The ProRes and Blackmagic RAW files work with all video software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBlackmagic Raw\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eThe quality of RAW and the speed of video\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Video formats such as H.264 are highly compressed, plus add noise and weird artifacts, causing original sensor detail to be lost forever. Blackmagic RAW eliminates this problem and gives you stunning images with incredible detail and colour throughout the production pipeline from camera to edit, colour and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality. Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eColour Temperature\u003c\/strong\u003e\u003cbr\u003e\n\n\tSetting the colour temperature tells the camera how to interpret white and other colours in an image. Instead of saving images with colour values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eContrast\u003c\/strong\u003e\u003cbr\u003e\n\n\tAdjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and colour correcting.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eISO\u003c\/strong\u003e\u003cbr\u003e\n\n\tChanging the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eTint\u003c\/strong\u003e\u003cbr\u003e\n\n\tAdjusting tint is another way you can affect the overall colour balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colours in different directions.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eSaturation\u003c\/strong\u003e\u003cbr\u003e\n\n\tSaturation is the strength or purity of a colour. More saturated colours are pure and less saturated colours have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colours visually pop or become muted.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eExposure\u003c\/strong\u003e\u003cbr\u003e\n\n\tIn order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eTouchscreen for Fast Setup\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus. You can also access settings such as the digital slate, to quickly add metadata to any shot.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge 5\" LCD Monitor\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Pocket Cinema Camera features a large, bright 5 inch touchscreen that makes it easy for you to frame shots and accurately focus. That means you don’t have to carry around an external monitor. On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired colour and look. The LCD monitor on the Pocket Cinema Camera 6K G2 and Pro models is a more advanced HDR display that can be tilted up and down so it's easy to monitor your shot from any position. Plus the 6K Pro model’s HDR display features 1500 nits of brightness, ideal for use in bright sunlight.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLatest Generation 5 Colour Science\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eStunning Skin Tones and Faithful Colour Reproduction\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFeaturing the same generation 5 colour science as the high end URSA Mini Pro 12K, thePocket Cinema Camera 6K Pro delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve Studio.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eOptional Viewfinder for Professional Shooting\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Pocket Cinema Camera 6K G2 and 6K Pro supports an optional viewfinder to make outdoors and handheld shooting accurate and easy. You get an integrated high quality 1280 x 960 colour OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide -4 to +4 focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The Pocket Cinema Camera Pro EVF connects quickly to the Blackmagic Pocket Cinema Camera 6K G2 and 6K Pro via a single connector. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eProfessional Connections for Custom Rigs.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThough small and portable, the Blackmagic Pocket Cinema Camera features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10-bit output. That means you can connect an HDMI display for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also a mini XLR connection with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector. The USB-C connection lets you connect and record direct to your media disk.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e4 Built-in Microphones and Professional Audio Inputs\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again. Blackmagic Pocket Cinema Cameras feature a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The 6K Pro model features 2 mini XLR connections, allowing you to record 2 separate audio tracks using 2 mics, without an external mixer. The four built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound in any location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLoad Custom 3D LUTs to Recreate Film Looks\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDigital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Pocket Cinema Camera works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eUSB-C for Recording Direct to External Media Disks\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic Pocket Cinema Camera features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and SSDs for significantly longer recording times. A high speed external disk allows shooting 6K in the highest constant quality 12-bit Blackmagic RAW in the Q0 setting or at high frame rates. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and colour correction from the same disk, eliminating file copying.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt In Timecode Generator, Get Fast Multi Camera Shoots in Perfect Sync.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eProfessional cameras include professional features and you also get a built in timecode generator, allowing shooting with more than one camera while keeping perfect sync. Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras. Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eShoot Still Frames up to 21.2 Megapixels.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn addition to shooting video, the Blackmagic Pocket Cinema Camera can also capture high resolution stills. Simply press the dedicated stills button to record 21.2 megapixel images on the 6K models or 8 megapixel images on the 4K model. Still images are saved as fully uncompressed DNG frames, so you get the maximum image quality, which is perfect for making professional prints. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLocalized in 13 Popular Languages\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic Pocket Cinema Camera is designed to be used worldwide and supports 13 different languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide. When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePower from Batteries, 12V DC and Recharge via USB‑C.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic Pocket Cinema Camera 4K uses removable LP-E6 type batteries while the 6K G2 and 6K Pro models use larger NP-F570 batteries. A locking DC power connector is used so you won't have to worry about losing power during a shoot. Plus the included AC plug pack can power the camera and charge the battery simultaneously. You also get a set of international socket adapters for worldwide use. Even the USB-C expansion port can trickle charge the battery, so you can use portable battery packs, mobile phone chargers or laptops. The optional battery grip lets you add extra batteries to dramatically extend the power of the camera so you can keep shooting all day.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eUse Pocket Cinema Camera as a Live Studio Camera.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Pocket Cinema Camera now works as a studio camera for live production when used with ATEM Mini. Video and control is via the HDMI connection, which is available as soon as you plug the cameras in. The record light becomes a tally light so you can see which camera is on air. The ATEM Software Control camera page has a camera control unit (CCU) style interface for adjusting and matching your cameras. Move the CCU control vertically for iris and left to right to adjust black level. It's the same as a broadcast CCU. There are also controls for colour tint to balance cameras as well as focus, gain and shutter speed. You can even ISO record Blackmagic RAW in the camera for editing later.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio - Get Professional Editing, Colour Correction, Audio Post and VFX.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll Pocket Cinema Camera models include a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application. Now you can use the the same high end software that professional editors and colourists use.\u003c\/div\u003e\n\n\u003c\/div\u003e\n\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123105480932,"sku":"BMD-CINECAMPOCHDEF6K2","price":1318.46,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CINECAMPOCHDEF6K2_c493be90-fb38-42cc-b063-d5c881afefff.jpg?v=1764755733"},{"product_id":"blackmagic-design-pocket-cinema-camera-4k","title":"Blackmagic Design Pocket Cinema Camera 4K","description":"\u003cp\u003eThe Blackmagic Pocket Cinema Camera 4K gives you the professional features you need, all in a portable and affordable design that can be used anywhere. It’s perfect for shooting independent films and documentaries, fashion shows, travel blogs, web videos, weddings, corporate video, sports and more. The incredible image quality, advanced Blackmagic Design color science and RAW recording features let you shoot images that rival professional digital film cameras costing tens of thousands more. That means you get the image quality you need to seamlessly mix footage from the Blackmagic Pocket Cinema Camera 4K with other types of cameras used on high end Hollywood feature films and episodic television shows!\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera 4K features 4\/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600 for HDR images and incredible low light performance. External controls give quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. 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The URSA Cine 17K 65 Body model is ideal when you have existing camera accessories that you want to use to create your own camera rig. It excludes top handle, baseplate, power supply, battery plate and LPL lens mount. It does come with an interchangeable PL lens mount, a dedicated assist station with a second 5″ HDR LCD touchscreen and industry standard Lemo and Fischer connections. Blackmagic URSA Cine 17K 65 Body also includes an 8TB media module, high speed 10G Ethernet and WiFi for fast media upload and syncing to Blackmagic Cloud.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eCinematic Large Format Sensor\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 17K! Building on the original 12K RGBW Super 35 sensor, the new large format design features larger photo-sites, delivering an astounding 16 stops of dynamic range! The unique RGBW architecture provides equal amounts of red, green and blue pixels for incredible colour super sampling. This means it is optimized to deliver incredibly rich colours at all resolutions and provide the ultimate in image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever! Plus, in sensor scaling means you can record at all resolutions without cropping!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eA Camera Body Optimized for High End Productions!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine is designed to meet the demands of any high end production. The camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help you move quickly on set. Soft touch backlit buttons make controls easy to see in all conditions. There’s a 5″ fold out touchscreen for reviewing shots and accessing camera settings, plus a dedicated assist station on the other side of the camera, with 5″ LCD and full camera controls! Standard Lemo and Fischer connectors let you control the camera remotely while providing power for lens motors and other accessories. You also get 12G‑SDI out, 10G Ethernet, USB-C, XLR audio and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge Format Flexibility\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe large format sensors provide the ultimate in flexibility for aspect ratios, lenses and delivery formats! The full sensor area of the 12K LF gives you a stunning 3:2 open gate image, while the 17K 65 model provides a cinematic 2.20:1 image. Both models let you use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8 and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. The 12K LF model even has 9K Super 35 modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eInterchangeable Lens Mounts\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDifferent projects require different lenses which is why URSA Cine features an interchangeable lens mount. You can quickly switch between PL, LPL, EF and Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest possible range of professional lenses. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses next! Plus, each mount has contact pins to read lens metadata for monitoring and for use in post production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHigh Resolution Monitoring and Camera Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine lets crews work faster on set with multiple monitoring options! The fold out monitor has a large 5″ HDR touchscreen on one side and an external color status LCD on the other. You can even rotate the screen and fold it back into the camera! On the right side of the camera, there’s a dedicated assist station with a second 5″ HDR touchscreen which allows crew to work around the camera without needing external monitors. Plus, with a 1500 nit display and removable sunshade, it’s always visible, even in bright sunlight. On screen overlays show status and record parameters, histogram, frame guides and more. There’s even a dedicated focus puller’s mode to help you get perfect focus!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRugged Industry Standard Connections\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe wide range of industry standard connections on URSA Cine make it perfect for high end cinema production. The 7 pin Lemo and 3 pin Fischer connectors at the front provide record start\/stop and 24V power so are ideal for on board accessories such as focus motors. Camera power is provided by a standard 24V 8 pin Lemo connection, plus there's an additional 2 pin Lemo 12V connection at the rear for lower voltage accessories. All this means you can power accessories straight from the camera without messy external cabling! There are also two independent 12G-SDI outputs for monitoring on 2 different monitors with different overlays, plus 10G Ethernet for Blackmagic Cloud media syncing!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBlackmagic RAW Fuelled Image Capture\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options are designed to give you the best possible images with predictable and consistent file size. URSA Cine records to the Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or a massive 20 hours in 4K!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGeneration 5 Colour Science\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Generation 5 Colour Science features a new film curve designed to make full use of the massive amount of colour data from the new URSA Cine sensor. This delivers even better colour response for more pleasing skin tones, and better rendering of highly saturated colours such as neon signs and car tail lights in high contrast scenes. Generation 5 Colour Science informs complex Blackmagic RAW image processing, with colour and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Colour Science lets you take advantage of the new film curve even with your existing work!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt in Optical Low Pass Filter\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe high frequencies of synthetic materials like fabrics or the LED matrix in video walls can cause problems for ultra sharp modern lenses and high resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. URSA Cine includes a high performance, optical low pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red colour response which, when combined with Blackmagic RAW processing for the URSA Cine, preserves colour and critical image detail for new levels of image fidelity.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt in Colour Balanced ND Filters\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine 12K LF features high quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and colour science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Cine ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eFull Frame Capture at Higher Frame Rates\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K, Super 35 9K and even insanely detailed 12K! You can shoot 100 fps in 12K 12,288 x 6480 17:9 or 120 fps in 12K 2.4:1 widescreen! For higher frame rates, you can shoot 144 fps at 8192 x 5360, 180 fps at 8192 x 3408 and even capture 8K 2.4:1 widescreen at an incredible 224 fps at 8,192 x 3,408! URSA Cine has flexible frame rate and resolution options, and captures with incredible motion rendering with smoother edges in 8K and 4K, even at lower frame rates. Plus, with a massive 100 megapixels per frame at up to 80 fps in Blackmagic RAW, you can capture perfect stills and motion shots at the same time!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHigh Performance Internal Media for Recording\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine is the first digital film camera with ultra fast high capability Cloud Store technology built in. Blackmagic Media Module is fast, rugged and includes a massive 8TB of storage. It’s like a Cloud Store Mini built into your camera! The high speed storage lets you record at the highest resolutions and frame rates for hours and access your files directly over high speed 10G Ethernet. Or you can use the media you already own with the optional Blackmagic Media Module CF, which has dual CFexpress slots. The module can be easily removed from the camera and loaded into a Blackmagic Media Dock for transferring media to a network or to Blackmagic Cloud for instant global collaboration!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eEliminate Media Offload Time\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Media Dock accelerates your post production workflow by making it faster and simpler to start editing and colour correction! Mount up to three Blackmagic Media Modules for high speed access to media from multiple URSA Cine cameras all at the same time! The four high speed 10G Ethernet ports allow up to four separate edit workstations to connect directly and it is extremely fast, even when a lot of users are connected at the same time. Plus, the USB-C connection supports Ethernet so you can transfer media using a simple USB-C cable connected to your computer. There is also an HDMI output that lets you see the status of your media in real time on a TV or monitor.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLive sync and edit media on DaVinci Resolve while the camera is rolling!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine records an HD proxy in H.264 in addition to the camera original media. The small proxy file can upload to Blackmagic Cloud in seconds, even as the camera’s recording, so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post production workflows!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eConnect to Mobile Data, High Speed Wifi or Ethernet!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen live streaming or uploading to Blackmagic Cloud, you can connect and use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and URSA Cine will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G! You can also connect via high speed wifi or wired Ethernet using the 10G Ethernet port. With live streaming built into the camera, you get the solution you need for clients and post production to monitor shoots from anywhere in the world! That's a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people all working together.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLive Stream Directly to Your Client\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNow you can live stream from film sets! URSA Cine features a built hardware streaming engine that supports RTMP and SRT streaming to major platforms or directly to clients! Simply connect to the internet via Ethernet, high speed wifi or even connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to video village or the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now everyone can keep an eye on the shoot, live, while it's happening!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHigh Resolution Viewfinder for Accurate Focus\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included viewfinder bracket and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eCompatible with Industry Standard Batteries and Power\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine includes an 8-pin Lemo power connector at the back of the camera that works with 24V and 12V power supplies. That means it’s easy to use the camera with existing power supplies, batteries and accessories! The front of the camera includes additional Lemo and Fischer connectors for powering lens motors and other accessories. URSA Cine comes with a massive 250W power supply and B Mount battery plate so you can use a wide range of 24V batteries from manufacturers such as BEBOB, IDX, Blueshape, Core SWX, SWIT and more. You can also add the optional Blackmagic URSA Cine VLock Battery Plate or Blackmagic URSA Cine Gold Battery Plate for using legacy V‑Mount and Gold Mount batteries.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Cine features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDigital Slate for Fast Metadata Entry\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production specific information, technical information and more! All of the metadata is saved with the files for use in post production when editing and colour correcting with software such as DaVinci Resolve!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWireless Bluetooth Camera Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLocalized in 13 Popular Languages\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine is designed to be used worldwide and supports 13 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide! When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, colour correction, audio post and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, colour correction, effects, audio and delivery.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eComes Ready to Shoot\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith URSA Cine, you can buy a kit that comes with everything you need to get started on set, or you can buy a lower cost body only model and rig it with your own accessories! The kits come in a rugged Pelican case with custom foam cutouts that precisely and securely fit the camera and its accessories. The PL lens mount comes preinstalled on the camera body, plus you get an interchangeable locking EF or LPL mount, depending on the model. You even get a massive 8TB Media Module preinstalled and ready to record. You also get a top handle, antennas for high speed WiFi, baseplate, power supply and B mount battery plate for quick set up. There’s even a kit that comes with URSA Cine EVF!\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123105677540,"sku":"BMD-CINEURSAA17K65BODY","price":16755.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CINEURSAA17K65BODY.jpg?v=1764755738"},{"product_id":"blackmagic-ursa-mini-pro-12k","title":"Blackmagic URSA Mini Pro 12K","description":"\u003cp\u003eIntroducing the World’s Most Advanced Digital Film Camera!\u003c\/p\u003e\n\n\n\n\u003cp\u003eBlackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. The combination of 80 megapixels per frame, new colour science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives you the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras.\u003c\/p\u003e\n\n\n\n\u003cp\u003eYou can shoot at 60 fps in 12K, 110 fps in 8K and up to 220 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS‑II SD card recorders, a SuperSpeed USB‑C expansion port and more. DaVinci Resolve Studio is included for creative control through post from editing to colour, VFX and more!\u003c\/p\u003e\n\n\n\n\u003cp\u003eDigital Film, Extreme Resolution\u003c\/p\u003e\n\n\n\n\u003cp\u003eURSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep colour. Perfect for feature films, episodic television and immersive, large format IMAX. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means you not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible. This new generation of digital film technology ushers in an analog style purity and subtlety to deliver a better than film experience.\u003c\/p\u003e\n\n\n\n\u003cp\u003eCinematic Super 35 12K Sensor\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame! The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. The new 12K sensor has equal amounts of red, green and blue pixels and is optimised for images at multiple resolutions. You can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 110 fps without cropping or changing your field of view. URSA Mini Pro’s interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses, so you can capture every ounce of character and detail from your favourite optics.\u003c\/p\u003e\n\n\n\n\u003cp\u003eShoot in 12K, Edit on a Laptop\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As an incredibly efficient next generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It’s like a multi camera shoot with only one camera. And it’s perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post production instantly, without rendering, while retaining the full sensor’s colour accuracy.\u003c\/p\u003e\n\n\n\n\u003cp\u003eBlackmagicRAW Fueled Image Capture\u003c\/p\u003e\n\n\n\n\u003cp\u003eOnly Blackmagic RAW makes cinema quality 12‑bit, 80 megapixel images at up to 60 frames a reality! Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give you the best possible images with predictable and consistent file size. You can record RAW to two cards simultaneously so you can shoot 12K or 8K to either CFast or UHS‑II cards, even at high frame rates! Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production.\u003c\/p\u003e\n\n\n\n\u003cp\u003eOptimised for Fast Flexible Post Production\u003c\/p\u003e\n\n\n\n\u003cp\u003eShooting RAW in 12K preserves the deepest control of detail, exposure and color during post. Oversampling means you get extremely sharp 8K without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 12K for post production, making it as easy to work with as standard HD or Ultra HD files. It is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So you can always work with your camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in 4K or 8K.\u003c\/p\u003e\n\n\n\n\u003cp\u003eGeneration 5 Colour Science\u003c\/p\u003e\n\n\n\n\u003cp\u003eBlackmagic Generation 5 Colour Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Mini Pro 12K sensor. This delivers even better colour response for more pleasing skin tones, and better rendering of highly saturated colours such as neon signs and car tail lights in high contrast scenes. Generation 5 Colour Science informs complex Blackmagic RAW image processing, with colour and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Colour Science lets you take advantage of the new film curve even with your existing work!\u003c\/p\u003e\n\n\n\n\u003cp\u003eFull Resolution at Higher Frame Rates\u003c\/p\u003e\n\n\n\n\u003cp\u003eURSA Mini Pro 12K is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K! With a massive 80 megapixels per frame at 60 fps in RAW you can capture perfect stills and motion shots in a single camera at the same time! You can shoot up to 60 fps in 12K 12,288 x 6480 17:9! For higher frame rates, you can shoot 110 fps at 8192 x 4320, 140 fps at 8192 x 3408 and even window the sensor to Super 16 to capture 4K at an incredible 220 fps at 4096 x 2160 DCI! URSA Mini Pro 12K has flexible frame rate and resolution options, and captures with improved motion rendering which means that you get smoother edges in 8K and 4K even at lower frame rates.\u003c\/p\u003e\n\n\n\n\u003cp\u003eHigh Band Width Recording\u003c\/p\u003e\n\n\n\n\u003cp\u003eURSA Mini Pro is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. You get dual built in CFast and UHS‑II SD card recorders, and a SuperSpeed USB‑C expansion port for recording to fast SATA and NVMe drives. With \"Record RAW on 2 Cards\" turned on, URSA Mini Pro 12K can record simultaneously across two cards up to an incredible 900MB\/s to 2 CFast cards, or an impressive 500MB\/s to 2 UHS‑II SD cards. The SuperSpeed USB‑C expansion port on the rear can record to USB‑C flash storage up to 900MB\/s as a third recording option so you won’t be short of choices for capturing stunning 12K up to 60 fps or 8K up to 110 fps!\u003c\/p\u003e\n\n\n\n\u003cp\u003eEasy to Use Blackmagic OS\u003c\/p\u003e\n\n\n\n\u003cp\u003eWith advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Mini Pro features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\n\n\n\n\u003cp\u003eRevolutionary Lightweight, Portable Design\u003c\/p\u003e\n\n\n\n\u003cp\u003eURSA Mini Pro is designed to include everything you need in a portable camera so you can take it anywhere! The evenly weighted camera body is made from lightweight, robust magnesium alloy. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. An external backlit LCD status display lets you view critical information. Plus there’s a 4\" fold out touchscreen for reviewing shots and accessing the menu settings. You get connections such as 12G‑SDI in and out, USB‑C, 48 volt phantom power XLR audio, timecode and reference in. The optional Blackmagic Shoulder Mount Kit lets you go from tripod to handheld in seconds!\u003c\/p\u003e\n\n\n\n\u003cp\u003eInterchangeable Lens Mounts\u003c\/p\u003e\n\n\n\n\u003cp\u003eDifferent projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. You can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro 12K, as well as B4 lenses on the URSA Mini Pro 4.6K G2. That means you can work with high quality large PL cinema lenses, EF or F mount photographic lenses, and even B4 broadcast lenses, making URSA Mini Pro compatible with the widest possible range of professional lenses. Additional PL, EF, F and B4 lens mounts can be purchased separately. With URSA Mini Pro, you get a single camera that works with virtually all professional lenses so you have the freedom to choose the lens you need for any kind of work!\u003c\/p\u003e\n\n\n\n\u003cp\u003eBuilt in Precision ND Filters\u003c\/p\u003e\n\n\n\n\u003cp\u003eURSA Mini Pro features high quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Mini Pro ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!\u003c\/p\u003e\n\n\n\n\u003cp\u003eUSB-C for Direct Recording to External Disks\u003c\/p\u003e\n\n\n\n\u003cp\u003eBlackmagic URSA Mini Pro features an innovative high speed USB-C Expansion Port. The 4.6K G2 model features USB‑C 3.1 Gen 1 which operates at up to 5 Gb\/s, while the new 12K model has a USB‑C 3.1 Gen 2 for a blistering 10 Gb\/s. You can connect and power external flash disks and SSDs or on URSA Mini Pro 12K you can connect the new URSA Mini Recorder for recording to fast NVMe SSD drives for longer recording times. NVMe SSD drives are ideal for shooting 12K in the highest constant quality 12‑bit Blackmagic RAW in the Q0 setting or for high frame rates. When shooting is complete you can simply move the external disk to your computer and start editing from the same disk, eliminating file copying!\u003c\/p\u003e\n\n\n\n\u003cp\u003eHigh Resolution Monitoring and Camera Control\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe built in 4 inch fold out touchscreen on URSA Mini Pro is a bright, high resolution color display with a wide viewing angle that makes it perfect for monitoring and reviewing shots on set! The screen can also show you a \"heads up display\" overlay with critical information such as format, frame rate, iris, timecode, shutter angle, white balance, ISO and more. Plus you get a histogram, card recording status indicators and audio meters! You can show or hide the heads up display by simply swiping up or down. The fold out touchscreen also lets you use the incredible Blackmagic operating software so you get super fast access to every camera function, digital slate for metadata management and more!\u003c\/p\u003e\n\n\n\n\u003cp\u003eDigital Slate for Fast Metadata Entry\u003c\/p\u003e\n\n\n\n\u003cp\u003eURSA Mini Pro features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production specific information, technical information and more! All of the metadata is saved with the files for use in post production when editing and color correcting with software such as DaVinci Resolve!\u003c\/p\u003e\n\n\n\n\u003cp\u003eFull Size, Durable Connections that Work with Standard Cables\u003c\/p\u003e\n\n\n\n\u003cp\u003eURSA Mini Pro features multiple connections such as 12G‑SDI out, LANC, balanced XLR audio with 48 volt phantom power, timecode in, reference input and a headphone connection. There’s also a 4 pin XLR DC output for powering accessories such as a viewfinder, and an HD‑SDI output for monitoring. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. There is also a 12 pin Hi‑rose connector for controlling servo zoom lenses. URSA Mini Pro 4.6K G2 and URSA Mini Pro 12K both include a USB‑C expansion port for recording to external disks, which on the 12K model is conveniently located on the rear of the camera.\u003c\/p\u003e\n\n\n\n\u003cp\u003eWireless Bluetooth Camera Control\u003c\/p\u003e\n\n\n\n\u003cp\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or trigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/p\u003e\n\n\n\n\u003cp\u003eIncludes DaVinci Resolve Studio\u003c\/p\u003e\n\n\n\n\u003cp\u003eURSA Mini Pro includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, color correction, effects, audio and delivery.\u003c\/p\u003e\n\n\n\n\u003cp\u003e*  Constant Quality setting Q0 storage rates quoted are indicative only, based on a 5:1 - 12:1 compression range.\u003c\/p\u003e\n\n\n\n\u003cp\u003e** Constant Quality setting Q1 storage rates quoted are indicative only, based on a 8:1 - 20:1 compression range.\u003c\/p\u003e\n\n\n\n\u003cp\u003e*** Constant Quality setting Q3 storage rates quoted are indicative only, based on a 12:1 - 30:1 compression range.\u003c\/p\u003e\n\n\n\n\u003cp\u003e**** Constant Quality setting Q5 storage rates quoted are indicative only, based on a 16:1 - 40:1 compression range.\u003c\/p\u003e\n\n\n\n\u003cp\u003eActual storage rates are entirely dependent on image subject matter.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123105841380,"sku":"BMD-CINEURSAMUPRO12K","price":4295.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/URSA_MINI_PRO_12K_6f214f45-3b12-43a9-8a7c-d0aab0ca9559.jpg?v=1764755746"},{"product_id":"blackmagic-design-ursa-mini-pro-46k-g2","title":"Blackmagic Design URSA Mini Pro 4.6K G2","description":"\u003cdiv\u003eURSA Mini Pro 4.6K G2, is a professional digital film camera that combines incredible 4.6K image quality with the features and controls of a traditional broadcast camera. The second generation URSA Mini Pro features fully redesigned electronics and a new Super 35mm 4.6K HDR image sensor that combine to give you much higher frame rate shooting. You also get built in ND filters, an interchangeable lens mount, Blackmagic RAW support, and both dual CFast and SD UHS-II card recorders for capturing images at up to 300 frames per second. There’s even a USB-C expansion port that lets you record directly to flash drives or SSD disks for even longer recording times. URSA Mini Pro 4.6K G2 features a massive number of controls intuitively positioned on the side of the camera so you can adjust most settings by feel, without ever having to take your eyes off the action. URSA Mini Pro is lightweight and comfortable enough to use all day, has controls that are extremely fast to use, and image quality that’s far superior to broadcast cameras costing ten times more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDIGITAL FILM QUALITY FOR EVERY PROJECT - THE PERFECT CAMERA FOR DIGITAL FILM, BROADCAST, LIVE PRODUCTION AND MORE.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro cameras are “three cameras in one” because they combine high end digital film quality with the features and controls broadcasters need. They’re ideal for any kind of work from high end feature films, television shows and commercials, toindependent films, broadcast news, and even studio and live production. URSA Mini Pro cameras go beyond standard Ultra HD broadcast quality because they give you 4.6K resolution with 15 stops of dynamic range. Plus, the super wide colour gamut and Blackmagic Design Generation 4 colour science give you incredibly accurate skin tones andstunning, lifelike colour so you always capture cinematic quality images. The super compact body features broadcast camera controls and advanced operating software that make it faster to set up and use than any other camera. Whether you’re on set, onlocation or shooting run and gun, URSA Mini Pro has theimage quality and features you need to work on any typeof project.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eTHREE INCREDIBLE MODELS - CHOOSE URSA MINI 4K, URSA MINI 4.6K OR URSA MINI PRO 4.6K G2\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe URSA Mini family are powerful and robust cameras that are available in three different models, so you can choose the camera that best suits your needs. The affordable URSA Mini 4K features a fixed EF mount along with dual CFast card recorders. URSA Mini Pro 4.6K G2 adds built in ND filters, an interchangeable lens mount, dual CFast and UHS-II SD card recorders, and a massive set of broadcast features and external controls. URSA Mini Pro 4.6K G2 is the ultimate high end digital film camera with second generation electronics, a high frame rate image sensor, and a USB-C for recording directly to external drives.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eREVOLUTIONARY URSA DESIGN - BIG CAMERA FEATURES THAT ARE FAST TO USE IN A LIGHTWEIGHT, PORTABLE DESIGN.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro is designed to include everything you need in a handheld camera so you can take it anywhere. Unlike cheap plastic cameras, the evenly weighted camera body is made out of a super tough magnesium alloy. It’s a true professional camera with full redundancy on every control, eventhe power switch. Plus, the familiar broadcast switches and controls allow full setting changes without having to take the camera off your shoulder. There’s an external high visibility backlit LCD status display so you can see critical shooting information, and a 4” foldout touch screen for reviewing shots. That means you don’t have tocarry an extra on‑set monitor. You get professional connections such as 12G‑SDI, XLR audio, a built in high quality microphone and more. The optional electronic viewfinder and shoulder mount kit lets you go from tripod to handheld shooting in seconds, or you can turn URSA Mini Pro into the ultimate live production camera by adding an URSA Studio Viewfinder.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBUILT IN ND FILTERS - HIGH QUALITY NEUTRAL DENSITY FILTERS WITH IR COMPENSATION.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The 2, 4 and 6 stop filters have been specifically designed to match the colourimetry and colour science of the camera, providing you with additional latitude, even under harsh lighting conditions. This lets you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. The IR filters have been designed to filter both optical wave lengths and IR wave lengths evenly to eliminate IR contamination of the images that most ND filters can suffer from. The ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. The filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eFAMILIAR BROADCAST CONTROL - QUICKLY CHANGE SETTINGS WITHOUT TAKING THE CAMERA OFF YOUR SHOULDER.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eLike the world’s best broadcast cameras, URSA Mini Pro 4.6K G2 features independent controls for direct access to the most important camera settings. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. This means you’ll be able to adjust settings, add an ND filter or even change frame rate without having to fold out the touchscreen or take the camera off your shoulder.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eINTERCHANGEABLE LENS MOUNTS - COMPATIBLE WITH EF, PL, B4 AND F MOUNT LENSES.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDifferent projects require different lenses, whichiswhy URSA Mini Pro models feature an interchangeable lensmount. Imagine shooting regular work using a photography lens but then being able to change to aPLmount cinema lens ifyou get a high end film job. URSA Mini Pro makesthat easy because you can quickly switch betweenEF, PL, B4 and F mount lenses, making it compatible with the widest possible range of professional lenses. That means you can work with high quality EF or F mount photographic lenses, large PL cinema lenses, and even B4 broadcast lenses, all with the same camera. URSA Mini Pro comes standard with an EF mount. Additional optional PL, B4 and F lens mounts can be purchased separately. With URSA Mini Pro, yougeta single camera that works with virtually all professional lenses so you can choose precisely the lens you need.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBACKLIT STATUS DISPLAY - SEE CRITICAL SHOOTING INFORMATION IN BRIGHT DAYLIGHT.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe status display is a high visibility backlit LCD screen that’s designed to be easily seen, even in bright light. The status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, ISO and IRIS. Italso features a battery indicator, card recording status and audio meters for monitoring levels. The screen’s backlight can be turned on when you’re shooting in dimly lit locations, and off when you’re shooting outdoors and in bright light to increase contrast, making it easy to read under any condition.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eCINEMATIC 4.6K SENSOR - CAPTURE INCREDIBLE DIGITAL FILM IMAGES WITH 15 STOPS OF DYNAMIC RANGE.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen it comes to image quality, URSA Mini Pro 4.6K G2 operates at a higher resolution and dynamic range that is well beyond traditional motion picture film. You get a 4.6K image sensor that captures up to 4608 x 2592 pixels, which is bigger than full size DCI 4K. The sensor features a massive 15 stops of dynamic range and support for up to 3200 ISO, making URSA Mini Pro models perfect for high dynamic range (HDR) projects. Built in active refrigeration ensures maximum dynamic range and low noise, so you get incredibly clean pictures with amazing detail in both the dark shadows and bright highlight areas. In addition, URSA Mini Pro 4.6K G2 supports high frame shooting at up to 300 frames per second and even better colour fidelity. You can also choose the lower cost URSA Mini 4K model with 12 stops of dynamic range when you don’t need the performance and are on a tighter budget.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eADVANCED COLOURIMETRY - SUPER WIDE COLOUR GAMUT AND PRECISION COLOUR SCIENCE.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro models feature an incredibly wide colour gamut that captures more of the visible colour spectrum than Rec. 2020, which is vastly larger than the P3 digital cinema colour space. Blackmagic Design Generation 4 colour science is used to process the raw sensor data, enabling amazingly rich skin tones, natural colour response and enormous amounts of dynamic range. Whether you’re shooting a Hollywood blockbuster, an indie film, high end commercial, or a broadcast television show, URSA Mini Pro’s combination of resolution, dynamic range and colour gamut delivers amazingly rich and lifelike images.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHIGH FRAME RATE RECORDING - CAPTURE THE ACTION AT UP TO 300 FRAMES PER SECOND.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro 4.6K G2 is a more powerful second generation camera with entirely new electronics and a new high performance image sensor that lets you shoot crystal clear slow motion footage. You can record full sensor 4.6K images up to 120 frames per second, windowed DCI 4K at up to 150 frames per second, and regular windowed 1080 HD at an amazing 300 frames per second. A dedicated off-speed button on the camera’s body lets you quickly switch between your preset high frame rate and regular frame rate shooting. When it comes to high frame rate shooting, URSA Mini Pro 4.6K G2 is ideal for fast action sports, high speed nature photography and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eNON STOP RECORDING - WORKS WITH BOTH CFAST AND SD CARD MEDIA.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro models feature both dual CFast 2.0 recorders and dual UHS‑II SD card recorders so you can choose the media that works best for you. CFast cards are ideal for full resolution Blackmagic RAW 12-bit recording, while SD UHS‑II cards are inexpensive and commonly available, making them perfect for recording Blackmagic RAW 5:1, 8:1 or 12:1 files. URSA Mini Pro 4.6K G2 also features a USB‑C connection so you can connect and record directly to portable SSD drives. Simply choose the media type, insert the cards and start shooting. With dual slots for each media type, you never haveto stop recording because when the first card is full, itautomatically continues onto the next card. You can even swap the full card for an empty one, all without having to stop recording.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBLACKMAGIC URSA MINI SSD RECORDER - RECORD ONTO 2.5 INCH SSD MEDIA.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe optional Blackmagic URSA Mini SSD Recorder lets you record 12-bit Blackmagic RAW files onto standard 2.5 inch SSD Media with your URSA Mini orURSA Mini Pro cameras. That means you can use commonly available and inexpensive high capacity solid state media. Unlike other types of cards, SSD media is super fast so you can record fullresolution 4K and 4.6K 12-bit Blackmagic RAW files. Plus,SSD media comes in much larger sizes so you can record longer without having to change cards. The unique design of the Blackmagic URSA Mini SSD Recorder allows itto attach directly to the back of your URSA Mini or URSA Mini Pro between the camera and the battery. It uses 6G-SDI as a data link to the camera so you don’t have to worry about starting or stopping the SSD recorder. Everything is setup and controlled directly from the camera.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eEXPANSION PORT - HIGH SPEED USB-C CONNECTION FOR DIRECT EXTERNAL RECORDING.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro 4.6K G2 features an innovative high speed USB‑C Expansion Port. USB‑C is quickly becoming standard on all modern computers and devices. The massive bandwidth of USB‑C makes it possible to connect external accessories such as flash drives and SSDs for significantly longer recording times. This can be important when shooting high quality lossless 12‑bit Blackmagic RAW or high frame rate 300 fps images. Best of all, when you’re done shooting you can use the same drive for editing and post production.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBUILT IN MONITORING - FOLD OUT TOUCH SCREEN FOR MONITORING AND CAMERA CONTROL.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe built in 4 inch fold out touchscreen on URSA Mini Pro models and the 5 inch fold out touchscreen on URSA Mini 4K and 4.6K are super bright, high resolution colour displays with a wide viewing angle that makes them perfect for monitoring and reviewing shots on set. The screen can also show you a “heads up display” overlay with critical information such as format, frame rate, timecode, ISO and more. You even get a histogram, card recording status indicators and audiometers. The fold out touchscreen lets you use the incredible new URSA Mini operating software so you get super fast access to every camera function, ATEM broadcast switcher integration features for live broadcast, digital slate for metadata management and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eADVANCED URSA MINI SOFTWARE - INCREDIBLY FAST SOFTWARE WITH REVOLUTIONARY NEW USER INTERFACE.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll URSA Mini cameras feature a new user interfacethat revolutionizes the way you work. The advanced camera operating software lets you use simple tap and swipe gestures to control all features, setup, the digital slate and more. You get powerful and super fast software with aunique heads up display that puts commonly used functions at your fingertips. Simply touch an on screen iconto make changes for things such as audio levels, whitebalance, shutter angle and more. You’ll instantly see sliders and controls formaking adjustments without ever having to navigate through any menus. The new digital slate makes entering metadata faster than ever before witha built in dictionary, predictive entry and on screen keyboard. Using a professional digital film camera has never been faster.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBLUETOOTH® CAMERA CONTROL - NEW API LETS YOU CREATE REMOTE CAMERA CONTROL APPS.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll URSA Mini Pro cameras feature built in Bluetooth that allows you to send and receive commands from up to 30 feet away. Blackmagic Design has also published a new, open protocol and developer API, along with sample code for an iPad app that can control URSA Mini Pro. Now you can create your own remote camera control solutions, digitalslate applications, remote colour correction software and more. The possibilities are endless and this technology will enable entirely new workflows that were never before possible. Imagine building an app that can jam sync timecode and trigger all cameras to record to their internal media with matching metadata, all at the same time.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHIGHLY CUSTOMIZABLE - FLEXIBLE ENOUGH TO BE RIGGED FOR ANY PRODUCTION\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic URSA Mini cameras are completely customizable so you can create a rig that’s built specifically for your production. You can add accessories like the Blackmagic URSA Viewfinder, URSA Studio Viewfinder, URSA Mini Shoulder Kit and URSA Mini Mic Mount, or choose from hundreds of third party accessories. URSA Mini and URSA Mini Pro have 9 standard ¼” threaded mounting points on the top and bottom of the camera so you can mount it directly to a tripod aswell as add accessories such as rails, sliders, matteboxes, microphones, ring lights, batteries and more. Whether you’re building a feature film rig or outfitting the camera for an ENG style shoot, URSA Mini has all of the mount points and connections you need.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHIGH RESOLUTION VIEWFINDER - FULL HD DISPLAY AND GLASS OPTICS MAKES PRECISE FOCUS EASY\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro and URSA Mini cameras. You get a high resolution 1920 x 1080 colour OLED display matched with precision glass optics, adjustable diopter and built in digital focus chart so you get perfect focus every time. To preserve OLED screen life, there’s a built in sensor so the OLED only turns on when you’re looking through the viewfinder. TheBlackmagic URSA Viewfinder is adjustable so it can be used on both the left or the right eye. There’s even a built in record light.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBLACKMAGIC URSA STUDIO VIEWFINDER - TURN URSA MINI INTO A TRUE PROFESSIONAL STUDIO CAMERA.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe URSA Studio Viewfinder is a true professional viewfinder for URSA Mini Pro and URSA Mini. You get a bright 7” screen with large handles and variable tension pivot points that let you smoothly adjust the viewfinder’s position and angle, even while you’re live on air. The control knobs and buttons give you direct control of settings so you can keep your eye on the action. Combined with the software for URSA Mini, the URSA Studio Viewfinder turns your URSA Mini into the ultimate live production camera. You get support for talkback, tally, and program return, along with remote control of focus, iris,colour balance and more, all from your ATEM Switcher.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePROFESSIONAL CONNECTIONS - FULL SIZE, DURABLE CONNECTIONS THAT WORK WITH STANDARD CABLES\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic URSA Mini Pro models feature multiple connections such as 12G‑SDI out, HD-SDI monitoring out, 2 LANC inputs, balanced XLR audio with phantom power, timecode in and reference input. On the front right side of the cameras is a 12 pin Hirose control connector for broadcast lenses. There’s also a 4 pin XLR DC output and an HD-SDI monitoring output that are located in the perfect position for connecting an optional viewfinder or on set monitor. The12G‑SDI output handles all formats up to 2160p60 using a single BNC cable, and also switches to 6G‑SDI or HD‑SDI depending on the shooting format.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eADVANCED 12G‑SDI - WORK WITH ALL FORMATS UP TO 2160P60 OVER A SINGLE CABLE.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e12G‑SDI is an incredible 8 times faster than regular HD-SDI which makes it fast enough for Ultra HD video at up to 60 frames per second, all over a single regular SDI cable. The high quality BNC connections are multi rate so it can automatically switch and work with 6G‑SDI, 3G‑SDI, and regular HD‑SDI equipment. That means URSA Mini Pro and URSA Mini cameras are compatible with all of your existing HD and Ultra HD equipment so you can plug it into things like ATEM live production switchers, on set monitors, decks and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePROFESSIONAL AUDIO - BUILT IN PRODUCTION QUALITY SOUND RECORDING\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro models have a high quality microphone and professional audio recorder built right in so you don’t have to carry around extra sound equipment. Use the built in stereo microphone to record natural location sound or connect professional microphones using the two XLR wide dynamic range mic inputs. The XLR connections have 48V of switchable phantom power so you can plug in everything from shot gun to wireless clip on mics for capturing every detail of the performance. You can quickly adjust levels using the external knobs and monitor audio using the onscreen audio meters.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDIGITAL SLATE - EMBEDDED METADATA, STORE LOCATION, CAMERA ORIENTATION, SCENE DETAILS AND MORE.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe built in touchscreen makes it astonishingly simple to set up and enter metadata for tagging clips. Metadata is saved directly in the video files so you don’t have to worry about managing extra files. You can import the files directly into software like DaVinci Resolve, Final Cut Pro and Avid Media Composer then use the metadata to sort, searchand find the clips you need so you can spend more time on creative editing and less time managing mountains of media.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eFLEXIBLE POWER - COMPATIBLE WITH INDUSTRY STANDARD BATTERIES AND POWER\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro and URSA Mini cameras include a 4-pin XLR industry standard power connector that works with 12V to 20V external power supplies. That means it’s easy to use thecamera with all of your existing power supplies and batteries. All URSA cameras use the same battery power connector and mounting points on the rear of the camera soyou can use a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. You can also add the optional Blackmagic URSA VLock Battery Plate or Blackmagic URSA Gold Battery Plate for using popular V‑Mount and Gold Mount batteries.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eINCLUDES DAVINCI RESOLVE STUDIO - PROFESSIONAL EDITING, VISUAL EFFECTS, COLOUR CORRECTION AND AUDIO POST.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll URSA cameras include a full version of DaVinci Resolve Studio, which is a complete post production solution. You get the world’s most advanced solution that combines professional editing, colour correction, audio post and visual effects all in one software tool. DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television productions, musicvideos, commercials or even the latest YouTube shoot,DaVinci Resolve Studio gives you a completelylossless workflow for native editing, colour correction, effects, audio and delivery, so your video always looks as good as possible.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eOPTIONAL SHOULDER MOUNT KIT - FROM TRIPOD TO SHOULDER AND BACK IN SECONDS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini cameras include multiple ¼ inch mount points on the bottom so you can attach it directly to any tripod. When you need to quickly move from tripod to handheld and back, the best solution is to use the optional Blackmagic URSA Mini Shoulder Kit. Thiskit includes the shoulder pad with built in rosettes, rail mounts and integrated quick lock release attachment points for instantly latching onto the quick release plate without removing the shoulder pad. The kit also includes a top handle for carrying the camera and attaching accessories.\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123105874148,"sku":"BMD-CINEURSAMUPRO46KG2","price":3980.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CINEURSAMUPRO46KG2-1_124acda1-0df4-435e-bcef-3474daf78d6e.jpg?v=1764755750"},{"product_id":"blackmagic-ursa-broadcast-g2","title":"Blackmagic URSA Broadcast G2","description":"\u003cdiv\u003e\u003cstrong\u003eThe World’s Most Flexible Broadcast Camera!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! It's a perfect solution for broadcasters because it uses the lenses and batteries you already own! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. This means it's compatible with all video software and broadcast media management systems. You can even change the lens mount! No other broadcast camera is so flexible!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eThree Cameras in One!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eBroadcast Production Camera\u003c\/strong\u003e - The perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel. It also features a low light sensor so you get amazing images using natural light. That's the perfect combination for broadcast news and programming.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eLive Studio Camera\u003c\/strong\u003e - URSA Broadcast includes an advanced YRGB colour corrector built in and full remote camera control. You can use B4 ENG lenses, large studio box lenses, or even change the lens mount and use any lens! Plus the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eDigital Cinema Camera\u003c\/strong\u003e - URSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount! Use a PL mount for digital film lenses or EF for photo lenses. Plus the high dynamic range, great low light performance and Blackmagic RAW means you get a true \"Hollywood\" quality digital film camera.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGet Digital Film Quality for Broadcast\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe large 6K sensor combined with Blackmagic generation 5 colour science gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in broadcast! The 6K sensor features a resolution of 6144 x 3456 so it's flexible enough for broadcast and digital film work. When using B4 lenses, you get a 4K window of the sensor for Ultra HD broadcast use. Then if you change to a PL or EF lens mount, you can use the full 6K resolution of the sensor for digital film! With 13 stops of dynamic range, you get darker blacks and brighter whites, so it's perfect for colour correction. Using digital film in broadcast is a revolution in image quality!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eExceptional Low Light Performance\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new URSA Broadcast features incredible low light performance so you can shoot using ambient light or even under moonlight! In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. The Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimised to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set via a camera switch, the LCD menu or remotely using the SDI remote camera control protocol.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eCompatible with B4 Broadcast Lenses\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe URSA Broadcast G2 features a B4 broadcast lens mount that includes optics specifically designed to match the camera’s sensor. The B4 lens mount lets you use modern Ultra HD lenses or lower cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at low cost! B4 lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don't need to constantly chase focus as you shoot. That lets you work much faster! You also get full electronic lens control to adjust focus, iris and zoom using the camera’s controls, or remotely! Plus if you want to use alternative lenses, you can change the mount to PL, EF and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt In Optical ND Filters\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Broadcast G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The ¼, 1\/16th and 1\/64th stop filters have been specifically designed to match the image sensor and colour science of URSA Broadcast G2, providing you with additional latitude and better colourimetry. This lets you use different combinations of aperture and shutter angle, in a wider range of situations. The IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus the filter status on the LCD can be displayed as a fraction, number, or stop reduction!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eUse Common Media and File Formats!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Broadcast is designed to work with standard file formats that are used by all broadcast systems and editing software. You can record in ProRes 422 HQ and ProRes 422 into QuickTime files. The new Blackmagic URSA Broadcast G2 model can even record into H.265 for incredibly small files at 60:1 to 285:1 compression ratios, in 10-bit broadcast quality. Plus you can record to Blackmagic RAW files, a revolutionary new format designed to capture and preserve the quality of the sensor data from the camera. That means you get the perfect range of file formats designed for all types of workflows.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDual Media Slots for Non‑Stop Recording\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith dual CFast 2.0 recorders and dual SD\/UHS-II card recorders, you can choose the media that's best for you! Both types of media are standard, inexpensive and readily available at computer and camera stores. Plus with dual media slots, URSA Broadcast gives you non stop recording! When a card is full, recording automatically continues onto the next card so you can swap a full card while recording continues. You get enough speed to record high quality ProRes and H.265 video file formats, even when working in Ultra HD at high frame rates. That means URSA Broadcast G2 is easy to integrate into your existing broadcast systems. You can even record 12-bit Blackmagic RAW cinema files!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eUSB-C for Recording Direct to External Media Disks\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic URSA Broadcast G2 features a high speed USB-C expansion port on the rear of the camera that allows you to record to external disks or connect to a wide range of accessories. If you plug in a large and low cost external USB flash disk, you can record ProRes, H.265 or even high quality 12-bit Blackmagic RAW files for later editing and colour correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. Plus the USB port will power the disk that’s plugged in! You can even plug in optional focus and zoom demands to allow full lens control.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eStrong and Lightweight Magnesium Design\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Broadcast G2 features a super strong, lightweight magnesium alloy body that’s perfectly balanced and designed to be comfortable to use all day! It features familiar externally mounted switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to locate by feel, so you can adjust settings without having to look at the buttons. You also get a foldout touchscreen for monitoring, viewing camera status and changing settings using on screen menus. URSA Broadcast G2 also includes standard 12G-SDI connections, XLR audio inputs, USB-C and an industry standard 4 pin XLR broadcast 12V DC connection!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt in LCD with Touch Controls\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith a built in LCD that folds out, you can both monitor and control the camera. While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on screen status and touch screen controls. The built in touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets. Plus behind the LCD there are extra buttons, as well as knobs for audio levels. There's even programmable function buttons that can have functions assigned to them, such as zebra, false colour, focus peaking, LUTs and more! Plus you can change the function assigned to each button in the on screen menus.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eExternal Status Display\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe status display is a high visibility LCD screen that’s designed to be easily seen, even in bright light! The status display shows record timecode, locked timecode and reference timecode, along with the current shooting frame rate, shutter angle, aperture, white balance, gain and iris. It also features a battery indicator, card recording status and audio meters for monitoring levels. The screen’s backlight can be turned on when you are shooting in dimly lit locations, and off when you are shooting outdoors and in bright light to increase contrast, making it easy to read under any condition!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eProgram Video Monitoring\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you're doing live production, sometimes you need to monitor program video back from the switcher. Simply press the camera’s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. A built in speaker also lets you monitor the switcher audio as well. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what is happening and remain alert.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLoad Custom 3D LUTs to Recreate Film Looks!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDigital film cameras shoot logarithmic colourspace to preserve the dynamic range, which is great for later post production. However, when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem as they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The URSA Broadcast G2 works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eXLR Audio In\u003c\/strong\u003e - Low noise audio inputs with phantom power.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eHeadphone\u003c\/strong\u003e - Headphone socket supports consumer headphones.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003e12G-SDI Out\u003c\/strong\u003e - Camera video audio and talkback in HD or Ultra HD.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003e12G-SDI In\u003c\/strong\u003e - Program return video input, plus camera control.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eUSB-C Expansion\u003c\/strong\u003e - USB-C ports for recording to disks or focus and zoom demands.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eBroadcast Power\u003c\/strong\u003e - Power using a broadcast power supply or battery.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eStandard Television Industry Connections\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic URSA Broadcast G2 features the latest technology and connections such as 12G-SDI. This includes 12G-SDI connections for both video output and return program feed input. The 12G-SDI connections are multi rate and switch between all HD and Ultra HD formats up to 2160p60. Other connections include a headphone connection, USB-C, balanced XLR audio with phantom power, and timecode\/reference input. There's also a front mounted 12 pin Hirose connector for broadcast lens control which can also power the lens. Plus for connecting a viewfinder or on set monitor there's even an HD-SDI monitoring output and a broadcast style 4 pin XLR 12V DC power output!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eSupports All Broadcast Frame Rates\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhether you’re shooting a sporting event or a breaking news story, Blackmagic URSA Broadcast G2 can shoot super smooth, crystal clear slow motion video. To shoot slow motion video, URSA Broadcast supports the higher broadcast frame rates of 60 frames per second, but it can also record this high frame rate into a lower frame rate file, for smooth slow motion shooting. You can set up your preferred high speed frame rate using the camera’s on screen menus, then switch between standard sync speed and off speed frame rates using the HFR button on the side of the camera. That means you can have a higher frame rate setup and ready to go, so its instantly available when the action gets exciting!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eProfessional Audio Connections and Built In Microphones\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Broadcast G2 has a high quality microphone and professional audio recorder built in so you don’t have to carry any extra sound equipment! That means you can use the built in stereo microphone or you can connect external microphones. The XLR connections have 48V phantom power so you can plug in everything from shotgun to wireless clip on mics. You can also select to link audio inputs on the camera so you can plug in lapel microphones that often only have a single mono connection, if you want to record the mic onto both channels of the recorded file. URSA Broadcast G2 also features knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder mounted.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGet Studio Camera Control via SDI\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the URSA Broadcast G2's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher’s SDI program output to the camera via the SDI program input. The switcher can perform colour correction, tally and lens control and these are sent to all cameras. All you need to do is select the correct camera number and it all works. This means someone can manage the image colour and gain so the camera operator is not distracted trying to adjust their camera, and they are then free to focus on framing the shots.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWork in Both HD or Ultra HD\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic URSA Broadcast G2 is not just a great Ultra HD camera, but it’s also an amazing HD camera too! The high resolution sensor and generation 5 colour science creates amazing images with high dynamic range and wide colour fidelity. But when you need to do HD work, the camera will scale the image sensor down to 1080HD video standards. This helps you get stories on air fast, in HD or Ultra HD video standards, anywhere in the world! Plus when working in HD, the high resolution sensor allows sub pixel image processing for superior anti-aliasing and sharp images. Blackmagic URSA Broadcast G2 is a future proof camera that's perfect for both HD and Ultra HD production!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eChange to PL, EF and F Lens Mounts!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Broadcast G2 features an interchangeable lens mount so you can easily swap the included B4 lens mount for an EF, PL or even F mount. URSA Broadcast G2 comes with a B4 mount already installed, plus a spare EF mount is included. That means if you’re starting out you can change the mount and use low cost photographic lenses. Photographic lenses are incredible quality because they're designed for high resolution photography. You can also purchase optional PL and F mounts separately. If you're shooting for digital film, the PL mount is best as it's the most common lens mount for cinema lenses. With URSA Broadcast G2, you get a single camera that works with virtually all modern lenses!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLatest Generation 5 Colour Science\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFeaturing the same generation 5 colour science as the high end URSA Mini Pro 12K, the new URSA Broadcast G2 delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows, for better looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to colour adjustments in post with DaVinci Resolve Studio.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIncredible Blackmagic RAW Quality\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Common video files have a lot of video processing, so you can lose some of the original sensor detail. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich colour throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus URSA Broadcast G2 powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt in Timecode Generator\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll models of Blackmagic URSA Broadcast G2 have a built in time of day timecode generator, so you can sync all the cameras and then do multi-cam editing later because all the recordings will have the same timecode. Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and the shots from all cameras will have matched timecode. Imagine shooting a music festival with multiple cameras! Then the DaVinci Resolve sync bin can be used to automatically sync the recordings and display them in a multiview for easy editing.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eFocus and Zoom Demands\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe optional zoom and focus demands allow you to use photography lenses for live production! The focus and zoom demands have USB-C connections so they control the lens via the camera’s electronic lens control. Each zoom and focus demand has 2 USB-C ports, so you can daisy chain them then connect to the camera with a single USB connection. The design has an incredibly precise feel so you get very fine lens control, and you can frame and adjust the lens without taking your hands off the tripod handles. The buttons can be customised so you can assign different camera functions to them! Plus, hardware is included for mounting the focus and zoom demands onto tripod handles.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eAdd Viewfinders, SMPTE Fiber and Lens Mounts\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThere's a wide range of accessories that are specifically designed to work perfectly with URSA Broadcast G2. However, a shoulder mount kit, V-Lock battery plate and top handle are included so you don't need to purchase anything extra! Plus you get a spare EF lens mount if you don't own a B4 lens and would like to start out using a photography lens. You can add the optional Blackmagic URSA Viewfinder, or for live production you can add a Blackmagic URSA Studio Viewfinder! There's also an optional fiber converter that can power the camera from 2 km away via the single SMPTE fiber! For long duration recording, URSA Mini Recorder gives you the option to record to external SSDs!\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eBlackmagic URSA Viewfinder\u003c\/strong\u003e - High resolution viewfinder for URSA range of cameras includes full HD OLED display and true glass optics for perfect focus.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eBlackmagic URSA Mini Mic Mount\u003c\/strong\u003e - Add a shock and vibration isolated professional microphone mount to your URSA Broadcast G2 camera!\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eBlackmagic URSA V-Lock Battery Plate\u003c\/strong\u003e - Although a V-Lock compatible battery plate is included, you can also buy other types of battery plates.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eBlackmagic Camera Fiber Converter\u003c\/strong\u003e - Connect cameras to live switchers up to 2 km away with video, talkback, control and power, all over a single cable!\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eBlackmagic Studio Fiber Converter\u003c\/strong\u003e - Connect to remote cameras up to 2 km away with multiple channels of video, talkback, control and power all over a single cable!\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eBlackmagic URSA Studio Viewfinder\u003c\/strong\u003e - Turn URSA Broadcast G2 into the ultimate live camera with a professional 7 inch studio viewfinder!\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRecord to SSDs and U.2 Media\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe optional Blackmagic URSA Mini Recorder lets you record files onto large 2.5 inch SSDs, as well as the latest U.2 NVMe Enterprise SSDs! SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB\/s! This blazing fast performance allows you longer recording times for full resolution 4K and 6K 12-bit Blackmagic RAW files in the highest quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Broadcast G2 between the camera and the battery. It’s controlled via the USB-C so you don’t have to worry about manually starting or stopping the SSD recorder.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLocalised in 13 Popular Languages\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll Blackmagic Design cameras are designed to be used worldwide so they support 13 popular languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Russian, Polish, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language simply by going into the menu settings. When switching between languages, all the on screen overlays, heads up display, and setup menus will be displayed in the selected language and you can change languages any time you like!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eCompatible with Industry Standard Batteries\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll URSA cameras support a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. A V-Lock battery plate is installed on the camera, or you can change to an optional Blackmagic URSA Gold Battery Plate. All Blackmagic battery plates are designed to mount directly onto the camera. URSA Broadcast G2 includes a 4-pin XLR power connector that supports 12V to 18V for connecting external power supplies and battery packs. The standard power connector also means you can use the camera with your existing power supplies and batteries. For live production, the optional fiber converter can power the camera from up to 2 km away via a single SMPTE fiber cable!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio - Get Professional Editing, Colour Correction, Audio Post and VFX!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Broadcast G2 includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced colour correction, audio post and visual effects tools, all in a single software application! Now you can use the the same high end software that professional editors and colourists use!\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123106070756,"sku":"BMD-CINEURSAMWC6KG2","price":2772.82,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CINEURSAMWC6KG2_5092df87-ed87-436d-8e17-ffd53687df97.jpg?v=1764755756"},{"product_id":"blackmagic-design-ursa-broadcast-eng-kit","title":"Blackmagic Design URSA Broadcast ENG Kit","description":"\u003cp\u003eTurn URSA Broadcast into the ultimate run and gun ENG camera! 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The sensor features an ISO up to 25,600 so you can create amazing images even in dimly lit venues. It even works under moonlight! Advanced features include talkback, tally, camera control, built in colour corrector, Blackmagic RAW recording to USB disks, live streaming and more! You can even add a focus and zoom demand for lens control.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDesigned for Live Production\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhile Blackmagic Studio Camera is designed for live production, it’s not limited to use with a live switcher. That’s because it records Blackmagic RAW to USB disks, so it can be used in any situation where you use a tripod. The large 7\" viewfinder makes it perfect for work such as chat shows, television production, broadcast news, sports, education, conference presentations and even weddings. The large bright display with side handles, touch screen and physical controls makes it easy to track shots while being comfortable to use for long periods of time. Because it’s so lightweight, it’s perfect when you're constantly changing locations and doing different kinds of work.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eRevolutionary Studio Camera Design\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eLarge broadcasters use expensive studio cameras that are extremely large, so they’re not very portable. The distinctive Blackmagic Studio Camera has all the benefits of a large studio camera because it’s a combination of camera and viewfinder all in a single compact design. It features a lightweight carbon fiber reinforced polycarbonate body with innovative technology in a miniaturized design. The camera is designed for live production so it’s easy to track and frame shots with its large 7\" viewfinder. The touchscreen has menus for camera settings, and there's knobs for brightness, contrast and focus peaking. Plus a tripod mount with mounting plate is included for fast setup.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eExceptional Low Light Performance\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO the more gain can be added so it’s possible to shoot in natural light, or even at night. The Blackmagic Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera, or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eGet Cinematic Images in Live Production\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAmazing sensors combined with Blackmagic generation 5 colour science give you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production. Plus, when combined with the built in DaVinci Resolve primary colour corrector you get much better images than simple broadcast cameras. The colour corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for colour correction. Great for both HD and Ultra HD production, the 4K models feature a resolution of 3840 x 2160 and the 6K model has a resolution of 6144 x 3456. Plus, all models support 23.98 to 60 fps.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAffordable Photographic Lenses\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith the popular EF or MFT lens mounts, Blackmagic Studio Cameras are compatible with a wide range of affordable photographic lenses. Photographic lenses are incredible quality because they're designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely. To eliminate the need to reach around to adjust the lens manually, the optional focus and zoom demands let you adjust the lens from the tripod handles just like a large studio camera. This means you avoid camera shake when adjusting the lens so you can track shots and operate the camera without taking your hands off the tripod. It gives you the same feel as an expensive B4 broadcast lens.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFrame Shots with Large 7\" Viewfinder\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe large 7\" high resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro models features an HDR display with extremely high brightness, perfect outdoors in sunlight. On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can even apply 3D LUTs for monitoring shots with the desired colour and look. The touchscreen also has menus and you can load and customize presets for different jobs. The included sun shade can be folded to protect the screen for transport plus it's compatible with sun shades from the Blackmagic Studio Viewfinder.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePhysical and Touchscreen Controls\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as controls on the touchscreen. Knobs on the right side of the camera allow adjusting of the brightness, contrast and focus peaking. The focus peaking knob is incredibly useful as it lets you fine tune the detail highlight so you can get perfect focus as you zoom. The 3 function buttons on the left can have functions assigned to them, such as zebra, false colour, focus peaking, LUTs and more. Plus you can change the function assigned to each button in the menus. The touchscreen also includes a heads up display with the most important shooting information, as well as menus for all camera settings, LUTs and custom presets.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt-in Tally for On Air Status\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on air, green for preview and orange for ISO recording. The tally light also includes clip on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20 feet away. The Blackmagic Studio Cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means that a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring so job setup is faster.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCommunicate with the Director via Talkback\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eUnlike consumer cameras, Blackmagic Studio Cameras have SDI connections that include talkback so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time. All models support 3.5mm headsets that are designed for smartphones, while the Pro models support standard 5 pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePowerful Broadcast Connections\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Studio cameras have lots of connections for connecting to both consumer and broadcast equipment. All models feature HDMI and 12G‑SDI with talkback, tally, camera control and record trigger, perfect for ATEM Mini or ATEM SDI switchers. You also get headphone and mic connections, and 2 USB‑C expansion ports. The advanced Blackmagic Studio Camera Pro models are designed for broadcast workflows so have 10GBASE‑T Ethernet and balanced XLR audio inputs. The 10G Ethernet allows all video, tally, talkback and camera power via a single connection so setup is much faster. That's just like a SMPTE fiber workflow, but using standard Category 6A copper Ethernet cable so it's much lower cost.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFour Ways to Connect\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Studio Cameras can be connected in lots of different ways. All models feature HDMI so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control and record trigger for a broadcast style workflow using a single HDMI cable. They also have 12G‑SDI so you can connect to SDI based switchers such as the ATEM Constellation. There's a 12G‑SDI connection for camera video, and one for program return. The program return also includes tally, talkback and remote camera control. Blackmagic Studio Camera Pro models can also use 10G Ethernet to get camera video, program return, tally, talkback, camera control and even power using a regular Cat6A Ethernet cable.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eConnect via HDMI - \u003c\/strong\u003eUsing the HDMI output, you can connect to switchers such as ATEM Mini. Plus the HDMI connection supports sending tally, colour corrector control and record trigger back to the camera from the switcher.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eConnect via SDI\u003c\/strong\u003e - Use the SDI output and the SDI program return for 2 way talkback between the camera and any SDI ATEM switcher. Tally and control is also sent to the camera via the SDI program return.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eConnect via Ethernet - \u003c\/strong\u003eThe 10G Ethernet connection allows all signals and camera power using a single Cat 6A copper Ethernet cable. That includes the camera video, program return, tally, talkback, camera control and more.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eConnect via USB Disk\u003c\/strong\u003e - You can even shoot without a switcher as the large screen makes the camera fantastic for shooting while recording to Blackmagic RAW on a USB flash disk. The big screen makes framing shots very easy.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGet Low Cost Camera Control via SDI\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAll Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the camera's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher’s SDI program output to the camera via the SDI program input. The switcher can perform colour correction, tally and lens control and these are sent to all cameras. All you need to do is select the correct camera number and it all works. Even ATEM Mini switchers can control Blackmagic Studio Cameras because the HDMI output to the switcher has return data communication that can send control information back to the camera. All this means the camera operator is free to focus on framing shots.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLow Cost SMPTE Fiber Style Workflow\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic Studio Camera 4K Pro G2 and 6K Pro models support connecting cameras via a single Ethernet cable. It’s so simple, just plug in and you're ready. Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras, however SMPTE fiber is very expensive. Blackmagic Studio Camera Pro models have 10G Ethernet as an alternative to SMPTE fiber so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control and also power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUSB Expansion Port for Accessories\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic Studio Camera features a high speed USB-C expansion port that allows you to record to external disks, control the camera via a network or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high quality 12-bit Blackmagic RAW files for later editing and colour correction. That means you can just move the disk to a computer to work, and you don't need to waste time copying files. Or add a USB-C to Ethernet adapter to control your camera over a network via easy to use REST APIs. You can even copy files off the camera via the network. Plus plug in optional focus and zoom demands to allow full lens control, just like a large studio camera.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncredible Blackmagic RAW Quality\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, so add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich colour throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes Built-in Microphones\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Studio Cameras include built in microphones so you get sound included in the design making setup much faster. Plus the built in microphones are shock and wind resistant, so you get great sound even in tough conditions. With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There’s also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera Pro model you get professional XLR audio inputs and a built in speaker for listening to the program return audio.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eMonitor Program Video\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic Studio Camera lets you view program video from the switcher at the press of a button. Simply press the camera’s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. Plus the built in speaker lets you monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means even if the camera operator is a large distance away from the switcher, they can still keep up with what’s happening and remain alert.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eSupports 3D LUTs for Film Looks\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen Blackmagic RAW files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer looking images on the LCD. 3D LUTs are also saved into the Blackmagic RAW files so they can be used in later post production, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLocalized in 13 Popular Languages\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic Studio Cameras are designed to be used worldwide so they support 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Ukrainian, Chinese, Japanese or Korean. It’s easy to switch to another language simply by going into the menu settings. When switching between languages, all the on screen overlays, heads up display, and setup menus will be displayed in the selected language and you can change languages any time you like.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePowers From DC or 10G Ethernet\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Studio Cameras have lots of different power options. All models have a common 12V DC locking power connector so the cable won't be accidentally pulled out. Plus, the camera includes a power supply with 5 different AC socket adapters for different countries. However if you're using a single Ethernet cable to connect to the Blackmagic Studio Camera Pro models, then the whole camera and its accessories can be powered from the Ethernet connection. The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable so you don't need any power connection to the camera. That’s a great solution when there's no power available where the cameras are placed.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFocus and Zoom Demands\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe optional zoom and focus demands can be added to turn affordable photography lenses into amazing broadcast lenses. The focus and zoom demands have USB-C connections so they work with all Blackmagic Studio Camera models. Each zoom and focus demand has 2 USB-C ports, so you can daisy chain them then connect to the camera with a single USB connection. The design has an incredibly precise feel and so you get very fine lens control, and you can frame and adjust the lens without taking your hands off the tripod handles. The buttons can be customized so you can assign different camera functions to them. Plus, hardware is included for mounting the focus and zoom demand onto tripod handles.\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123106529508,"sku":"BMD-CINSTUDMFT\/G24PDDG2","price":920.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CINSTUDMFT_G24PDDG2_89eac1a2-aac6-42cd-8913-f0f93709149c.jpg?v=1764755779"},{"product_id":"blackmagic-design-studio-camera-4k-pro-g2","title":"Blackmagic Design Studio Camera 4K Pro G2","description":"\u003cdiv\u003e\u003cstrong\u003eBlackmagic Studio Camera 4K Pro G2\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDesigned for powerful SDI switchers, Blackmagic Studio Camera 4K Pro G2 adds professional 12G‑SDI and 10G Ethernet connections. That's perfect when the camera is located a long distance from a switcher. There's a 12G‑SDI output and a 12G‑SDI program return input that includes camera control, talkback and tally. You also get the same powerful HDMI output with control features. Plus the 10G Ethernet connection allows all connections on a single cable for a SMPTE style workflow that's much lower cost.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eThe ultimate self contained live studio cameras\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith 3 models of Blackmagic Studio Camera, you can choose the one that’s best for your work. Even with 3 different models, each camera still has the same Blackmagic generation 5 colour science, so have the same cinematic images when mixed and matched on the same job. The distinctive design has the benefits of a large studio camera as it’s a combination of camera and viewfinder in a single lightweight design. All models offer gain from -12dB (100 ISO) up to +36dB (25,600 ISO) for amazing low light performance with low image grain and noise, as well as maximum dynamic range from the sensor. That means you can shoot in locations with limited lighting. They even have built in colour correctors.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLightweight Carbon Fiber Polycarbonate\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Studio Cameras are built from advanced carbon fiber reinforced polycarbonate, so they are light weight and very strong. That's important when you are carrying multiple cameras into venues such as old theatres, stadiums or nightclubs that have crazy stairs and hard to access backstage areas. Plus the ergonomic design has all external connections on the tripod handle side of the camera. This design and the folding sunshade makes the cameras extremely fast to set up.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHighly Visible Tally Light\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Studio Cameras have a large built in tally light to see which camera is on-air. The light is so big, you can see it from a great distance! Plus numeric decals are included so you can number each camera. There's also a separate tally light on the rear under the sunshade, perfect when tilting the camera down. Tally is flexible as it works via SDI, HDMI or the Ethernet connection. When using Ethernet, the Blackmagic Studio Converter even includes conventional tally GPI inputs.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLarge Built In Viewfinder\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe design of the Blackmagic Studio Camera is based on an incredible full HD resolution viewfinder with a bright screen and wide viewing angle. Until now, only incredibly expensive studio cameras had the advantage of such a large viewfinder for better focusing and framing of shots! For outdoor use, there's a sunshade included that folds up to protect the screen. This sunshade can also be easily unclipped and removed, or even replaced with the metal sunshade from the URSA Studio Viewfinder.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eTouchscreen and Manual Controls\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFor fast moving live production, it's vital to have all camera controls instantly accessible. The viewfinder LCD is also a touchscreen so you can access camera settings via on screen menus. You get knobs for LCD brightness and contrast, and a focus peaking knob lets you fine tune the focus highlighting for accurate camera focus. There's also touch parameters for camera settings such as colour temp, gain, audio level and more. Plus there's even a program return and customizable function buttons.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompatible with Popular Photographic Lenses\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAs photographic lenses are designed to handle high resolutions and are mass produced, they're great for high end television use. The MFT and EF lens mounts allow you to choose from a massive range of lenses from a wide range of different manufacturers. Often these lenses are so well built, you get broadcast style results combined with very accurate focus and zoom control. This means you can add the optional focus and zoom demands and use the camera just like a professional broadcast camera.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBoth Broadcast and Consumer Connections\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic Studio Cameras have been designed to look attractive but still provide all the connections in a logical lay out. The connections on the right are for all video inputs and outputs and this means they can be tied to the tripod handle. On the left side are the connections for your talkback, audio inputs, USB and more. That's great for headphones as the connection on the camera is on the same side as the connection on the headphones, so you don't have to deal with any cable tangles.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes Tripod Mount\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEvery Blackmagic Studio Camera includes a tripod mount so you don't need to purchase any accessories. The mount includes a quick release sliding plate, so you can attach the camera to the tripod just by sliding it onto the plate. That makes setup very fast when arriving on location. Plus the tripod mount includes two horizontal mounting holes so you can add optional rails when you need to support heavy items on the lens side of the camera such as prompters, matte boxes or heavy lenses.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDC, XLR or Ethernet Powered\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic Studio Camera features a common plug pack power connection with a locking ring so it won't get disconnected accidentally. On the Pro models, you can also connect via a 4 pin broadcast style XLR power connection, or if you use the Blackmagic Studio Converter to connect via Ethernet, the single Ethernet connection will also fully power the camera. That means when you use Ethernet, you don't need to plug in any local camera power at all.\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123106562276,"sku":"BMD-CINSTUDMFT\/G24PDFG2","price":1233.72,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CINSTUDMFT-G24PDFG2_a6e0e5fb-781c-46d7-a499-fe150b6a0718.jpg?v=1764755779"},{"product_id":"blackmagic-design-studio-camera-6k-pro","title":"Blackmagic Design Studio Camera 6K Pro","description":"\u003cdiv\u003e\u003cstrong\u003eBlackmagic Studio Camera 6K Pro\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDesigned as the ultimate studio camera, Blackmagic Studio Camera 6K Pro adds a larger 6K Super 35 sensor and EF lens mount for true cinematic images in live production. There are built in ND filters that let you reduce the amount of light entering the camera, allowing you to work in a wider range of situations, including in bright sunlight. Plus stream direct to the internet with built in streaming! You also get the same powerful 12G‑SDI, 10G Ethernet and HDMI connections found on the 4K Pro G2.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eThe ultimate self contained live studio cameras\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith 3 models of Blackmagic Studio Camera, you can choose the one that’s best for your work. Even with 3 different models, each camera still has the same Blackmagic generation 5 colour science, so have the same cinematic images when mixed and matched on the same job. The distinctive design has the benefits of a large studio camera as it’s a combination of camera and viewfinder in a single lightweight design. All models offer gain from -12dB (100 ISO) up to +36dB (25,600 ISO) for amazing low light performance with low image grain and noise, as well as maximum dynamic range from the sensor. That means you can shoot in locations with limited lighting. They even have built in colour correctors.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLightweight Carbon Fiber Polycarbonate\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Studio Cameras are built from advanced carbon fiber reinforced polycarbonate, so they are light weight and very strong. That's important when you are carrying multiple cameras into venues such as old theatres, stadiums or nightclubs that have crazy stairs and hard to access backstage areas. Plus the ergonomic design has all external connections on the tripod handle side of the camera. This design and the folding sunshade makes the cameras extremely fast to set up.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHighly Visible Tally Light\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Studio Cameras have a large built in tally light to see which camera is on-air. The light is so big, you can see it from a great distance! Plus numeric decals are included so you can number each camera. There's also a separate tally light on the rear under the sunshade, perfect when tilting the camera down. Tally is flexible as it works via SDI, HDMI or the Ethernet connection. When using Ethernet, the Blackmagic Studio Converter even includes conventional tally GPI inputs.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLarge Built In Viewfinder\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe design of the Blackmagic Studio Camera is based on an incredible full HD resolution viewfinder with a bright screen and wide viewing angle. Until now, only incredibly expensive studio cameras had the advantage of such a large viewfinder for better focusing and framing of shots! For outdoor use, there's a sunshade included that folds up to protect the screen. This sunshade can also be easily unclipped and removed, or even replaced with the metal sunshade from the URSA Studio Viewfinder.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eTouchscreen and Manual Controls\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFor fast moving live production, it's vital to have all camera controls instantly accessible. The viewfinder LCD is also a touchscreen so you can access camera settings via on screen menus. You get knobs for LCD brightness and contrast, and a focus peaking knob lets you fine tune the focus highlighting for accurate camera focus. There's also touch parameters for camera settings such as colour temp, gain, audio level and more. Plus there's even a program return and customizable function buttons.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompatible with Popular Photographic Lenses\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAs photographic lenses are designed to handle high resolutions and are mass produced, they're great for high end television use. The MFT and EF lens mounts allow you to choose from a massive range of lenses from a wide range of different manufacturers. Often these lenses are so well built, you get broadcast style results combined with very accurate focus and zoom control. This means you can add the optional focus and zoom demands and use the camera just like a professional broadcast camera.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBoth Broadcast and Consumer Connections\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic Studio Cameras have been designed to look attractive but still provide all the connections in a logical lay out. The connections on the right are for all video inputs and outputs and this means they can be tied to the tripod handle. On the left side are the connections for your talkback, audio inputs, USB and more. That's great for headphones as the connection on the camera is on the same side as the connection on the headphones, so you don't have to deal with any cable tangles.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes Tripod Mount\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEvery Blackmagic Studio Camera includes a tripod mount so you don't need to purchase any accessories. The mount includes a quick release sliding plate, so you can attach the camera to the tripod just by sliding it onto the plate. That makes setup very fast when arriving on location. Plus the tripod mount includes two horizontal mounting holes so you can add optional rails when you need to support heavy items on the lens side of the camera such as prompters, matte boxes or heavy lenses.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDC, XLR or Ethernet Powered\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic Studio Camera features a common plug pack power connection with a locking ring so it won't get disconnected accidentally. On the Pro models, you can also connect via a 4 pin broadcast style XLR power connection, or if you use the Blackmagic Studio Converter to connect via Ethernet, the single Ethernet connection will also fully power the camera. 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It's also possible to control the built in colour corrector and lens using the SDI and HDMI connections. It can even record Blackmagic RAW to USB disks. Plus Blackmagic Micro Studio Camera 4K goes well beyond broadcast quality with log gamma, allowing you to create cinematic colour corrected looks, all in camera.\u003c\/p\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDesigned for Live Production\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe small size of the Micro Studio Camera makes it virtually invisible, so you can place it just about anywhere on set. You can have more camera angles than ever before for your live production to create a more interesting program. Its professional broadcast connections make it perfect for any kind of work such as television production, broadcast news, sports, education, conference centers and churches. It's now easy to hide lots of cameras on stage for the most incredible shorts. While Blackmagic Micro Studio Camera is designed for live production, it can also be used with editing software. That’s because it can record Blackmagic RAW to USB disks for later editing and colour correction.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eRevolutionary Studio Camera Design\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eLarge broadcasters use expensive studio cameras that are extremely large, so they’re not very flexible. The distinctive Blackmagic Micro Studio Camera has all the benefits of a large studio camera in a tiny rugged body you can put virtually anywhere. It features a super tough magnesium alloy core in a body that’s not much larger than the lens mount itself. You can use affordable, high performance MFT lenses or add adapters to work with broadcast lenses. The camera is designed for live production so its HDMI and SDI uses the same camera control protocol as ATEM switchers. Plus the buttons on the front of the camera give you quick access to the settings menu and for triggering recording.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eExceptional Low Light Performance\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO the more gain can be added so it’s possible to shoot in natural light, or even at night. The Blackmagic Micro Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera HDMI menu, or remotely from a switcher using the SDI\/HDMI remote camera control.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eGet Cinematic Images in Live Production\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe amazing 4K sensor combined with Blackmagic generation 5 colour science gives you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production. Plus, when combined with the built in DaVinci Resolve primary colour corrector you get much better images than simple broadcast cameras. The colour corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for colour correction. The sensor features a resolution of 4096 x 2160 which is great for both HD and Ultra HD work. Plus, Blackmagic Micro Studio Camera supports from 23.98 fps up to 60 fps.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAffordable Photographic Lenses\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith the popular MFT lens mount, Blackmagic Micro Studio Camera is compatible with a wide range of affordable photographic lenses from Olympus, Panasonic, Sigma and more. Photographic lenses are incredible quality because they're designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely. This is ideal as it lets you adjust cameras mounted high up in hard to reach areas without needing to physically access them. Plus, the optional focus and zoom demands let you adjust the lens just like a large studio camera. This means you can set important lens settings such as focus, zoom and iris just like you can with an expensive B4 broadcast lens.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt-in Tally for On Air Status\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Micro Studio Camera 4K features a tally light that illuminates red for on air, green for preview and orange for ISO recording. This makes it easy for talent to present with confidence as they know at a glance which camera is on air. You get full support for the SDI and HDMI tally protocol from switchers such as ATEM Television Studio, ATEM Constellation and ATEM Mini. This means that a director can cut between cameras and the tally information will be sent back to the cameras, lighting up the tally light on the camera whenever it's on air. Because the tally it sent via the SDI and HDMI connections to the camera, complex cabling is eliminated.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePowerful Broadcast Connections\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Micro Studio Camera 4K has lots of connections for connecting to broadcast equipment. It has 12G-SDI that supports video, tally and camera return which makes setup much faster. It includes a full size HDMI connector for local video monitoring so you can attach a monitor such as a Blackmagic Video Assist to change settings through the menu overlay or check the position of a remote camera. You also get a USB-C expansion port for recording to external disks or controlling the camera via zoom and focus demands. You can even connect a USB-C to Ethernet adapter to control the camera over a network via REST APIs. Plus there’s a 3.5mm port for connecting a microphone.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eTwo Ways to Connect\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Micro Studio Cameras can be connected in lots of different ways. They feature HDMI so are perfect for HDMI switchers such as ATEM Mini. The HDMI supports video, tally, control and record trigger for a broadcast style workflow using a single HDMI cable. They also have 12G-SDI so you can connect to SDI based switchers such as the ATEM Constellation. There's a 12G-SDI connection for camera video, and one for program return. The program return also includes tally, talkback and remote camera control.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eConnect via HDMI - \u003c\/strong\u003eUsing the HDMI output, you can connect to switchers such as ATEM Mini. Plus the HDMI connection supports sending tally, colour corrector control and record trigger back to the camera from the switcher.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eConnect via SDI\u003c\/strong\u003e - Use the SDI output and the SDI program return for 2 way talkback between the camera and any SDI ATEM switcher. Tally and control is also sent to the camera via the SDI program return.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIncludes Built-in Microphones\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Micro Studio Camera includes built in microphones so you get sound included in the design making setup much faster. Each microphone is placed at the optimal position meaning you get better stereo separation than what is possible on a regular video camera. There’s also a 3.5mm audio input so you can connect to video microphones when you need to add larger more directional microphones with wind protection. Whether you’re using the built in microphones or attaching an external mic, the audio is embedded into the SDI and HDMI video outputs so you get perfect audio and video sync.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUSB-C for External Disks and Ethernet Control\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Micro Studio Camera 4K features a high speed USB-C expansion port that lets you record to external disks, control the camera via a network or connect a wide range of accessories. Plug in an external USB disk and the camera can record high quality 12-bit Blackmagic RAW files for later editing and colour correction. That means you can just move the disk to a computer to work and you don't need to waste time copying files. Or add a USB-C to Ethernet adapter to control your camera over a network via easy to use REST APIs. Plus plug in optional focus and zoom demands to allow full lens control, just like a large studio camera.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncredible Blackmagic RAW Quality\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, so add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich colour throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. The menus are overlaid on the HDMI video output. The interface uses the row of buttons on the front of the camera to access menus and adjust settings so it’s always accessible, even when rigged into tight locations. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLocalized in 13 Popular Languages\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Micro Studio Camera 4K is designed to be used worldwide so it support 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Ukrainian, Chinese, Japanese or Korean. It’s easy to switch to another language simply by going into the menu settings. 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That means it's the first digital film camera with fast high capability storage built in, plus high-speed networking for on set media sync. Blackmagic URSA Cine also introduces a new large format RGBW 36 x 24mm image sensor with larger photo sites for incredible dynamic range. You can also swap between PL, LPL, EF and Hasselblad lens mounts. There's even WiFi with SRT streaming for remote client viewing. Plus the industry standard Lemo and Fischer connections make it perfect for high-end cinema production.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eCinematic Large Format Sensor\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 12K! The larger sensor builds on the technology of URSA Mini Pro 12K with larger photo-sites leading to an astounding 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green and blue pixels. This means it is optimized to deliver incredibly rich colours at all resolutions and provide the ultimate image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever before! Plus, in sensor scaling means you can record at all resolutions without cropping!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge Format Flexibility\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe large format sensor in URSA Cine provides the ultimate flexibility for aspect ratios, lenses and delivery formats! The full sensor area gives you a stunning 3:2 open gate image which lets you reframe your shots in post-production. Or you can use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8 and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. There are even 9K Super 35 4-perf, 3-perf and 2-perf modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eInterchangeable Lens Mounts\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDifferent projects require different lenses which is why URSA Cine features an interchangeable lens mount. You can quickly switch between PL, LPL, EF and Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest possible range of professional lenses. Imagine using modern high-speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses next! Plus, each mount has contact pins to read lens metadata for monitoring and use in post-production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHigh Resolution Monitoring and Camera Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine lets crews work faster on set with multiple monitoring options! The fold out monitor has a large 5″ HDR touchscreen on one side and an external colour status LCD on the other. You can even rotate the screen and fold it back into the camera! On the right side of the camera, there’s a dedicated assist station with a second 5″ HDR touchscreen which allows crew to work around the camera without needing external monitors. Plus, with a 1500 nit display and removable sunshade, it’s always visible, even in bright sunlight. On-screen overlays show status and record parameters, histogram, frame guides and more. There’s even a dedicated focus puller’s mode to help you get perfect focus!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRugged Industry Standard Connections\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe wide range of industry-standard connections on URSA Cine makes it perfect for high-end cinema production. The 7-pin Lemo and 3-pin Fischer connectors at the front provide record start\/stop and 24V power so are ideal for onboard accessories such as focus motors. Camera power is provided by a standard 24V 8-pin Lemo connection, plus there's an additional 2-pin Lemo 12V connection at the rear for lower voltage accessories. All this means you can power accessories straight from the camera without messy external cabling! There are also two independent 12G-SDI outputs for monitoring on 2 different monitors with different overlays, plus 10G Ethernet for Blackmagic Cloud media syncing!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBlackmagic RAW Fueled Image Capture\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post-production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options are designed to give you the best possible images with predictable and consistent file sizes. URSA Cine records to the included Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or a massive 20 hours in 4K!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGeneration 5 Colour Science\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Generation 5 Colour Science features a new film curve designed to make full use of the massive amount of colour data from the new URSA Cine sensor. This delivers even better colour response for more pleasing skin tones, and better rendering of highly saturated colours such as neon signs and car tail lights in high-contrast scenes. Generation 5 Colour Science informs complex Blackmagic RAW image processing, with colour and dynamic range data from the sensor preserved via metadata for use in post-production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Colour Science lets you take advantage of the new film curve even with your existing work!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt in Optical Low Pass Filter\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe high frequencies of synthetic materials like fabrics or the LED matrix in video walls can cause problems for ultra sharp modern lenses and high-resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. URSA Cine includes a high-performance, optical low pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red colour response which, when combined with Blackmagic RAW processing for the URSA Cine, preserves colour and critical image detail for new levels of image fidelity.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt-in Colour Balanced ND Filters\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine features high-quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colourimetry and colour science of the camera, the 2, 4 and 6-stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Cine ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eFull Frame Capture at Higher Frame Rates\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K, Super 35 9K and even insanely detailed 12K! You can shoot 100 fps in 12K 12,288 x 6480 17:9 or 120 fps in 12K 2.4:1 widescreen! For higher frame rates, you can shoot 144 fps at 8192 x 5360, 180 fps at 8192 x 3408 and even capture 8K 2.4:1 widescreen at an incredible 224 fps at 8,192 x 3,408! URSA Cine has flexible frame rate and resolution options and captures with incredible motion rendering with smoother edges in 8K and 4K, even at lower frame rates. Plus, with a massive 100 megapixels per frame at up to 80 fps in Blackmagic RAW, you can capture perfect stills and motion shots at the same time!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHigh-Performance Internal Media for Recording\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine is the first digital film camera with ultra-fast high capability Cloud Store technology built in. Blackmagic Media Module is fast, rugged and includes a massive 8TB of storage. It’s like a Cloud Store Mini built into your camera! The high-speed storage lets you record at the highest resolutions and frame rates for hours and access your files directly over high-speed 10G Ethernet. Or you can use the media you already own with the optional Blackmagic Media Module CF, which has dual CFexpress slots. The module can be easily removed from the camera and loaded into a Blackmagic Media Dock for transferring media to a network or Blackmagic Cloud for instant global collaboration!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eEliminate Media Offload Time\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Media Dock accelerates your post-production workflow by making it faster and simpler to start editing and colour correction! Mount up to three Blackmagic Media Modules for high-speed access to media from multiple URSA Cine cameras all at the same time! The four high-speed 10G Ethernet ports allow up to four separate edit workstations to connect directly and it is extremely fast, even when a lot of users are connected at the same time. Plus, the USB-C connection supports Ethernet so you can transfer media using a simple USB-C cable connected to your computer. There is also an HDMI output that lets you see the status of your media in real-time on a TV or monitor.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDeliver Clips Directly into DaVinci Resolve Bins\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine supports creating a small H.264 proxy file in addition to the camera's original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real-time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post-production workflows!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eThree Simple Steps\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eRecord to Internal Storage - \u003c\/strong\u003eYou can record to the internal Blackmagic Media Module. This will allow you to browse the clips and let the camera sync your media files to other users globally.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eSelect and Upload Clips\u003c\/strong\u003e - If you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eRecord into DaVinci Resolve - \u003c\/strong\u003eLog into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording, the media will automatically upload and sync to all DaVinci users on that project.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eConnect to Mobile Data, High-Speed Wifi or Ethernet!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen live streaming or uploading to Blackmagic Cloud, you can connect and use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and URSA Cine will configure for mobile data. Plus it works with the latest high-speed 5G phones, as well as 4G! You can also connect via high-speed wifi or wired Ethernet using the 10G Ethernet port. With live streaming built into the camera, you get the solution you need for clients and post-production to monitor shoots from anywhere in the world! That's a truly global post-production solution that works with Blackmagic Cloud to create amazing teams of creative people all working together.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLive Stream Directly to Your Client\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNow you can live stream from film sets! URSA Cine features a built hardware streaming engine that supports RTMP and SRT streaming to major platforms or directly to clients! Simply connect to the internet via Ethernet, high-speed wifi or even connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to the video village or the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now everyone can keep an eye on the shoot, live, while it's happening!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHigh-Resolution Viewfinder for Accurate Focus\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine supports the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 colour OLED display with built-in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built-in digital focus chart ensures you get the perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included viewfinder bracket and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eCompatible with Industry Standard Batteries and Power\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine includes an 8-pin Lemo power connector at the back of the camera that works with 24V and 12V power supplies. That means it’s easy to use the camera with existing power supplies, batteries and accessories! The front of the camera includes additional Lemo and Fischer connectors for powering lens motors and other accessories. URSA Cine comes with a massive 250W power supply and B Mount battery plate so you can use a wide range of high-voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB and more. You can also add the optional Blackmagic URSA Cine VLock Battery Plate or Blackmagic URSA Cine Gold Battery Plate for using legacy V‑Mount and Gold Mount batteries.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Cine features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDigital Slate for Fast Metadata Entry\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built-in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production specific information, technical information and more! All of the metadata is saved with the files for use in post-production when editing and colour-correcting with software such as DaVinci Resolve!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWireless Bluetooth Camera Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLocalized in 13 Popular Languages\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine is designed to be used worldwide and supports 13 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when travelling to locations worldwide! When you switch languages, all on-screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, colour correction, audio posts and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post-production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, colour correction, effects, audio and delivery.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eComes Ready to Shoot\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine comes with everything you need to get started on set! Every camera comes in a rugged Pelican case with custom foam cutouts that precisely and securely fit the camera and its accessories. The PL lens mount comes preinstalled on the camera body, plus you get an interchangeable locking EF mount for a strong and secure attachment when using heavier cine lenses. You even get a massive 8TB Media Module preinstalled, formatted and ready to record. That’s enough for over 4 hours of stunning 12K! You also get a top handle, antennas for high-speed wifi, baseplate, 24V power supply and high voltage B mount battery plate for quick set up. There’s even a kit that comes with the URSA Cine EVF!\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123109314788,"sku":"BMD-CURSAA12KLF","price":6858.05,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CURSAA12KLF_cb4ceff3-2857-4b27-941d-2c7f65693258.jpg?v=1764755892"},{"product_id":"blackmagic-design-ursa-cine-12k-evf","title":"Blackmagic Design URSA Cine 12K + EVF","description":"\u003cdiv\u003e\u003cstrong\u003eIntroducing the World’s Most Advanced Digital Film Camera\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic URSA Cine is a revolutionary digital film camera that introduces new advanced digital film technology combined with total integration into the post-production workflow. That means it's the first digital film camera with fast high capability storage built in, plus high-speed networking for on set media sync. Blackmagic URSA Cine also introduces a new large format RGBW 36 x 24mm image sensor with larger photo sites for incredible dynamic range. You can also swap between PL, LPL, EF and Hasselblad lens mounts. There's even WiFi with SRT streaming for remote client viewing. Plus the industry standard Lemo and Fischer connections make it perfect for high-end cinema production.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eCinematic Large Format Sensor\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 12K! The larger sensor builds on the technology of URSA Mini Pro 12K with larger photo-sites leading to an astounding 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green and blue pixels. This means it is optimized to deliver incredibly rich colours at all resolutions and provide the ultimate image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever before! Plus, in sensor scaling means you can record at all resolutions without cropping!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge Format Flexibility\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe large format sensor in URSA Cine provides the ultimate flexibility for aspect ratios, lenses and delivery formats! The full sensor area gives you a stunning 3:2 open gate image which lets you reframe your shots in post-production. Or you can use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8 and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. There are even 9K Super 35 4-perf, 3-perf and 2-perf modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eInterchangeable Lens Mounts\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDifferent projects require different lenses which is why URSA Cine features an interchangeable lens mount. You can quickly switch between PL, LPL, EF and Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest possible range of professional lenses. Imagine using modern high-speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses next! Plus, each mount has contact pins to read lens metadata for monitoring and use in post-production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHigh Resolution Monitoring and Camera Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine lets crews work faster on set with multiple monitoring options! The fold out monitor has a large 5″ HDR touchscreen on one side and an external colour status LCD on the other. You can even rotate the screen and fold it back into the camera! On the right side of the camera, there’s a dedicated assist station with a second 5″ HDR touchscreen which allows crew to work around the camera without needing external monitors. Plus, with a 1500 nit display and removable sunshade, it’s always visible, even in bright sunlight. On-screen overlays show status and record parameters, histogram, frame guides and more. There’s even a dedicated focus puller’s mode to help you get perfect focus!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRugged Industry Standard Connections\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe wide range of industry-standard connections on URSA Cine makes it perfect for high-end cinema production. The 7-pin Lemo and 3-pin Fischer connectors at the front provide record start\/stop and 24V power so are ideal for onboard accessories such as focus motors. Camera power is provided by a standard 24V 8-pin Lemo connection, plus there's an additional 2-pin Lemo 12V connection at the rear for lower voltage accessories. All this means you can power accessories straight from the camera without messy external cabling! There are also two independent 12G-SDI outputs for monitoring on 2 different monitors with different overlays, plus 10G Ethernet for Blackmagic Cloud media syncing!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBlackmagic RAW Fueled Image Capture\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post-production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options are designed to give you the best possible images with predictable and consistent file sizes. URSA Cine records to the included Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or a massive 20 hours in 4K!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGeneration 5 Colour Science\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Generation 5 Colour Science features a new film curve designed to make full use of the massive amount of colour data from the new URSA Cine sensor. This delivers even better colour response for more pleasing skin tones, and better rendering of highly saturated colours such as neon signs and car tail lights in high-contrast scenes. Generation 5 Colour Science informs complex Blackmagic RAW image processing, with colour and dynamic range data from the sensor preserved via metadata for use in post-production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Colour Science lets you take advantage of the new film curve even with your existing work!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt in Optical Low Pass Filter\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe high frequencies of synthetic materials like fabrics or the LED matrix in video walls can cause problems for ultra sharp modern lenses and high-resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. URSA Cine includes a high-performance, optical low pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red colour response which, when combined with Blackmagic RAW processing for the URSA Cine, preserves colour and critical image detail for new levels of image fidelity.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt-in Colour Balanced ND Filters\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine features high-quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colourimetry and colour science of the camera, the 2, 4 and 6-stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Cine ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eFull Frame Capture at Higher Frame Rates\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K, Super 35 9K and even insanely detailed 12K! You can shoot 100 fps in 12K 12,288 x 6480 17:9 or 120 fps in 12K 2.4:1 widescreen! For higher frame rates, you can shoot 144 fps at 8192 x 5360, 180 fps at 8192 x 3408 and even capture 8K 2.4:1 widescreen at an incredible 224 fps at 8,192 x 3,408! URSA Cine has flexible frame rate and resolution options and captures with incredible motion rendering with smoother edges in 8K and 4K, even at lower frame rates. Plus, with a massive 100 megapixels per frame at up to 80 fps in Blackmagic RAW, you can capture perfect stills and motion shots at the same time!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHigh-Performance Internal Media for Recording\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine is the first digital film camera with ultra-fast high capability Cloud Store technology built in. Blackmagic Media Module is fast, rugged and includes a massive 8TB of storage. It’s like a Cloud Store Mini built into your camera! The high-speed storage lets you record at the highest resolutions and frame rates for hours and access your files directly over high-speed 10G Ethernet. Or you can use the media you already own with the optional Blackmagic Media Module CF, which has dual CFexpress slots. The module can be easily removed from the camera and loaded into a Blackmagic Media Dock for transferring media to a network or Blackmagic Cloud for instant global collaboration!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eEliminate Media Offload Time\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Media Dock accelerates your post-production workflow by making it faster and simpler to start editing and colour correction! Mount up to three Blackmagic Media Modules for high-speed access to media from multiple URSA Cine cameras all at the same time! The four high-speed 10G Ethernet ports allow up to four separate edit workstations to connect directly and it is extremely fast, even when a lot of users are connected at the same time. Plus, the USB-C connection supports Ethernet so you can transfer media using a simple USB-C cable connected to your computer. There is also an HDMI output that lets you see the status of your media in real-time on a TV or monitor.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDeliver Clips Directly into DaVinci Resolve Bins\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine supports creating a small H.264 proxy file in addition to the camera's original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real-time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post-production workflows!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eThree Simple Steps\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eRecord to Internal Storage - \u003c\/strong\u003eYou can record to the internal Blackmagic Media Module. This will allow you to browse the clips and let the camera sync your media files to other users globally.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eSelect and Upload Clips\u003c\/strong\u003e - If you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eRecord into DaVinci Resolve - \u003c\/strong\u003eLog into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording, the media will automatically upload and sync to all DaVinci users on that project.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eConnect to Mobile Data, High-Speed Wifi or Ethernet!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen live streaming or uploading to Blackmagic Cloud, you can connect and use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and URSA Cine will configure for mobile data. Plus it works with the latest high-speed 5G phones, as well as 4G! You can also connect via high-speed wifi or wired Ethernet using the 10G Ethernet port. With live streaming built into the camera, you get the solution you need for clients and post-production to monitor shoots from anywhere in the world! That's a truly global post-production solution that works with Blackmagic Cloud to create amazing teams of creative people all working together.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLive Stream Directly to Your Client\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNow you can live stream from film sets! URSA Cine features a built hardware streaming engine that supports RTMP and SRT streaming to major platforms or directly to clients! Simply connect to the internet via Ethernet, high-speed wifi or even connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to the video village or the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now everyone can keep an eye on the shoot, live, while it's happening!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHigh-Resolution Viewfinder for Accurate Focus\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine supports the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 colour OLED display with built-in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built-in digital focus chart ensures you get the perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included viewfinder bracket and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eCompatible with Industry Standard Batteries and Power\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine includes an 8-pin Lemo power connector at the back of the camera that works with 24V and 12V power supplies. That means it’s easy to use the camera with existing power supplies, batteries and accessories! The front of the camera includes additional Lemo and Fischer connectors for powering lens motors and other accessories. URSA Cine comes with a massive 250W power supply and B Mount battery plate so you can use a wide range of high-voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB and more. You can also add the optional Blackmagic URSA Cine VLock Battery Plate or Blackmagic URSA Cine Gold Battery Plate for using legacy V‑Mount and Gold Mount batteries.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Cine features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDigital Slate for Fast Metadata Entry\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built-in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production specific information, technical information and more! All of the metadata is saved with the files for use in post-production when editing and colour-correcting with software such as DaVinci Resolve!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWireless Bluetooth Camera Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLocalized in 13 Popular Languages\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine is designed to be used worldwide and supports 13 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when travelling to locations worldwide! When you switch languages, all on-screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, colour correction, audio posts and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post-production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, colour correction, effects, audio and delivery.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eComes Ready to Shoot\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine comes with everything you need to get started on set! Every camera comes in a rugged Pelican case with custom foam cutouts that precisely and securely fit the camera and its accessories. The PL lens mount comes preinstalled on the camera body, plus you get an interchangeable locking EF mount for a strong and secure attachment when using heavier cine lenses. You even get a massive 8TB Media Module preinstalled, formatted and ready to record. That’s enough for over 4 hours of stunning 12K! You also get a top handle, antennas for high-speed wifi, baseplate, 24V power supply and high voltage B mount battery plate for quick set up. There’s even a kit that comes with the URSA Cine EVF!\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123109347556,"sku":"BMD-CURSAA12KLFEVF","price":7620.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-CURSAA12KLF_16787ed5-6d6f-4828-83ba-905f8179ee9f.jpg?v=1764755892"},{"product_id":"canon-eos-c500-mk-ii","title":"Canon EOS C500 MK II","description":"\u003cdiv\u003e\u003cstrong\u003eNew Generation Cinema EOS System\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e5.9K Full Frame sensor packed into a newly developed compact and reliable Cinema EOS body, this camera provides new inspiration and great flexibility for all cinematographers.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBreathtaking Full Frame Image Quality\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eCanon’s own developed 5.9K full frame CMOS sensor delivers an immersive cinematic look combined with natural, smooth skin-tones and faithful colour reproduction with Canon colour science.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe sensor also provides 15+ stop latitude with a wide colour space, perfect for High Dynamic Range productions.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHigh Quality and Efficient Recording Formats\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C500 Mark II features a newly developed DIGIC DV 7 image processor which enables Cinema RAW Light recording internally at 5.9K, as well as supporting recording of Canon’s XF-AVC format in 4K 4:2:2 10-bit. Simultaneous recording of the same file format is possible to the dual CFexpress card slots, with an additional SD card slot for proxy files.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThis multi-recording format provides efficiency and fulfils production requirements.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eCinema RAW Light 5.9K - Record Cinema RAW Light internally at up to 2.1Gbps\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eXF-AVC 4K 4:2:2 10-bit - Record XF-AVC up to 810Mbps\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e5.9K Over Sampling Processing for 4K\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C500 Mark II uses a high-quality debayering algorithm when over sampling 5.9K for 4K\/UHD recording. This suppresses moiré and reduces noise, resulting in a superior quality image.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompact, Lightweight and Reliable\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eApprox. 1,750g lightweight body enables it to be comfortably rigged with gimbals, hand-held rigs, making it ideal for various shooting conditions.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eVarious Mount and Lens Options\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C500 Mark II provides support for optional interchangeable lens mounts for different project requirements.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke \/i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHighly Configurable and Modular Design\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eOptional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eExtension Unit EU-V1 offers additional connectivity such as a Genlock interface, while Extension Unit EU-V2 adds further interfaces, including two more XLR inputs and a V-Lock battery mount for extended recording times. Extension Unit EU-V3 is designed for multi-camera live productions with Tally and Return Signal support. The optional EVF -V50 viewfinder is ideal for hand-held use and it is easily removable for gimbal applications.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePioneering Auto Focus Technology\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C500 MARK II features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF and reliable Face Detection up to 120p. Users also benefit from smooth, intuitive touch focus operation with the new 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull. To further fine tune AF performance, the EOS C500 MARK II offers the ability to set the AF tracking speed and response.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFirst Cinema EOS to Support Electronic IS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEOS C500 Mark II is the first Cinema EOS camera to incorporate Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eAutomatically obtains focal length - When a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eElectronic IS with non-electrical contact lenses - Shooting with Electronic IS is possible even when a lens that does not support data transmission is attached by simply manually inputting the focal length. It is also compatible with anamorphic lenses.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eFocal Length can be saved - Just select focal length during shooting to shoot with an electronic IS effect optimized for the settings.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHigh Frame Rates\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C500 Mark II supports high frame rate recordings up to a maximum 50\/60 fps at 5.9K. In 2K (crop) mode, settings from 1fps to a maximum 120fps can also be made, increasing creative possibilities. The new Slow \u0026amp; Fast button gives quick access for Slow \u0026amp; Fast settings.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAdvanced Interface\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C500 Mark II features an advanced 12G-SDI interface which has four times the bandwidth compared to 3G-SDI, simplifying 4K workflows by enabling it to output 4K 50\/60p over a single cable. 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The higher amplification read-out is optimized to capture clean details in darker areas, while the lower amplification read-out is optimized to capture the details in brighter areas. Hence, when combined together at pixel-level accuracy, the details and the qualities on both the highlight, as well as the low light areas will be maintained and enhanced which enables the camera to achieve an impressive higher dynamic range of up to 16+ stops.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new DGO sensor is also compatible with Dual Pixel AF giving the user greater freedom to achieve the image they desire.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHigh frame rates up to 120fps in 4K\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C300 Mark III supports continuous 4K recording at up to 120fps, in both Cinema RAW Light and XF-AVC. In 2K (crop) mode, frame rates from 12 fps up to 180 fps can also be set for greater creative freedom, while a dedicated Slow \u0026amp; Fast button, provides quick access to the desired Slow \u0026amp; Fast setting.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eExtensive Auto Focus functions\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eDual Pixel Focus Guide - Dual Pixel CMOS AF phase-difference technology provides an innovative graphical guide that represents front\/back focus deviation; the rectangle turns green when the subject is in focus, improving usability and accuracy when manual focus pulling, especially for critical focusing in 4K.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eTracking AF - Simply use the touchscreen to select an object in the frame and it will be tracked as it moves within it, enabling effortless subject tracking, taking all the hard work away.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eFace Priority AF \/ Face Only AF - Working together with Canon Face Detection technology, Dual Pixel CMOS AF is excellent at automatically recognising a face, focusing and following it while it moves.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eSupport for in-body Electronic IS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C300 Mark III incorporates Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAutomatically obtains focal length\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eElectronic IS with non-electrical contact lenses\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eShooting with Electronic IS is possible even when a lens that does not support data transmission is attached by simply manually inputting the focal length. It is also compatible with anamorphic lenses.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFocal Length can be saved\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eJust select focal length during shooting to shoot with an electronic IS effect optimized for the settings.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAdvanced Interface\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C300 Mark III features an advanced 12G-SDI interface which has four times the bandwidth compared to 3G-SDI, simplifying 4K workflows by enabling it to output 4K 50\/60p over a single cable. Similarly, the HDMI interface can also deliver 4K 50\/60p over a single cable.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMonitor and HDMI terminals can operate simultaneously, and the 12G-SDI output features 2K or FHD options when shooting at 4K for additional flexibility.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt-in ND filters\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEquipped with a robust built-in electronically controlled ND filter system, EOS C300 Mark III supports 2\/4\/6 and an extended 8\/10 stops, making it possible to create an image with a shallow depth of field, even in the daytime.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eOSD layout\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe On-Screen Display (OSD) shows a range of tools that will not interfere with the information on screen. There are several options to choose from according to your needs.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAnamorphic lens support\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEOS C300 Mark III supports anamorphic lenses by electronically de-squeezing the image in the viewfinder and on connected monitors for viewing.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eUsers can take advantage of the camera's 4K resolution by using 1.3x squeeze anamorphic lenses. Popular 2x and 1.8x anamorphic lenses can be used as well.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUser LUT support\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn addition to Canon’s in-built Cinema EOS lookup tables, import custom 3D LUTs for both viewing and internal recording, for even more efficient colour pipeline workflows.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eA dedicated LUT button gives additional operational flexibility.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eACES Support\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C300 Mark III supports ACES 1.0 of the Academy Colour Encoding System. Using Canon supplied IDTs, images captured on the EOS C300 Mark III can be imported directly into the ACES compatible systems.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAdditionally, video output from the camera can be monitored by selecting the ACES Proxy.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompact, lightweight and reliable\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eApprox. 1,750g lightweight body enables it to be comfortably rigged with gimbals and hand-held rigs, making it ideal for various shooting conditions.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePioneering Auto Focus technology*\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C300 Mark III features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF and reliable Face Detection up to 120p. Users also benefit from smooth, intuitive touch focus operation with the 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eTo further fine tune AF performance, the EOS C300 Mark III offers the ability to set the AF tracking speed and response.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cspan style=\"font-size:10px;\"\u003e* with compatible lenses\u003c\/span\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e Various mount and lens options\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C300 Mark III provides support for optional interchangeable lens mounts for different project requirements.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke \/i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHighly configurable and modular design\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eOptional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eExtension Unit EU-V1 offers additional connectivity such as a Genlock interface, while Extension Unit EU-V2 adds further interfaces, including two more XLR inputs and a V-Lock battery mount for extended recording times. Extension Unit EU-V3 is designed for multi-camera live productions with Tally and Return Signal support. The optional EVF-V50 viewfinder is ideal for hand-held use and it is easily removable for gimbal applications.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eMultiple recording formats support broadcast workflows\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDual card slots enable simultaneous internal recording of 4K Cinema RAW Light files (10\/12-bit) or 4K XF-AVC files (4:2:2 10-bit) onto CFexpress cards. XF-AVC supports ALL-I which delivers the best quality, and Long-GOP which enables longer recording times through higher compression. A Proxy can also be recorded onto an SD card, making editing work more efficient.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eCinema RAW Light 4K \u003c\/strong\u003e- up to 1Gbps (or 2.1Gbps at 120fps)\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eXF-AVC 4K 4:2:2 10-bit\u003c\/strong\u003e - up to 810Mbps (or 2Gbps at 120fps)\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":47123156599012,"sku":"CAN-3795C006","price":6763.06,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/3795C006_a938bc19-4abe-4561-b4de-5fec7e6a00b0.jpg?v=1764756928"},{"product_id":"canon-eos-c70","title":"Canon EOS C70","description":"\u003cdiv\u003e\u003cstrong\u003eWelcome to a new age of filmmaking\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C70 is a new generation RF Mount Cinema EOS System camera featuring Canon’s 4K Super 35mm DGO sensor. With 4K 120P Slow Motion, High Dynamic Range and Dual Pixel CMOS AF in a compact body, it takes the RF System into a brand new era. \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Y7NFSQdZtTs\" title=\"Canon Cinema EOS C70 | First Look\" width=\"640\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eCompact, Lightweight and Reliable\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C70 features a new design, including a multi-function grip with 3 customisable dials and multi-directional joystick. The camera is built to be a tough and lightweight workhorse, thanks to the carbon fibre polycarbonate body. The compact design also enables it to be comfortably rigged to drones, gimbals, hand-held or shoulder rigs, as well as FPV helmets and vehicles.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eA dual gain sensor that delivers more\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eOn the DGO sensor, each pixel will read out the image with two different amplification levels, one high and one low, which will then be combined to make a single image. The higher amplification read-out is optimized to capture clean details in darker areas, while the lower amplification read-out is optimized to capture the details in brighter areas. Hence, when combined together at pixel-level accuracy, the details and the qualities on both the highlight, as well as the low light areas will be maintained and enhanced which enables the camera to achieve an impressive higher dynamic range of up to 16+ stops. \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eThe RF Mount. The future of imaging.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe large diameter RF mount with its short back focus and 12-pin communication delivers a balance of optical and electronic innovation plus scintillating AF speed from Canon’s range of RF lenses.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eVersatile. Flexible. Reliable. Your new workhorse.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C70 uses design cues from other RF mount cameras from Canon, with additional controls, environmental protection and a convenient size to fit your production rig.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDynamically different: the 4K Super 35mm sensor \u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEquipped with a newly developed 4K Super 35mm sensor and DIGIC DV7 image processor, the EOS C70 delivers a high-resolution image with 16+ stops of Dynamic Range.  \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eMultiple recording formats\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDual UHS-II SD card slots enable simultaneous or relay recording. XF-AVC supports ALL-I and Long-GOP, while MP4 recording offers further flexibility.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePioneering autofocus technology\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe EOS C70 features the renowned Dual Pixel CMOS AF (DPAF). Filmmakers can now benefit from accurate and reliable autofocus with subject tracking and face detection.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eProfessional and practical support functions\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eKeep your workflow smooth when shooting with the EOS C70 thanks to useful features such as Direct Touch Control, Auto ISO, Vertical shooting, as well as electronic Image Stabilizer.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eProfessional I\/O Interface\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eStay in control with customisable buttons, pro terminals, plus sophisticated audio controls and recording.\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":47123157287140,"sku":"CAN-4507C006","price":2841.3,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/CAN-4507C006_3fb72070-1c68-43af-bb64-bcfdb11ced14.jpg?v=1764756954"},{"product_id":"canon-eos-c400","title":"Canon EOS C400","description":"\u003cdiv\u003e\u003cstrong\u003eREDEFINING VERSATILITY\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Canon EOS C400 delivers uncompromising performance in cinema, live broadcast, and virtual production.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eUnleash your creativity with a mighty 6K full frame BSI sensor and 16 stops of dynamic range.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" height=\"360\" referrerpolicy=\"strict-origin-when-cross-origin\" src=\"https:\/\/www.youtube.com\/embed\/I0u9GyA75Wg\" title=\"Introducing the EOS C400 Camera: Redefining Cinema EOS\" width=\"640\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFull Frame 6K BSI Sensor\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eCapture breathtaking footage with Canon’s cutting-edge backside illuminated (BSI) sensor, delivering next-generation capabilities, triple base ISO (800 \/ 3200 \/ 12800), organic colour reproduction, and 16 stops of dynamic range.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDual Pixel CMOS AF II with EOS iTR AF X\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eEnjoy updated, faster auto focus technology. 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Oversampled 4K is available via XF-AVC and improved XF-AVC S \/ XF-HEVC S (MP4) formats, all featuring detailed metadata and filename structures. Output HDMI RAW to compatible external recorders.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eRF Mount\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eRely on cutting-edge prime, zoom, and cinema lenses for unrivalled optical performance, real-time lens metadata, and ultra-responsive AF\/IS systems. Easily use your PL and EF lenses with a Canon mount adapter.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUncompromised Connectivity\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eProfessional on-body I\/O includes 12G-SDI, HDMI, 2x mini-XLR, Mic In, Remote, and Timecode. Built-in Wi-Fi \/ Ethernet enables real-time IP streaming (SRT \/ RTSP) and remote control via XC Protocol and Multi-Camera Control app. Expandable with Canon’s Multi-Function Shoe.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDesigned for the Future\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eReal-time lens metadata output and capture for VP and VFX with support for Unreal Engine and After Effects, including distortion correction data. And create immersive VR experiences with Canon’s RF 5.2mm F2.8L Dual Fisheye lens.\u003c\/div\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":47123169116388,"sku":"CAN-6389C006","price":4101.27,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/CAN-6389C006_30c2187d-5fad-44ef-8d8b-daa211fd7f7d.jpg?v=1764757091"},{"product_id":"canon-eos-c50-cinema-camera","title":"Canon EOS C50 Cinema Camera","description":"\u003cp\u003eThe Canon EOS C50 is built for creators who work under pressure, engineered for professionals who do it all, whether solo or within a lean crew. From interviews to socials, weddings to independent film making, this camera earns its place on every job. This is Canon's smallest and lightest professional cinema camera yet, opening a world of cinematic possibilities.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe EOS C50 packs a 7K Full Frame sensor with Open Gate RAW recording, 32MP stills, professional I\/O and modular handle. \u003c\/p\u003e\n\n\n\n\u003cp\u003eThe EOS C50 is positioned as a bridge between the EOS \/ PowerShot V Series and the Cinema EOS lineup, offering a versatile option for content creators seeking more advanced video capabilities without stepping fully into high-end cinema gear. It is the fifth RF-mount Cinema EOS camera and sits between the EOS R5 C and EOS C70 in Canon’s video lineup. Notably, it is also the second Hybrid Cinema EOS camera, blending the portability and flexibility of mirrorless with the pro-level features of Canon’s Cinema EOS system.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eCinematic 7K Full Frame Capture\u003c\/strong\u003e\u003cbr\u003e\n\nShoot stunning 7K with Canon’s Full Frame CMOS sensor, Dual Base ISO (800\/6400), and 15+ stops of dynamic range. Capture 32MP stills at 40fps with ISO up to 64,000 and enjoy oversampled 4K with rich, organic colour reproduction.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eOpen the Gate for Maximum Flexibility\u003c\/strong\u003e\u003cbr\u003e\n\nUnleash your vision with Open Gate 12-bit RAW at 6960x4640 in 3:2. Shoot widescreen, vertical, or anamorphic in stunning detail. Switch easily between Full Frame, Super 35mm, and Super 16mm modes.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eHarness the Power of the RF mount\u003c\/strong\u003e\u003cbr\u003e\n\nUnlock RF mount speed, power and versatility with prime, zoom, hybrid and cinema lenses. Enjoy premium optics, real-time metadata, fast AF\/IS, and seamless PL\/EF lens integration via Canon mount adapters.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eSharp. Fast. Reliable. \u003c\/strong\u003e\u003cbr\u003e\n\nEnjoy ultra-responsive autofocus with enhanced face, eye, and animal tracking across 100% of the sensor with Dual Pixel CMOS AF II. Plus, EOS iTR AF X, Detect Only, Focus Guide, and custom speed settings keep you sharp and ready.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eCapture More with High Frame Rates\u003c\/strong\u003e\u003cbr\u003e\n\nShoot scalable 12-bit Cinema RAW Light up to 7K 60p, plus 4K 120p and 2K 180p and oversampled 4K 10-bit XF-AVC (MXF) and XF-AVC S\/XF-HEVC S (MP4). CFexpress Type B and UHS-II SD card slots enable proxy and multi-format recording for fast, flexible workflows.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eConnect like a Pro\u003c\/strong\u003e\u003cbr\u003e\n\nThe EOS C50 packs pro connectivity: full HDMI, timecode, mic and headphone jacks, USB-C, plus a detachable handle with 2x XLRs. Built-in Wi-Fi and USB-C enable real-time IP streaming, UVC\/UAC output, remote control, and Multi-Function Shoe for direct power to compatible accessories.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eSleek, Ultra-Compact Ergonomics\u003c\/strong\u003e\u003cbr\u003e\n\nThe EOS C50 is Canon’s lightest, most compact Cinema EOS camera, featuring a detachable XLR top handle, 3\" articulating touchscreen, active cooling, 14 assignable buttons, zoom rockers, tally lamp, and multiple mounts – perfect for handheld, gimbals, and drones.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eEngineered for Live Multi-Cam Action\u003c\/strong\u003e\u003cbr\u003e\n\nUnlock full control with Canon XC Protocol accessories and apps like RC-IP1000 and Multi-Camera Control. Oversee multi-camera studios effortlessly with timecode sync, and adjust settings \/ shading across Cinema EOS, PTZ, and XF Series cameras in real time.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eFuture-Ready for VFX, Virtual \u0026amp; VR Workflows\u003c\/strong\u003e\u003cbr\u003e\n\nThe EOS C50 powers real-time lens metadata supporting virtual production and VFX, fully compatible with Unreal Engine and After Effects. Plus, pair it with Canon’s RF 5.2mm Dual Fisheye lens to capture jaw-dropping stereoscopic 180° VR.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":47123170656484,"sku":"CAN-7034C011AA","price":2749.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/CAN-7034C011AA.jpg?v=1768407773"},{"product_id":"dji-ronin-4d-6k-combo","title":"DJI Ronin 4D 6K Combo","description":"\u003cdiv\u003e\u003cstrong\u003eThe Future Is Rolling.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith DJI Ronin 4D, DJI's most advanced technologies have been integrated into one cutting-edge and comprehensive cinematography solution, which offers groundbreaking flexibility to solo cinematographers and unlimited possibilities for coordinated shooting. This powerful, next-generation cinema camera was designed and built to be the future of filmmaking.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eThe Future Is All in One\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIntegrated and Modular: Both Realised in One Camera. DJI Ronin 4D offers a completely unique design. Crafted with carbon fiber and aluminium magnesium, its solid body integrates the imaging, stabilisation, and focusing systems, as well as wireless transmission and control. This avoids time-consuming setup and enables quicker shooting. Users can now enjoy compact convenience along with the expansive possibilities from modular accessories.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eMain Body\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eZenmuse X9 Gimbal Camera\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eTop Handle\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eHigh-Bright Main Monitor\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eHand Grips \u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eTB50 Battery Compartment\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eTB50 Intelligent Battery\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eLiDAR Range Finder\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eCinematic Imaging System: Designed for Pros\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eProcessing Power. Ronin 4D is equipped with Zenmuse X9, DJI’s flagship full-frame camera. It also features DJI’s latest image processing system, CineCore 3.0. This system uses DJI’s proprietary chip to provide advanced processor architecture, offering extremely high-performance computing power in a cinema camera today. CineCore 3.0 allows Ronin 4D to support internal recording of Apple ProRes RAW, ProRes 422 HQ, and H.264 video. It also supports up to 8K\/75fps and 4K\/120fps video recording, delivering multiple options for professional-level creation.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith 14+ stops of dynamic range, Zenmuse X9 delivers natural transitions of highlights and shadows in complex lighting conditions such as backlit scenes and direct sunlight. These traditionally difficult scenes can now be captured easily and with confidence.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eColour Science\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith the DJI Cinema Colour System (DCCS) and robust computing power provided by CineCore 3.0, Zenmuse X9 is able to give images a cinematic look by retaining authentic and accurate colours. It also supports the industry-standard ACES workflow for effortless compatibility with the colour tones of other cinema cameras.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eBuilt-In 9-Stop ND Filters\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eX9 has 9-stop built-in high-quality ND filters (ND 2 to ND 512, or ND 0.3 to ND 2.7) that can be quickly and easily switched thanks to an internal motorised system. These filters were also designed to match and compliment the colour science of Ronin 4D. \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eDL Lenses\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eX9’s standard DL mount supports three compact full-frame prime lenses. The housings are made of lightweight, monocoque carbon fiber, so each lens weighs just about 180 g. More DJI lenses will be available in the future.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eInterchangeable Mounts\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eX9 supports interchangeable lens mounts, including DJI’s proprietary DL mount as well as third-party mounts like Leica M. Ultra-wide, f\/0.95 large-aperture, electronic zoom, macro, and anamorphic lenses that are compatible with traditional cinema cameras also work on X9, providing flexible lens options.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eWireless Control\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhether you’re using manual or autofocus lenses, dedicated modules mounted to X9 can achieve wireless lens control and even autofocusing.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cspan class=\"bolded\"\u003e4-Axis Stabilization System: Steady in Every Way\u003c\/span\u003e\u003cbr\u003e\n\nDJI Ronin 4D adds a Z-axis to the traditional 3-axis gimbal, which effectively decreases vertical camera shake and offers stabilisation performance on par with a dolly. The four axes work together with a downward ToF sensor, forward and downward dual-visual sensors, a built-in IMU and barometer, and an advanced new algorithm to bring the overall stabilisation to a whole new level.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen this compact body combines with its powerful stabilisation capabilities, complex camera movements that used to be very costly to achieve are now easily attainable.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eRunning Shots\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eStaircase Shots\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eClose-Up Sliding Shots\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eConfined-Space Shots\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eZ-Axis On | Z-Axis Off\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eIntegrated Gimbal Camera\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eRonin 4D integrates the imaging and stabilisation systems while keeping only the sensor and necessary optical components in the gimbal camera. The tilt axis of the gimbal uses dual symmetric motors, whereas both the pan axis and the roll axis are designed with an additional stiffness buffer.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe compact and portable gimbal system allows shooting to begin without the need for tedious manual balancing. This also delivers stable footage, even with lenses that have a shifting center of gravity during use.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith a highly integrated body and robust motor force, Ronin 4D offers the best stabilising and tracking performance of the entire Ronin Series so far at an incredibly light weight. Additionally, it can switch to Sport mode with the press of a button, allowing the gimbal to react quickly to the cinematographer's movements.\u003cbr\u003e\n\nIt also supports wireless gimbal control and versatile mounting configurations for varied shooting scenarios.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eActiveTrack Pro\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDJI’s proprietary computer vision, deep learning technology, and the robust computing power of CineCore 3.0 combine in ActiveTrack Pro, which enables cinema-standard tracking shots, even in just one take. This technology also allows subjects to be tracked from longer distances and features composition adjustment with continuous autofocusing to keep subjects in focus during tracking shots. \u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eLiDAR Focusing System: Unparalleled Accuracy\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\nLiDAR Waveform. DJI Ronin 4D makes manual focusing easier than ever. The visualised focus assistance technology displays the ranging points on the main and remote monitors in a simplified top-down view. This provides an innovative and intuitive LiDAR Waveform to locate focus points quickly and allow focus adjustments with extreme precision. Even operators with little or no experience can become adept at manual focusing quickly.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eLiDAR Range Measurement\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe LiDAR Range Finder can cast up to 43,200 ranging points within a 10-meter detection range. Compared with phase detection autofocus (PDAF), Ronin 4D’s LiDAR Focusing System can focus faster, without compromising the image quality or relying on the surface texture of the subject. This is especially useful in low-light environments and results in exceptional focusing capabilities compared to other cinema cameras. \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eAutofocus\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith the new LiDAR Focusing System, Ronin 4D is able to maintain focus even when there is severe motion blur caused by subjects moving quickly. With the focus motor mounted, autofocus is available even on manual lenses. Continuous autofocusing on subjects can be enabled together with ActiveTrack Pro, making it especially convenient for solo operators.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eAutomated Manual Focus\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAutomated Manual Focus (AMF) mode gives you the accuracy and flexibility of manual focus with the convenience of autofocus. The focus wheel will rotate in sync as the focus point changes, but cinematographers can take manual control at any point. The focus wheel on the right hand grip even features dynamic damping with electromagnetic technology. This gives cinematographers a physical sense of focus changes, providing a more intuitive and modern focusing experience that is unrivaled in the industry today.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eWireless Transmission \u0026amp; Control System – Versatile Beyond Imagination\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\nRonin 4D uses the all-new DJI O3 Pro Video Transmission technology, which offers a 20,000-foot transmission range that would be unimaginable on traditional solutions. In addition to 2.4GHz and 5.8GHz, it supports the DFS frequency band and an AES 256-bit encryption algorithm that can output a 1080p\/60fps FHD feed to multiple remote monitors simultaneously with significantly enhanced security, stability, and anti-interference capability.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDJI's proprietary chip powers the imaging system, video transmitter, video receiver, and remote monitor of Ronin 4D. Together, these components form a streamlined wireless transmission system, with every link explicitly optimised to provide end-to-end ultra-low transmission latency.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eIntegrated Design\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe 4D Video Transmitter can be directly mounted onto Ronin 4D and powered by the battery of the main body. With a built-in wireless video receiver, the High-Bright Remote Monitor has a 7-inch, 1,500-nit high-bright, wide colour gamut touchscreen display that can output both HDMI and SDI signals through the expansion module. Its compact and lightweight body provides optimum portability and efficient setup so users can start shooting immediately.\u003cbr\u003e\n\n\u003cspan class=\"bolded\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eCoordinated Shooting\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe High-Bright Remote Monitor supports one transmitter with multiple receivers for video and audio feeds. Two transmission modes are available. The first is Broadcast mode, which sets no limit on the number of receivers and is suitable for monitoring with large crews. The second is Control mode, which supports the coordinated operation of two receivers.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe High-Bright Remote Monitor can connect to the Hand Grips of Ronin 4D, DJI Master Wheels, DJI Force Pro, or the new DJI Three-Channel Follow Focus. This enables remote control of focus and gimbal movements with high precision, starting and stopping of recording, and camera setting adjustments to meet the highest standards of coordinated shooting on sets. In addition, the built-in gyro sensor turns the monitor into a remote motion controller for the gimbal of Ronin 4D.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eMirror Control Mode\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMirror Control Mode gives the High-Bright Remote Monitor an identical control interface as the main monitor, including all advanced features such as source material playback, video specification and gimbal settings, which can now be remotely adjusted even when Ronin 4D is mounted to expansion platforms such as a jib, cable cam, or vehicle mount.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eIndependent Recording and Playback\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe High-Bright Remote Monitor has a built-in microSD card slot that supports independent recording of video at up to 1080p\/60fps. When several remote monitors are used in conjunction, each monitor can play back material separately without interfering with other monitors. \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cspan class=\"bolded\"\u003eIt's All in the Details: Outperforms in Every Way\u003c\/span\u003e\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eMonitoring\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eHigh-Bright Main Monitor: The 5.5-inch 1000-nit adjustable screen can be mounted to various points on the main body.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eExposure Assistance: Exposure waveform, false colour, and zebra.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eFocus Assistance: LiDAR waveform, peaking (aperture and colour peaking), and focus magnification (2x and 4x).\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eTools Overlay: Customisable frame guides, safe zone, and center marker.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eColour Preview: Supports customisable LUT input.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eMulti-link independent monitoring: video recording, main monitor, main body HDMI, and remote monitor feeds can load independent LUTs.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eStorage\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eRonin 4D has a built-in CFexpress Type-B slot along with a USB 3.1 Type-C expansion port for recording directly to an external media disk. It also offers internal recording of the highest-specification videos with DJI PROSSD 1TB, which can be directly connected to a computer via USB-C cable to access media without a traditional SSD reader. These storage choices provide solutions for high cost-effectiveness and to those who want an unrivaled combination of performance and stability.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eSound Recording\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eRonin 4D is equipped with built-in microphones that support dual-channel 24-bit audio recording. It also provides 3.5mm jacks and XLR microphone ports for more audio input solutions.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eBattery Life \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eJust like Ronin 2 and Inspire 2, DJI Ronin 4D uses TB50 Intelligent Batteries, which offer up to 2.5 hours of shooting time and can be fully charged in just 1.5 hours. Auto-heating is also supported to enable reliable functionality in severely cold conditions.\u003c\/div\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":47123215548644,"sku":"DJI-CP.RN.00000176","price":3574.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/DJI-CP.RN.00000176.webp?v=1764758211"},{"product_id":"dji-ronin-4d-8k-combo","title":"DJI Ronin 4D 8K Combo","description":"\u003cdiv\u003e\u003cstrong\u003eThe Future Is Rolling.\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith DJI Ronin 4D, DJI's most advanced technologies have been integrated into one cutting-edge and comprehensive cinematography solution, which offers groundbreaking flexibility to solo cinematographers and unlimited possibilities for coordinated shooting. This powerful, next-generation cinema camera was designed and built to be the future of filmmaking.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eThe Future Is All in One\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIntegrated and Modular: Both Realised in One Camera. DJI Ronin 4D offers a completely unique design. Crafted with carbon fiber and aluminium magnesium, its solid body integrates the imaging, stabilisation, and focusing systems, as well as wireless transmission and control. This avoids time-consuming setup and enables quicker shooting. Users can now enjoy compact convenience along with the expansive possibilities from modular accessories.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eMain Body\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eZenmuse X9 Gimbal Camera\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eTop Handle\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eHigh-Bright Main Monitor\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eHand Grips \u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eTB50 Battery Compartment\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eTB50 Intelligent Battery\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eLiDAR Range Finder\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eCinematic Imaging System: Designed for Pros\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eProcessing Power. Ronin 4D is equipped with Zenmuse X9, DJI’s flagship full-frame camera. It also features DJI’s latest image processing system, CineCore 3.0. This system uses DJI’s proprietary chip to provide advanced processor architecture, offering extremely high-performance computing power in a cinema camera today. CineCore 3.0 allows Ronin 4D to support internal recording of Apple ProRes RAW, ProRes 422 HQ, and H.264 video. It also supports up to 8K\/75fps and 4K\/120fps video recording, delivering multiple options for professional-level creation.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith 14+ stops of dynamic range, Zenmuse X9 delivers natural transitions of highlights and shadows in complex lighting conditions such as backlit scenes and direct sunlight. These traditionally difficult scenes can now be captured easily and with confidence.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eColour Science\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith the DJI Cinema Colour System (DCCS) and robust computing power provided by CineCore 3.0, Zenmuse X9 is able to give images a cinematic look by retaining authentic and accurate colours. It also supports the industry-standard ACES workflow for effortless compatibility with the colour tones of other cinema cameras.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eBuilt-In 9-Stop ND Filters\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eX9 has 9-stop built-in high-quality ND filters (ND 2 to ND 512, or ND 0.3 to ND 2.7) that can be quickly and easily switched thanks to an internal motorised system. These filters were also designed to match and compliment the colour science of Ronin 4D. \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eDL Lenses\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eX9’s standard DL mount supports three compact full-frame prime lenses. The housings are made of lightweight, monocoque carbon fiber, so each lens weighs just about 180 g. More DJI lenses will be available in the future.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eInterchangeable Mounts\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eX9 supports interchangeable lens mounts, including DJI’s proprietary DL mount as well as third-party mounts like Leica M. Ultra-wide, f\/0.95 large-aperture, electronic zoom, macro, and anamorphic lenses that are compatible with traditional cinema cameras also work on X9, providing flexible lens options.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eWireless Control\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhether you’re using manual or autofocus lenses, dedicated modules mounted to X9 can achieve wireless lens control and even autofocusing.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cspan class=\"bolded\"\u003e4-Axis Stabilization System: Steady in Every Way\u003c\/span\u003e\u003cbr\u003e\n\nDJI Ronin 4D adds a Z-axis to the traditional 3-axis gimbal, which effectively decreases vertical camera shake and offers stabilisation performance on par with a dolly. The four axes work together with a downward ToF sensor, forward and downward dual-visual sensors, a built-in IMU and barometer, and an advanced new algorithm to bring the overall stabilisation to a whole new level.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen this compact body combines with its powerful stabilisation capabilities, complex camera movements that used to be very costly to achieve are now easily attainable.\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eRunning Shots\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eStaircase Shots\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eClose-Up Sliding Shots\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eConfined-Space Shots\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eZ-Axis On | Z-Axis Off\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eIntegrated Gimbal Camera\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eRonin 4D integrates the imaging and stabilisation systems while keeping only the sensor and necessary optical components in the gimbal camera. The tilt axis of the gimbal uses dual symmetric motors, whereas both the pan axis and the roll axis are designed with an additional stiffness buffer.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe compact and portable gimbal system allows shooting to begin without the need for tedious manual balancing. This also delivers stable footage, even with lenses that have a shifting center of gravity during use.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith a highly integrated body and robust motor force, Ronin 4D offers the best stabilising and tracking performance of the entire Ronin Series so far at an incredibly light weight. Additionally, it can switch to Sport mode with the press of a button, allowing the gimbal to react quickly to the cinematographer's movements.\u003cbr\u003e\n\nIt also supports wireless gimbal control and versatile mounting configurations for varied shooting scenarios.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eActiveTrack Pro\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDJI’s proprietary computer vision, deep learning technology, and the robust computing power of CineCore 3.0 combine in ActiveTrack Pro, which enables cinema-standard tracking shots, even in just one take. This technology also allows subjects to be tracked from longer distances and features composition adjustment with continuous autofocusing to keep subjects in focus during tracking shots. \u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eLiDAR Focusing System: Unparalleled Accuracy\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\nLiDAR Waveform. DJI Ronin 4D makes manual focusing easier than ever. The visualised focus assistance technology displays the ranging points on the main and remote monitors in a simplified top-down view. This provides an innovative and intuitive LiDAR Waveform to locate focus points quickly and allow focus adjustments with extreme precision. Even operators with little or no experience can become adept at manual focusing quickly.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eLiDAR Range Measurement\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe LiDAR Range Finder can cast up to 43,200 ranging points within a 10-meter detection range. Compared with phase detection autofocus (PDAF), Ronin 4D’s LiDAR Focusing System can focus faster, without compromising the image quality or relying on the surface texture of the subject. This is especially useful in low-light environments and results in exceptional focusing capabilities compared to other cinema cameras. \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eAutofocus\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith the new LiDAR Focusing System, Ronin 4D is able to maintain focus even when there is severe motion blur caused by subjects moving quickly. With the focus motor mounted, autofocus is available even on manual lenses. Continuous autofocusing on subjects can be enabled together with ActiveTrack Pro, making it especially convenient for solo operators.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eAutomated Manual Focus\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAutomated Manual Focus (AMF) mode gives you the accuracy and flexibility of manual focus with the convenience of autofocus. The focus wheel will rotate in sync as the focus point changes, but cinematographers can take manual control at any point. The focus wheel on the right hand grip even features dynamic damping with electromagnetic technology. This gives cinematographers a physical sense of focus changes, providing a more intuitive and modern focusing experience that is unrivaled in the industry today.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eWireless Transmission \u0026amp; Control System – Versatile Beyond Imagination\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\n\nRonin 4D uses the all-new DJI O3 Pro Video Transmission technology, which offers a 20,000-foot transmission range that would be unimaginable on traditional solutions. In addition to 2.4GHz and 5.8GHz, it supports the DFS frequency band and an AES 256-bit encryption algorithm that can output a 1080p\/60fps FHD feed to multiple remote monitors simultaneously with significantly enhanced security, stability, and anti-interference capability.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDJI's proprietary chip powers the imaging system, video transmitter, video receiver, and remote monitor of Ronin 4D. Together, these components form a streamlined wireless transmission system, with every link explicitly optimised to provide end-to-end ultra-low transmission latency.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eIntegrated Design\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe 4D Video Transmitter can be directly mounted onto Ronin 4D and powered by the battery of the main body. With a built-in wireless video receiver, the High-Bright Remote Monitor has a 7-inch, 1,500-nit high-bright, wide colour gamut touchscreen display that can output both HDMI and SDI signals through the expansion module. Its compact and lightweight body provides optimum portability and efficient setup so users can start shooting immediately.\u003cbr\u003e\n\n\u003cspan class=\"bolded\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eCoordinated Shooting\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe High-Bright Remote Monitor supports one transmitter with multiple receivers for video and audio feeds. Two transmission modes are available. The first is Broadcast mode, which sets no limit on the number of receivers and is suitable for monitoring with large crews. The second is Control mode, which supports the coordinated operation of two receivers.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe High-Bright Remote Monitor can connect to the Hand Grips of Ronin 4D, DJI Master Wheels, DJI Force Pro, or the new DJI Three-Channel Follow Focus. This enables remote control of focus and gimbal movements with high precision, starting and stopping of recording, and camera setting adjustments to meet the highest standards of coordinated shooting on sets. In addition, the built-in gyro sensor turns the monitor into a remote motion controller for the gimbal of Ronin 4D.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eMirror Control Mode\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMirror Control Mode gives the High-Bright Remote Monitor an identical control interface as the main monitor, including all advanced features such as source material playback, video specification and gimbal settings, which can now be remotely adjusted even when Ronin 4D is mounted to expansion platforms such as a jib, cable cam, or vehicle mount.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eIndependent Recording and Playback\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe High-Bright Remote Monitor has a built-in microSD card slot that supports independent recording of video at up to 1080p\/60fps. When several remote monitors are used in conjunction, each monitor can play back material separately without interfering with other monitors. \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cspan class=\"bolded\"\u003eIt's All in the Details: Outperforms in Every Way\u003c\/span\u003e\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eMonitoring\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eHigh-Bright Main Monitor: The 5.5-inch 1000-nit adjustable screen can be mounted to various points on the main body.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eExposure Assistance: Exposure waveform, false colour, and zebra.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eFocus Assistance: LiDAR waveform, peaking (aperture and colour peaking), and focus magnification (2x and 4x).\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eTools Overlay: Customisable frame guides, safe zone, and center marker.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eColour Preview: Supports customisable LUT input.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003eMulti-link independent monitoring: video recording, main monitor, main body HDMI, and remote monitor feeds can load independent LUTs.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eStorage\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eRonin 4D has a built-in CFexpress Type-B slot along with a USB 3.1 Type-C expansion port for recording directly to an external media disk. It also offers internal recording of the highest-specification videos with DJI PROSSD 1TB, which can be directly connected to a computer via USB-C cable to access media without a traditional SSD reader. These storage choices provide solutions for high cost-effectiveness and to those who want an unrivaled combination of performance and stability.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eSound Recording\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eRonin 4D is equipped with built-in microphones that support dual-channel 24-bit audio recording. It also provides 3.5mm jacks and XLR microphone ports for more audio input solutions.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan class=\"bolded\"\u003eBattery Life \u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eJust like Ronin 2 and Inspire 2, DJI Ronin 4D uses TB50 Intelligent Batteries, which offer up to 2.5 hours of shooting time and can be fully charged in just 1.5 hours. Auto-heating is also supported to enable reliable functionality in severely cold conditions.\u003c\/div\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":47123222921444,"sku":"DJI-CP.RN.00000351","price":7207.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/DJI-CP.RN.00000351.webp?v=1764758259"},{"product_id":"fujifilm-gfx-eterna-55","title":"Fujifilm GFX ETERNA 55","description":"\u003cdiv\u003e\u003cstrong\u003eFUJIFILM GFX ETERNA 55 – Designed for Filmmakers, Built Around a Large Format Sensor\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAt the heart of GFX ETERNA 55 lies a powerful large format sensor: 44x33mm (55mm diagonal), far exceeding the traditional 35mm full-frame. Its expansive surface records light in stunning detail, delivering a cinematic aesthetic with unique depth-of-field characteristics that standard formats simply can’t replicate.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eSmooth tonal gradation. Subtle textures hiding in the shadows. Atmosphere lingering in the highlights.  Every flicker of light, every nuance of tone – faithfully rendered, even in low light, with remarkably low noise. Skin tones are recorded with delicate precision, preserving their natural feel.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eGFX ETERNA 55 is more than a tool. It’s a camera that lets filmmakers return to the essence of visual storytelling: the desire to speak through light.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003ciframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/rk9RHViSywY\" title=\"FUJIFILM GFX ETERNA 55 Promotional Video \/ FUJIFILM\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eThe Fujifilm Look\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBuilding on over 90 years of Fujifilm’s pioneering film color science, GFX ETERNA 55’s large format sensor delivers digital imagery with the depth, warmth, and nuanced tones traditionally reserved for film.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eGFX ETERNA 55 is designed for filmmakers who seek to express their vision with authenticity and emotional impact – creating not just images, but stories that resonate.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUnleashing the Film Stocks\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eGFX ETERNA 55 features 20 Film Simulation modes.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003ePlus, by utilizing Fujifilm’s proprietary wide dynamic range, wide-gamut F-Log2 C\/F-Gamut C, filmmakers can access ten expertly crafted Film Simulation LUTs* that replicate Fujifilm’s iconic film stocks in the digital format.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFrom Velvia and ASTIA to CLASSIC CHROME and ETERNA, these celebrated film stocks serve as a powerful creative post-production tool – rekindling the distinct Memory Color that has long been admired in photography.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThis goes beyond simple color grading. It’s digital storytelling infused with the rich heritage and expressive depth of analog film.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003csub\u003e*PROVIA\/Standard, Velvia\/Vivid, ASTIA\/Soft, Classic Chrome, REALA ACE, PRO Neg.Std, Classic Neg., ETERNA\/Cinema, ETERNA BLEACH BYPASS, and ACROS\u003c\/sub\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eVarious Formats\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eGFX ETERNA 55 supports 4:3 Open Gate recording, fully utilizing the expansive imaging area of its large format sensor.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn addition to FUJINON GF and Premista lenses, it also supports 8K\/4K DCI recording with standard 35mm compatible PL lenses. Moreover, it is compatible with anamorphic lenses and Super 35 format lenses, allowing filmmakers to freely select the desired field of view according to their creative vision.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eCombining the rich visual expression unique to a large sensor with broad compatibility across lens types and formats, this camera becomes a powerful creative tool – expanding the freedom of filmmaking to new heights.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAnamorphic Ready\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eGFX ETERNA 55’s large format 4:3 sensor is ideal for the unique cinematic qualities of anamorphic lenses.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe elongated aspect ratio, elliptical bokeh, and horizontal lens flare characteristic of such optics have been widely embraced in filmmaking to enrich storytelling. GFX ETERNA 55 offers real-time de-squeeze monitoring on set, providing a clear and accurate preview during shooting.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBy combining the sensor’s vast image circle with the distinct properties of anamorphic lenses, GFX ETERNA 55 delivers unprecedented depth and scale to your creative output.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCodec\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eApple ProRes HQ, renowned for its reliability in post-production workflows, is the main recording codec on GFX ETERNA 55.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIt offers a perfect balance of high-quality image fidelity and robust editing performance, enabling a seamless workflow from on set to final finishing. Covering up to 8K at 30fps, 4K at 60fps, and HD at 120fps, GFX ETERNA 55 records the rich tonal range and color of its large format sensor in formats optimized for any scenario.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhether it’s cinematic feature films, commercials demanding flexible frame rates, or high-speed artistic projects, GFX ETERNA 55’s versatility makes it an ideal tool across genres.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eReady for Filmmaking\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eA design that elevates the creative drive of every filmmaker.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eConstructed with a magnesium alloy body, the camera balances lightweight portability with exceptional durability.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\nEvery detail – from cable connectors and button layout to the handle – has been meticulously crafted for maximum convenience and robustness. The sleek, minimalist form, inherited from GFX System, is sure to satisfy the discerning aesthetic of any user.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBundled with Confidence\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003ePL Mount Adapter\u003c\/strong\u003e - In addition to the standard G Mount, GFX ETERNA 55 comes supplied with PL Mount Adapter G, allowing immediate use of PL Mount lenses without the need for additional accessories. The camera’s essence lies in honoring the creative aesthetic that lenses – including anamorphic ones – bring to your work.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003e5.0-inch Large LCD Monitor\u003c\/strong\u003e - Equipped with a 5.0-inch display, this camera boasts a high-resolution panel with 6.22 million dots, making it remarkably easy to check focus and color accuracy – crucial for precise decisions on set. With a 2000-nit brightness, the screen remains clear and visible even under bright outdoor lighting or harsh backlight. The display latency is reduced to an absolute minimum for smooth real-time monitoring and focus control, without lag or frustration. Moreover, the proprietary color reproduction technology ensures faithful and consistent color rendering, for easy calibration that helps maintain color integrity throughout recording and post-production.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eDedicated Handle\u003c\/strong\u003e - A dedicated handle is included, designed for both ease of use and advanced functionality. On the side of the handle is a dial for focus, zoom, or iris control. When paired with electronically controlled lenses, these dials enable smooth, precise adjustments for real-time fine-tuning. Switching the dial to the ND setting allows you to smoothly adjust the density of the electronic variable ND filter on the fly. The handle base features a sliding rail syste, allowing for quick and effortless repositioning of the balance point to accommodate changes in overall weight when attaching batteries or lenses.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIntuitive Operation\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eDual Side Monitor\u003c\/strong\u003e - To meet the practical needs of shooting environments, GFX ETERNA 55 is equipped with independent 3.0-inch LCD monitors on both sides of the body. These displays provide real-time information such as recording status, exposure, audio levels, and recording formats, allowing both the cinematographer and assistant to simultaneously monitor essential data – perfect for on-set collaboration.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eAccessory Mounting Points\u003c\/strong\u003e - The top of the camera body and handle feature multiple accessory threads in two sizes (1\/4n-20 and 3\/8in-16) for easy attachment of accessories including monitors, microphones, and wireless transmitters. This design eliminates the need for additional external rigs, streamlining the setup process.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eConnector Ports\u003c\/strong\u003e - In addition to 12G-SDI and HDMI video output terminals, GFX ETERNA 55 is equipped with a wide range of professional-grade interfaces including GENLOCK, REMOTE, 12V DC power port, and LENS connector. These support multi-camera setups, external control, and lens servo power supply, enabling flexible system configurations on set. Furthermore, all connectors are protected by sturdy guards designed to prevent physical damage.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eButton Layout\u003c\/strong\u003e - The control buttons are thoughtfully arranged to allow seamless operation without interrupting the shoot. In addition to seven customizable buttons, there are a total of 12 buttons integrated with the GUI on both side monitors. This setup enables intuitive and efficient camera operation, even for solo operators.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eWeather-Resistant Body\u003c\/strong\u003e - In addition to delivering high image quality and performance, GFX ETERNA 55 is also built to withstand harsh environments. The entire body features a dust- and water-resistant construction (except for V-Mount battery attachment terminal), making it reliable for use in challenging conditions such as dusty locations or sudden weather changes on outdoor sets.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBattery \u0026amp; Media\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eBattery\u003c\/strong\u003e - GFX ETERNA 55 is designed to accommodate both V-Mount and Fujifilm’s NP-W235 batteries. While using a V-Mount battery as the main power source, the NP-W235 battery can be mounted simultaneously, enabling hot-swapping of the V-Mount battery without interrupting power during shooting. Additionally, the NP-W235 battery alone provides approximately 30 minutes of continuous operation, offering flexible options for short shoots or situations requiring reduced weight, such as drone or gimbal mounting.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eMedia\u003c\/strong\u003e - The use of high-speed CFexpress Type B cards as the primary recording media delivers a smooth, stable recording performance that comfortably handles high-resolution 8K\/30p footage and high-bit-rate formats such as ProRes HQ. Additionally, a secondary SD card slot is provided allowing backup recording to the SD card when using H.265.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":47123332497636,"sku":"FUJ-16953510","price":11665.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/FUJ-16953510.webp?v=1764759913"},{"product_id":"kinefinity-mavo-edge-8k-digital-cinema-camera","title":"Kinefinity MAVO Edge 8K Digital Cinema Camera","description":"\u003cdiv\u003e\u003cstrong\u003eWhole-new MAVO Edge Camera\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMAVO Edge is a brand-new large-format 8K cine camera. With a whole-new carbon fiber camera body, MAVO Edge is equipped with a stunning 8K 70P CMOS imaging sensor and cutting-edge image processing engine, which elevate the Kinefinity camera system to a whole new level. Featuring internal motorized full-spectrum e-ND, more industry-standard ports and dual SSD media slots, the highly integrated MAVO Edge still remains very compact and lightweight. At the same time, Kinefinity brings Apple ProRes4444\/XQ up to 8K to the MAVO Edge as an in-camera codec to make the workflow easier.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eStunning 8K 70P Imaging Sensor\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new 8K imaging sensor on the MAVO Edge is an amazing canvas with 45 million pixels on a 36x24mm full-frame CMOS sensor featuring 640\/2560 dual native ISO, 8K Wide up to 70fps and latitude up to 14+ stops. Even at open gate 3:2 , surprisingly this beast can still deliver a gorgeous image of 45 million pixels at up to 45 frames per second. All of these features allow cinematographers to create without boundaries, no matter for feature movies, production with VFX, high-end TV commercial and series, even wild-life documentaries. Not just getting highest resolution for motion pictures, MAVO Edge ensures natural color, pleasing skin tones, low noise, high dynamic range and stunning details in organic and delicate way, cinematically.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIn-camera 8K ProRes4444\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMAVO Edge can directly record Apple’s ProRes4444\/XQ codec which has been highly expected by the video industry. From the capture of its 8K CMOS image over the delicate color processing to the 8K ProRes4444 encoding and storage, these complex processes and the ultra-high bandwidth bitrate processing all happen within the compact MAVO Edge body. 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For now, ProRes can be edited and graded in Apple Final Cut Pro X, Assimilate SCRATCH, Filmlight Baselight and so on.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIntegration, Convenient to Use\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe whole-new integrated carbon fiber body has incorporated the full-spectrum e-ND system, dual SSD slots with blazing-fast NVMe M.2-based KineMAG Nano, comprehensive networking and creative power solution.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMAVO Edge integrated the functions of KineBACK-W into the camera body with numerous professional ports: dual XLR ports for Phantom-powered 48V MIC, dual 1.5G\/3G-SDI monitoring outputs with metadata and audio embedded, time code input and output, SYNC, DC Power output, innovative hybrid battery plate with D-Tap port, and 12V RS port and Lens port (12V) to power the third-party accessories like wireless video transmitter and wireless lens motor directly.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eInnovative KineKIT Edge\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNew-designed KineKIT Edge includes innovative baseplate, more compact EVF bracket, much stable Top Handgrip and new Side Support, which are flexible for MAVO Edge to use in different scenarios.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMovcam brings dedicated KineKIT for MAVO Edge, especially the innovative 15mm baseplate with UPS function powered by two NP-F550 type batteries, due to specialized UPS power contacts at the bottom of MAVO Edge. New-designed KineKITfrom Movcam takes into account of MAVO in different scenarios, such as hand-held, tripod, on shoulder, gimbal, high and low shooting angles, etc., which makes it best choice for MAVO Edge.\u003c\/div\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123393118436,"sku":"KF-A010-001-01","price":9999.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/Kf-A010-001-01_8f31ab66-adea-4369-b7bb-9a7a4af33c14.jpg?v=1764761580"},{"product_id":"kinefinity-mavo-edge-6k-digital-cinema-camera-space-gray","title":"Kinefinity MAVO Edge 6K Digital Cinema Camera (Space Gray)","description":"\u003cdiv\u003eMAVO Edge 6K, a powerful new full-frame cinema camera. Equipped with a 6K full-frame 3:2 CMOS imaging sensor capable of shooting in 6K 75fps and 4K 150fps based on the high-performance computing platform of the MAVO Edge, the camera features dual native ISO (800\/5120) and excellent highlights under various sensitivity settings. MAVO Edge 6K has an internal motorized full-spectrum e-ND filter(0.6-2.4), and integrates industry-standard ports and dual SSD media slots, capable of recording Apple ProRes4444\/XQ and uncompressed RAW onto recording media based on NVMe M.2 2280 SSD. Weighing at only 3.6lbs, this compact and lightweight camera boasts powerful performance and versatility as it adapts to various demanding shooting scenarios. Like other Kinefinity cine cameras, MAVO Edge 6K brings natural color, pleasing skin tones, low noise, high dynamic range, and stunning details in an organic and delicate way.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eOutstanding Highlight Performance with Stunning Image Quality\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K is the latest full-frame camera from Kinefinity since the release of MAVO Edge 8K, and it employs a full-frame 3:2 CMOS imaging sensor that not only shows cleaner images but also provides wider viewing angles, shallower depth of field, and more immersive presence. The advanced color processing architecture from the MAVO Edge platform creates images with low noise, high latitude, and wide color gamut, then brings stunning details, organic images with exceptional quality. In addition, the full-frame 6K CMOS sensor is perfectly paired with OLPF FF3 optical low pass filter that adopts a more complex and higher performance crystal process to“eliminate” aliasing\/artifacts while keeping very sharp images.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K is equipped with dual native ISO, rated at 800 and 5120, as the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMAVO Edge 6K outperforms its predecessor of MAVO LF a lot when it comes to highlight performance. At the industry standard ISO 800, the default highlight of the Edge 6K is 6.0 stops, capturing more highlight details to get a more cinematic look. Switch to Cine EI mode for more of a traditional cinema camera experience and highlight stops will adjust automatically as the EI changes. While using Cine EI mode, the second base native ISO 5120 is still activated when you go past 1600 EI.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eApple ProRes Recording Codec and Uncompressed RAW\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFrom Apple ProRes422 LT to ProRes4444 XQ and uncompressed RAW codec, the MAVO Edge 6K is capable of recording high-resolution images with high dynamic range and with low to zero compression artifacts.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eApple ProRes is a popular intermediate codec created by Apple Inc. Nearly all post-production software in the industry supports editing and color correction with Apple ProRes.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eCompared to RAW and other intermediate codecs, Apple ProRes achieves faster workflow in post-production since the images already went through a debayer process, especially working with workstations running Apple M1 Pro\/Max\/Ultra chips. It makes proxy-free editing and color correction quickly and efficiently, saving a significant amount of time in post-production.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K supports 12-bit ProRes4444XQ in full frame rate and resolution, and it records with Kine LOG3 Gamma to preserve all the dynamic range captured by the CMOS imaging sensor.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe uncompressed RAW is not debayered in-camera instead, and it is stored in the CinemaDNG format, preserving all the image data captured by the sensor. Theoretically, it provides the maximum potential for color correction in post-production.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eUncompressed RAW footage demands high bandwidth bitrate processing.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD, ensuring storing uncompressed RAW stably and safely.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFrom capturing image data to color calibrating and tuning during encoding 6K ProRes4444XQ or storing uncompressed RAW to M.2 SSD, all these internal high bandwidth processing happens within the compact and lightweight body of the MAVO Edge 6K, quietly.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eMore Intuitive KineOS Firmware\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K is implemented with the latest KineOS 7.0 firmware, which has a redesigned user interface, and expected touch and tapping interaction with the camera. The new KineMON-5U2 and 7U2 with touchscreen monitors help to improve the user’s interactive experience and lower the learning curve.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new interface design allows the user to control the entire functionality of the camera using only the touchscreen monitor.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFrame rate, shutter angle, ISO, aperture, ND strength, color temperature, LUTs, and audio levels can all be adjusted via touchscreen control, making it easy for the cinematographer to set up the parameters quickly.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn addition to the new UI, the MAVO Edge 6K firmware has come with many features. KineOS 7.0 supports Cooke\/i protocol which enables the camera to record and save lens metadata into the footage, speeding up VFX workflow. Recording media also supports both NTFS and HFS file systems, for Windows and macOS.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K will also implement the pre-recording function in an anticipated firmware update. It ensures the cinematographer will not miss any shot during unpredictable scenes, providing a useful solution in live events and documentary works.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIntegrated body design of the iF Industrial Design Award\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMAVO Edge 6K inherits the integrated body design of Kinefinity’s flagship product, MAVO Edge 8K which won the prestigious iF DESIGN AWARD 2021. Its ultra-high strength deformed Aluminum body has superior strength and toughness even at high temperatures to meet a wide range of photographic needs.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompact Camera Body with Internal e-ND filter\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe compact camera body of the MAVO Edge 6K only weighs 1.6kg(3.6lbs), and it is equipped with a full-spectrum e-ND filter, dual SDI ports, multiple control ports, and multi-channel audio tracks, as well as powerful wired and wireless functions. The monitoring image from two proprietary video ports is independently displayed from SDI outputs at the rear. The video ports can be connected to the Kinefinity touchscreen monitor and micro-OLED viewfinder.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eInternal motorized full-spectrum e-ND system\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K employs an internal motorized full-spectrum e-ND system. The e-ND filter ranges from 0.6 to 2.4 which is a range from 2-8 stops neutral density and can be adjusted seamlessly over all the ranges, giving the user precise exposure control. The real-time color calibration on the e-ND filter brings sharp images with color fidelity but without any drawbacks of traditional variable ND.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBig leap on recording media\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD with writing speed up to 10Gbps. Recording 6K ProRes4444XQ, even 6K uncompressed RAW is stable with KineMAG Nano 1TB. Kinefinity also provides a KineMAG Nano Body allowing users to install third-party NVMe M.2 2280 SSDs, which provides more storage possibilities.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe body of the KineMAG Nano is equipped with a robust camera port as well as a universal USB-C port, so it allows users to offload data to the workstation at a speed of up to 10Gbps by connecting a USB-C cable to the SSD, without a specific SSD reader.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eGeneral control ports\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThere are numerous ports integrated on the MAVO Edge 6K body: timecode port supporting Jam and regular Sync; an RS232 protocol embedding in Lens port for communicating with and controlling third-party accessories, and an RS port for powering and triggering an external record function.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHigh-quality multi-channel audio record\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K supports four-channel 24bits \/48kHz audio recording with a 3.5mm stereo MIC jack and a high-quality in-camera MIC for reference sound.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAudio pre-amplifiers with a low noise floor are integrated into the camera body. Two independently controlled 48V phantom powered XLR sockets offer great convenience for field sound recording and even professional audio recording.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDual SDI outputs\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K provides dual 1.5G\/3G SDI outputs embedded metadata and audio, enhancing the compatibility with third-party accessories such as external recorders and monitors that only support 1.5G SDI. The two SDI outputs are the same, but independent from monitoring images over the Kine video ports.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe two proprietary video ports of the MAVO Edge 6K can be connected to the Kinefinity Full-HD micro-OLED viewfinder and the KineMON-5U2\/KineMON-7U2 Ultra-Bright (2000 nits) monitor that gives you sharp and clear images even outdoor.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eComprehensive power solution\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K offers an innovative hybrid battery plate to accommodate power demands in various shooting scenarios. The hybrid battery plate supports standard 14.8V V-mount batteries such as KineBAT PD 75w\/150w. It also supports BP-U type batteries such as GripBAT 4S to meet the setups that require handheld or gimbal shots. With UPS Baseplate from KineKit-Edge designed by Movcam and NP-F550 type batteries such as GripBAT 2S can provide UPS to the camera.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn addition, MAVO Edge 6K’s body offers a standard D-Tap port, 12V RS port, and Lens port (12V) to power the third-party accessories such as wireless video transmitters and wireless follow focus systems. These ports eliminate the need for extra batteries, simplifying the camera setup while improving the system’s stability.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePowerful wired and wireless function\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith Gigabit Ethernet on RJ45 port, WIFI 5, and type-c USB port, the MAVO Edge 6K can output a monitoring\/recording image to other devices by live streaming internal processing H.264 codec.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eSimultaneously, an internal three-axis gyroscope can record the camera’s positioning information and be displayed as leveling indicator.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eKineMOUNT matches the most kinds of lenses\u003c\/strong\u003e\u003cbr\u003e\n\nKinefinity camera is with a native short flange distance KineMOUNT since KineRAW-S35, the first generation cinema camera released in 2012.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\nMAVO Edge 6K is using the third-generation KineMOUNT that matches the large-format CMOS image sensor: With an ultra-short FFD and cine style locking method, the KineMOUNT can match richness of mounting adapters such as EF, passive E , PL and the LPL mounts that allows the photography to pair variable lenses with MAVO Edge camera seamlessly and capture with a wide range of lens styles.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\nWhether small creation or large production can be handled easily with MAVO Edge 6K.\u003c\/div\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123393151204,"sku":"KF-A010-002-01","price":8333.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/KF-A010-002-01_0cce9716-52ca-4bad-a92d-8fc4caafa31c.jpg?v=1764761583"},{"product_id":"kinefinity-mavo-edge-6k-digital-cinema-camera-cyber-edition","title":"Kinefinity MAVO Edge 6K Digital Cinema Camera (Cyber Edition)","description":"\u003cdiv\u003eMAVO Edge 6K, a powerful new full-frame cinema camera. Equipped with a 6K full-frame 3:2 CMOS imaging sensor capable of shooting in 6K 75fps and 4K 150fps based on the high-performance computing platform of the MAVO Edge, the camera features dual native ISO (800\/5120) and excellent highlights under various sensitivity settings. MAVO Edge 6K has an internal motorized full-spectrum e-ND filter(0.6-2.4), and integrates industry-standard ports and dual SSD media slots, capable of recording Apple ProRes4444\/XQ and uncompressed RAW onto recording media based on NVMe M.2 2280 SSD. Weighing at only 3.6lbs, this compact and lightweight camera boasts powerful performance and versatility as it adapts to various demanding shooting scenarios. Like other Kinefinity cine cameras, MAVO Edge 6K brings natural color, pleasing skin tones, low noise, high dynamic range, and stunning details in an organic and delicate way.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eOutstanding Highlight Performance with Stunning Image Quality\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K is the latest full-frame camera from Kinefinity since the release of MAVO Edge 8K, and it employs a full-frame 3:2 CMOS imaging sensor that not only shows cleaner images but also provides wider viewing angles, shallower depth of field, and more immersive presence. The advanced color processing architecture from the MAVO Edge platform creates images with low noise, high latitude, and wide color gamut, then brings stunning details, organic images with exceptional quality. In addition, the full-frame 6K CMOS sensor is perfectly paired with OLPF FF3 optical low pass filter that adopts a more complex and higher performance crystal process to“eliminate” aliasing\/artifacts while keeping very sharp images.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K is equipped with dual native ISO, rated at 800 and 5120, as the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMAVO Edge 6K outperforms its predecessor of MAVO LF a lot when it comes to highlight performance. At the industry standard ISO 800, the default highlight of the Edge 6K is 6.0 stops, capturing more highlight details to get a more cinematic look. Switch to Cine EI mode for more of a traditional cinema camera experience and highlight stops will adjust automatically as the EI changes. While using Cine EI mode, the second base native ISO 5120 is still activated when you go past 1600 EI.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eApple ProRes Recording Codec and Uncompressed RAW\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFrom Apple ProRes422 LT to ProRes4444 XQ and uncompressed RAW codec, the MAVO Edge 6K is capable of recording high-resolution images with high dynamic range and with low to zero compression artifacts.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eApple ProRes is a popular intermediate codec created by Apple Inc. Nearly all post-production software in the industry supports editing and color correction with Apple ProRes.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eCompared to RAW and other intermediate codecs, Apple ProRes achieves faster workflow in post-production since the images already went through a debayer process, especially working with workstations running Apple M1 Pro\/Max\/Ultra chips. It makes proxy-free editing and color correction quickly and efficiently, saving a significant amount of time in post-production.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K supports 12-bit ProRes4444XQ in full frame rate and resolution, and it records with Kine LOG3 Gamma to preserve all the dynamic range captured by the CMOS imaging sensor.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe uncompressed RAW is not debayered in-camera instead, and it is stored in the CinemaDNG format, preserving all the image data captured by the sensor. Theoretically, it provides the maximum potential for color correction in post-production.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eUncompressed RAW footage demands high bandwidth bitrate processing.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD, ensuring storing uncompressed RAW stably and safely.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFrom capturing image data to color calibrating and tuning during encoding 6K ProRes4444XQ or storing uncompressed RAW to M.2 SSD, all these internal high bandwidth processing happens within the compact and lightweight body of the MAVO Edge 6K, quietly.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eMore Intuitive KineOS Firmware\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K is implemented with the latest KineOS 7.0 firmware, which has a redesigned user interface, and expected touch and tapping interaction with the camera. The new KineMON-5U2 and 7U2 with touchscreen monitors help to improve the user’s interactive experience and lower the learning curve.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new interface design allows the user to control the entire functionality of the camera using only the touchscreen monitor.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFrame rate, shutter angle, ISO, aperture, ND strength, color temperature, LUTs, and audio levels can all be adjusted via touchscreen control, making it easy for the cinematographer to set up the parameters quickly.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn addition to the new UI, the MAVO Edge 6K firmware has come with many features. KineOS 7.0 supports Cooke\/i protocol which enables the camera to record and save lens metadata into the footage, speeding up VFX workflow. Recording media also supports both NTFS and HFS file systems, for Windows and macOS.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K will also implement the pre-recording function in an anticipated firmware update. It ensures the cinematographer will not miss any shot during unpredictable scenes, providing a useful solution in live events and documentary works.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIntegrated body design of the iF Industrial Design Award\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMAVO Edge 6K inherits the integrated body design of Kinefinity’s flagship product, MAVO Edge 8K which won the prestigious iF DESIGN AWARD 2021. Its ultra-high strength deformed Aluminum body has superior strength and toughness even at high temperatures to meet a wide range of photographic needs.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompact Camera Body with Internal e-ND filter\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe compact camera body of the MAVO Edge 6K only weighs 1.6kg(3.6lbs), and it is equipped with a full-spectrum e-ND filter, dual SDI ports, multiple control ports, and multi-channel audio tracks, as well as powerful wired and wireless functions. The monitoring image from two proprietary video ports is independently displayed from SDI outputs at the rear. The video ports can be connected to the Kinefinity touchscreen monitor and micro-OLED viewfinder.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eInternal motorized full-spectrum e-ND system\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K employs an internal motorized full-spectrum e-ND system. The e-ND filter ranges from 0.6 to 2.4 which is a range from 2-8 stops neutral density and can be adjusted seamlessly over all the ranges, giving the user precise exposure control. The real-time color calibration on the e-ND filter brings sharp images with color fidelity but without any drawbacks of traditional variable ND.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBig leap on recording media\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD with writing speed up to 10Gbps. Recording 6K ProRes4444XQ, even 6K uncompressed RAW is stable with KineMAG Nano 1TB. Kinefinity also provides a KineMAG Nano Body allowing users to install third-party NVMe M.2 2280 SSDs, which provides more storage possibilities.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe body of the KineMAG Nano is equipped with a robust camera port as well as a universal USB-C port, so it allows users to offload data to the workstation at a speed of up to 10Gbps by connecting a USB-C cable to the SSD, without a specific SSD reader.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eGeneral control ports\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThere are numerous ports integrated on the MAVO Edge 6K body: timecode port supporting Jam and regular Sync; an RS232 protocol embedding in Lens port for communicating with and controlling third-party accessories, and an RS port for powering and triggering an external record function.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHigh-quality multi-channel audio record\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K supports four-channel 24bits \/48kHz audio recording with a 3.5mm stereo MIC jack and a high-quality in-camera MIC for reference sound.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAudio pre-amplifiers with a low noise floor are integrated into the camera body. Two independently controlled 48V phantom powered XLR sockets offer great convenience for field sound recording and even professional audio recording.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDual SDI outputs\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K provides dual 1.5G\/3G SDI outputs embedded metadata and audio, enhancing the compatibility with third-party accessories such as external recorders and monitors that only support 1.5G SDI. The two SDI outputs are the same, but independent from monitoring images over the Kine video ports.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe two proprietary video ports of the MAVO Edge 6K can be connected to the Kinefinity Full-HD micro-OLED viewfinder and the KineMON-5U2\/KineMON-7U2 Ultra-Bright (2000 nits) monitor that gives you sharp and clear images even outdoor.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eComprehensive power solution\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K offers an innovative hybrid battery plate to accommodate power demands in various shooting scenarios. The hybrid battery plate supports standard 14.8V V-mount batteries such as KineBAT PD 75w\/150w. It also supports BP-U type batteries such as GripBAT 4S to meet the setups that require handheld or gimbal shots. With UPS Baseplate from KineKit-Edge designed by Movcam and NP-F550 type batteries such as GripBAT 2S can provide UPS to the camera.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn addition, MAVO Edge 6K’s body offers a standard D-Tap port, 12V RS port, and Lens port (12V) to power the third-party accessories such as wireless video transmitters and wireless follow focus systems. These ports eliminate the need for extra batteries, simplifying the camera setup while improving the system’s stability.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePowerful wired and wireless function\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith Gigabit Ethernet on RJ45 port, WIFI 5, and type-c USB port, the MAVO Edge 6K can output a monitoring\/recording image to other devices by live streaming internal processing H.264 codec.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eSimultaneously, an internal three-axis gyroscope can record the camera’s positioning information and be displayed as leveling indicator.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eKineMOUNT matches the most kinds of lenses\u003c\/strong\u003e\u003cbr\u003e\n\nKinefinity camera is with a native short flange distance KineMOUNT since KineRAW-S35, the first generation cinema camera released in 2012.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\nMAVO Edge 6K is using the third-generation KineMOUNT that matches the large-format CMOS image sensor: With an ultra-short FFD and cine style locking method, the KineMOUNT can match richness of mounting adapters such as EF, passive E , PL and the LPL mounts that allows the photography to pair variable lenses with MAVO Edge camera seamlessly and capture with a wide range of lens styles.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\nWhether small creation or large production can be handled easily with MAVO Edge 6K.\u003c\/div\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123394232548,"sku":"KF-A010-002-02","price":8749.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/KF-A010-002-02_77addf98-ee95-4cdb-bbf7-02be3293ca28.jpg?v=1764761586"},{"product_id":"kinefinity-mavo-edge-6k-digital-cinema-camera-black","title":"Kinefinity MAVO Edge 6K Digital Cinema Camera (Black)","description":"\u003cdiv\u003eMAVO Edge 6K, a powerful new full-frame cinema camera. Equipped with a 6K full-frame 3:2 CMOS imaging sensor capable of shooting in 6K 75fps and 4K 150fps based on the high-performance computing platform of the MAVO Edge, the camera features dual native ISO (800\/5120) and excellent highlights under various sensitivity settings. MAVO Edge 6K has an internal motorized full-spectrum e-ND filter(0.6-2.4), and integrates industry-standard ports and dual SSD media slots, capable of recording Apple ProRes4444\/XQ and uncompressed RAW onto recording media based on NVMe M.2 2280 SSD. Weighing at only 3.6lbs, this compact and lightweight camera boasts powerful performance and versatility as it adapts to various demanding shooting scenarios. Like other Kinefinity cine cameras, MAVO Edge 6K brings natural color, pleasing skin tones, low noise, high dynamic range, and stunning details in an organic and delicate way.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eOutstanding Highlight Performance with Stunning Image Quality\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K is the latest full-frame camera from Kinefinity since the release of MAVO Edge 8K, and it employs a full-frame 3:2 CMOS imaging sensor that not only shows cleaner images but also provides wider viewing angles, shallower depth of field, and more immersive presence. The advanced color processing architecture from the MAVO Edge platform creates images with low noise, high latitude, and wide color gamut, then brings stunning details, organic images with exceptional quality. In addition, the full-frame 6K CMOS sensor is perfectly paired with OLPF FF3 optical low pass filter that adopts a more complex and higher performance crystal process to“eliminate” aliasing\/artifacts while keeping very sharp images.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K is equipped with dual native ISO, rated at 800 and 5120, as the second native ISO up to 5120 is perfect for low light scenes to obtain a clean image with high latitude and low noise, ideal for documentary filmmakers or those who favor available light during night shoots.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMAVO Edge 6K outperforms its predecessor of MAVO LF a lot when it comes to highlight performance. At the industry standard ISO 800, the default highlight of the Edge 6K is 6.0 stops, capturing more highlight details to get a more cinematic look. Switch to Cine EI mode for more of a traditional cinema camera experience and highlight stops will adjust automatically as the EI changes. While using Cine EI mode, the second base native ISO 5120 is still activated when you go past 1600 EI.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eApple ProRes Recording Codec and Uncompressed RAW\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFrom Apple ProRes422 LT to ProRes4444 XQ and uncompressed RAW codec, the MAVO Edge 6K is capable of recording high-resolution images with high dynamic range and with low to zero compression artifacts.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eApple ProRes is a popular intermediate codec created by Apple Inc. Nearly all post-production software in the industry supports editing and color correction with Apple ProRes.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eCompared to RAW and other intermediate codecs, Apple ProRes achieves faster workflow in post-production since the images already went through a debayer process, especially working with workstations running Apple M1 Pro\/Max\/Ultra chips. It makes proxy-free editing and color correction quickly and efficiently, saving a significant amount of time in post-production.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K supports 12-bit ProRes4444XQ in full frame rate and resolution, and it records with Kine LOG3 Gamma to preserve all the dynamic range captured by the CMOS imaging sensor.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe uncompressed RAW is not debayered in-camera instead, and it is stored in the CinemaDNG format, preserving all the image data captured by the sensor. Theoretically, it provides the maximum potential for color correction in post-production.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eUncompressed RAW footage demands high bandwidth bitrate processing.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD, ensuring storing uncompressed RAW stably and safely.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFrom capturing image data to color calibrating and tuning during encoding 6K ProRes4444XQ or storing uncompressed RAW to M.2 SSD, all these internal high bandwidth processing happens within the compact and lightweight body of the MAVO Edge 6K, quietly.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eMore Intuitive KineOS Firmware\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K is implemented with the latest KineOS 7.0 firmware, which has a redesigned user interface, and expected touch and tapping interaction with the camera. The new KineMON-5U2 and 7U2 with touchscreen monitors help to improve the user’s interactive experience and lower the learning curve.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new interface design allows the user to control the entire functionality of the camera using only the touchscreen monitor.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eFrame rate, shutter angle, ISO, aperture, ND strength, color temperature, LUTs, and audio levels can all be adjusted via touchscreen control, making it easy for the cinematographer to set up the parameters quickly.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn addition to the new UI, the MAVO Edge 6K firmware has come with many features. KineOS 7.0 supports Cooke\/i protocol which enables the camera to record and save lens metadata into the footage, speeding up VFX workflow. Recording media also supports both NTFS and HFS file systems, for Windows and macOS.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K will also implement the pre-recording function in an anticipated firmware update. It ensures the cinematographer will not miss any shot during unpredictable scenes, providing a useful solution in live events and documentary works.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIntegrated body design of the iF Industrial Design Award\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMAVO Edge 6K inherits the integrated body design of Kinefinity’s flagship product, MAVO Edge 8K which won the prestigious iF DESIGN AWARD 2021. Its ultra-high strength deformed Aluminum body has superior strength and toughness even at high temperatures to meet a wide range of photographic needs.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompact Camera Body with Internal e-ND filter\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe compact camera body of the MAVO Edge 6K only weighs 1.6kg(3.6lbs), and it is equipped with a full-spectrum e-ND filter, dual SDI ports, multiple control ports, and multi-channel audio tracks, as well as powerful wired and wireless functions. The monitoring image from two proprietary video ports is independently displayed from SDI outputs at the rear. The video ports can be connected to the Kinefinity touchscreen monitor and micro-OLED viewfinder.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eInternal motorized full-spectrum e-ND system\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K employs an internal motorized full-spectrum e-ND system. The e-ND filter ranges from 0.6 to 2.4 which is a range from 2-8 stops neutral density and can be adjusted seamlessly over all the ranges, giving the user precise exposure control. The real-time color calibration on the e-ND filter brings sharp images with color fidelity but without any drawbacks of traditional variable ND.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBig leap on recording media\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eMAVO Edge 6K is equipped with a dual SSD slot based on PCIe-3.0 and its recording media, blazing-fast KineMAG Nano 1TB, is based on NVMe M.2 2280 SSD with writing speed up to 10Gbps. Recording 6K ProRes4444XQ, even 6K uncompressed RAW is stable with KineMAG Nano 1TB. Kinefinity also provides a KineMAG Nano Body allowing users to install third-party NVMe M.2 2280 SSDs, which provides more storage possibilities.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe body of the KineMAG Nano is equipped with a robust camera port as well as a universal USB-C port, so it allows users to offload data to the workstation at a speed of up to 10Gbps by connecting a USB-C cable to the SSD, without a specific SSD reader.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eGeneral control ports\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThere are numerous ports integrated on the MAVO Edge 6K body: timecode port supporting Jam and regular Sync; an RS232 protocol embedding in Lens port for communicating with and controlling third-party accessories, and an RS port for powering and triggering an external record function.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHigh-quality multi-channel audio record\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K supports four-channel 24bits \/48kHz audio recording with a 3.5mm stereo MIC jack and a high-quality in-camera MIC for reference sound.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAudio pre-amplifiers with a low noise floor are integrated into the camera body. Two independently controlled 48V phantom powered XLR sockets offer great convenience for field sound recording and even professional audio recording.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDual SDI outputs\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K provides dual 1.5G\/3G SDI outputs embedded metadata and audio, enhancing the compatibility with third-party accessories such as external recorders and monitors that only support 1.5G SDI. The two SDI outputs are the same, but independent from monitoring images over the Kine video ports.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe two proprietary video ports of the MAVO Edge 6K can be connected to the Kinefinity Full-HD micro-OLED viewfinder and the KineMON-5U2\/KineMON-7U2 Ultra-Bright (2000 nits) monitor that gives you sharp and clear images even outdoor.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eComprehensive power solution\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe MAVO Edge 6K offers an innovative hybrid battery plate to accommodate power demands in various shooting scenarios. The hybrid battery plate supports standard 14.8V V-mount batteries such as KineBAT PD 75w\/150w. It also supports BP-U type batteries such as GripBAT 4S to meet the setups that require handheld or gimbal shots. With UPS Baseplate from KineKit-Edge designed by Movcam and NP-F550 type batteries such as GripBAT 2S can provide UPS to the camera.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIn addition, MAVO Edge 6K’s body offers a standard D-Tap port, 12V RS port, and Lens port (12V) to power the third-party accessories such as wireless video transmitters and wireless follow focus systems. These ports eliminate the need for extra batteries, simplifying the camera setup while improving the system’s stability.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePowerful wired and wireless function\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith Gigabit Ethernet on RJ45 port, WIFI 5, and type-c USB port, the MAVO Edge 6K can output a monitoring\/recording image to other devices by live streaming internal processing H.264 codec.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003eSimultaneously, an internal three-axis gyroscope can record the camera’s positioning information and be displayed as leveling indicator.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eKineMOUNT matches the most kinds of lenses\u003c\/strong\u003e\u003cbr\u003e\n\nKinefinity camera is with a native short flange distance KineMOUNT since KineRAW-S35, the first generation cinema camera released in 2012.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\nMAVO Edge 6K is using the third-generation KineMOUNT that matches the large-format CMOS image sensor: With an ultra-short FFD and cine style locking method, the KineMOUNT can match richness of mounting adapters such as EF, passive E , PL and the LPL mounts that allows the photography to pair variable lenses with MAVO Edge camera seamlessly and capture with a wide range of lens styles.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\nWhether small creation or large production can be handled easily with MAVO Edge 6K.\u003c\/div\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123394363620,"sku":"KF-A010-002-03","price":8333.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/KF-A010-002-03_3f67aac0-a0ab-4a1f-8f14-a844d534b7e1.jpg?v=1764761589"},{"product_id":"kinefinity-mavo-lf-mark-2-no-mount","title":"Kinefinity MAVO LF Mark 2 - No Mount","description":"\u003cp\u003eThe Kinefinity MAVO LF MK2 comes in several lens mount and bundle variations:\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eNo Mount - Camera comes with no lens mount, if you already own a KineMOUNT or other attachable Kinefinity Active Mount.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-no-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-no-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-no-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eKineMOUNT - Kinefinity's exclusive universal native mount, combination with Kinefinity's various mounting adapters gives you versatility when it comes to lens choice.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-kinemount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-kinemount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-kinemount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive PL Mount - Standard Cine PL mount supporting any PL mount lens.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pl-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-pl-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-pl-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive E Mount - Allows you to attach any Sony E mount lens to the camera.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-e-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-e-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-e-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 LF continues to be equipped with the same full-frame 3:2 CMOS image sensor as the popular MAVO Edge 6K , continuing the high frame rate of 6K 75fps and dual native ISO 5120\/800. Compared with the previous product MAVO LF, which also has outstanding high sensitivity, MAVO LF mark2 can retain more highlight details and is suitable for shooting scenes with complex lighting. Combined with the wide viewing angle brought by the large format, it provides a shallower depth of field and a more cinematic picture.\u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 provides more and updated lens support. In addition to continuing to be compatible with the unique KineMOUNT mount , which is convenient for users to quickly disassemble adapter mounts such as EF, PL and LPL mounts, MAVO mark2 also provides two commonly used lens mount options: the  new native PL mount and electronic E-mount. Users can install and disassemble by themselves without correcting the flange distance.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe two cameras of MAVO mark2 adopt and simplify the MAVO Edge high-performance computing platform, greatly upgrade the image processing system, have independent dual SDI output, and record ProRes4444XQ to NVMe M.2 SSD in the camera, with fully integrated, exquisite lightweight design and high efficiency workflow, helping more photographers get a classic and efficient cinematography experience at a more affordable price.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBayonet introduction\u003c\/strong\u003e\u003cbr\u003e\n\nMAVO mark2 provides rich mount options and more and updated lens support.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative KineMOUNT: \u003c\/strong\u003eAllowing the camera to adapt to a variety of lenses is an inherent feature of KINEFINITY cameras. The first-generation camera KineRAW-S35 released in 2012 was equipped with a native short-flange distance KineMOUNT mount. MAVO mark2 is equipped with universal KineMOUNT, which is convenient for users to quickly release adapter mounts such as EF , PL and LPL mounts, and grasp every important opportunity of fast-paced shooting.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003eIn addition to continuing to be compatible with the unique KineMOUNT mount, MAVO mark2 also provides two commonly used lens mount options: the new native PL mount and the electronic E mount . Users can install and disassemble by themselves without correcting the flange distance. The new two bayonets feature active locking, solid and long-lasting reliable cinema-grade design.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative PL mount:\u003c\/strong\u003e stable native design, precise locking of the lens, escorting movie-level shooting. Support Cooke\/i protocol, accurately record on-site data, read focal length, aperture and depth of field information in real time and store them in the material, simplifying the post-production process.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative E-mount: \u003c\/strong\u003esupports most commonly used electronic E-mount lenses, supports users to adjust important parameters such as aperture, focal length, and focus through the camera body, and is consistent with the native PL mount of the Cooke\/i protocol, and the monitoring screen presents lens elements data, and save lens parameters to footage when recording.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123394396388,"sku":"KF-A010-003-01","price":4999.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/KF-A010-003-01_2066d4cc-b3fc-4747-b321-fd0f18bfc307.jpg?v=1764761590"},{"product_id":"kinefinity-mavo-lf-mark-2-agile-pack-bundle-no-mount","title":"Kinefinity MAVO LF Mark 2 Agile Pack Bundle - No Mount","description":"\u003cp\u003eThe Kinefinity MAVO LF MK2 comes in several lens mount and bundle variations:\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eNo Mount - Camera comes with no lens mount, if you already own a KineMOUNT or other attachable Kinefinity Active Mount.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-no-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-no-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-no-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eKineMOUNT - Kinefinity's exclusive universal native mount, combination with Kinefinity's various mounting adapters gives you versatility when it comes to lens choice.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-kinemount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-kinemount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-kinemount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive PL Mount - Standard Cine PL mount supporting any PL mount lens.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pl-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-pl-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-pl-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive E Mount - Allows you to attach any Sony E mount lens to the camera.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-e-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-e-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-e-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 LF continues to be equipped with the same full-frame 3:2 CMOS image sensor as the popular MAVO Edge 6K , continuing the high frame rate of 6K 75fps and dual native ISO 5120\/800. Compared with the previous product MAVO LF, which also has outstanding high sensitivity, MAVO LF mark2 can retain more highlight details and is suitable for shooting scenes with complex lighting. Combined with the wide viewing angle brought by the large format, it provides a shallower depth of field and a more cinematic picture.\u003c\/p\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 provides more and updated lens support. In addition to continuing to be compatible with the unique KineMOUNT mount , which is convenient for users to quickly disassemble adapter mounts such as EF, PL and LPL mounts, MAVO mark2 also provides two commonly used lens mount options: the  new native PL mount and electronic E-mount. Users can install and disassemble by themselves without correcting the flange distance.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe two cameras of MAVO mark2 adopt and simplify the MAVO Edge high-performance computing platform, greatly upgrade the image processing system, have independent dual SDI output, and record ProRes4444XQ to NVMe M.2 SSD in the camera, with fully integrated, exquisite lightweight design and high efficiency workflow, helping more photographers get a classic and efficient cinematography experience at a more affordable price.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBayonet introduction\u003c\/strong\u003e\u003cbr\u003e\n\nMAVO mark2 provides rich mount options and more and updated lens support.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative KineMOUNT: \u003c\/strong\u003eAllowing the camera to adapt to a variety of lenses is an inherent feature of KINEFINITY cameras. The first-generation camera KineRAW-S35 released in 2012 was equipped with a native short-flange distance KineMOUNT mount. MAVO mark2 is equipped with universal KineMOUNT, which is convenient for users to quickly release adapter mounts such as EF , PL and LPL mounts, and grasp every important opportunity of fast-paced shooting.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003eIn addition to continuing to be compatible with the unique KineMOUNT mount, MAVO mark2 also provides two commonly used lens mount options: the new native PL mount and the electronic E mount . Users can install and disassemble by themselves without correcting the flange distance. The new two bayonets feature active locking, solid and long-lasting reliable cinema-grade design.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative PL mount:\u003c\/strong\u003e stable native design, precise locking of the lens, escorting movie-level shooting. Support Cooke\/i protocol, accurately record on-site data, read focal length, aperture and depth of field information in real time and store them in the material, simplifying the post-production process.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative E-mount: \u003c\/strong\u003esupports most commonly used electronic E-mount lenses, supports users to adjust important parameters such as aperture, focal length, and focus through the camera body, and is consistent with the native PL mount of the Cooke\/i protocol, and the monitoring screen presents lens elements data, and save lens parameters to footage when recording.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123394429156,"sku":"KF-A010-003-01-AP","price":6916.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/KF-A010-003-01-AP_9de5e496-a6b4-4690-ae81-f6d874967f24.jpg?v=1764761590"},{"product_id":"kinefinity-mavo-lf-mark-2-e-mount","title":"Kinefinity MAVO LF Mark 2 - E Mount","description":"\u003cp\u003eThe Kinefinity MAVO LF MK2 comes in several lens mount and bundle variations:\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eNo Mount - Camera comes with no lens mount, if you already own a KineMOUNT or other attachable Kinefinity Active Mount.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-no-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-no-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-no-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eKineMOUNT - Kinefinity's exclusive universal native mount, combination with Kinefinity's various mounting adapters gives you versatility when it comes to lens choice.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-kinemount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-kinemount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-kinemount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive PL Mount - Standard Cine PL mount supporting any PL mount lens.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pl-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-pl-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-pl-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive E Mount - Allows you to attach any Sony E mount lens to the camera.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-e-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-e-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-e-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 LF continues to be equipped with the same full-frame 3:2 CMOS image sensor as the popular MAVO Edge 6K , continuing the high frame rate of 6K 75fps and dual native ISO 5120\/800. Compared with the previous product MAVO LF, which also has outstanding high sensitivity, MAVO LF mark2 can retain more highlight details and is suitable for shooting scenes with complex lighting. Combined with the wide viewing angle brought by the large format, it provides a shallower depth of field and a more cinematic picture.\u003c\/p\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 provides more and updated lens support. In addition to continuing to be compatible with the unique KineMOUNT mount , which is convenient for users to quickly disassemble adapter mounts such as EF, PL and LPL mounts, MAVO mark2 also provides two commonly used lens mount options: the  new native PL mount and electronic E-mount. Users can install and disassemble by themselves without correcting the flange distance.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe two cameras of MAVO mark2 adopt and simplify the MAVO Edge high-performance computing platform, greatly upgrade the image processing system, have independent dual SDI output, and record ProRes4444XQ to NVMe M.2 SSD in the camera, with fully integrated, exquisite lightweight design and high efficiency workflow, helping more photographers get a classic and efficient cinematography experience at a more affordable price.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBayonet introduction\u003c\/strong\u003e\u003cbr\u003e\n\nMAVO mark2 provides rich mount options and more and updated lens support.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative KineMOUNT: \u003c\/strong\u003eAllowing the camera to adapt to a variety of lenses is an inherent feature of KINEFINITY cameras. The first-generation camera KineRAW-S35 released in 2012 was equipped with a native short-flange distance KineMOUNT mount. MAVO mark2 is equipped with universal KineMOUNT, which is convenient for users to quickly release adapter mounts such as EF , PL and LPL mounts, and grasp every important opportunity of fast-paced shooting.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003eIn addition to continuing to be compatible with the unique KineMOUNT mount, MAVO mark2 also provides two commonly used lens mount options: the new native PL mount and the electronic E mount . Users can install and disassemble by themselves without correcting the flange distance. The new two bayonets feature active locking, solid and long-lasting reliable cinema-grade design.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative PL mount:\u003c\/strong\u003e stable native design, precise locking of the lens, escorting movie-level shooting. Support Cooke\/i protocol, accurately record on-site data, read focal length, aperture and depth of field information in real time and store them in the material, simplifying the post-production process.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative E-mount: \u003c\/strong\u003esupports most commonly used electronic E-mount lenses, supports users to adjust important parameters such as aperture, focal length, and focus through the camera body, and is consistent with the native PL mount of the Cooke\/i protocol, and the monitoring screen presents lens elements data, and save lens parameters to footage when recording.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123394494692,"sku":"KF-A010-003-01-E","price":4999.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/KF-A010-003-01-E_162bb961-2231-4777-99ee-51492fe5775b.jpg?v=1764761594"},{"product_id":"kinefinity-mavo-lf-mark-2-agile-pack-bundle-e-mount","title":"Kinefinity MAVO LF Mark 2 Agile Pack Bundle - E Mount","description":"\u003cp\u003eThe Kinefinity MAVO LF MK2 comes in several lens mount and bundle variations:\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eNo Mount - Camera comes with no lens mount, if you already own a KineMOUNT or other attachable Kinefinity Active Mount.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-no-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-no-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-no-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eKineMOUNT - Kinefinity's exclusive universal native mount, combination with Kinefinity's various mounting adapters gives you versatility when it comes to lens choice.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-kinemount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-kinemount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-kinemount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive PL Mount - Standard Cine PL mount supporting any PL mount lens.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pl-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-pl-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-pl-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive E Mount - Allows you to attach any Sony E mount lens to the camera.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-e-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-e-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-e-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 LF continues to be equipped with the same full-frame 3:2 CMOS image sensor as the popular MAVO Edge 6K , continuing the high frame rate of 6K 75fps and dual native ISO 5120\/800. Compared with the previous product MAVO LF, which also has outstanding high sensitivity, MAVO LF mark2 can retain more highlight details and is suitable for shooting scenes with complex lighting. Combined with the wide viewing angle brought by the large format, it provides a shallower depth of field and a more cinematic picture.\u003c\/p\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 provides more and updated lens support. In addition to continuing to be compatible with the unique KineMOUNT mount , which is convenient for users to quickly disassemble adapter mounts such as EF, PL and LPL mounts, MAVO mark2 also provides two commonly used lens mount options: the  new native PL mount and electronic E-mount. Users can install and disassemble by themselves without correcting the flange distance.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe two cameras of MAVO mark2 adopt and simplify the MAVO Edge high-performance computing platform, greatly upgrade the image processing system, have independent dual SDI output, and record ProRes4444XQ to NVMe M.2 SSD in the camera, with fully integrated, exquisite lightweight design and high efficiency workflow, helping more photographers get a classic and efficient cinematography experience at a more affordable price.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBayonet introduction\u003c\/strong\u003e\u003cbr\u003e\n\nMAVO mark2 provides rich mount options and more and updated lens support.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative KineMOUNT: \u003c\/strong\u003eAllowing the camera to adapt to a variety of lenses is an inherent feature of KINEFINITY cameras. The first-generation camera KineRAW-S35 released in 2012 was equipped with a native short-flange distance KineMOUNT mount. MAVO mark2 is equipped with universal KineMOUNT, which is convenient for users to quickly release adapter mounts such as EF , PL and LPL mounts, and grasp every important opportunity of fast-paced shooting.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003eIn addition to continuing to be compatible with the unique KineMOUNT mount, MAVO mark2 also provides two commonly used lens mount options: the new native PL mount and the electronic E mount . Users can install and disassemble by themselves without correcting the flange distance. The new two bayonets feature active locking, solid and long-lasting reliable cinema-grade design.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative PL mount:\u003c\/strong\u003e stable native design, precise locking of the lens, escorting movie-level shooting. Support Cooke\/i protocol, accurately record on-site data, read focal length, aperture and depth of field information in real time and store them in the material, simplifying the post-production process.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative E-mount: \u003c\/strong\u003esupports most commonly used electronic E-mount lenses, supports users to adjust important parameters such as aperture, focal length, and focus through the camera body, and is consistent with the native PL mount of the Cooke\/i protocol, and the monitoring screen presents lens elements data, and save lens parameters to footage when recording.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123394560228,"sku":"KF-A010-003-01-E-AP","price":6916.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/KF-A010-003-01-AP_c4af34c5-ab11-42ee-a125-31e3e2359234.jpg?v=1764761594"},{"product_id":"kinefinity-mavo-lf-mark-2-pro-pack-bundle-e-mount","title":"Kinefinity MAVO LF Mark 2 Pro Pack Bundle - E Mount","description":"\u003cp\u003eThe Kinefinity MAVO LF MK2 comes in several lens mount and bundle variations:\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eNo Mount - Camera comes with no lens mount, if you already own a KineMOUNT or other attachable Kinefinity Active Mount.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-no-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-no-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-no-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eKineMOUNT - Kinefinity's exclusive universal native mount, combination with Kinefinity's various mounting adapters gives you versatility when it comes to lens choice.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-kinemount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-kinemount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-kinemount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive PL Mount - Standard Cine PL mount supporting any PL mount lens.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pl-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-pl-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-pl-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive E Mount - Allows you to attach any Sony E mount lens to the camera.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-e-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-e-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-e-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 LF continues to be equipped with the same full-frame 3:2 CMOS image sensor as the popular MAVO Edge 6K , continuing the high frame rate of 6K 75fps and dual native ISO 5120\/800. Compared with the previous product MAVO LF, which also has outstanding high sensitivity, MAVO LF mark2 can retain more highlight details and is suitable for shooting scenes with complex lighting. Combined with the wide viewing angle brought by the large format, it provides a shallower depth of field and a more cinematic picture.\u003c\/p\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 provides more and updated lens support. In addition to continuing to be compatible with the unique KineMOUNT mount , which is convenient for users to quickly disassemble adapter mounts such as EF, PL and LPL mounts, MAVO mark2 also provides two commonly used lens mount options: the  new native PL mount and electronic E-mount. Users can install and disassemble by themselves without correcting the flange distance.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe two cameras of MAVO mark2 adopt and simplify the MAVO Edge high-performance computing platform, greatly upgrade the image processing system, have independent dual SDI output, and record ProRes4444XQ to NVMe M.2 SSD in the camera, with fully integrated, exquisite lightweight design and high efficiency workflow, helping more photographers get a classic and efficient cinematography experience at a more affordable price.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBayonet introduction\u003c\/strong\u003e\u003cbr\u003e\n\nMAVO mark2 provides rich mount options and more and updated lens support.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative KineMOUNT: \u003c\/strong\u003eAllowing the camera to adapt to a variety of lenses is an inherent feature of KINEFINITY cameras. The first-generation camera KineRAW-S35 released in 2012 was equipped with a native short-flange distance KineMOUNT mount. MAVO mark2 is equipped with universal KineMOUNT, which is convenient for users to quickly release adapter mounts such as EF , PL and LPL mounts, and grasp every important opportunity of fast-paced shooting.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003eIn addition to continuing to be compatible with the unique KineMOUNT mount, MAVO mark2 also provides two commonly used lens mount options: the new native PL mount and the electronic E mount . Users can install and disassemble by themselves without correcting the flange distance. The new two bayonets feature active locking, solid and long-lasting reliable cinema-grade design.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative PL mount:\u003c\/strong\u003e stable native design, precise locking of the lens, escorting movie-level shooting. Support Cooke\/i protocol, accurately record on-site data, read focal length, aperture and depth of field information in real time and store them in the material, simplifying the post-production process.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative E-mount: \u003c\/strong\u003esupports most commonly used electronic E-mount lenses, supports users to adjust important parameters such as aperture, focal length, and focus through the camera body, and is consistent with the native PL mount of the Cooke\/i protocol, and the monitoring screen presents lens elements data, and save lens parameters to footage when recording.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123394592996,"sku":"KF-A010-003-01-E-PP","price":10582.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/KF-A010-003-01-PP_b9e494f0-4797-45e1-9d3c-cdd59cf87529.jpg?v=1764761596"},{"product_id":"kinefinity-mavo-lf-mark-2-kinemount","title":"Kinefinity MAVO LF Mark 2 - KineMOUNT","description":"\u003cp\u003eThe Kinefinity MAVO LF MK2 comes in several lens mount and bundle variations:\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eNo Mount - Camera comes with no lens mount, if you already own a KineMOUNT or other attachable Kinefinity Active Mount.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-no-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-no-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-no-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eKineMOUNT - Kinefinity's exclusive universal native mount, combination with Kinefinity's various mounting adapters gives you versatility when it comes to lens choice.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-kinemount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-kinemount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-kinemount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive PL Mount - Standard Cine PL mount supporting any PL mount lens.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pl-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-pl-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-pl-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive E Mount - Allows you to attach any Sony E mount lens to the camera.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-e-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-e-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-e-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 LF continues to be equipped with the same full-frame 3:2 CMOS image sensor as the popular MAVO Edge 6K , continuing the high frame rate of 6K 75fps and dual native ISO 5120\/800. Compared with the previous product MAVO LF, which also has outstanding high sensitivity, MAVO LF mark2 can retain more highlight details and is suitable for shooting scenes with complex lighting. Combined with the wide viewing angle brought by the large format, it provides a shallower depth of field and a more cinematic picture.\u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 provides more and updated lens support. In addition to continuing to be compatible with the unique KineMOUNT mount , which is convenient for users to quickly disassemble adapter mounts such as EF, PL and LPL mounts, MAVO mark2 also provides two commonly used lens mount options: the  new native PL mount and electronic E-mount. Users can install and disassemble by themselves without correcting the flange distance.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe two cameras of MAVO mark2 adopt and simplify the MAVO Edge high-performance computing platform, greatly upgrade the image processing system, have independent dual SDI output, and record ProRes4444XQ to NVMe M.2 SSD in the camera, with fully integrated, exquisite lightweight design and high efficiency workflow, helping more photographers get a classic and efficient cinematography experience at a more affordable price.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBayonet introduction\u003c\/strong\u003e\u003cbr\u003e\n\nMAVO mark2 provides rich mount options and more and updated lens support.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative KineMOUNT: \u003c\/strong\u003eAllowing the camera to adapt to a variety of lenses is an inherent feature of KINEFINITY cameras. The first-generation camera KineRAW-S35 released in 2012 was equipped with a native short-flange distance KineMOUNT mount. MAVO mark2 is equipped with universal KineMOUNT, which is convenient for users to quickly release adapter mounts such as EF , PL and LPL mounts, and grasp every important opportunity of fast-paced shooting.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003eIn addition to continuing to be compatible with the unique KineMOUNT mount, MAVO mark2 also provides two commonly used lens mount options: the new native PL mount and the electronic E mount . Users can install and disassemble by themselves without correcting the flange distance. The new two bayonets feature active locking, solid and long-lasting reliable cinema-grade design.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative PL mount:\u003c\/strong\u003e stable native design, precise locking of the lens, escorting movie-level shooting. Support Cooke\/i protocol, accurately record on-site data, read focal length, aperture and depth of field information in real time and store them in the material, simplifying the post-production process.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative E-mount: \u003c\/strong\u003esupports most commonly used electronic E-mount lenses, supports users to adjust important parameters such as aperture, focal length, and focus through the camera body, and is consistent with the native PL mount of the Cooke\/i protocol, and the monitoring screen presents lens elements data, and save lens parameters to footage when recording.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123394625764,"sku":"KF-A010-003-01-KM","price":5165.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/KF-A010-003-01-KM_f7ec952c-5f00-4a03-9b4d-e1a08b88634c.jpg?v=1764761599"},{"product_id":"kinefinity-mavo-lf-mark-2-agile-pack-bundle-kinemount","title":"Kinefinity MAVO LF Mark 2 Agile Pack Bundle - KineMOUNT","description":"\u003cp\u003eThe Kinefinity MAVO LF MK2 comes in several lens mount and bundle variations:\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eNo Mount - Camera comes with no lens mount, if you already own a KineMOUNT or other attachable Kinefinity Active Mount.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-no-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-no-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-no-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eKineMOUNT - Kinefinity's exclusive universal native mount, combination with Kinefinity's various mounting adapters gives you versatility when it comes to lens choice.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-kinemount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-kinemount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-kinemount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive PL Mount - Standard Cine PL mount supporting any PL mount lens.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pl-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-pl-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-pl-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive E Mount - Allows you to attach any Sony E mount lens to the camera.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-e-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-e-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-e-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 LF continues to be equipped with the same full-frame 3:2 CMOS image sensor as the popular MAVO Edge 6K , continuing the high frame rate of 6K 75fps and dual native ISO 5120\/800. Compared with the previous product MAVO LF, which also has outstanding high sensitivity, MAVO LF mark2 can retain more highlight details and is suitable for shooting scenes with complex lighting. Combined with the wide viewing angle brought by the large format, it provides a shallower depth of field and a more cinematic picture.\u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 provides more and updated lens support. In addition to continuing to be compatible with the unique KineMOUNT mount , which is convenient for users to quickly disassemble adapter mounts such as EF, PL and LPL mounts, MAVO mark2 also provides two commonly used lens mount options: the  new native PL mount and electronic E-mount. Users can install and disassemble by themselves without correcting the flange distance.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe two cameras of MAVO mark2 adopt and simplify the MAVO Edge high-performance computing platform, greatly upgrade the image processing system, have independent dual SDI output, and record ProRes4444XQ to NVMe M.2 SSD in the camera, with fully integrated, exquisite lightweight design and high efficiency workflow, helping more photographers get a classic and efficient cinematography experience at a more affordable price.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBayonet introduction\u003c\/strong\u003e\u003cbr\u003e\n\nMAVO mark2 provides rich mount options and more and updated lens support.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative KineMOUNT: \u003c\/strong\u003eAllowing the camera to adapt to a variety of lenses is an inherent feature of KINEFINITY cameras. The first-generation camera KineRAW-S35 released in 2012 was equipped with a native short-flange distance KineMOUNT mount. MAVO mark2 is equipped with universal KineMOUNT, which is convenient for users to quickly release adapter mounts such as EF , PL and LPL mounts, and grasp every important opportunity of fast-paced shooting.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003eIn addition to continuing to be compatible with the unique KineMOUNT mount, MAVO mark2 also provides two commonly used lens mount options: the new native PL mount and the electronic E mount . Users can install and disassemble by themselves without correcting the flange distance. The new two bayonets feature active locking, solid and long-lasting reliable cinema-grade design.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative PL mount:\u003c\/strong\u003e stable native design, precise locking of the lens, escorting movie-level shooting. Support Cooke\/i protocol, accurately record on-site data, read focal length, aperture and depth of field information in real time and store them in the material, simplifying the post-production process.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative E-mount: \u003c\/strong\u003esupports most commonly used electronic E-mount lenses, supports users to adjust important parameters such as aperture, focal length, and focus through the camera body, and is consistent with the native PL mount of the Cooke\/i protocol, and the monitoring screen presents lens elements data, and save lens parameters to footage when recording.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123394658532,"sku":"KF-A010-003-01-KM-AP","price":7082.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/KF-A010-003-01-AP_59e77df7-a654-4172-9c5d-4c3f870c0427.jpg?v=1764761600"},{"product_id":"kinefinity-mavo-lf-mark-2-pro-pack-bundle-kinemount","title":"Kinefinity MAVO LF Mark 2 Pro Pack Bundle - KineMOUNT","description":"\u003cp\u003eThe Kinefinity MAVO LF MK2 comes in several lens mount and bundle variations:\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eNo Mount - Camera comes with no lens mount, if you already own a KineMOUNT or other attachable Kinefinity Active Mount.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-no-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-no-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-no-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eKineMOUNT - Kinefinity's exclusive universal native mount, combination with Kinefinity's various mounting adapters gives you versatility when it comes to lens choice.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-kinemount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-kinemount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-kinemount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive PL Mount - Standard Cine PL mount supporting any PL mount lens.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pl-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-pl-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-pl-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive E Mount - Allows you to attach any Sony E mount lens to the camera.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-e-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-e-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-e-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 LF continues to be equipped with the same full-frame 3:2 CMOS image sensor as the popular MAVO Edge 6K , continuing the high frame rate of 6K 75fps and dual native ISO 5120\/800. Compared with the previous product MAVO LF, which also has outstanding high sensitivity, MAVO LF mark2 can retain more highlight details and is suitable for shooting scenes with complex lighting. Combined with the wide viewing angle brought by the large format, it provides a shallower depth of field and a more cinematic picture.\u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 provides more and updated lens support. In addition to continuing to be compatible with the unique KineMOUNT mount , which is convenient for users to quickly disassemble adapter mounts such as EF, PL and LPL mounts, MAVO mark2 also provides two commonly used lens mount options: the  new native PL mount and electronic E-mount. Users can install and disassemble by themselves without correcting the flange distance.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe two cameras of MAVO mark2 adopt and simplify the MAVO Edge high-performance computing platform, greatly upgrade the image processing system, have independent dual SDI output, and record ProRes4444XQ to NVMe M.2 SSD in the camera, with fully integrated, exquisite lightweight design and high efficiency workflow, helping more photographers get a classic and efficient cinematography experience at a more affordable price.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBayonet introduction\u003c\/strong\u003e\u003cbr\u003e\n\nMAVO mark2 provides rich mount options and more and updated lens support.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative KineMOUNT: \u003c\/strong\u003eAllowing the camera to adapt to a variety of lenses is an inherent feature of KINEFINITY cameras. The first-generation camera KineRAW-S35 released in 2012 was equipped with a native short-flange distance KineMOUNT mount. MAVO mark2 is equipped with universal KineMOUNT, which is convenient for users to quickly release adapter mounts such as EF , PL and LPL mounts, and grasp every important opportunity of fast-paced shooting.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003eIn addition to continuing to be compatible with the unique KineMOUNT mount, MAVO mark2 also provides two commonly used lens mount options: the new native PL mount and the electronic E mount . Users can install and disassemble by themselves without correcting the flange distance. The new two bayonets feature active locking, solid and long-lasting reliable cinema-grade design.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative PL mount:\u003c\/strong\u003e stable native design, precise locking of the lens, escorting movie-level shooting. Support Cooke\/i protocol, accurately record on-site data, read focal length, aperture and depth of field information in real time and store them in the material, simplifying the post-production process.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative E-mount: \u003c\/strong\u003esupports most commonly used electronic E-mount lenses, supports users to adjust important parameters such as aperture, focal length, and focus through the camera body, and is consistent with the native PL mount of the Cooke\/i protocol, and the monitoring screen presents lens elements data, and save lens parameters to footage when recording.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123394691300,"sku":"KF-A010-003-01-KM-PP","price":10748.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/KF-A010-003-01-PP_dc6d9021-ffb7-4bf7-8922-3cce3c3b4cb2.jpg?v=1764761600"},{"product_id":"kinefinity-mavo-lf-mark-2-pl-mount","title":"Kinefinity MAVO LF Mark 2 - PL Mount","description":"\u003cp\u003eThe Kinefinity MAVO LF MK2 comes in several lens mount and bundle variations:\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eNo Mount - Camera comes with no lens mount, if you already own a KineMOUNT or other attachable Kinefinity Active Mount.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-no-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-no-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-no-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eKineMOUNT - Kinefinity's exclusive universal native mount, combination with Kinefinity's various mounting adapters gives you versatility when it comes to lens choice.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-kinemount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-kinemount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-kinemount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive PL Mount - Standard Cine PL mount supporting any PL mount lens.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pl-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-pl-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-pl-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive E Mount - Allows you to attach any Sony E mount lens to the camera.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-e-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-e-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-e-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 LF continues to be equipped with the same full-frame 3:2 CMOS image sensor as the popular MAVO Edge 6K , continuing the high frame rate of 6K 75fps and dual native ISO 5120\/800. Compared with the previous product MAVO LF, which also has outstanding high sensitivity, MAVO LF mark2 can retain more highlight details and is suitable for shooting scenes with complex lighting. Combined with the wide viewing angle brought by the large format, it provides a shallower depth of field and a more cinematic picture.\u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 provides more and updated lens support. In addition to continuing to be compatible with the unique KineMOUNT mount , which is convenient for users to quickly disassemble adapter mounts such as EF, PL and LPL mounts, MAVO mark2 also provides two commonly used lens mount options: the  new native PL mount and electronic E-mount. Users can install and disassemble by themselves without correcting the flange distance.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe two cameras of MAVO mark2 adopt and simplify the MAVO Edge high-performance computing platform, greatly upgrade the image processing system, have independent dual SDI output, and record ProRes4444XQ to NVMe M.2 SSD in the camera, with fully integrated, exquisite lightweight design and high efficiency workflow, helping more photographers get a classic and efficient cinematography experience at a more affordable price.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBayonet introduction\u003c\/strong\u003e\u003cbr\u003e\n\nMAVO mark2 provides rich mount options and more and updated lens support.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative KineMOUNT: \u003c\/strong\u003eAllowing the camera to adapt to a variety of lenses is an inherent feature of KINEFINITY cameras. The first-generation camera KineRAW-S35 released in 2012 was equipped with a native short-flange distance KineMOUNT mount. MAVO mark2 is equipped with universal KineMOUNT, which is convenient for users to quickly release adapter mounts such as EF , PL and LPL mounts, and grasp every important opportunity of fast-paced shooting.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003eIn addition to continuing to be compatible with the unique KineMOUNT mount, MAVO mark2 also provides two commonly used lens mount options: the new native PL mount and the electronic E mount . Users can install and disassemble by themselves without correcting the flange distance. The new two bayonets feature active locking, solid and long-lasting reliable cinema-grade design.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative PL mount:\u003c\/strong\u003e stable native design, precise locking of the lens, escorting movie-level shooting. Support Cooke\/i protocol, accurately record on-site data, read focal length, aperture and depth of field information in real time and store them in the material, simplifying the post-production process.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative E-mount: \u003c\/strong\u003esupports most commonly used electronic E-mount lenses, supports users to adjust important parameters such as aperture, focal length, and focus through the camera body, and is consistent with the native PL mount of the Cooke\/i protocol, and the monitoring screen presents lens elements data, and save lens parameters to footage when recording.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123394724068,"sku":"KF-A010-003-01-PL","price":5582.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/KF-A010-003-01-PL_891ec659-1e5a-4c21-8344-6b5557dda309.jpg?v=1764761605"},{"product_id":"kinefinity-mavo-lf-mark-2-agile-pack-bundle-pl-mount","title":"Kinefinity MAVO LF Mark 2 Agile Pack Bundle - PL Mount","description":"\u003cp\u003eThe Kinefinity MAVO LF MK2 comes in several lens mount and bundle variations:\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eNo Mount - Camera comes with no lens mount, if you already own a KineMOUNT or other attachable Kinefinity Active Mount.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-no-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-no-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-no-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eKineMOUNT - Kinefinity's exclusive universal native mount, combination with Kinefinity's various mounting adapters gives you versatility when it comes to lens choice.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-kinemount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-kinemount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-kinemount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive PL Mount - Standard Cine PL mount supporting any PL mount lens.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pl-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-pl-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-pl-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive E Mount - Allows you to attach any Sony E mount lens to the camera.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-e-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-e-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-e-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 LF continues to be equipped with the same full-frame 3:2 CMOS image sensor as the popular MAVO Edge 6K , continuing the high frame rate of 6K 75fps and dual native ISO 5120\/800. Compared with the previous product MAVO LF, which also has outstanding high sensitivity, MAVO LF mark2 can retain more highlight details and is suitable for shooting scenes with complex lighting. Combined with the wide viewing angle brought by the large format, it provides a shallower depth of field and a more cinematic picture.\u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 provides more and updated lens support. In addition to continuing to be compatible with the unique KineMOUNT mount , which is convenient for users to quickly disassemble adapter mounts such as EF, PL and LPL mounts, MAVO mark2 also provides two commonly used lens mount options: the  new native PL mount and electronic E-mount. Users can install and disassemble by themselves without correcting the flange distance.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe two cameras of MAVO mark2 adopt and simplify the MAVO Edge high-performance computing platform, greatly upgrade the image processing system, have independent dual SDI output, and record ProRes4444XQ to NVMe M.2 SSD in the camera, with fully integrated, exquisite lightweight design and high efficiency workflow, helping more photographers get a classic and efficient cinematography experience at a more affordable price.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBayonet introduction\u003c\/strong\u003e\u003cbr\u003e\n\nMAVO mark2 provides rich mount options and more and updated lens support.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative KineMOUNT: \u003c\/strong\u003eAllowing the camera to adapt to a variety of lenses is an inherent feature of KINEFINITY cameras. The first-generation camera KineRAW-S35 released in 2012 was equipped with a native short-flange distance KineMOUNT mount. MAVO mark2 is equipped with universal KineMOUNT, which is convenient for users to quickly release adapter mounts such as EF , PL and LPL mounts, and grasp every important opportunity of fast-paced shooting.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003eIn addition to continuing to be compatible with the unique KineMOUNT mount, MAVO mark2 also provides two commonly used lens mount options: the new native PL mount and the electronic E mount . Users can install and disassemble by themselves without correcting the flange distance. The new two bayonets feature active locking, solid and long-lasting reliable cinema-grade design.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative PL mount:\u003c\/strong\u003e stable native design, precise locking of the lens, escorting movie-level shooting. Support Cooke\/i protocol, accurately record on-site data, read focal length, aperture and depth of field information in real time and store them in the material, simplifying the post-production process.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative E-mount: \u003c\/strong\u003esupports most commonly used electronic E-mount lenses, supports users to adjust important parameters such as aperture, focal length, and focus through the camera body, and is consistent with the native PL mount of the Cooke\/i protocol, and the monitoring screen presents lens elements data, and save lens parameters to footage when recording.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123394789604,"sku":"KF-A010-003-01-PL-AP","price":7499.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/KF-A010-003-01-AP_c9c4e4b6-d133-4a7b-bfcf-a73e1112b9b2.jpg?v=1764761604"},{"product_id":"kinefinity-mavo-lf-mark-2-pro-pack-bundle-pl-mount","title":"Kinefinity MAVO LF Mark 2 Pro Pack Bundle - PL Mount","description":"\u003cp\u003eThe Kinefinity MAVO LF MK2 comes in several lens mount and bundle variations:\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eNo Mount - Camera comes with no lens mount, if you already own a KineMOUNT or other attachable Kinefinity Active Mount.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-no-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-no-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-no-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eKineMOUNT - Kinefinity's exclusive universal native mount, combination with Kinefinity's various mounting adapters gives you versatility when it comes to lens choice.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-kinemount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-kinemount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-kinemount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive PL Mount - Standard Cine PL mount supporting any PL mount lens.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pl-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-pl-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-pl-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive E Mount - Allows you to attach any Sony E mount lens to the camera.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-e-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-e-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-e-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 LF continues to be equipped with the same full-frame 3:2 CMOS image sensor as the popular MAVO Edge 6K , continuing the high frame rate of 6K 75fps and dual native ISO 5120\/800. Compared with the previous product MAVO LF, which also has outstanding high sensitivity, MAVO LF mark2 can retain more highlight details and is suitable for shooting scenes with complex lighting. Combined with the wide viewing angle brought by the large format, it provides a shallower depth of field and a more cinematic picture.\u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 provides more and updated lens support. In addition to continuing to be compatible with the unique KineMOUNT mount , which is convenient for users to quickly disassemble adapter mounts such as EF, PL and LPL mounts, MAVO mark2 also provides two commonly used lens mount options: the  new native PL mount and electronic E-mount. Users can install and disassemble by themselves without correcting the flange distance.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe two cameras of MAVO mark2 adopt and simplify the MAVO Edge high-performance computing platform, greatly upgrade the image processing system, have independent dual SDI output, and record ProRes4444XQ to NVMe M.2 SSD in the camera, with fully integrated, exquisite lightweight design and high efficiency workflow, helping more photographers get a classic and efficient cinematography experience at a more affordable price.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBayonet introduction\u003c\/strong\u003e\u003cbr\u003e\n\nMAVO mark2 provides rich mount options and more and updated lens support.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative KineMOUNT: \u003c\/strong\u003eAllowing the camera to adapt to a variety of lenses is an inherent feature of KINEFINITY cameras. The first-generation camera KineRAW-S35 released in 2012 was equipped with a native short-flange distance KineMOUNT mount. MAVO mark2 is equipped with universal KineMOUNT, which is convenient for users to quickly release adapter mounts such as EF , PL and LPL mounts, and grasp every important opportunity of fast-paced shooting.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003eIn addition to continuing to be compatible with the unique KineMOUNT mount, MAVO mark2 also provides two commonly used lens mount options: the new native PL mount and the electronic E mount . Users can install and disassemble by themselves without correcting the flange distance. The new two bayonets feature active locking, solid and long-lasting reliable cinema-grade design.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative PL mount:\u003c\/strong\u003e stable native design, precise locking of the lens, escorting movie-level shooting. Support Cooke\/i protocol, accurately record on-site data, read focal length, aperture and depth of field information in real time and store them in the material, simplifying the post-production process.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative E-mount: \u003c\/strong\u003esupports most commonly used electronic E-mount lenses, supports users to adjust important parameters such as aperture, focal length, and focus through the camera body, and is consistent with the native PL mount of the Cooke\/i protocol, and the monitoring screen presents lens elements data, and save lens parameters to footage when recording.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123394822372,"sku":"KF-A010-003-01-PL-PP","price":11165.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/KF-A010-003-01-PP_e7090670-7053-41af-8159-d9469e073841.jpg?v=1764761605"},{"product_id":"kinefinity-mavo-lf-mark-2-pro-pack-bundle-no-mount","title":"Kinefinity MAVO LF Mark 2 Pro Pack Bundle - No Mount","description":"\u003cp\u003eThe Kinefinity MAVO LF MK2 comes in several lens mount and bundle variations:\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eNo Mount - Camera comes with no lens mount, if you already own a KineMOUNT or other attachable Kinefinity Active Mount.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-no-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-no-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-no-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eKineMOUNT - Kinefinity's exclusive universal native mount, combination with Kinefinity's various mounting adapters gives you versatility when it comes to lens choice.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-kinemount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-kinemount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-kinemount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive PL Mount - Standard Cine PL mount supporting any PL mount lens.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pl-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-pl-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-pl-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive E Mount - Allows you to attach any Sony E mount lens to the camera.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-e-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-agile-pack-bundle-e-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-lf-mark-2-pro-pack-bundle-e-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 LF continues to be equipped with the same full-frame 3:2 CMOS image sensor as the popular MAVO Edge 6K , continuing the high frame rate of 6K 75fps and dual native ISO 5120\/800. Compared with the previous product MAVO LF, which also has outstanding high sensitivity, MAVO LF mark2 can retain more highlight details and is suitable for shooting scenes with complex lighting. Combined with the wide viewing angle brought by the large format, it provides a shallower depth of field and a more cinematic picture.\u003c\/p\u003e\n\n\n\n\u003cp\u003eMAVO mark2 provides more and updated lens support. In addition to continuing to be compatible with the unique KineMOUNT mount , which is convenient for users to quickly disassemble adapter mounts such as EF, PL and LPL mounts, MAVO mark2 also provides two commonly used lens mount options: the  new native PL mount and electronic E-mount. Users can install and disassemble by themselves without correcting the flange distance.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe two cameras of MAVO mark2 adopt and simplify the MAVO Edge high-performance computing platform, greatly upgrade the image processing system, have independent dual SDI output, and record ProRes4444XQ to NVMe M.2 SSD in the camera, with fully integrated, exquisite lightweight design and high efficiency workflow, helping more photographers get a classic and efficient cinematography experience at a more affordable price.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBayonet introduction\u003c\/strong\u003e\u003cbr\u003e\n\nMAVO mark2 provides rich mount options and more and updated lens support.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative KineMOUNT: \u003c\/strong\u003eAllowing the camera to adapt to a variety of lenses is an inherent feature of KINEFINITY cameras. The first-generation camera KineRAW-S35 released in 2012 was equipped with a native short-flange distance KineMOUNT mount. MAVO mark2 is equipped with universal KineMOUNT, which is convenient for users to quickly release adapter mounts such as EF , PL and LPL mounts, and grasp every important opportunity of fast-paced shooting.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003eIn addition to continuing to be compatible with the unique KineMOUNT mount, MAVO mark2 also provides two commonly used lens mount options: the new native PL mount and the electronic E mount . Users can install and disassemble by themselves without correcting the flange distance. The new two bayonets feature active locking, solid and long-lasting reliable cinema-grade design.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative PL mount:\u003c\/strong\u003e stable native design, precise locking of the lens, escorting movie-level shooting. Support Cooke\/i protocol, accurately record on-site data, read focal length, aperture and depth of field information in real time and store them in the material, simplifying the post-production process.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative E-mount: \u003c\/strong\u003esupports most commonly used electronic E-mount lenses, supports users to adjust important parameters such as aperture, focal length, and focus through the camera body, and is consistent with the native PL mount of the Cooke\/i protocol, and the monitoring screen presents lens elements data, and save lens parameters to footage when recording.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123394855140,"sku":"KF-A010-003-01-PP","price":10582.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/KF-A010-003-01-PP_c317e2fe-819b-423d-a113-8f2835a8e226.jpg?v=1764761605"},{"product_id":"kinefinity-mavo-s35-mark-2-no-mount","title":"Kinefinity MAVO S35 Mark 2 - No Mount","description":"\u003cp\u003eThe Kinefinity MAVO S35 MK2 comes in several lens mount and bundle variations:\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eNo Mount - Camera comes with no lens mount, if you already own a KineMOUNT or other attachable Kinefinity Active Mount.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-no-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-agile-pack-bundle-no-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-pro-pack-bundle-no-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eKineMOUNT - Kinefinity's exclusive universal native mount, combination with Kinefinity's various mounting adapters gives you versatility when it comes to lens choice.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-kinemount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-agile-pack-bundle-kinemount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-pro-pack-bundle-kinemount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive PL Mount - Standard Cine PL mount supporting any PL mount lens.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-pl-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-agile-pack-bundle-pl-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-pro-pack-bundle-pl-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive E Mount - Allows you to attach any Sony E mount lens to the camera.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-e-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-agile-pack-bundle-e-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-pro-pack-bundle-e-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eReturn to the classic S35 format to adapt to more types of S35 movie lenses, bringing more creative possibilities. MAVO mark2 S35 is equipped with a new S35 3:2 CMOS image sensor and a new high-performance computing platform. Compared with the previous generation of MAVO cameras released in 2018, this S35 movie camera has achieved a substantial performance improvement. The frame rate is as high as 6K Wide 96fps, 4K Wide 150fps , and it also has dual native ISO 3200 and 800, which brings excellent low-light performance. MAVO mark2 S35 can achieve cleaner images, better highlight performance, high latitude, and high frame rate shooting in both low-light and regular scenes.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe two cameras of MAVO mark2 adopt and simplify the MAVO Edge high-performance computing platform, greatly upgrade the image processing system, have independent dual SDI output, and record ProRes4444XQ to NVMe M.2 SSD in the camera, with fully integrated, exquisite lightweight design and high efficiency workflow, helping more photographers get a classic and efficient cinematography experience at a more affordable price.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBayonet introduction\u003c\/strong\u003e\u003cbr\u003e\n\nMAVO mark2 provides rich mount options and more and updated lens support.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative KineMOUNT: \u003c\/strong\u003eAllowing the camera to adapt to a variety of lenses is an inherent feature of KINEFINITY cameras. The first-generation camera KineRAW-S35 released in 2012 was equipped with a native short-flange distance KineMOUNT mount. MAVO mark2 is equipped with universal KineMOUNT, which is convenient for users to quickly release adapter mounts such as EF , PL and LPL mounts, and grasp every important opportunity of fast-paced shooting.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003eIn addition to continuing to be compatible with the unique KineMOUNT mount, MAVO mark2 also provides two commonly used lens mount options: the new native PL mount and the electronic E mount. Users can install and disassemble by themselves without correcting the flange distance. The new two bayonets feature active locking, solid and long-lasting reliable cinema-grade design.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative PL mount:\u003c\/strong\u003e stable native design, precise locking of the lens, escorting movie-level shooting. Support Cooke\/i protocol, accurately record on-site data, read focal length, aperture and depth of field information in real time and store them in the material, simplifying the post-production process.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eElectronic E-mount: \u003c\/strong\u003esupports most common electronic E-mount lenses, supports users to adjust important parameters such as aperture, focal length, and focus through the camera body, and is consistent with the original PL mount of the Cooke\/i protocol, and the monitoring screen presents lens elements data, and save lens parameters to footage when recording.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123394920676,"sku":"KF-A010-004-01","price":3333.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/KF-A010-004-01_23e51dcb-c138-45fa-ad53-4f5f1f14360b.jpg?v=1764761612"},{"product_id":"kinefinity-mavo-s35-mark-2-agile-pack-bundle-no-mount","title":"Kinefinity MAVO S35 Mark 2 Agile Pack Bundle - No Mount","description":"\u003cp\u003eThe Kinefinity MAVO S35 MK2 comes in several lens mount and bundle variations:\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eNo Mount - Camera comes with no lens mount, if you already own a KineMOUNT or other attachable Kinefinity Active Mount.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-no-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-agile-pack-bundle-no-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-pro-pack-bundle-no-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eKineMOUNT - Kinefinity's exclusive universal native mount, combination with Kinefinity's various mounting adapters gives you versatility when it comes to lens choice.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-kinemount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-agile-pack-bundle-kinemount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-pro-pack-bundle-kinemount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive PL Mount - Standard Cine PL mount supporting any PL mount lens.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-pl-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-agile-pack-bundle-pl-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-pro-pack-bundle-pl-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003eActive E Mount - Allows you to attach any Sony E mount lens to the camera.\n\n\t\u003cul\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-e-mount.html\"\u003eBody Only\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-agile-pack-bundle-e-mount.html\"\u003eAgile Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\t\u003cli\u003e\u003cu\u003e\u003ca href=\"https:\/\/www.productiongear.co.uk\/kinefinity-mavo-s35-mark-2-pro-pack-bundle-e-mount.html\"\u003ePro Pack Bundle\u003c\/a\u003e\u003c\/u\u003e\u003c\/li\u003e\n\n\t\u003c\/ul\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\n\u003cp\u003eReturn to the classic S35 format to adapt to more types of S35 movie lenses, bringing more creative possibilities. MAVO mark2 S35 is equipped with a new S35 3:2 CMOS image sensor and a new high-performance computing platform. Compared with the previous generation of MAVO cameras released in 2018, this S35 movie camera has achieved a substantial performance improvement. The frame rate is as high as 6K Wide 96fps, 4K Wide 150fps , and it also has dual native ISO 3200 and 800, which brings excellent low-light performance. MAVO mark2 S35 can achieve cleaner images, better highlight performance, high latitude, and high frame rate shooting in both low-light and regular scenes.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe two cameras of MAVO mark2 adopt and simplify the MAVO Edge high-performance computing platform, greatly upgrade the image processing system, have independent dual SDI output, and record ProRes4444XQ to NVMe M.2 SSD in the camera, with fully integrated, exquisite lightweight design and high efficiency workflow, helping more photographers get a classic and efficient cinematography experience at a more affordable price.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBayonet introduction\u003c\/strong\u003e\u003cbr\u003e\n\nMAVO mark2 provides rich mount options and more and updated lens support.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative KineMOUNT: \u003c\/strong\u003eAllowing the camera to adapt to a variety of lenses is an inherent feature of KINEFINITY cameras. The first-generation camera KineRAW-S35 released in 2012 was equipped with a native short-flange distance KineMOUNT mount. MAVO mark2 is equipped with universal KineMOUNT, which is convenient for users to quickly release adapter mounts such as EF , PL and LPL mounts, and grasp every important opportunity of fast-paced shooting.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003eIn addition to continuing to be compatible with the unique KineMOUNT mount, MAVO mark2 also provides two commonly used lens mount options: the new native PL mount and the electronic E mount. Users can install and disassemble by themselves without correcting the flange distance. The new two bayonets feature active locking, solid and long-lasting reliable cinema-grade design.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eNative PL mount:\u003c\/strong\u003e stable native design, precise locking of the lens, escorting movie-level shooting. Support Cooke\/i protocol, accurately record on-site data, read focal length, aperture and depth of field information in real time and store them in the material, simplifying the post-production process.\u003c\/li\u003e\n\n\t\u003cli\u003e\n\u003cstrong\u003eElectronic E-mount: \u003c\/strong\u003esupports most common electronic E-mount lenses, supports users to adjust important parameters such as aperture, focal length, and focus through the camera body, and is consistent with the original PL mount of the Cooke\/i protocol, and the monitoring screen presents lens elements data, and save lens parameters to footage when recording.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Kinefinity","offers":[{"title":"Default Title","offer_id":47123394953444,"sku":"KF-A010-004-01-AP","price":5250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/KF-A010-004-01-AP_21c3cf1b-405a-4281-a3e7-5f2f09d20317.jpg?v=1764761612"}],"url":"https:\/\/progear-website.myshopify.com\/collections\/digital-cinema-cameras.oembed?page=3","provider":"Progear-website","version":"1.0","type":"link"}