{"title":"Blackmagic Design","description":"","products":[{"product_id":"blackmagic-design-ursa-cine-12k-lf-body","title":"Blackmagic Design URSA Cine 12K LF - Body","description":"\u003cdiv\u003e\u003cstrong\u003eIntroducing the World’s Most Advanced Digital Film Camera\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic URSA Cine is a revolutionary digital film camera that introduces new advanced digital film technology combined with total integration into the post-production workflow. That means it's the first digital film camera with fast high capability storage built in, plus high-speed networking for on set media sync. Blackmagic URSA Cine also introduces a new large format RGBW 36 x 24mm image sensor with larger photo sites for incredible dynamic range. You can also swap between PL, LPL, EF and Hasselblad lens mounts. There's even WiFi with SRT streaming for remote client viewing. Plus the industry standard Lemo and Fischer connections make it perfect for high-end cinema production.\u003cbr\u003e\n\n\u003cbr\u003e\n\n\u003cstrong\u003eCinematic Large Format Sensor\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 12K! The larger sensor builds on the technology of URSA Mini Pro 12K with larger photo-sites leading to an astounding 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green and blue pixels. This means it is optimized to deliver incredibly rich colours at all resolutions and provide the ultimate image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever before! Plus, in sensor scaling means you can record at all resolutions without cropping!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLarge Format Flexibility\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe large format sensor in URSA Cine provides the ultimate flexibility for aspect ratios, lenses and delivery formats! The full sensor area gives you a stunning 3:2 open gate image which lets you reframe your shots in post-production. Or you can use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8 and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. There are even 9K Super 35 4-perf, 3-perf and 2-perf modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eInterchangeable Lens Mounts\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDifferent projects require different lenses which is why URSA Cine features an interchangeable lens mount. You can quickly switch between PL, LPL, EF and Hasselblad mounts. That means you can work with PL or LPL cinema lenses, EF or large format Hasselblad photographic lenses, making URSA Cine compatible with the widest possible range of professional lenses. Imagine using modern high-speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses next! Plus, each mount has contact pins to read lens metadata for monitoring and use in post-production. With URSA Cine, you have the freedom to choose the lens you need for any kind of work!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHigh Resolution Monitoring and Camera Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine lets crews work faster on set with multiple monitoring options! The fold out monitor has a large 5″ HDR touchscreen on one side and an external colour status LCD on the other. You can even rotate the screen and fold it back into the camera! On the right side of the camera, there’s a dedicated assist station with a second 5″ HDR touchscreen which allows crew to work around the camera without needing external monitors. Plus, with a 1500 nit display and removable sunshade, it’s always visible, even in bright sunlight. On-screen overlays show status and record parameters, histogram, frame guides and more. There’s even a dedicated focus puller’s mode to help you get perfect focus!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eRugged Industry Standard Connections\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe wide range of industry-standard connections on URSA Cine makes it perfect for high-end cinema production. The 7-pin Lemo and 3-pin Fischer connectors at the front provide record start\/stop and 24V power so are ideal for onboard accessories such as focus motors. Camera power is provided by a standard 24V 8-pin Lemo connection, plus there's an additional 2-pin Lemo 12V connection at the rear for lower voltage accessories. All this means you can power accessories straight from the camera without messy external cabling! There are also two independent 12G-SDI outputs for monitoring on 2 different monitors with different overlays, plus 10G Ethernet for Blackmagic Cloud media syncing!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBlackmagic RAW Fueled Image Capture\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post-production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options are designed to give you the best possible images with predictable and consistent file sizes. URSA Cine records to the included Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or a massive 20 hours in 4K!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eGeneration 5 Colour Science\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Generation 5 Colour Science features a new film curve designed to make full use of the massive amount of colour data from the new URSA Cine sensor. This delivers even better colour response for more pleasing skin tones, and better rendering of highly saturated colours such as neon signs and car tail lights in high-contrast scenes. Generation 5 Colour Science informs complex Blackmagic RAW image processing, with colour and dynamic range data from the sensor preserved via metadata for use in post-production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Colour Science lets you take advantage of the new film curve even with your existing work!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt in Optical Low Pass Filter\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe high frequencies of synthetic materials like fabrics or the LED matrix in video walls can cause problems for ultra sharp modern lenses and high-resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. URSA Cine includes a high-performance, optical low pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red colour response which, when combined with Blackmagic RAW processing for the URSA Cine, preserves colour and critical image detail for new levels of image fidelity.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eBuilt-in Colour Balanced ND Filters\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine features high-quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colourimetry and colour science of the camera, the 2, 4 and 6-stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Cine ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eFull Frame Capture at Higher Frame Rates\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K, Super 35 9K and even insanely detailed 12K! You can shoot 100 fps in 12K 12,288 x 6480 17:9 or 120 fps in 12K 2.4:1 widescreen! For higher frame rates, you can shoot 144 fps at 8192 x 5360, 180 fps at 8192 x 3408 and even capture 8K 2.4:1 widescreen at an incredible 224 fps at 8,192 x 3,408! URSA Cine has flexible frame rate and resolution options and captures with incredible motion rendering with smoother edges in 8K and 4K, even at lower frame rates. Plus, with a massive 100 megapixels per frame at up to 80 fps in Blackmagic RAW, you can capture perfect stills and motion shots at the same time!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHigh-Performance Internal Media for Recording\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine is the first digital film camera with ultra-fast high capability Cloud Store technology built in. Blackmagic Media Module is fast, rugged and includes a massive 8TB of storage. It’s like a Cloud Store Mini built into your camera! The high-speed storage lets you record at the highest resolutions and frame rates for hours and access your files directly over high-speed 10G Ethernet. Or you can use the media you already own with the optional Blackmagic Media Module CF, which has dual CFexpress slots. The module can be easily removed from the camera and loaded into a Blackmagic Media Dock for transferring media to a network or Blackmagic Cloud for instant global collaboration!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eEliminate Media Offload Time\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Media Dock accelerates your post-production workflow by making it faster and simpler to start editing and colour correction! Mount up to three Blackmagic Media Modules for high-speed access to media from multiple URSA Cine cameras all at the same time! The four high-speed 10G Ethernet ports allow up to four separate edit workstations to connect directly and it is extremely fast, even when a lot of users are connected at the same time. Plus, the USB-C connection supports Ethernet so you can transfer media using a simple USB-C cable connected to your computer. There is also an HDMI output that lets you see the status of your media in real-time on a TV or monitor.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDeliver Clips Directly into DaVinci Resolve Bins\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine supports creating a small H.264 proxy file in addition to the camera's original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real-time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post-production workflows!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eThree Simple Steps\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eRecord to Internal Storage - \u003c\/strong\u003eYou can record to the internal Blackmagic Media Module. This will allow you to browse the clips and let the camera sync your media files to other users globally.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eSelect and Upload Clips\u003c\/strong\u003e - If you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\t\u003cli\u003e\n\n\t\u003cdiv\u003e\n\u003cstrong\u003eRecord into DaVinci Resolve - \u003c\/strong\u003eLog into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording, the media will automatically upload and sync to all DaVinci users on that project.\u003c\/div\u003e\n\n\t\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eConnect to Mobile Data, High-Speed Wifi or Ethernet!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen live streaming or uploading to Blackmagic Cloud, you can connect and use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and URSA Cine will configure for mobile data. Plus it works with the latest high-speed 5G phones, as well as 4G! You can also connect via high-speed wifi or wired Ethernet using the 10G Ethernet port. With live streaming built into the camera, you get the solution you need for clients and post-production to monitor shoots from anywhere in the world! That's a truly global post-production solution that works with Blackmagic Cloud to create amazing teams of creative people all working together.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLive Stream Directly to Your Client\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNow you can live stream from film sets! URSA Cine features a built hardware streaming engine that supports RTMP and SRT streaming to major platforms or directly to clients! Simply connect to the internet via Ethernet, high-speed wifi or even connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to the video village or the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now everyone can keep an eye on the shoot, live, while it's happening!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eHigh-Resolution Viewfinder for Accurate Focus\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine supports the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 colour OLED display with built-in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built-in digital focus chart ensures you get the perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included viewfinder bracket and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eCompatible with Industry Standard Batteries and Power\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine includes an 8-pin Lemo power connector at the back of the camera that works with 24V and 12V power supplies. That means it’s easy to use the camera with existing power supplies, batteries and accessories! The front of the camera includes additional Lemo and Fischer connectors for powering lens motors and other accessories. URSA Cine comes with a massive 250W power supply and B Mount battery plate so you can use a wide range of high-voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB and more. You can also add the optional Blackmagic URSA Cine VLock Battery Plate or Blackmagic URSA Cine Gold Battery Plate for using legacy V‑Mount and Gold Mount batteries.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Cine features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eDigital Slate for Fast Metadata Entry\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built-in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production specific information, technical information and more! All of the metadata is saved with the files for use in post-production when editing and colour-correcting with software such as DaVinci Resolve!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eWireless Bluetooth Camera Control\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eLocalized in 13 Popular Languages\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine is designed to be used worldwide and supports 13 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when travelling to locations worldwide! When you switch languages, all on-screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, colour correction, audio posts and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post-production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, colour correction, effects, audio and delivery.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eComes Ready to Shoot\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Cine comes with everything you need to get started on set! Every camera comes in a rugged Pelican case with custom foam cutouts that precisely and securely fit the camera and its accessories. The PL lens mount comes preinstalled on the camera body, plus you get an interchangeable locking EF mount for a strong and secure attachment when using heavier cine lenses. You even get a massive 8TB Media Module preinstalled, formatted and ready to record. That’s enough for over 4 hours of stunning 12K! You also get a top handle, antennas for high-speed wifi, baseplate, 24V power supply and high voltage B mount battery plate for quick set up. 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That means it can be installed anywhere. The design is dominated by a large audio meter with accurate ballistics that can be changed between various audio metering standards. There's a 12G-SDI input for monitoring audio from professional video equipment. Plus the new model includes a 10G Ethernet SMPTE-2110 IP video input so you can connect to IP broadcast systems without an external converter. It also includes traditional balanced analogue XLR, HiFi and AES\/EBU audio inputs too. There's even an HDMI video output so you can monitor using large screen TV's or computer monitors.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eMachined Metal Design\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDesigned from aluminium machined metal, Blackmagic Audio Monitor 12G is extremely strong yet also lightweight. The chassis is finished in deep black and anodized so it matches other equipment. Plus the all metal design eliminates acoustic vibration even at loud volumes. The two large audio meters have 27 levels with each segment individually machined into the aluminium chassis so there is absolutely no light bleed between segments, giving you an incredibly crisp looking meter. The front panel has buttons to solo each left or right channel, select between 12G-SDI, 2110 IP, AES\/EBU, Analogue or HiFi audio and to mute the speakers. There's a convenient headphone socket right on the front panel.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eSmall Size, Big Sound\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Audio Monitor 12G gives you incredibly big sound in only 1 rack unit size. The audio monitor includes a very high-powered amp so you can get the volume you need for clear audio monitoring in noisy environments such as live events. The secret is the dual subwoofer design that has the acoustic power to create rich deep bass sounds even within the limited rack size. The digital processor also adjusts multiple frequency bands to get a smooth flat frequency response. All this adds up to an incredible audio monitoring solution with amazing sound, but in a small size that fits into small broadcast trucks, fly away kits, transmission racks and control rooms.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003ePrecision Audio Metering\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe amazing audio meters on Blackmagic Audio Monitor 12G have real analogue style ballistics that correctly conforms to audio meter standards. The secret is that each audio meter segment has an independent RGB LED which can be changed to any colour required for different meter standards. Plus each segment is independently machined and isolated, so no light bleeds between segments. The meters can be changed between VU -20dBFS and -18dBFS, PPM EBU -20dBFS and -18dBFS, PPM BBC -20dBFS and -18dBFS, Loudness EBU +9 and +18 plus Loudness in K-weighting LUFS +9 and +18 scale. Adhesive labels are included so you can change the meter standard and then add the correct decal for the meter standard chosen.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBacklit Controls and LCD for Monitoring\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe front panel of Blackmagic Audio Monitor 12G includes a range of controls. Plus, you get more than audio monitoring because the built-in LCD lets you monitor the 12G-SDI and 2110 IP video inputs. The LCD features additional status such as the input type selected, the video standard and the selected embedded audio pair from the video input. The LCD also displays the current audio level. The front panel also features a smooth headphone\/speaker volume control. There are solo buttons to help you listen to either left or right audio. Plus the arrow keys let you select up and down the embedded audio channels. There's also an input select button and even a mute button.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUse a Big Screen TV for Monitoring\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eOne of the most exciting features of the Blackmagic Audio Monitor 12G is the HDMI monitoring output. The HDMI output lets you use a large screen TV or a computer monitor as a broadcast monitor. The HDMI output is converted from the currently selected input, either 12G-SDI or the 2110 IP video inputs. There's even a 12G-SDI loop output, which also outputs the current selected video input. This means the SDI loop output can include video from either the SDI or 2110 IP video inputs. Plus you can monitor all embedded audio pairs from the video inputs.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eSupports All SD, HD and Ultra HD Standards to 2160p60\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Audio Monitor 12G de-embeds audio from all SD, HD and Ultra HD video standards. This means it's perfect for connecting to existing SDI broadcast equipment to new 2110 IP-based systems. In standard definition, Blackmagic Audio Monitor 12G supports both 525i59.94 and 625i50 standards. In high definition, Blackmagic Audio Monitor 12G supports all 720p video standards up to 720p60, all 1080 interlaced standards up to 1080i60 and all 1080p standards up to 1080p60. In Ultra HD you get all video standards up to 2160p60. Plus there is no complex changeover as switching between standards is instant and automatic based on the video input.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eAdvanced 12G-SDI for Direct Video Monitoring\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAdvanced 12G-SDI connections on Blackmagic Audio Monitor 12G let you operate with current HD video formats as well as future Ultra HD video formats. 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment. That means Blackmagic Audio Monitor 12G is compatible with virtually all SD, HD, 3G, 6G and 12G-SDI equipment, and supports all HD and Ultra HD formats up to 2160p60. Even if you're only broadcasting in high definition, you can upgrade to Ultra HD at any time as the Blackmagic Audio Monitor 12G will simply switch over and start operating in Ultra HD by automatically detecting the video input.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eConnect Directly to SMPTE 2110 IP Networks\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eNow you can build modern IP video systems because Blackmagic Audio Monitor 12G G3 connects directly to 2110 IP video systems and it fully conforms to the SMPTE-2110 standard for IP video. SMPTE-2110 specifies the transport, synchronization and description of video, audio and ancillary data over IP networks for broadcast. This includes support for SMPTE-2110-20 uncompressed video, the Blackmagic IP compressed codec for high frame rate Ultra HD as well as SMPTE-2110-21 traffic shaping\/timing, SMPTE-2110-30 audio and SMPTE-2110-40 support for ancillary data.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes NMOS Protocol for Virtual Routing\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Audio Monitor 12G supports the NMOS interface specifications so all of your 2110 IP video devices can operate together as a large virtual router. Plus Videohub Smart Control can route sources to destinations on 2110 IP networks because it can act as an NMOS controller. The NMOS interface specification describes how SMPTE 2110 devices are discovered and controlled on IP networks. Blackmagic Audio Monitor 12G also supports IS-04 for discovery and registration of IP video devices and IS-05 for connection management between IP video devices. This means you can make connections between sources and destinations just like a traditional SDI router.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eMonitor Analogue and AES\/EBU Audio Sources\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eA fantastic analogue audio monitoring solution, Blackmagic Audio Monitor 12G includes multiple types of traditional analogue audio and digital audio inputs. Plus the analogue inputs are extremely high quality ensuring broadcast quality with low distortion and low noise. On the rear panel there are balanced analogue audio inputs on professional XLR connectors. Plus there's an AES\/EBU digital audio input that's also on a professional XLR connector. For connecting to consumer audio equipment you also get a stereo HiFi audio input using 2 RCA connectors. This means Blackmagic Audio Monitor 12G is just as good at monitoring audio sources as it is monitoring video sources.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes Support for HDR Video Sources\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Audio Monitor 12G has everything for the latest HDR workflows. Simply connect an HDR monitor, projector or TV and you are ready for HDR monitoring. Static metadata PQ and Hybrid Log Gamma (HLG) formats in the VPID are handled according to the ST2108-1, ST2084 and the ST425 standards. Blackmagic Audio Monitor 12G handles ST425 which defines 2 new bits in the VPID to indicate transfer characteristics of SDR, HLG or PQ. Plus the ST2108-1 standard defines how to transport HDR static or dynamic metadata over SDI. There is also support for ST2082-10 for 12G SDI as well as ST425 for 3G-SDI sources. Both Rec.2020 and Rec.709 colourspaces are supported.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eRemote Administration for Settings and Updates\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen you have a lot of equipment installed throughout complex broadcast systems, remote administration of the equipment is vital for diagnosing problems, changing settings and upgrading software. The Blackmagic Audio Monitor utility can be downloaded free of charge so you can update the software and change settings. Plus it’s available on both Mac and Windows. The software can be connected directly to the USB port on the rear panel, or for remote administration you can connect via the Ethernet connection and your IP network. This means in large facilities you can update all the audio monitor software from a single computer. That’s great when the they are located offsite.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eLocalized for 13 Popular Languages\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Audio Monitor 12G supports multiple languages so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian languages. Simply use the Blackmagic Audio Monitor utility to change the language, plus you can always switch to another language at any time in the future. Once a language is selected, the LCDs will change to the selected language. Multiple language support means Blackmagic Audio Monitor 12G is perfect for installation into mobile live production systems that can be transported to work on worldwide jobs.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt in AC Power Supply\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Audio Monitor 12G has a built-in power supply for 110‑240V mains power. To power the unit all you need is a standard IEC cable, which removes the need for separate power ‘bricks’ and additional messy cabling. The wide input voltage means you can use the Blackmagic Audio Monitor 12G in any international location. 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It also keeps video sources in sync using a common PTP clock. DeckLink IP supports SMPTE-2110-20 uncompressed video, SMPTE-2110-21 traffic shaping\/timing, SMPTE-2110-30 audio and SMPTE-2110-40 for ancillary data. The big advantage of SMPTE 2110 is all video, audio and ancillary data are transported independently over the network. Plus DeckLink IP supports multicast, which is an extremely efficient way of distributing video, audio and data from a single source to multiple destinations.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt in Video Firewall for Total IP Network Security\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe problem with computers and 2110 IP video networks is the vulnerability to rogue software or even hackers. That’s because anyone can send data to the computer’s Ethernet connection. However DeckLink IP eliminates this problem because all video is transferred using frame buffers. It’s like a video based firewall. This means the DeckLink IP Ethernet port is isolated from anything other than video and audio. Instead, like all DeckLink cards, the video and audio are transferred to on board DeckLink frame buffers where video playback is managed and then converted to 2110 IP video channels. This means it’s totally impossible for rogue software or hackers to access the 2110 IP network directly.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHigh Speed 4 Lane PCIe Connection\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith a high speed 4 lane PCI Express interface, DeckLink IP cards feature a PCIe connection to the host computer that's fast enough to handle multiple HD video channels, as well as simultaneous capture and playback on each of the channels. With PCI Express, you get very low latency combined with highly accurate time synchronization to the software that's capturing or playing video. Only DeckLink IP cards give you this performance all while using a simple and low cost 4 lane PCIe connection. This means you can install DeckLink IP into compact and very low cost computers. Plus DeckLink IP HD and DeckLink IP HD Optical are low profile, so they can be installed in rack mount servers.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eSupports All SD and HD Formats up to 1080p60\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP connections are multi rate so they support all SD and HD formats. Plus the DeckLink IP\/SDI HD model includes both 2110 IP and 3G-SDI on the same card, so it can connect to all your existing SDI broadcast equipment, while simultaneously connecting to new IP based infrastructure. Or you can just use the 3G-SDI output for local monitoring. In standard definition, DeckLink IP supports both 525i59.94 and 625i50 standards. In high definition, DeckLink IP cards support all 720p video standards up to 720p60, all 1080 interlaced standards up to 1080i60 and all 1080p standards up to 1080p60. Plus there is no complex change over as the cards can switch instantly to a new video standard.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eGet True 10-Bit Broadcast Video Quality\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP cards are designed to support the highest quality video. You get support for capture and playback to popular video formats such as Apple ProRes, DNxHD or even 10-bit uncompressed, so you’re never locked into a single file format. 10-bit is the most commonly used television standard as colours can be represented with 4 times the precision of 8-bit video. Only working with 10-bit uncompressed video will ensure all images are a perfect pixel for pixel clone of the original source, so you’re always working at the absolute highest quality possible. This means you get the sharpest green screen keying, seamless VFX compositions and superior colour correction.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes NMOS Protocol for Building a Virtual Router\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP supports the NMOS interface specifications so all 2110 IP video devices can operate together as a large virtual router. Plus Videohub Smart Control can route sources to destinations on 2110 IP networks because it can act as an NMOS controller. The NMOS interface specification describes how SMPTE 2110 devices such as DeckLink IP are discovered and controlled on IP networks. DeckLink IP supports IS-04 for discovery and registration of IP video devices and IS-05 for connection management between IP video devices. This means you can make connections between sources and destinations just like a traditional SDI router, but all within the Ethernet network.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eWorks With All Popular Video Software\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP supports all popular video software, so you're free to work with the tools you already know and love. DeckLink IP is perfect for using DaVinci Resolve as a 2110 IP based broadcast editing and colour correction solution. Because DeckLink IP supports capture and playback at the same time, you can even use the live grading feature in DaVinci Resolve to capture video, apply colour correction and then output it all at the same time. DeckLink IP also works with other editing software including Final Cut Pro, Media Composer, Premiere Pro and more. You can even create stunning visual effects with Fusion, After Effects and Photoshop. Plus a Windows WDM driver is also included.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompatible with DaVinci Resolve\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP is the perfect solution for DaVinci Resolve. Only DaVinci Resolve includes Hollywood level editing, colour correction, VFX and audio post production in the single software tool. Plus DaVinci Resolve is a free download for Mac, Windows and Linux, so there are no monthly license costs. The editing uses a familiar track based layout with lots of trim and edit tools, as well as loads of high quality transitions, effects and title templates. Then you can add professional DaVinci colour correction. DaVinci colour correction supports full 32‑bit float YRGB processing with tools including primaries, secondaries, power windows, 3D object tracking, advanced AI tools and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUse Powerful Broadcast Graphics Tools\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen creating broadcast graphics and titles, you will want to use the same tools graphic designers are already familiar with, so you get the most creativity, with no retraining required. All DeckLink cards work with Fusion, which is the visual effects software integrated into DaVinci Resolve, as well as Adobe After Effects and Photoshop. Fusion Studio is a powerful node based compositing VFX tool with 2D and 3D environments, hundreds of effects and more. Plus you can download and use Fusion free of charge in DaVinci Resolve. You can use the included Blackmagic Media Express software to capture and play back video into files that can be loaded into Fusion, After Effects or Photoshop.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuild Custom Broadcast Automation Servers\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen you need to run your broadcast programming remotely, for either a large broadcast network or local television station, DeckLink IP can be easily combined within your custom broadcast automation systems. There are so many fantastic automation tools and on the Mac platform, you can use Tools On Air just: Broadcast Suite, Softron OnTheAir, MovieRecorder and OnTheAir CG. On the Windows platform, you get compatibility with Vidblaster X, Studio and Broadcast, Uniplay and Playbox AirBox. These powerful software tools work with DeckLink IP to manage all types of broadcast automation tasks, and they are proven solutions that are currently running thousands of television stations worldwide.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuild Streaming Servers for Global Broadcasting\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP works the same as other DeckLink cards, so it’s also fully compatible with popular video and audio streaming software. This means you can build streaming workstations that let you live stream to millions of global viewers online. On the Mac, you get fantastic streaming solutions such as Open Broadcaster, Wirecast, Livestream Producer and more. When streaming on Windows, you get compatibility with Open Broadcaster, Xsplit Broadcaster, Wirecast and Livestream Producer. With DeckLink IP, you can take any 2110 IP feed and convert into live streams to as many online platforms as you need. Or with the ATEM Streaming Bridge, you can even link up remote broadcast networks.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes Media Express Software\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you're using video software that doesn't have direct hardware support for capture and playback, then Blackmagic Media Express is the perfect solution, plus it comes free with every DeckLink. Media Express lets you capture and playback in uncompressed YUV 4:2:2 QuickTime, AVI and DPX, ProRes, DVCPRO and MJPEG file formats. It’s a fantastic solution to capture from old broadcast decks for archiving. Because the speeds of flash based storage media can vary a lot between brands, DeckLink IP also includes Blackmagic Disk Speed Test. This means you can check the speed of media disks, with the results displayed in frames per second at various television standards.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDevelop Custom Solutions with the DeckLink SDK\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAvailable free with all DeckLink cards is an advanced developer SDK for Mac, Windows and Linux that you can download free of charge. The developer SDK makes it easy to develop your own custom solutions for in house use, or to sell to other broadcasters. The DeckLink SDK provides low level control of hardware when you need flexibility, as well as high level interfaces which are a lot easier to use when you need to perform more common tasks. Thousands of manufacturers and developers use Blackmagic DeckLink cards in their products, so you get the confidence that the DeckLink SDK will provide a solid foundation for developing commercial quality broadcast solutions.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUse DeckLink IP In Your Products\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you are a manufacturer who would like to use DeckLink IP in your products, then you can contact Blackmagic Design's OEM team for more information. The first step is to download the Desktop Video SDK which has the DeckLink API documentation and example code, which should be a great way to get started. However if you have any trouble getting your code to work, please contact us, or visit us at trade shows such as NAB or IBC. Our developer support engineers can offer suggestions and help you with your code. Then when you have your solution working, you can contact us to learn more about bulk buying DeckLink cards. Or if your volume is low, you can simply buy from our reseller network worldwide.\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123103711460,"sku":"BMD-BDLKIPBIP\/HD","price":245.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-BMD-BDLKIPBIP_HD_0961985d-5181-4a6a-a8a1-b1cedb691a19.jpg?v=1764755655"},{"product_id":"blackmagic-design-decklink-ip-hd-optical","title":"Blackmagic Design DeckLink IP HD Optical","description":"\u003cdiv\u003e\u003cstrong\u003eThe Perfect Capture and Playback for 2110 IP Broadcast Systems\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP cards are the easiest way to capture and play back video directly into 2110 IP based broadcast systems. They have the same DeckLink features so all your existing software will just work. DeckLink IP cards support multiple video channels plus each channel can capture and play back at the same time. This means you can build racks of servers generating broadcast graphics, virtual sets, or GPU based AI image processing, all directly integrated into 2110 IP broadcast infrastructure. You can even use DaVinci Resolve for 2110 IP based broadcast editing workstations. DeckLink IP features a high speed PCIe connection so it works on the latest Mac Pro, Windows and Linux computers.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e10G Ethernet for Multiple SMPTE 2110 IP Channels\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP cards conform to the SMPTE ST2110 standard for IP video, which specifies the transport, synchronization and description of video, audio and ancillary data over managed IP networks for broadcast. It also keeps video sources in sync using a common PTP clock. DeckLink IP supports SMPTE-2110-20 uncompressed video, SMPTE-2110-21 traffic shaping\/timing, SMPTE-2110-30 audio and SMPTE-2110-40 for ancillary data. The big advantage of SMPTE 2110 is all video, audio and ancillary data are transported independently over the network. Plus DeckLink IP supports multicast, which is an extremely efficient way of distributing video, audio and data from a single source to multiple destinations.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt in Video Firewall for Total IP Network Security\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe problem with computers and 2110 IP video networks is the vulnerability to rogue software or even hackers. That’s because anyone can send data to the computer’s Ethernet connection. However DeckLink IP eliminates this problem because all video is transferred using frame buffers. It’s like a video based firewall. This means the DeckLink IP Ethernet port is isolated from anything other than video and audio. Instead, like all DeckLink cards, the video and audio are transferred to on board DeckLink frame buffers where video playback is managed and then converted to 2110 IP video channels. This means it’s totally impossible for rogue software or hackers to access the 2110 IP network directly.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHigh Speed 4 Lane PCIe Connection\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith a high speed 4 lane PCI Express interface, DeckLink IP cards feature a PCIe connection to the host computer that's fast enough to handle multiple HD video channels, as well as simultaneous capture and playback on each of the channels. With PCI Express, you get very low latency combined with highly accurate time synchronization to the software that's capturing or playing video. Only DeckLink IP cards give you this performance all while using a simple and low cost 4 lane PCIe connection. This means you can install DeckLink IP into compact and very low cost computers. Plus DeckLink IP HD and DeckLink IP HD Optical are low profile, so they can be installed in rack mount servers.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eSupports All SD and HD Formats up to 1080p60\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP connections are multi rate so they support all SD and HD formats. Plus the DeckLink IP\/SDI HD model includes both 2110 IP and 3G-SDI on the same card, so it can connect to all your existing SDI broadcast equipment, while simultaneously connecting to new IP based infrastructure. Or you can just use the 3G-SDI output for local monitoring. In standard definition, DeckLink IP supports both 525i59.94 and 625i50 standards. In high definition, DeckLink IP cards support all 720p video standards up to 720p60, all 1080 interlaced standards up to 1080i60 and all 1080p standards up to 1080p60. Plus there is no complex change over as the cards can switch instantly to a new video standard.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eGet True 10-Bit Broadcast Video Quality\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP cards are designed to support the highest quality video. You get support for capture and playback to popular video formats such as Apple ProRes, DNxHD or even 10-bit uncompressed, so you’re never locked into a single file format. 10-bit is the most commonly used television standard as colours can be represented with 4 times the precision of 8-bit video. Only working with 10-bit uncompressed video will ensure all images are a perfect pixel for pixel clone of the original source, so you’re always working at the absolute highest quality possible. This means you get the sharpest green screen keying, seamless VFX compositions and superior colour correction.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes NMOS Protocol for Building a Virtual Router\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP supports the NMOS interface specifications so all 2110 IP video devices can operate together as a large virtual router. Plus Videohub Smart Control can route sources to destinations on 2110 IP networks because it can act as an NMOS controller. The NMOS interface specification describes how SMPTE 2110 devices such as DeckLink IP are discovered and controlled on IP networks. DeckLink IP supports IS-04 for discovery and registration of IP video devices and IS-05 for connection management between IP video devices. This means you can make connections between sources and destinations just like a traditional SDI router, but all within the Ethernet network.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eWorks With All Popular Video Software\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP supports all popular video software, so you're free to work with the tools you already know and love. DeckLink IP is perfect for using DaVinci Resolve as a 2110 IP based broadcast editing and colour correction solution. Because DeckLink IP supports capture and playback at the same time, you can even use the live grading feature in DaVinci Resolve to capture video, apply colour correction and then output it all at the same time. DeckLink IP also works with other editing software including Final Cut Pro, Media Composer, Premiere Pro and more. You can even create stunning visual effects with Fusion, After Effects and Photoshop. Plus a Windows WDM driver is also included.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompatible with DaVinci Resolve\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP is the perfect solution for DaVinci Resolve. Only DaVinci Resolve includes Hollywood level editing, colour correction, VFX and audio post production in the single software tool. Plus DaVinci Resolve is a free download for Mac, Windows and Linux, so there are no monthly license costs. The editing uses a familiar track based layout with lots of trim and edit tools, as well as loads of high quality transitions, effects and title templates. Then you can add professional DaVinci colour correction. DaVinci colour correction supports full 32‑bit float YRGB processing with tools including primaries, secondaries, power windows, 3D object tracking, advanced AI tools and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUse Powerful Broadcast Graphics Tools\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen creating broadcast graphics and titles, you will want to use the same tools graphic designers are already familiar with, so you get the most creativity, with no retraining required. All DeckLink cards work with Fusion, which is the visual effects software integrated into DaVinci Resolve, as well as Adobe After Effects and Photoshop. Fusion Studio is a powerful node based compositing VFX tool with 2D and 3D environments, hundreds of effects and more. Plus you can download and use Fusion free of charge in DaVinci Resolve. You can use the included Blackmagic Media Express software to capture and play back video into files that can be loaded into Fusion, After Effects or Photoshop.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuild Custom Broadcast Automation Servers\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen you need to run your broadcast programming remotely, for either a large broadcast network or local television station, DeckLink IP can be easily combined within your custom broadcast automation systems. There are so many fantastic automation tools and on the Mac platform, you can use Tools On Air just: Broadcast Suite, Softron OnTheAir, MovieRecorder and OnTheAir CG. On the Windows platform, you get compatibility with Vidblaster X, Studio and Broadcast, Uniplay and Playbox AirBox. These powerful software tools work with DeckLink IP to manage all types of broadcast automation tasks, and they are proven solutions that are currently running thousands of television stations worldwide.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuild Streaming Servers for Global Broadcasting\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP works the same as other DeckLink cards, so it’s also fully compatible with popular video and audio streaming software. This means you can build streaming workstations that let you live stream to millions of global viewers online. On the Mac, you get fantastic streaming solutions such as Open Broadcaster, Wirecast, Livestream Producer and more. When streaming on Windows, you get compatibility with Open Broadcaster, Xsplit Broadcaster, Wirecast and Livestream Producer. With DeckLink IP, you can take any 2110 IP feed and convert into live streams to as many online platforms as you need. Or with the ATEM Streaming Bridge, you can even link up remote broadcast networks.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes Media Express Software\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you're using video software that doesn't have direct hardware support for capture and playback, then Blackmagic Media Express is the perfect solution, plus it comes free with every DeckLink. Media Express lets you capture and playback in uncompressed YUV 4:2:2 QuickTime, AVI and DPX, ProRes, DVCPRO and MJPEG file formats. It’s a fantastic solution to capture from old broadcast decks for archiving. Because the speeds of flash based storage media can vary a lot between brands, DeckLink IP also includes Blackmagic Disk Speed Test. This means you can check the speed of media disks, with the results displayed in frames per second at various television standards.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDevelop Custom Solutions with the DeckLink SDK\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAvailable free with all DeckLink cards is an advanced developer SDK for Mac, Windows and Linux that you can download free of charge. The developer SDK makes it easy to develop your own custom solutions for in house use, or to sell to other broadcasters. The DeckLink SDK provides low level control of hardware when you need flexibility, as well as high level interfaces which are a lot easier to use when you need to perform more common tasks. Thousands of manufacturers and developers use Blackmagic DeckLink cards in their products, so you get the confidence that the DeckLink SDK will provide a solid foundation for developing commercial quality broadcast solutions.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUse DeckLink IP In Your Products\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you are a manufacturer who would like to use DeckLink IP in your products, then you can contact Blackmagic Design's OEM team for more information. The first step is to download the Desktop Video SDK which has the DeckLink API documentation and example code, which should be a great way to get started. However if you have any trouble getting your code to work, please contact us, or visit us at trade shows such as NAB or IBC. Our developer support engineers can offer suggestions and help you with your code. Then when you have your solution working, you can contact us to learn more about bulk buying DeckLink cards. Or if your volume is low, you can simply buy from our reseller network worldwide.\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123103744228,"sku":"BMD-BDLKIPDIP\/OPT\/HD","price":245.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-BDLKIPDIP_OPT_HD_b75394f9-a771-4a35-99b8-20aa23bb8d8b.jpg?v=1764755655"},{"product_id":"blackmagic-design-decklink-ipsdi-hd","title":"Blackmagic Design DeckLink IP\/SDI HD","description":"\u003cdiv\u003e\u003cstrong\u003eThe Perfect Capture and Playback for 2110 IP Broadcast Systems\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP cards are the easiest way to capture and play back video directly into 2110 IP based broadcast systems. They have the same DeckLink features so all your existing software will just work. DeckLink IP cards support multiple video channels plus each channel can capture and play back at the same time. This means you can build racks of servers generating broadcast graphics, virtual sets, or GPU based AI image processing, all directly integrated into 2110 IP broadcast infrastructure. You can even use DaVinci Resolve for 2110 IP based broadcast editing workstations. DeckLink IP features a high speed PCIe connection so it works on the latest Mac Pro, Windows and Linux computers.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003e10G Ethernet for Multiple SMPTE 2110 IP Channels\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP cards conform to the SMPTE ST2110 standard for IP video, which specifies the transport, synchronization and description of video, audio and ancillary data over managed IP networks for broadcast. It also keeps video sources in sync using a common PTP clock. DeckLink IP supports SMPTE-2110-20 uncompressed video, SMPTE-2110-21 traffic shaping\/timing, SMPTE-2110-30 audio and SMPTE-2110-40 for ancillary data. The big advantage of SMPTE 2110 is all video, audio and ancillary data are transported independently over the network. Plus DeckLink IP supports multicast, which is an extremely efficient way of distributing video, audio and data from a single source to multiple destinations.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt in Video Firewall for Total IP Network Security\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe problem with computers and 2110 IP video networks is the vulnerability to rogue software or even hackers. That’s because anyone can send data to the computer’s Ethernet connection. However DeckLink IP eliminates this problem because all video is transferred using frame buffers. It’s like a video based firewall. This means the DeckLink IP Ethernet port is isolated from anything other than video and audio. Instead, like all DeckLink cards, the video and audio are transferred to on board DeckLink frame buffers where video playback is managed and then converted to 2110 IP video channels. This means it’s totally impossible for rogue software or hackers to access the 2110 IP network directly.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHigh Speed 4 Lane PCIe Connection\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith a high speed 4 lane PCI Express interface, DeckLink IP cards feature a PCIe connection to the host computer that's fast enough to handle multiple HD video channels, as well as simultaneous capture and playback on each of the channels. With PCI Express, you get very low latency combined with highly accurate time synchronization to the software that's capturing or playing video. Only DeckLink IP cards give you this performance all while using a simple and low cost 4 lane PCIe connection. This means you can install DeckLink IP into compact and very low cost computers. Plus DeckLink IP HD and DeckLink IP HD Optical are low profile, so they can be installed in rack mount servers.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eSupports All SD and HD Formats up to 1080p60\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP connections are multi rate so they support all SD and HD formats. Plus the DeckLink IP\/SDI HD model includes both 2110 IP and 3G-SDI on the same card, so it can connect to all your existing SDI broadcast equipment, while simultaneously connecting to new IP based infrastructure. Or you can just use the 3G-SDI output for local monitoring. In standard definition, DeckLink IP supports both 525i59.94 and 625i50 standards. In high definition, DeckLink IP cards support all 720p video standards up to 720p60, all 1080 interlaced standards up to 1080i60 and all 1080p standards up to 1080p60. Plus there is no complex change over as the cards can switch instantly to a new video standard.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eGet True 10-Bit Broadcast Video Quality\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP cards are designed to support the highest quality video. You get support for capture and playback to popular video formats such as Apple ProRes, DNxHD or even 10-bit uncompressed, so you’re never locked into a single file format. 10-bit is the most commonly used television standard as colours can be represented with 4 times the precision of 8-bit video. Only working with 10-bit uncompressed video will ensure all images are a perfect pixel for pixel clone of the original source, so you’re always working at the absolute highest quality possible. This means you get the sharpest green screen keying, seamless VFX compositions and superior colour correction.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes NMOS Protocol for Building a Virtual Router\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP supports the NMOS interface specifications so all 2110 IP video devices can operate together as a large virtual router. Plus Videohub Smart Control can route sources to destinations on 2110 IP networks because it can act as an NMOS controller. The NMOS interface specification describes how SMPTE 2110 devices such as DeckLink IP are discovered and controlled on IP networks. DeckLink IP supports IS-04 for discovery and registration of IP video devices and IS-05 for connection management between IP video devices. This means you can make connections between sources and destinations just like a traditional SDI router, but all within the Ethernet network.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eWorks With All Popular Video Software\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP supports all popular video software, so you're free to work with the tools you already know and love. DeckLink IP is perfect for using DaVinci Resolve as a 2110 IP based broadcast editing and colour correction solution. Because DeckLink IP supports capture and playback at the same time, you can even use the live grading feature in DaVinci Resolve to capture video, apply colour correction and then output it all at the same time. DeckLink IP also works with other editing software including Final Cut Pro, Media Composer, Premiere Pro and more. You can even create stunning visual effects with Fusion, After Effects and Photoshop. Plus a Windows WDM driver is also included.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompatible with DaVinci Resolve\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP is the perfect solution for DaVinci Resolve. Only DaVinci Resolve includes Hollywood level editing, colour correction, VFX and audio post production in the single software tool. Plus DaVinci Resolve is a free download for Mac, Windows and Linux, so there are no monthly license costs. The editing uses a familiar track based layout with lots of trim and edit tools, as well as loads of high quality transitions, effects and title templates. Then you can add professional DaVinci colour correction. DaVinci colour correction supports full 32‑bit float YRGB processing with tools including primaries, secondaries, power windows, 3D object tracking, advanced AI tools and more.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUse Powerful Broadcast Graphics Tools\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen creating broadcast graphics and titles, you will want to use the same tools graphic designers are already familiar with, so you get the most creativity, with no retraining required. All DeckLink cards work with Fusion, which is the visual effects software integrated into DaVinci Resolve, as well as Adobe After Effects and Photoshop. Fusion Studio is a powerful node based compositing VFX tool with 2D and 3D environments, hundreds of effects and more. Plus you can download and use Fusion free of charge in DaVinci Resolve. You can use the included Blackmagic Media Express software to capture and play back video into files that can be loaded into Fusion, After Effects or Photoshop.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuild Custom Broadcast Automation Servers\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen you need to run your broadcast programming remotely, for either a large broadcast network or local television station, DeckLink IP can be easily combined within your custom broadcast automation systems. There are so many fantastic automation tools and on the Mac platform, you can use Tools On Air just: Broadcast Suite, Softron OnTheAir, MovieRecorder and OnTheAir CG. On the Windows platform, you get compatibility with Vidblaster X, Studio and Broadcast, Uniplay and Playbox AirBox. These powerful software tools work with DeckLink IP to manage all types of broadcast automation tasks, and they are proven solutions that are currently running thousands of television stations worldwide.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuild Streaming Servers for Global Broadcasting\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDeckLink IP works the same as other DeckLink cards, so it’s also fully compatible with popular video and audio streaming software. This means you can build streaming workstations that let you live stream to millions of global viewers online. On the Mac, you get fantastic streaming solutions such as Open Broadcaster, Wirecast, Livestream Producer and more. When streaming on Windows, you get compatibility with Open Broadcaster, Xsplit Broadcaster, Wirecast and Livestream Producer. With DeckLink IP, you can take any 2110 IP feed and convert into live streams to as many online platforms as you need. Or with the ATEM Streaming Bridge, you can even link up remote broadcast networks.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes Media Express Software\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you're using video software that doesn't have direct hardware support for capture and playback, then Blackmagic Media Express is the perfect solution, plus it comes free with every DeckLink. Media Express lets you capture and playback in uncompressed YUV 4:2:2 QuickTime, AVI and DPX, ProRes, DVCPRO and MJPEG file formats. It’s a fantastic solution to capture from old broadcast decks for archiving. Because the speeds of flash based storage media can vary a lot between brands, DeckLink IP also includes Blackmagic Disk Speed Test. This means you can check the speed of media disks, with the results displayed in frames per second at various television standards.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDevelop Custom Solutions with the DeckLink SDK\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eAvailable free with all DeckLink cards is an advanced developer SDK for Mac, Windows and Linux that you can download free of charge. The developer SDK makes it easy to develop your own custom solutions for in house use, or to sell to other broadcasters. The DeckLink SDK provides low level control of hardware when you need flexibility, as well as high level interfaces which are a lot easier to use when you need to perform more common tasks. Thousands of manufacturers and developers use Blackmagic DeckLink cards in their products, so you get the confidence that the DeckLink SDK will provide a solid foundation for developing commercial quality broadcast solutions.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUse DeckLink IP In Your Products\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you are a manufacturer who would like to use DeckLink IP in your products, then you can contact Blackmagic Design's OEM team for more information. The first step is to download the Desktop Video SDK which has the DeckLink API documentation and example code, which should be a great way to get started. However if you have any trouble getting your code to work, please contact us, or visit us at trade shows such as NAB or IBC. Our developer support engineers can offer suggestions and help you with your code. Then when you have your solution working, you can contact us to learn more about bulk buying DeckLink cards. Or if your volume is low, you can simply buy from our reseller network worldwide.\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123103776996,"sku":"BMD-BDLKIPFIP\/SDI\/HD","price":269.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-BDLKIPFIP_SDI_HD_2f96130b-d2ce-4022-9c49-c9b8ad040c17.jpg?v=1764755656"},{"product_id":"blackmagic-design-decklink-ip-100g","title":"Blackmagic Design DeckLink IP 100G","description":"\u003cp\u003eDeckLink IP cards are the easiest way to capture and play back video directly into 2110 IP based broadcast systems! They have the same DeckLink features so all your existing software will just work! DeckLink IP cards support multiple video channels plus each channel can capture and play back at the same time.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThis means you can build racks of servers generating broadcast graphics, virtual sets or GPU based AI image processing, all directly integrated into 2110 IP broadcast infrastructure. You can even use DaVinci Resolve for 2110 IP based broadcast editing workstations! DeckLink IP features a high speed PCIe connection so it works on the latest Mac Pro, Windows and Linux computers.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003e10G Ethernet forMultiple SMPTE 2110 IP Channels\u003c\/strong\u003e\u003cbr\u003e\n\nDeckLink IP cards conform to the SMPTE ST2110 standard for IP video, which specifies the transport, synchronization and description of video, audio and ancillary data over managed IP networks for broadcast. It also keeps video sources in sync using a common PTP clock. DeckLink IP supports SMPTE-2110-20 uncompressed video, SMPTE-2110-21 traffic shaping\/timing, SMPTE-2110-30 audio and SMPTE-2110-40 for ancillary data. The big advantage of SMPTE 2110 is all video, audio and ancillary data are transported independently over the network. Plus DeckLink IP supports multicast, which is an extremely efficient way of distributing video, audio and data from a single source to multiple destinations.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBuilt in Video Firewallfor Total IP Network Security\u003c\/strong\u003e\u003cbr\u003e\n\nThe problem with computers and 2110 IP video networks is the vulnerability to rogue software or even hackers. That’s because anyone can send data to the computer’s Ethernet connection. However DeckLink IP eliminates this problem because all video is transferred using frame buffers. It’s like a video based firewall! This means the DeckLink IP Ethernet port is isolated from anything other than video and audio. Instead, like all DeckLink cards, the video and audio are transferred to on board DeckLink frame buffers where video playback is managed and then converted to 2110 IP video channels. This means it’s totally impossible for rogue software or hackers to access the 2110 IP network directly!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eHigh Speed PCIe Connection!\u003c\/strong\u003e\u003cbr\u003e\n\nDeckLink IP cards feature a fast connection to the host computer that can handle multiple HD and Ultra HD video channels depending on the model, as well as simultaneous capture and playback on each of the channels. PCI Express offers low latency and highly accurate time synchronization to software capturing or playing video. Only DeckLink IP cards offer such exceptional performance while utilizing a simple and low-cost PCIe card-based design. The HD models are so compact and low-cost that they will fit into the new generation of compact computers! Plus DeckLink IP HD and DeckLink IP HD Optical models are low profile, so they can be installed in rack mount servers.\u003c\/p\u003e\n\n\n\n\u003cp id=\"FU8N1QN\"\u003e\u003cstrong\u003eSupports All SD, HD andUltra HD Standards to 2160p60!\u003c\/strong\u003e\u003cbr\u003e\n\nDeckLink IP connections are multi-rate, so they support all SD, HD and Ultra HD formats, depending on the model. Plus the DeckLink IP\/SDI model includes both 2110 IP and 3G-SDI, so it can connect to SDI equipment, while simultaneously connecting to new IP based infrastructure. In standard definition, DeckLink IP supports both 525i59.94 and 625i50 standards. In HD, all DeckLink IP cards support 720p, 1080i and 1080p standards up to 1080p60. In Ultra HD you get support for all standards up to 2160p60. Video standard can be set independently for each channel and switches instantly when set using the default video standard setting in the Desktop Video Utility or directly via the DeckLink SDK.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123103842532,"sku":"BMD-BDLKIPHIP\/100G","price":1199.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-BDLKIPHIP_100G.jpg?v=1764755659"},{"product_id":"blackmagic-design-decklink-mini-monitor-hd","title":"Blackmagic Design Decklink Mini Monitor HD","description":"\u003cp\u003eGet broadcast quality HDMI and SDI video playback and monitoring from your PCIe computer! DeckLink Mini Monitor HD includes 3G-SDI and HDMI 2.0 that let you connect to any television, monitor or projector for broadcast monitoring, including the latest high dynamic range (HDR) formats! Works with software such as DaVinci Resolve, Final Cut Pro and more.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123103875300,"sku":"BMD-BDLKMINIMON3G","price":97.78,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-BDLKMINIMON3G_9596f604-5241-4510-b890-d9eca666afe3.jpg?v=1764755661"},{"product_id":"blackmagic-design-decklink-mini-monitor-4k","title":"Blackmagic Design DeckLink Mini Monitor 4K","description":"\u003cp\u003eDeckLink Mini Monitor 4K is a low profile PCIe playback card, featuring 6G-SDI and the latest HDMI 2.0a connections so you can monitor all formats up to 2160p30 from your computer! The SDI and HDMI outputs let you connect to any television or monitor and automatically detect and switch between all video formats. You even get high dynamic range playback and metadata over HDMI, along with support for Rec. 2020 colour space. You can even develop your own custom playback solutions using the Blackmagic Desktop Video SDK for Mac OS X, Windows and Linux! Includes two PCIe shields for both full height and low profile slots.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe new DeckLink Mini 4K models are low profile 4 lane generation 2 PCI Express cards that include 6G-SDI and HDMI 2.0a connections. This means the high quality connections support broadcast quality 10-bit YUV and 12-bit RGB video, along with the latest Rec. 2020 colour and support for high dynamic range (HDR) formats and HDR metadata. Both DeckLink Mini 4K models are fully compatible with the Blackmagic Desktop Video SDK, making them perfect for OEMs or developers that are building custom playback or recording solutions.\u003c\/p\u003e\n\n\n\n\u003cp\u003eDeckLink Mini Monitor 4K delivers better than broadcast quality SDI and HDMI monitoring and playback in all formats up to 2160p30, making it incredibly popular with editing and colour correction customers who work with systems such as DaVinci Resolve. The outputs automatically switch between all video formats, making it perfect for use with televisions, professional monitors and the latest HDMI projectors. In addition, support for HDR playback makes DeckLink Mini Monitor 4K the world's most affordable HDR playback solution available.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123103908068,"sku":"BMD-BDLKMINIMON4K","price":138.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-BDLKMINIMON4K_672e0671-a84a-4d99-a372-6759a1b79b90.jpg?v=1764755661"},{"product_id":"blackmagic-design-decklink-mini-recorder-hd","title":"Blackmagic Design Decklink Mini Recorder HD","description":"\u003cp\u003eGet broadcast quality HDMI and SDI video capture for your PCIe computer! DeckLink Mini Recorder HD features 3G-SDI and HDMI 2.0 for recording SD and HD formats up to 1080p60 and 2Kp60 DCI! You get a broadcast quality capture card that’s compatible with virtually all SD and HD equipment and popular video software such as DaVinci Resolve and more!\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123103940836,"sku":"BMD-BDLKMINIREC3G","price":98.57,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-BDLKMINIREC3G_073618df-5792-4bda-b42f-ad60840f8c62.jpg?v=1764755661"},{"product_id":"blackmagic-design-decklink-mini-recorder-4k","title":"Blackmagic Design DeckLink Mini Recorder 4K","description":"\u003cp\u003eDeckLink Mini Recorder 4K is a low profile PCIe capture card, featuring 6G-SDI and the latest HDMI 2.0a connections so you can record all formats up to 2160p30 on your computer. The SDI and HDMI inputs automatically detect and switch between all video formats. You even get high dynamic range recording and metadata over HDMI, along with support for Rec. 2020 colour space. The DeckLink Mini Recorder 4K is perfect for integrating into mobile live capture environments, broadcast trucks and more. You can even develop your own custom capture solutions using the Blackmagic Desktop Video SDK for Mac OS X, Windows and Linux. Includes two PCIe shields for both full height and low profile slots.\u003cbr\u003e\n\n\u003cbr\u003e\n\nThe new DeckLink Mini 4K models are low profile 4 lane generation 2 PCI Express cards that include 6G-SDI and HDMI 2.0a connections. This means the high quality connections support broadcast quality 10-bit YUV and 12-bit RGB video, along with the latest Rec. 2020 colour and support for high dynamic range (HDR) formats and HDR metadata. Both DeckLink Mini 4K models are fully compatible with the Blackmagic Desktop Video SDK, making them perfect for OEMs or developers that are building custom playback or recording solutions.\u003cbr\u003e\n\n\u003cbr\u003e\n\nDeckLink Mini Recorder 4K can capture broadcast quality video directly from SDI and HDMI sources like decks and cameras to their computer. The low profile design of DeckLink Mini Recorder 4K makes it incredibly versatile and ideal for integrating into mobile live capture environments and outside broadcast trucks. Both models work with uncompressed and compressed video in open standard file formats such as QuickTime and DPX so they are compatible with virtually all professional editing, colour correction and visual effects software. That means customers can use the DeckLink Mini 4K models with software such as DaVinci Resolve, Fusion, Media Composer, Final Cut Pro, Premiere Pro and more.\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003eLow profile PCIe capture card featuring 6G-SDI and HDMI 2.0a for all formats up to 2160p30, including HDR\u003c\/li\u003e\n\n\t\u003cli\u003eOutputs automatically switch between all video formats\u003c\/li\u003e\n\n\t\u003cli\u003eSupport for HDR playback\u003c\/li\u003e\n\n\t\u003cli\u003eCompatible with the Blackmagic Desktop Video SDK\u003c\/li\u003e\n\n\t\u003cli\u003eSDI Video Input:  1 x 10-bit SD\/HD\/Ultra HD switchable\u003c\/li\u003e\n\n\t\u003cli\u003eSDI Audio Input:  16 channels embedded in SD, HD, Ultra HD\u003c\/li\u003e\n\n\t\u003cli\u003eHDMI Video Input:  1 x HDMI 2.0a connector\u003c\/li\u003e\n\n\t\u003cli\u003eHDMI Audio Input:  8 Channels embedded in SD, HD, Ultra HD\u003c\/li\u003e\n\n\t\u003cli\u003eComputer Interface:  Gen 2 PCIe Express 4 lane, compatible with 4, 8 and 16 lane PCIe slots\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123103973604,"sku":"BMD-BDLKMINIREC4K","price":138.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-BDLKMINIREC4K_74abc0ce-e6ce-4ea1-a680-b692c05a52ef.jpg?v=1764755665"},{"product_id":"blackmagic-design-decklink-sdi-4k","title":"Blackmagic Design Decklink SDI 4K","description":"\u003cp\u003e\u003cb\u003eNow you can work in full uncompressed 4K!\u003c\/b\u003e\u003cbr\u003e\n\nIntroducing the world's most advanced 4K SDI capture card! DeckLink 4K has the power of SDI capture and playback that now supports SD, HD, 2K and 4K. That's incredible quality unmatched in the industry. Now you can afford to do the highest quality video post production and full \u003cspan class=\"details\" style=\"display: inline;\"\u003euncompressed 4K resolution feature film work! DeckLink 4K is perfect for post production, broadcast and feature films. \u003c\/span\u003e\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cb\u003eUnmatched Flexibility\u003c\/b\u003e\u003cbr\u003e\n\nDeckLink 4K is future-proofed by design with support for all SDI formats, as well as a wide range of color spaces. Instantly switch between SD, HD, 2K and 4K so you can do any kind of work imaginable. DeckLink 4K also supports advanced video and film colorspaces, including REC601, REC709 and XYZ to meet DCI specifications. When you need the highest quality possible, you can even work in native 2K or 4K before down resolution converting to HD deliverables. With native 4K becoming more widely used for delivery, you'll be perfectly positioned to pass on full quality 4K masters with DeckLink 4K.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cb\u003eAmazing 3D Workflow\u003c\/b\u003e\u003cbr\u003e\n\nDeckLink 4K is ready for advanced 3D work because it features build in support for dual stream workflows. Simply connect dual left and right eye sources to the A and B input and output SDI connections and DeckLink 4K will capture to stereoscopic 3D!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cb\u003eThe Ultimate SDI Solution\u003c\/b\u003e\u003cbr\u003e\n\nWith four mini BNC SDI inputs and four mini BNC SDI outputs you can connect to any SDI-based device. Each link can operate in SD, HD, and even 3 Gb\/s SDI speeds. 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You can also stream to Blackmagic Cloud's new streaming features! With a 12G-SDI input, you can stream HD and Ultra HD content up to 2160p60. You also get powerful features such as a built-in downconverter, USB-C webcam out, HDMI status monitoring, plus support for Ethernet or 4G and 5G mobile data network connections. If you need to create a broadcast streaming link, then you can use the Blackmagic Streaming Decoder! It will receive and convert a H.264 or H.265 stream to SDI video. It even supports tally, talkback and camera control back to the camera!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eMake Live Streaming Easy!\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic Streaming Encoder is a self-contained solution that features a powerful hardware encoder and utility software with a wide range of presets. This makes it incredibly easy to connect to most streaming platforms. That's a solution that doesn't require a computer running complicated streaming software with hundreds of settings. Everything you need is contained in a simple â…“ rack width design! Simply connect an SDI video source from a live production switcher, then connect to the internet via the built-in Ethernet connection. Or plug in a smartphone to use mobile data! With built-in settings for popular streaming platforms, just enter a streaming key and press \"on air \"!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eCreate Point to Point Internet Based Broadcast Links\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic Streaming Encoder can also build internet broadcast links with the Blackmagic Streaming Decoder 4K! The Blackmagic Streaming Decoder 4K receives the H.264 or H.265 stream from the Blackmagic Streaming Encoder and converts it to SDI and HDMI video. This means you can send video point-to-point between remote locations. The Blackmagic Streaming Decoder also has a 12G-SDI \"reference\" input that lets you connect SDI tally, camera control plus talkback and send it back up to the encoder end. Imagine setting up a central control room with remote streaming from cameras with full tally, talkback and camera control on the remote cameras! Everyone is remote, but still working together!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eConnect 5Gor 4G Phones for Mobile Data\u003c\/strong\u003e\u003cbr\u003e\n\nConnect to the internet using your phone's mobile data for maximum flexibility when streaming from a remote location or as a backup for your primary Ethernet connection! For convenience, both the front and rear panels feature USB-C connections that can be used for phone tethering. Plus it works with the latest high speed 5G phones, as well as 4G phones! If the internet fails, Blackmagic Streaming Encoder will automatically switch its internet connection to use a connected phone. You can also choose to prioritize either the Ethernet connection or the phone connection. Blackmagic Streaming Encoder is the perfect remote location streaming solution, using phone tethering and mobile data!\u003c\/p\u003e\n\n\n\n\u003cp id=\"W3ETHIA\"\u003e\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic Streaming Encoder offers two USB-C connections that can be used as a webcam video output. That means you can plug into any computer and work with any video software. The software is tricked into thinking the Streaming Encoder is a common webcam, but it's really a broadcast quality SDI video source! That guarantees compatibility with any video software in full resolution 720p HD, 1080p HD or 2160p Ultra HD quality. Imagine connecting a Blackmagic Streaming Encoder to Microsoft Teams, Zoom or Webex, then calling your client in broadcast quality! Blackmagic Streaming Encoder works with a massive range of video software, and any software that works with a webcam will work!\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123104301284,"sku":"BMD-BDLKWEB\/D\/SED4K","price":470.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-BDLKWEB_D_SED4K.jpg?v=1764755681"},{"product_id":"blackmagic-design-streaming-decoder-4k","title":"Blackmagic Design Streaming Decoder 4K","description":"\u003cp\u003eThe Blackmagic Streaming Encoder is a self-contained H.264 and H.265 hardware encoder for live streaming to YouTube, X, Facebook and more! You can also stream to Blackmagic Cloud's new streaming features! With a 12G-SDI input, you can stream HD and Ultra HD content up to 2160p60. You also get powerful features such as a built-in downconverter, USB-C webcam out, HDMI status monitoring, plus support for Ethernet or 4G and 5G mobile data network connections. If you need to create a broadcast streaming link, then you can use the Blackmagic Streaming Decoder! It will receive and convert a H.264 or H.265 stream to SDI video. It even supports tally, talkback and camera control back to the camera!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eMake Live Streaming Easy!\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic Streaming Encoder is a self-contained solution that features a powerful hardware encoder and utility software with a wide range of presets. This makes it incredibly easy to connect to most streaming platforms. That's a solution that doesn't require a computer running complicated streaming software with hundreds of settings. Everything you need is contained in a simple â…“ rack width design! Simply connect an SDI video source from a live production switcher, then connect to the internet via the built-in Ethernet connection. Or plug in a smartphone to use mobile data! With built-in settings for popular streaming platforms, just enter a streaming key and press \"on air \"!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eCreate Point to Point Internet Based Broadcast Links\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic Streaming Encoder can also build internet broadcast links with the Blackmagic Streaming Decoder 4K! The Blackmagic Streaming Decoder 4K receives the H.264 or H.265 stream from the Blackmagic Streaming Encoder and converts it to SDI and HDMI video. This means you can send video point-to-point between remote locations. The Blackmagic Streaming Decoder also has a 12G-SDI \"reference\" input that lets you connect SDI tally, camera control plus talkback and send it back up to the encoder end. Imagine setting up a central control room with remote streaming from cameras with full tally, talkback and camera control on the remote cameras! Everyone is remote, but still working together!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eConnect 5Gor 4G Phones for Mobile Data\u003c\/strong\u003e\u003cbr\u003e\n\nConnect to the internet using your phone's mobile data for maximum flexibility when streaming from a remote location or as a backup for your primary Ethernet connection! For convenience, both the front and rear panels feature USB-C connections that can be used for phone tethering. Plus it works with the latest high speed 5G phones, as well as 4G phones! If the internet fails, Blackmagic Streaming Encoder will automatically switch its internet connection to use a connected phone. You can also choose to prioritize either the Ethernet connection or the phone connection. Blackmagic Streaming Encoder is the perfect remote location streaming solution, using phone tethering and mobile data!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic Streaming Encoder offers two USB-C connections that can be used as a webcam video output. That means you can plug into any computer and work with any video software. The software is tricked into thinking the Streaming Encoder is a common webcam, but it's really a broadcast quality SDI video source! That guarantees compatibility with any video software in full resolution 720p HD, 1080p HD or 2160p Ultra HD quality. Imagine connecting a Blackmagic Streaming Encoder to Microsoft Teams, Zoom or Webex, then calling your client in broadcast quality! Blackmagic Streaming Encoder works with a massive range of video software, and any software that works with a webcam will work!\u003c\/p\u003e\n\n\n\n\u003cp id=\"KFJP82A\"\u003e\u003cstrong\u003eBuilt-in Technical Monitoring\u003c\/strong\u003e\u003cbr\u003e\n\nTraditional broadcast transmitters are super important for a TV station, but now the streaming server is just as crucial because millions of viewers can watch from all over the world! To help, Blackmagic Streaming Encoder incorporates a comprehensive technical monitoring output feature. The graphics-based monitoring output provides a video view, audio meters with accurate ballistics, trend graphs for codec data rates and cache fill, and a summary of streaming settings. It also includes detailed SDI technical information. Plus the technical monitoring outputs to both SDI and HDMI. That means you can use an SDI router to monitor throughout a facility, or simply connect a basic HDMI TV!\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123104334052,"sku":"BMD-BDLKWEB\/J\/DES4K","price":470.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-BDLKWEB_J_DES4K.jpg?v=1764755681"},{"product_id":"blackmagic-design-web-presenter-4k","title":"Blackmagic Design Web Presenter 4K","description":"\u003cp\u003e\u003cstrong\u003eThis model includes all the features of the Blackmagic Web Presenter HD model, however it includes a more powerful codec so you can select to stream in 720p, 1080p HD or full resolution 2160p Ultra HD\u003c\/strong\u003e\u003c\/p\u003e\n\n\n\n\u003cp\u003eBlackmagic Web Presenter is a complete streaming solution that includes a professional hardware streaming engine for direct streaming via Ethernet to YouTube, Facebook, Twitter and more! It’s just like a modern broadcast television transmitter for a new global streaming audience! Plus the built in USB connections work like a webcam, so you can connect a computer and use any streaming software, or even Skype or Zoom. For redundancy, you can stream to the internet via Ethernet or connect a 5G or 4G phone to use mobile data! Web Presenter also includes a technical monitoring output that includes video, audio meters, trend graphs and even SDI technical data!\u003c\/p\u003e\n\n\n\n\u003cp\u003eBlackmagic Web Presenter supports the most popularstreaming platforms. Plus the built in hardware streaming engine has been designed for live streaming at professional broadcast quality. That means you get a self contained solution for live streaming that works without dropped frames. You only need to connect it to the internet! Setup is easy, as the Web Presenter Utility software lets you select the streaming platform and update the streaming key. The utility works on Mac and Windows and connects directly via USB or remotely via Ethernet. If you're technically minded, you can even manually update the XML settings file to change specific settings or to add new streaming platforms.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eYouTube\u003c\/strong\u003e\u003cbr\u003e\n\nYouTube is the most dominant live streaming platform globally and you can connect multiple web presenter to both the primary and secondary YouTube servers, allowing for full redundancy. Simply create your channel and Blackmagic Web Presenter will connect and live stream to YouTube's servers.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eTwitter\u003c\/strong\u003e\u003cbr\u003e\n\nTwitter supports live streaming so you can create live content that you can broadcast across the globe. You can use Blackmagic Web Presenter as the source input for your Twitter video stream then tweet out the link to your audience and let them start watching.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eFacebook Live\u003c\/strong\u003e\u003cbr\u003e\n\nFacebook makes it easy to share live streams with friends and professional networks. This means as you start your live stream, the number of viewers can multiply dramatically as each viewer can share your show with others via their social networks. Viewer counts can keep growing as you live stream!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eTwitch\u003c\/strong\u003e\u003cbr\u003e\n\nWith an audience of over 10 million daily viewers, Twitch is the world’s leading streaming video platform and community for gamers. Blackmagic Web Presenter lets you stream in incredible quality so you can broadcast via Twitch and share gameplay with friends and fans around the world!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eMake Live Streaming Easy\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic Web Presenter is a self contained solution that includes a powerful hardware encoder, software for connecting to streaming platforms, and network connections. That means you don’t need to buy an expensive computer or use complicated streaming software. Simply connect an SDI video source such as a live production switcher or a camera, then connect to the internet using the built in Ethernet connection. Or plug in a mobile phone to use mobile data! With settings built in for popular streaming platforms, you simply need to enter a streaming key and press on air! Plus you can simultaneously use the USB webcam output to connect to a computer, allowing other video software to be used!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/strong\u003e\u003cbr\u003e\n\nIf you're streaming from a remote location, or you need a backup for the main Ethernet connection, you can plug in an Apple or Android phone to connect to the internet via mobile data. For convenience, there are USB connections on both the front and rear panel that can be used for tethering phones. Plus it works with the latest high speed 5G phones, as well as 4G phones! Blackmagic Web Presenter will auto detect when a phone is connected and switch its internet connection to use it. You can select Ethernet or phone priority, which makes phone internet backup fully automatic. Plus, by using phone tethering and mobile data, Web Presenter becomes the perfect remote location streaming solution!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e\u003cbr\u003e\n\nFor increased compatibility, Blackmagic Web Presenter also features two USB connections that operate as a simple webcam source. That means you can plug into any computer and work with any video software. The software is tricked into thinking the web presenter is a common webcam, but it's really a broadcast quality SDI video source! That guarantees full compatibility with any video software and in full resolution 1080 HD quality. Imagine connecting web presenter to a camera and then Skype or Zoom calling your client with live video of a shoot! Web Presenter works with any video software including Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster and more!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBuilt-in Technical Monitoring\u003c\/strong\u003e\u003cbr\u003e\n\nTraditional broadcast transmitters are critical equipment in a television station, however now the streaming server is just as critical because millions of viewers can be watching globally! To help, Blackmagic Web Presenter includes a feature rich technical monitoring output. The graphics based monitoring output includes a video view, audio meters with accurate ballistics, trend graphs for codec data rates and cache fill, plus a summary of the streaming settings and detailed SDI technical information. Plus the technical monitoring output works in full 1080 HD and outputs to both SDI and HDMI. That means you can use an SDI router for monitoring multiple units, or connect a simple HDMI TV!\u003c\/p\u003e\n\n\n\n\u003cul\u003e\n\n\t\u003cli\u003e1. Streaming Status - There's a very large ON AIR indicator on the top left of the monitor output, so it’s always clear when you are online and streaming! Plus all your current streaming settings are displayed clearly.\u003c\/li\u003e\n\n\t\u003cli\u003e2. Video Input Status - The SDI input technical details are displayed, such as video standard and ancillary data. The bit activity indicators let you see the quality and bit depth of video before H.264 encoding.\u003c\/li\u003e\n\n\t\u003cli\u003e3. Audio Input Status - Audio is de-embedded from the SDI input and the channel status is displayed. The bit activity indicator lets you check for 16, 20 or 24 bit audio. You can even see which audio channels are present!\u003c\/li\u003e\n\n\t\u003cli\u003e4. Video and Audio History - The audio and video technical displays also include a 6 second history display so you can see the recent video input history. This ensures you can instantly see what’s been happening.\u003c\/li\u003e\n\n\t\u003cli\u003e5. Trend Graphs - The trend graphs below the video display let you see the last 60 seconds of codec data rate and cache fill. Plus codec data rate is critical for ensuring you have enough internet speed from your ISP!\u003c\/li\u003e\n\n\t\u003cli\u003e6. Video and Audio Meters - A large area is dedicated to the video input display, and the large multi segment audio meter with accurate ballistics. You can even change the type of audio meter from VU, PPM and more.\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eIncludes Web Presenter Utility\u003c\/strong\u003e\u003cbr\u003e\n\nThe Blackmagic Web Presenter Utility software provides a single place to manage multiple web presenters and to update the settings and software. Simply plug directly into the front of the web presenter’s USB connection, or connect using Ethernet so you can configure remotely, which is important when you're managing multiple remote sites. The familiar menus and controls make it very easy to set up a live event, so you can get started fast! Plus the front panel LCD menus have the same settings and controls! You can even load additional services for ATEM Streaming Bridge. The Blackmagic Web Presenter Utility software is included free and runs on both Mac andWindows platforms.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003e12G-SDI Supports 720 HD, 1080 HD and Ultra HD!\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic Web Presenter includes a 12G‑SDI input with support for all HD and Ultra HD formats up to 2160p60. A 12G‑SDI loop output is included enabling you to loop video through more than one web presenter, so you can stream to multiple services. Blackmagic Web Presenter features Teranex conversion technology on the SDI input for incredibly clean looking video. Blackmagic Web Presenter takes the incoming HD or Ultra HD input signal and automatically converts it to high quality, low data rate 1080p HD, which is sent to the hardware H.264 encoder for streaming and to the computer when using the USB webcam outputs. All this means you can use any HD or Ultra HD source for streaming!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBuilt in Redundancy Keeps You On Air!\u003c\/strong\u003e\u003cbr\u003e\n\nSerious broadcasters love redundancy because it increases reliability. Blackmagic Web Presenter includes redundant features to help ensure you stay online. You get dual internet connections, so you connect to the internet using the built in Ethernet or a tethered phone for 5G or 4G mobile data. Plus the internet automatically switches in case of an outage! Or you can use 2 separate units to stream to both the primary and secondary YouTube servers. With both AC and DC inputs, you can use a broadcast battery pack for redundant power. There are even front panel buttons and menus, plus the Blackmagic Web Presenter Utility software for control.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBroadcast Links with ATEM Streaming Bridge!\u003c\/strong\u003e\u003cbr\u003e\n\nWhile Blackmagic Web Presenter can send video to a wide range of streaming services, it can also be used as a private broadcast SDI video link between studios! The ATEM Streaming Bridge is a video converter that lets you receive the H.264 stream from Blackmagic Web Presenter and then convert it back to SDI video. This means you can send video between remote locations across your local Ethernet network, or via the internet globally! That's all possible due to the built in H.264 hardware codec that decodes the Web Presenter stream. Imagine setting up multiple television studios and using ATEM Streaming Bridge and Web Presenter for video links between sites.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eCompact 1\/3rd RU Design\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic Web Presenter is based on the modular Teranex Mini design allowing desktop or rack use. It includes a built in AC power supply, plus a 4 pin 12V DC connection for backup power or battery operation. The extremely portable design is only 5.5 inches wide, which means you can mount 3 in a single rack unit, perfect when you need to stream to multiple independent services all at the same time. Plus you can combine Blackmagic Web Presenter with other products such as the ATEM Television Studio HD switcher for a live productionand streaming solution in a single rack unit. The front panel includes a USB connection, so you can plug in a computer for quick local setting changes.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eTurn any live production into a global internet broadcast!\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic Web Presenter allows anyone to broadcast high quality video directly to the internet’s most popular sites and services in full 1080 HD quality! Plug and play support for professional 12G-SDI sources such as cameras and live production switchers allows you to deliver far superior video, while retaining the ease of use and software compatibly of a traditional webcam. The 12G-SDI input features Teranex down conversion technology, so incoming HD or Ultra HD inputs are automatically converted to high quality, low data rate 1080p HD.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eGet your broadcast channel online quickly to a global audience!\u003c\/strong\u003e\u003cbr\u003e\n\nBroadcasters can turn any live production into a global web broadcast because Blackmagic Web Presenter makes it easy to get your program onto popular streaming services such as YouTube Live, Facebook Live and more. Blackmagic Web Presenter includes a 12G-SDI input which supports all HD and Ultra HD formats up to 2160p60, and automatically down converts to high quality 1080p60. That means you can connect 12G‑SDI video sources such as a live production switcher or camera, and instantly transmit it over the internet to the entire world! You can even include Blackmagic Web Presenter in OB vans and equipment kits to use it as a backup video link with software such as Skype!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eHigh quality live streaming of seminars and conferences!\u003c\/strong\u003e\u003cbr\u003e\n\nIf you’re an AV professional, Blackmagic Web Presenter is the best way to get your client’s seminars, training and conferences online instantly! When you need to live stream multiple cameras and laptop presentations, simply add a live production switcher such as an ATEM Television Studio HD. You can have a presenter on camera, a wide shot of the room and a slide show on a computer, then switch between them using broadcast quality dissolves! The 12G-SDI loop out can be used to record a master of the event onto an external deck for archiving, or to send the program to a Blackmagic Duplicator 4K so you can make copies to SD cards and sell them to attendees the minute the event is over!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eIncrease production value to create better looking programs!\u003c\/strong\u003e\u003cbr\u003e\n\nNow your webinars can look better than ever, because Blackmagic Web Presenter lets you stream 1080HD instead of low resolution webcams. It simplifies all of the setup so you can get online quickly and focus on delivering your content to subscribers! If you have an SDI and a HDMI camera to connect, you can add an ATEM Television Studio HD which will allow you to add muliple video sources. Simply plug in your cameras, connect to your Web Presenter, and start streaming to your favorite websites. You can also connect audio sources to ATEM Mini Television Studio’s HiFi inputs to have music playing in the background with a slide on screen while your audience waits for the presentation to start.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eStream business briefings, sales meetings, training and more!\u003c\/strong\u003e\u003cbr\u003e\n\nSkype is one of the world’s most popular chat and video conference software. It’s great for teleconferences and group calls when you need to host online meetings, training, or even product launches. Blackmagic Web Presenter lets you use any professional SDI source such as a live production switcher or camera with Skype, instantly upgrading your video quality from webcam to broadcast quality! Simply connect your computer via USB and Skype will see it as a simple but high quality web camera! You can even turn your Skype video calls into a software demo just by plugging your computer or gaming console input into a Micro Converter HDMI to SDI 3G!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eLive stream concerts and recitals!\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic Web Presenter lets you live stream school plays, recitals, and other student performances to online services such as Facebook Live and YouTube Live. That means parents and family members that are unable to attend in person can now view the performance from anywhere! It’s easy to set up in the back of an auditorium. All you need is a camera, an internet connection from your cell phone and a Blackmagic Web Presenter! Since the set up is so easy, you’ll be able to start streaming and then relax and enjoy the show! You can even add a Blackmagic Duplicator 4K to create copies of the live event on SD cards as it’s happening so you can distribute them at the end!\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eBuild a following and extend your reach online!\u003c\/strong\u003e\u003cbr\u003e\n\nBlackmagic Web Presenter allows you to revolutionize education and training so you can take your tutorials to the next level by streaming them online! You can host intimate one on one sessions with private clients over Skype, or broadcast your sessions to a greater audience through services such as Facebook Live, YouTube Live and more. Best of all, once you place cameras in your training studio, all you have to do is turn them on, connect Blackmagic Web Presenter to your computer and start broadcasting live.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123104366820,"sku":"BMD-BDLKWEBPTR4K","price":474.48,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-BDLKWEBPTR4K_547325bd-9328-4167-a55a-f72b73b4b36e.jpg?v=1764755684"},{"product_id":"blackmagic-design-web-presenter-hd","title":"Blackmagic Design Web Presenter HD","description":"\u003cp\u003eBlackmagic Web Presenter is a complete streaming solution that includes a professional hardware streaming engine for direct streaming via Ethernet to YouTube, Facebook, Twitter and more! Plus you can stream to the internet using Ethernet or connect a 5G or 4G phone to use mobile data! The built in USB connections also work like a webcam, so you can connect a computer and use any video software. You even get a monitoring output with video, audio meters, trend graphs and more!\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":47123104399588,"sku":"BMD-BDLKWEBPTRPRO","price":359.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4647\/2676\/files\/BMD-BDLKWEBPTRPRO-2_c7f2c470-4ff3-441d-a9db-91b6cc248ebc.jpg?v=1764755685"},{"product_id":"blackmagic-design-intensity-pro-4k","title":"Blackmagic Design Intensity Pro 4K","description":"\u003cp\u003eCapture and play back in up to Ultra HD resolution with Blackmagic's Intensity Pro 4K I\/O Card. Intensity Pro 4K offers all the same features of the original Intensity Pro but additionally supports Ultra HD 2160p at 30 fps and Full HD 1080p at 60 fps.\u003cbr\u003e\n\n\u003cbr\u003e\n\nIngest HDMI, YUV, S-Video, and NTSC\/PAL sources to your Mac, PC, or Linux computer and save them in compressed or uncompressed formats with the included Media Express software, bypassing any unnecessary levels of compression. Pull up real-time previews on high resolution displays for more accurate color grading and client review. Create high frame rate walk-throughs of your gameplay in full 10-bit quality YUV video and deep color. Connect your cameras for video conferencing, presentations, and live streaming of live events, webcasts, seminars, presentations, concerts, and more. A breakout cable is included providing RCA video and audio inputs and outputs as well as SPDIF audio output, allowing you to work with equipment from old VHS decks to HDTV HDMI displays.\u003cbr\u003e\n\n\u003cbr\u003e\n\nIntensity Pro 4K is also directly compatible with all of the most popular editing, design, streaming, audio, and video applications available for Mac and PC. This means you can capture directly to your software in formats such as ProRes, DNxHD, and QuickTime and avoid extra steps and possible extra compression. Work seamlessly with DaVinci Resolve, Final Cut Pro X, Media Composer, Premiere Pro, Fusion, After Effects, Photoshop, ProTools, Resolume, Nuendo, Flash Media Live Encoder, ProCaster, and more.\u003cbr\u003e\n\n\u003cbr\u003e\n\nIntensity Pro 4K is a 4-lane PCIe card compatible with 4, 8, and 16 lane PCIe slots. The HDMI video connections are switchable between SD, HD, and Ultra HD, and Component analog video connections are switchable between SD and HD. The HDMI connections feature HDMI standard 1.4b, which supports deep color and automatically configures to connected displays. 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The third generation URSA Mini Pro features new color science and shoots 80 megapixels per frame in Blackmagic RAW. You also get built in ND filters, user changeable lens mount and recording to dual CFast or SD cards. URSA Mini Pro 12K even supports recording direct to a flash disk or SSD using its built in SuperSpeed USB‑C connection!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e \u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\u003cstrong\u003eIntroducing the World’s Most Advanced Digital Film Camera!\u003c\/strong\u003e\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives you the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. You can shoot at 60 fps in 12K, 120 fps in 8K and up to 240 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port and more. DaVinci Resolve Studio is included for creative control through post from editing to color, VFX and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDigital Film, Extreme Resolution\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro 12K’s extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means you not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible. This new generation of digital film technology ushers in an analog style purity and subtlety to deliver a better than film experience.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCinematic Super 35 12K Sensor\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame! The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. The new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. You can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 120 fps without cropping or changing your field of view. URSA Mini Pro’s interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses, so you can capture every ounce of character and detail from your favorite optics.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eShoot in 12K, Edit on a Laptop\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12 bit RAW workflows in 12K effortless. As an incredibly efficient next generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn’t possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It’s like a multi camera shoot with only one camera. And it’s perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post production instantly, without rendering, while retaining the full sensor’s color accuracy.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBlackmagic RAW Fueled Image Capture\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eOnly Blackmagic RAW makes cinema quality 12‑bit, 80 megapixel images at up to 60 frames a reality! Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give you the best possible images with predictable and consistent file size. You can record RAW to two cards simultaneously so you can shoot 12K or 8K to either CFast or UHS‑II cards, even at high frame rates! Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eVirtual Cinema Production\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWhen shooting in virtual production environments, the high frequencies of the LED matrix in video walls can cause problems for ultra sharp modern lenses and high resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. URSA Mini Pro 12K OLPF adds a high performance, optical low pass filter that is precisely matched to the 12K sensor. The OLPF also incorporates updated IR filtering that improves far red color response which, when combined with Blackmagic RAW processing for the URSA Mini Pro 12K OLPF, preserves color and critical image detail for new levels of image fidelity.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eOptimized for Fast Flexible Post Production\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eShooting RAW in 12K preserves the deepest control of detail, exposure and color during post. Oversampling means you get extremely sharp 8K without harsh edges. Best of all, Blackmagic RAW is designed to accelerate 12K for post production, making it as easy to work with as standard HD or Ultra HD files. It is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. So you can always work with your camera RAW files without having to make proxies. Blackmagic RAW 12K images provide unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in 4K or 8K.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eGeneration 5 Color Science\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Mini Pro 12K sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFull Resolution at Higher Frame Rates\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro 12K is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K and even insanely detailed 12K! With a massive 80 megapixels per frame at 60 fps in RAW you can capture perfect stills and motion shots in a single camera at the same time! You can shoot up to 60 fps in 12K 12,288 x 6480 17:9! For higher frame rates, you can shoot 120 fps at 8192 x 4320, 160 fps at 8192 x 3408 and even window the sensor to Super 16 to capture 4K at an incredible 240 fps at 4096 x 2160 DCI! URSA Mini Pro 12K has flexible frame rate and resolution options, and captures with improved motion rendering which means that you get smoother edges in 8K and 4K even at lower frame rates.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHigh Band Width Recording\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro is the ultimate high bandwidth recorder with 3 options for recording 12K, which contains almost 10 times the resolution of Ultra HD. You get dual built in CFast and UHS‑II SD card recorders, and a SuperSpeed USB‑C expansion port for recording to fast SATA and NVMe drives. With \"Record RAW on 2 Cards\" turned on, URSA Mini Pro 12K can record simultaneously across two cards up to an incredible 900MB\/s to 2 CFast cards, or an impressive 500MB\/s to 2 UHS‑II SD cards. The SuperSpeed USB‑C expansion port on the rear can record to USB‑C flash storage up to 900MB\/s as a third recording option so you won’t be short of choices for capturing stunning 12K up to 60 fps or 8K up to 120 fps!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eEasy to Use Blackmagic OS\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eWith advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Mini Pro features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eRevolutionary Lightweight, Portable Design\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro is designed to include everything you need in a portable camera so you can take it anywhere! The evenly weighted camera body is made from lightweight, robust magnesium alloy. Buttons, switches and dials are laid out in a logical order that makes them easy to find by feel while using the viewfinder. An external backlit LCD status display lets you view critical information. Plus there’s a 4\" fold out touchscreen for reviewing shots and accessing the menu settings. You get connections such as 12G‑SDI in and out, USB‑C, 48 volt phantom power XLR audio, timecode and reference in. The optional Blackmagic Shoulder Mount Kit lets you go from tripod to handheld in seconds!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eInterchangeable Lens Mounts\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eDifferent projects require different lenses which is why URSA Mini Pro features an interchangeable lens mount. You can quickly switch between PL, EF and F mount lenses on the URSA Mini Pro 12K, as well as B4 lenses on the URSA Mini Pro 4.6K G2. That means you can work with high quality large PL cinema lenses, EF or F mount photographic lenses, and even B4 broadcast lenses, making URSA Mini Pro compatible with the widest possible range of professional lenses. Additional PL, EF, F and B4 lens mounts can be purchased separately. With URSA Mini Pro, you get a single camera that works with virtually all professional lenses so you have the freedom to choose the lens you need for any kind of work!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBuilt in Precision ND Filters\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro features high quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Mini Pro ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eUSB-C for Direct Recording to External Disks\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eBlackmagic URSA Mini Pro features an innovative high speed USB-C Expansion Port. The 4.6K G2 model features USB‑C 3.1 Gen 1 which operates at up to 5 Gb\/s, while the new 12K model has a USB‑C 3.1 Gen 2 for a blistering 10 Gb\/s. You can connect and power external flash disks and SSDs or on URSA Mini Pro 12K you can connect the new URSA Mini Recorder for recording to fast NVMe SSD drives for longer recording times. NVMe SSD drives are ideal for shooting 12K in the highest constant quality 12‑bit Blackmagic RAW in the Q0 setting or for high frame rates. When shooting is complete you can simply move the external disk to your computer and start editing from the same disk, eliminating file copying!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHigh Resolution Monitoring and Camera Control\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe built in 4 inch fold out touchscreen on URSA Mini Pro is a bright, high resolution color display with a wide viewing angle that makes it perfect for monitoring and reviewing shots on set! The screen can also show you a \"heads up display\" overlay with critical information such as format, frame rate, iris, timecode, shutter angle, white balance, ISO and more. Plus you get a histogram, card recording status indicators and audio meters! You can show or hide the heads up display by simply swiping up or down. The fold out touchscreen also lets you use the incredible Blackmagic operating software so you get super fast access to every camera function, digital slate for metadata management and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eDigital Slate for Fast Metadata Entry\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production specific information, technical information and more! All of the metadata is saved with the files for use in post production when editing and color correcting with software such as DaVinci Resolve!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eFull Size, Durable Connections that Work with Standard Cables\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro features multiple connections such as 12G‑SDI out, LANC, balanced XLR audio with 48 volt phantom power, timecode in, reference input and a headphone connection. There’s also a 4 pin XLR DC output for powering accessories such as a viewfinder, and an HD‑SDI output for monitoring. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. There is also a 12 pin Hi‑rose connector for controlling servo zoom lenses. URSA Mini Pro 4.6K G2 and URSA Mini Pro 12K both include a USB‑C expansion port for recording to external disks, which on the 12K model is conveniently located on the rear of the camera.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eWireless Bluetooth Camera Control\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or trigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, color correction, effects, audio and delivery.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eOptional Shoulder Mount Kit\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro cameras include multiple ¼ inch mount points on the bottom so you can attach them directly to any tripod. When you need to quickly move from tripod to handheld and back, you can use the optional Blackmagic URSA Mini Shoulder Kit. This kit includes the shoulder pad with built in rosettes, rail mounts and integrated quick lock release attachment points for instantly latching onto the quick release plate without removing the shoulder pad. You also get a top handle for carrying the camera and attaching accessories such as the Blackmagic URSA Viewfinder, a support arm for Blackmagic Video Assist and more!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eHigh Resolution Viewfinder for Accurate Focus\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro. You get a high resolution 1920 x 1080 color OLED display with precision glass optics, adjustable diopter and built in digital focus chart so you get perfect focus every time. As well as a clean feed of the image you can also view critical status information such as frame guides and more. You can easily access the fully assignable function buttons on top of the viewfinder for zooming, turning on overlays, focus peaking control and more. To preserve OLED screen life, there’s a built in sensor so the OLED only turns on when you’re looking through the viewfinder. There’s even a built in tally light!\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eBlackmagic URSA Mini Recorder\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eThe new Blackmagic URSA Mini Recorder lets you record 12‑bit Blackmagic RAW files onto fast 2.5 inch SSDs, including the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB\/s! This blazing fast performance allows you longer recording times for full resolution 4K, 8K and 12K 12‑bit Blackmagic RAW files in the highest quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Mini Pro 12K between the camera and the battery. It’s controlled via the USB‑C so you don’t have to worry about manually starting or stopping the SSD recorder.\u003c\/div\u003e\n\n\n\n\u003cdiv\u003e\n\u003cbr\u003e\n\n\u003cstrong\u003eCompatible with Industry Standard Batteries and Power\u003c\/strong\u003e\n\u003c\/div\u003e\n\n\n\n\u003cdiv\u003eURSA Mini Pro includes a 4‑pin XLR industry standard power connector that works with 12V to 18V external power supplies. That means it’s easy to use the camera with all of your existing power supplies and batteries! URSA Mini Pro cameras use the same battery power connector and mounting points on the rear of the camera so you can use a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. 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